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A prison art show at Lincoln's Cottage critiques presidents' penal law past
The Prison Reimagined: Presidential Portrait Project exhibition features artwork by incarcerated artists critiquing the U.S. justice system and is on display at President Lincoln’s Cottage in Washington, D.C.
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The Prison Reimagined: Presidential Portrait Project exhibition features artwork by incarcerated artists critiquing the U.S. justice system and is on display at President Lincoln’s Cottage in Washington, D.C.
Catie Dull/NPR
Caddell Kivett was watching the inauguration of President Biden on Jan. 20, 2021, when the thread of an idea began to form.
He was inspired by Amanda Gorman, who took the podium and read her poem The Hill We Climb, which says, in part:
“We’ve learned that quiet isn’t always peace, and the norms and notions of what ‘just’ is isn’t always justice. …”
It was then that he really started thinking, Kivett told NPR.
“Some of the words of that poem just really touched how I feel about our country,” he said.
And those feelings are complicated, to say the least.
Kivett, 53, is serving an 80-year prison sentence for assault-related charges.
He’s spent about 14 years incarcerated in North Carolina at the mercy of the U.S. criminal justice system and policies established by U.S. presidents, including Biden.
When the inauguration ceremony concluded, Kivett returned to his cell at Nash Correctional Institution in Nashville, N.C., where he’s been for the past eight years. He began to mull over a “kind of improbable idea” as the words of Gorman’s poem, “The norms and notions of what ‘just’ is isn’t always justice,” cycled through his mind.
He said he considered: What if there was a way to harness the voices of the incarcerated to critique this so-called justice system and to challenge the idea of what true justice in America could look like?
“Most people on the outside don’t know what is going on in here,” Kivett said. “And so, we just accept that this is how things are to be done and the correct response to people who commit harms or violence is to just lock them away.”
Caddell Kivett’s brainchild, Prison Reimagined: Presidential Portrait Project, launched at President Lincoln’s Cottage in Washington, D.C., this month.
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He is surrounded by artists at Nash Correctional and considered ways to take that talent and use it to push forward these questions and ideas, he said.
These thoughts that started as just a flicker in his mind in 2021 took years and complex coordination with advocates from Justice Arts Coalition, such as founder and director Wendy Jason and programs assistant Janie Ritter, to come to fruition. But this month Kivett’s brainchild, an exhibit titled Prison Reimagined: Presidential Portrait Project, was revealed to the public at President Lincoln’s Cottage in Washington, D.C.
The exhibit of 46 pieces of art and writing was curated by the Committee of Incarcerated Writers and Artists, whose members all currently live within the carceral system across the U.S. In addition to Justice Arts Coalition, a group that supports imprisoned artists, the exhibit was coordinated by staff at Lincoln’s Cottage.
The exhibit, which costs visitors between $4 and $10, will continue through Feb. 19. It may later head to a few more venues but that’s yet to be confirmed. The pieces, however, can be bought once the current exhibit has finished with all proceeds going directly to the artists.
The art pieces include different takes on portraits of U.S. presidents, among them Presidents Richard Nixon, Ronald Reagan, Bill Clinton and Barack Obama and put these leaders’ records on criminal justice under the microscope.
The exhibition focuses on various presidents, including Presidents Bill Clinton, Ronald Reagan, Joe Biden (bottom left) and Richard Nixon.
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The exhibition focuses on various presidents, including Presidents Bill Clinton, Ronald Reagan, Joe Biden (bottom left) and Richard Nixon.
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The difficulties of coordinating the exhibit from behind bars
Wendy Jason is the founder and director of the Justice Arts Coalition in Takoma Park, Md.
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Wendy Jason is the founder and director of the Justice Arts Coalition in Takoma Park, Md.
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From the moment Kivett reached out to the Justice Arts Coalition in early 2021, the wheels started turning, even if slowly, and not without some hurdles. Ritter, nonetheless, worked to ensure that Kivett kept agency over the project.
“It was his idea. I wanted him to make the decisions,” she said. “And, of course, a lot of the decisions couldn’t be made from inside. They had to be facilitated outside.”
