Entertainment
A rowdy 'Road House' premiere, on screen and off, marks the start of SXSW
Just when you think you’ve seen it all, along comes something like Friday night’s premiere of “Road House” at SXSW. The event had unexpected surprises from start to finish, including but not limited to the movie itself.
The project has been dogged by controversy: Director Doug Liman previously stated publicly that he would not attend the premiere of his remake of the beloved 1989 film starring Patrick Swayze because he was disappointed that Amazon had decided the film would go straight to the Prime Video streaming service without a theatrical release.
More recently the screenwriter of the original film, R. Lance Hill, sued Metro-Goldwyn-Mayer Studios and its parent company, Amazon Studios, over copyright issues, including allegations that AI was used to complete the film.
But all that was cast aside for a rollicking event to celebrate a movie with an anarchic energy. Introducing the film, star Jake Gyllenhaal announced that Liman was indeed in the audience, calling him “our incredible director.”
As Gyllenhaal proceeded to call out various cast members in the audience, they were seemingly scattered all over the floor of the theater, shouting out when their names were called. Jessica Williams gave a big “Oh, hell yeah, Jake!” from somewhere toward the back of the room.
Once the lights went down, a card onscreen dedicated the screening to the memory of Swayze, who died in 2009.
The movie is a playful reimagining of the original, with Gyllenhaal as Elwood Dalton, a former MMA fighter haunted by memories of an incident during a fight. Now a drifter scrounging by on an underground fight circuit, Dalton is offered a job by Frankie (Williams) to work as a bouncer at her bar in the Florida Keys. What she doesn’t tell him is that she is being harassed by a local developer and crime boss, Brandt (Billy Magnussen), who wants the land her place is on. Among those coming for them is a crazed henchman, Knox (Conor McGregor), hired by Brandt’s imprisoned father.
The crowd cheered wildly for the fighting scenes in the movie, in particular the final showdown between Gyllenhaal and McGregor. Shot in the Dominican Republic, the film has breathtaking scenery and some genuinely outrageous stunts with boats. Liman imbues the entire film with a gonzo sensibility where anything can happen. Gyllenhaal’s first confrontation with a biker gang, in which he slaps them all rather them punching them before inflicting further violence, captures the spirited tone of the movie.
The film features an “introducing Conor McGregor” title card, as the former UFC champion makes his acting debut in the film. He brings a wild flair to the character, who is meant to be an unpredictable agent of chaos.
Dax Shepard, host of the “Armchair Expert” podcast and avowed fan of the original film, moderated the post-screening Q&A, taking the stage with a long list of questions as he brought out much of the main cast, including Gyllenhaal, McGregor, Williams, Magnussen, Post Malone, Lukas Gage, Daniela Melchior and JD Pardo.
McGregor, who earlier in the evening made his way down the aisle of the theater waving a bottle of alcohol and pouring drinks for people in the reserved-seating section, was, shall we say, very enthusiastic. He took over answering many of the questions, the combination of his thick Irish accent and the venue’s microphones rendering many of his responses unintelligible to the delight of those onstage and in the audience.
Talking about the casting of McGregor, Gyllenhaal said, “We were chasing Conor and hoping that he would do the movie and then all of a sudden we got the call that he was doing it. And you know that feeling when you buy the house you always wanted and you’re like, what the f— did I just do?”
Suddenly Williams injected, “The millennials are like: No, we don’t!”
Laughing, Gyllenhaal continued, “The feeling was like, Oh, my God, this is the most incredible feeling. And then it was like I wanted to run as far as I possibly could.”
“It’s very hard work for sure,” McGregor said. “I thought to myself as I was watching the movie, I’m gonna f— this up.”
As for whether he will do more acting, McGregor said in reference to the film, “I do know, looking at that with the crowd, I have a lot more to give. I feel I have a lot more.”
He added, “Doug Liman is not on the stage and he should be on the stage,” and the audience burst into cheers as Liman stood up in the audience.
As McGregor continued to amusingly hijack the Q&A, Shepard regained control by noting the paper in his hand and saying, “The studio wants these questions asked.”
Having thrown a question to Malone, who appears in an early scene in the movie, the musician answered, “I don’t know what I am doing. I was saying backstage that there is no Autotune for acting. It really is a lot of hard work.”
Shepard asked Gyllenhaal for his favorite movie tough guys and Gyllenhaal said, “Well, I think I’d be remiss if I didn’t bring Mr. Swayze back in the mix. For me as a kid though, it wasn’t at first ‘Road House,’ it was ‘Point Break.’ And subsequently my sister took me to see ‘Dirty Dancing’ like four times. I mean, he was even a tough guy in that.
“But really ultimately I think he was just packed with charisma. So much so that it’s pushed this story all the way even to here. And so I just gotta give it up to Patrick.”
Once the Q&A was finished, as everyone was making their way out of the theater (Liman wearing an outsized black cowboy hat), cries went out for medical assistance from the aisle where the cast was exiting from.
A member of McGregor’s entourage seemed to have passed out. As he was being attended to, the man was revived and was sitting in a chair drinking water as emergency medical services, firefighters and police officers all promptly arrived. McGregor and a small group of people stayed with him, looking to diffuse the situation. There was some chatter of it all being a matter of “hydration.”
Movie Reviews
Movie Review – Desert Warrior (2026)
Desert Warrior, 2026.
Directed by Rupert Wyatt.