Discussing the framework of the project with one another was among the challenges because Kivett has limited ability to call or email from his cell. And the artists whom Ritter and Jason contacted to contribute to the project are located in prisons throughout the country and rely heavily on snail mail to correspond.
Watercolor paintings, mixed media collages and colored pencil portraits are now hanging in Lincoln’s Cottage.
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Watercolor paintings, mixed media collages and colored pencil portraits are now hanging in Lincoln’s Cottage.
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Gradually, the artists began sending in their work to the group’s headquarters in Takoma Park, Md.
To get these works to Kivett and his Committee of Incarcerated Artists and Writers at Nash, who were selecting the best pieces to exhibit, Ritter had to send 8-and-a-half-by-11 sized photos of all of each piece and copies of the written submissions.
“At the same time, our mail system here was going under a transformation from paper to digital, which created a whole new slew of hurdles for us to get past,” Kivett said.
Later on, Callie Hawkins, the executive director of Lincoln’s Cottage, sent a copy of their floor plan to guide the committee in choosing where to display each piece.
“It’s a massive space,” Hawkins said. “I was blown away by their ideas for placement and groupings. And literally all our team did was place it on the wall where they directed us to.”
Janie Ritter is the programs assistant for Justice Arts Coalition. She wanted to ensure Kivett kept agency over the exhibition.
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Janie Ritter is the programs assistant for Justice Arts Coalition. She wanted to ensure Kivett kept agency over the exhibition.
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Kivett said it was hard not to feel discouraged during the process.
But, he said, “This project is a testament to what can be accomplished if you don’t let discouragement stop your momentum.”
Kivett hopes as visitors come to view the exhibit that they leave with a deeper understanding of the direct impacts of mass incarceration to critique the idea of whether incarceration is the true path to justice and that they’re motivated to take concerns directly to their politicians to make change.
“I hope everyone realizes that they’re all stakeholders. And I want them to realize what their individual part is in this process. And I hope they leave our show charged to do their part,” Kivett said.
“Continuing to just cage people for harms committed in our country is not making us safer and not making us better as a nation,” he said.
He recommends rerouting money that is being put into prisons and jails into communities that need it the most rather than continuing to invest in the carceral system as it is now.
President Lincoln’s Cottage offers a poignant venue
A portrait of President Bill Clinton and a collage of drawings of President George W. Bush are on display at Lincoln’s Cottage.
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A portrait of President Bill Clinton and a collage of drawings of President George W. Bush are on display at Lincoln’s Cottage.
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Watercolor paintings, mixed media collages and colored pencil portraits are now hanging in Lincoln’s Cottage in what was the president’s former library, dining room and bedroom some 160 years ago.
Some of the pieces are of Lincoln himself.
A mixed media collage created by Robert Spence incorporates photos of Black Lives Matters protests surrounding a portrait of Lincoln. Spence writes of this piece, “There are so many hidden (and not so hidden) racial biases and struggles that still exist in America. I wonder what President Lincoln would say if he was alive today. ‘What happened to America?’ “
Other pieces target Lincoln’s more recent successors.
The works reflect on how each administration and the policies they signed into law have impacted prisoners and contributed to the current state of the U.S. criminal justice system, which has locked up almost 2 million people — a disproportionate number of whom are Black Americans.
A mixed media work featuring a portrait of President Abraham Lincoln is on display at the exhibition.
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A mixed media work featuring a portrait of President Abraham Lincoln is on display at the exhibition.
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Like former President Bill Clinton and his signing of the 1994 Crime Bill. Critics of this bill have said it is responsible for this mass incarceration of Black Americans.
Artist Mike Tran used this event to inspire his painting on Clinton.
Tran writes, “The 3 Strikes Law (the 1994 Crime Bill), designed as a crime deterrent, serves to prove how inadequate the ‘rehabilitation’ system is. Rehabilitation is not putting a person in a box for life. It is helping that person realize why they did what they did, who they harmed with their actions, and replacing those behaviors with prosocial thoughts and beliefs.”
Tran painted a skewed version of Clinton’s presidential portrait, writing:
“I wanted to weave these ideas into President Clinton’s portrait, as he was instrumental in the passing of this law. I wanted the symbolism in the piece to be subtle, hence the three small cigars on his collar and intentional blurring of the American Flag, but once you realize them, you can’t look away.”
Not all pieces put the presidents in a seemingly negative light.
In a portrait by Brian Hindson, he contemplates on his complex feelings about Trump, who signed the First Step Act into law in 2018. This law, among many other things, lowered prison sentences for certain nonviolent offenders.
Hindson, who at the time of finishing his painting spent 15 years in the federal prison system, writes after that law passed he saw that “people were leaving in droves” and that overcrowding in the federal prison system “was actually being addressed.”
That leaves Hindson with contradictory feelings about Trump. He painted Trump’s face split and divided into different pieces, each painted a different color.
“As controversial, polarizing, and divisive as Trump was and can be, he’s the only President that did something that benefitted every federal inmate. The style I picked was my fractured art. All the pieces make him up. All the bad stuff too. Much like all of us, it’s pieces of us. All the pieces make the whole,” Hindson wrote.
A six-panel installation by artists Yuri Kadamov, Aquilla Barnette and Lezmond Mitchell depicts President Barack Obama.
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A six-panel installation by artists Yuri Kadamov, Aquilla Barnette and Lezmond Mitchell depicts President Barack Obama.
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The exhibit’s largest piece is a 72-by-40-inch, six-panel installation that hangs in the center of the cottage’s sitting room wall.
It’s an eye-catching portrait with an even more striking story.
The subject of the piece is obvious: former President Obama. Except his face is distorted with puzzle pieces missing from his face.
It reflects the three artists’ broken hopes of Obama reforming the criminal justice system and granting clemency to men on death row — a dream of the three men who painted it, they wrote.
The artists, Yuri Kadamov, Aquilla Barnette, and Lezmond Mitchell, managed to work together on this piece without ever sharing the same space. The three men slid canvases under the steel doors of their cells and handed it off to a fellow inmate who would pass the work on to the next collaborator.
The piece, however, was never fully finished.
Mitchell, who was the only Native American on federal death row, was executed on Aug. 26, 2020, at the age of 38 for first-degree murder.
Callie Hawkins is the executive director at President Lincoln’s Cottage. Her team worked with Kivett on arranging and hanging the artwork in the president’s former library, dining room and bedroom.
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Callie Hawkins is the executive director at President Lincoln’s Cottage. Her team worked with Kivett on arranging and hanging the artwork in the president’s former library, dining room and bedroom.
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It’s significant given that this incomplete portrait sits in a building that represents what Hawkins calls “that unfinished work” of Lincoln’s legacy.
“[Lincoln] recognized in his own lifetime, that his role was just to push the boulder a little further up the hill, and there he was going to fall short, that others who came after him were going to fall short,” she said. “And then it was going to take everyone to continue this ideal, this promise.”
The site of the cottage is at the highest point of Washington, D.C. It was the seasonal home of the 16th president and his family. While at the cottage in 1862 (then called the Soldiers Home), Lincoln developed the Preliminary Emancipation Proclamation in an upstairs bedroom, Hawkins said.
This was “legally supposed to free slaves in America,” Ritter said.
“Mass incarceration in the U.S. has been referred to as the New Jim Crow. I think it’s such an interesting tension to have artwork created by folks who are still inside, who do slave labor, in the room where Lincoln quite literally wrote out his thoughts for freeing those people in America,” she said.
The Proclamation was enshrined in the 13th Amendment by 1865. It says that “Neither slavery nor involuntary servitude, except as a punishment for crime whereof the party shall have been duly convicted, shall exist within the United States, or any place subject to their jurisdiction.”
A portrait of President Abraham Lincoln sits on a mantel at Lincoln’s Cottage.
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A portrait of President Abraham Lincoln sits on a mantel at Lincoln’s Cottage.
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Kivett said this amendment provides this “loophole” for those convicted of a crime. He said involuntary servitude is still legal for convicted felons, who when incarcerated, are forced into work that pays little to nothing in prisons across the country.