Starring Anthony Mackie, Aiysha Hart, Ben Kingsley, Ghassan Massoud, Sharlto Copley, Sami Bouajila, Lamis Ammar, Géza Röhrig, Numan Acar, Nabil Elouahabi, Hakeem Jomah, Ramsey Faragallah, Saïd Boumazoughe, and Soheil Bostani.
SYNOPSIS:
An honorable and mysterious rogue, known as Hanzala, makes himself an enemy of the Emperor Kisra after he helps a fugitive king and princess in the desert.
With aspirations of being a historical epic harkening back to the sword and sandal blockbusters of yesteryear, Rupert Wyatt’s seventeenth-century Arabia tale is about as generic and epically dull as one would expect from a film plainly titled Desert Warrior. Yes, there appear to be real locations here, and there are some admittedly sweeping shots of various tribes storming into battle on horseback and camels, but it’s all in service of a mess that is both miscast and questionable as the work of a filmmaking team of mostly white creatives.
The story of Emperor Kisraa (Ben Kingsley, a distracting presence even with only one or two scenes) rounding up women from other tribes to be his concubines, which inevitably became the catalyst for a revolution led by Princess Hind (Aiysha Hart), uniting all the divided clans and strategizing battle plans for flanking and poisoning, is undeniably ripe for cinematic treatment. The problem is that what’s here from Rupert Wyatt (and screenwriters Erica Beeney, Gary Ross, and David Self) is less than nothing in the primary creative process; no one seems to have a connection to Arabic heritage or culture, but they have made a flat-out boring film that is often narratively incoherent.
Following the death of her father and escaping the clutches of oppression, the honorable Princess Hind joins forces with a troubled, nameless bandit played by Anthony Mackie (he totally belongs here…), who seems to be here solely to give the movie some star power boost without running the risk of white savior accusations. Whatever the case may be, it’s jarring, but not quite as disorienting as how little screen time he has despite being billed as the lead and how little characterization he has. It is, however, equally disorienting as some of the other names that show up along the way.
As for the other factions, Princess Hind talks to them one by one, giving the film an adventure feel that fails to capitalize on using beautiful scenery in striking or visually poignant ways at almost every turn; the leaders of these tribes also often have no character. There also isn’t much of an understanding of why these tribes are at odds with one another. This movie is filled with dialogue that consistently and shockingly amounts to vague nothingness. Nevertheless, each tribe doesn’t take much convincing to begin with, meaning that not only is the film repetitive, but it’s also lifeless when characters are in conversation.
That Desert Warrior does occasionally spring to life, and a bloated 2+ running time is a small miracle. This is typically accomplished through the occasional fight scene between factions that also serves to demonstrate Princess Hind coming into her own as a warrior. When the tribes are united in a massive-scale battle, and that plan is unfolding step by step, one certainly sees why someone would want to tell this story and pull it off with such spectacle. However, this film is as dry as the desert itself.
Flickering Myth Rating – Film: ★ ★ / Movie: ★ ★
Robert Kojder
https://www.youtube.com/watch?v=embed/playlist
Entertainment
Eddie Murphy’s son and Martin Lawrence’s daughter welcome first child: ‘That baby gonna be funny!’
Eddie Murphy is celebrating not just his lifetime achievement award, but also the arrival of his third granddaughter, perhaps the funniest baby alive.
Murphy’s son Eric and Martin Lawrence’s daughter Jasmin have welcomed their first child together, baby Ari Skye.
On Saturday, Murphy was honored with the 51st AFI Life Achievement Award at a gala in Hollywood and told reporters that he had recently celebrated back-to-back milestones.
“I just had my first grandson two months ago, and I had my third granddaughter two weeks ago. And I turned 65 a month ago,” he told “Entertainment Tonight” ahead of the gala. “It’s raining blessings on me.”
The ceremony celebrated his storied career across comedy and film, and featured tributes from fellow funnyman Dave Chappelle and “Shrek” co-star Mike Myers. The special will premiere May 31 on Netflix.
The “Dr. Dolittle” star also gushed about his new grandbaby to E! News, and told the outlet that being honored for his work was “a wonderful thing” but that his legacy wasn’t his work.
“My legacy to me is my children,” he said.
Asked whether he or Lawrence offered their kids any parenting advice as they prepared to welcome Ari Skye, Murphy said he’s more of a lead-by-example kind of dad.
“You don’t give advice like that,” he told the outlet. “Your kids don’t go by your advice. Your kids go by the example you set. They watch you. Stuff you be saying, they don’t even pay that no mind. They watch and see what you do.”
In March, Jasmin and Eric posted photos from their lavish baby shower on social media. The shindig included a three-tiered pink cake, pink cocktails garnished with meringue that looked like clouds and balloons galore. “The most beautiful and special celebration for our baby girl,” the couple captioned the post. “Thank you to our parents and everyone that made this day so magical! Ari Skye Murphy, you are SO loved already!!”
Excitement around Ari Skye’s arrival had been brewing in the media long before the couple even announced they were expecting. Murphy joked about a potential grandbaby when Jasmin and Eric were dating back in 2024, during an interview with Gayle King.
“They’re both beautiful,” he said. “They look amazing together. And it’s funny — everybody’s like, ‘That baby gonna be funny!’ Like our gene pool is just going to make this funny baby.”
Murphy agreed, saying: “If they ever get married and have a child, I’m expecting the child to be funny.”
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