Hawkins said it was important for the cottage to be a part of this exhibit as it offered an important point to hold important conversations around rectifying injustice — a goal of the museum.
“It’s really important to [Lincoln’s Cottage] to not put Lincoln on a pedestal. To take him down, to interrogate him, his policies, and to really be honest about where that leaves us today,” she said.
For Kivett, the project and its themes are the embodiment of years of focus and passion on social justice issues while in prison.
It’s part of what gives him purpose and goals for the future while inside, he said.
“The big picture of the project is to let people on the outside know that we are still people, and that we are still connected somehow in our humanity.”
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President Trump to add his own name to the Kennedy Center
President Donald Trump stands in the presidential box as he visits the John F. Kennedy Center for the Performing Arts in Washington, D.C, on March 17, 2025.
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The John F. Kennedy Center for the Performing Arts will now have a new name — the “Trump-Kennedy Center.” White House press secretary Karoline Leavitt announced the news on social media Thursday, saying that the board of the center voted unanimously for the change, “Because of the unbelievable work President Trump has done over the last year in saving the building.”
Shortly after the announcement, Ohio Democrat Rep. Joyce Beatty, an ex-officio member of the board, refuted the claim that it was a unanimous vote. “Each time I tried to speak, I was muted,” she said in a video posted to social media. “Participants were not allowed to voice their concern.”
When asked about the call, Roma Daravi, vice president of public relations at the Kennedy Center, sent a statement reiterating the vote was unanimous: “The new Trump Kennedy Center reflects the unequivocal bipartisan support for America’s cultural center for generations to come.”
Other Democrats in Congress who are ex-officio members of the Kennedy Center Board, including Sen. Chuck Schumer and Rep. Hakeem Jeffries issued a statement stating that the president is renaming the institution “without legal authority.”
“Federal law established the Center as a memorial to President Kennedy and prohibits changing its name without Congressional action,” the statement reads.


Earlier this year, Trump installed himself as the chairman of the center, firing former president Deborah Rutter and ousting the previous board chair David Rubenstein, along with board members appointed by President Biden. He then appointed a new board, including second lady Usha Vance, White House Chief of Staff Susie Wiles, Fox News host Laura Ingraham and more.

Trump hinted at the name change earlier this month, when he took questions before becoming the first president to host the Kennedy Center Honors. He deferred to the board when asked directly about changing the name but said “we are saving the Kennedy Center.”

The president was mostly hands off with the Kennedy Center during his first term, as most presidents have been. But he’s taking a special interest in it in his second term, touring the center and promising to weed out programming he doesn’t approve of. His “One Big Beautiful Bill” included $257 million for the building’s repairs and maintenance.
Originally, it was called The National Cultural Center. In 1964, two months after President Kennedy was assassinated, President Lyndon Johnson signed legislation authorizing funds to build what would become the John F. Kennedy Center for the Performing Arts.
Lifestyle
How one L.A. immigrant’s quest spawned generations of Christmas tree sellers
It’s mid-November, a full week before Thanksgiving, and the progeny of Francisco Robles, a Mexican immigrant who peddled watermelons in East L.A., have converged in West Covina to commemorate the 76th year of the family’s seasonal business: selling fresh Christmas trees around L.A. from the forests of the Pacific Northwest.
Francisco and his wife, Lucia, left Mexico for a better life in the early 1900s, so it’s hard to imagine what they would make of their thoroughly Americanized descendants today. One of them is looking for a place to plug in her electric car; another is zipping around the large lot on a motorized scooter; and a third is carrying a large, elaborately framed photo of their mother, “the Queen of our hearts,” who died on Mother’s Day, so she can be part of the family photo commemorating the 2025 tree season.
The Robles’ 76-year-old grandson, Louis Jr., is keeping track of today’s Christmas tree delivery from a folding chair, wearing horn-rim glasses, slacks and a white, open-neck dress shirt. But most of his family — his three adult children, their spouses and a few of his grandchildren — are casually dressed in red “Robles Christmas Trees”-themed sweatshirts or holiday leggings, laughing and posing for cellphone photos under a huge red-and-white striped tent in the parking lot of the bustling Plaza West Covina mall.
Louis Robles Jr., 76, right, listens as his children go over an inventory list of Christmas trees delivered to his son Gabriel Robles’ lot at Plaza West Covina on Nov. 19. Gabriel stands at his father’s left, beside his wife Kathy Robles. His sister, Lorraine Robles-Acosta, far left, looks over paperwork about the trees that will next be delivered to her lot in Montebello.
All the pumpkin patch trimmings from October have been put away — the petting zoo, towering inflatable slides, Cyglos and other rides — and now the family is setting up Christmas decor and stands for the trees that will soon be delivered.
It’s a far cry from the dusty streets where Francisco Robles sold his watermelons from a truck more than a century ago. By the end of this day, the massive 53-foot-truck will have delivered its icy bundles of Nordmann, noble and silvertip firs — what Louis Jr. calls “the Cadillac of Christmas trees” — to all three of their lots in Eagle Rock, Plaza West Covina and the Montebello mall.
The Robles family is eager to get the Christmas tree lots going. Sales were slower than usual at their pumpkin patches this year, a slump they blame on Immigration and Customs Enforcement raid concerns among their large Latino customer base.
Antonio Villatoro, left, closes a hatch after moving trees, while Javier Vasquez, looks on at Robles Christmas Trees run by Gabriel Robles at Plaza West Covina.
The Robles family adds festive decor and places for photos to their Christmas tree lots such as this wall at Gabriel Robles’ business at Plaza West Covina.
Members of the Robles family talk carefully about ICE and immigration. They are business people and deeply religious — Louis Jr. is an assistant pastor at the Living Word Apostalic Church in El Monte, where they attended as a family for years — and they want to keep their politics private.
“But we are not fearful,” said Gabriel Robles. “We’ve lived here all our lives, born and raised here, and we’ve been through so much. I believe this ICE issue is another moment in time. It will pass like COVID happened and passed, and we can stand whatever they throw at us. Los Angeles is a melting pot of immigrants. We’re all unified together, no matter who is in office, and you can’t get rid of us. We are the fabric of L.A.”
Getting the family together in mid-November is unusual because, from October through December, the Robleses are juggling the family business with their other jobs: Gabriel Robles, operator of the Robles Pumpkin Festival and Christmas Trees in West Covina, is an insurance broker; his wife, Kathy, is a homemaker who manages their books. Gabriel’s older sister, Lisa Nassar, operator of Cougar Mountain Pumpkin and Christmas Trees in Eagle Rock, does security screenings at Disneyland (“I keep Tinker Bell safe,” she says, laughing). Her husband, Sam Nassar, is a counselor at Mt. San Antonio College. Lorraine Robles-Acosta is a massage therapist who does lots of work for her church; her husband, Joseph Acosta, is a drug and alcohol counselor. Together, they run the Robles Pumpkin Patch and Christmas Tree Farm in Montebello.
It’s a grueling schedule, but they cling to Louis Jr.’s motto — “We’ll sleep in January” — because this business is in their blood. Not all of the younger generation of Robleses is as gung-ho about the family business as their parents are. But Gabriel and Kathy’s sons, Roman, 21, and Mason, 19, are already devising plans to improve the family’s presence on social media, and the couple’s art-loving daughter Loren, 15, set up the acrylic paints for pumpkin painting.
The Robles family’s late matriarch, Madalene Robles, smiles from a portrait held by her husband, Louis Jr., so she can be part of the family photos commemorating the start of the 2025 Christmas tree season on Nov. 19 at their son, Gabriel Robles’ lot in West Covina. Madalene Robles died on her birthday, May 11, which also happened to be Mother’s Day, her favorite holiday.
Louis Jr.’s children, Lisa, Stephen, Gabriel and Lorraine, played among the trees in their father’s tree lots, first in Monrovia in 1973, Louis Jr. says, then in Rosemead and Pico Rivera. Louis Jr. purchased a small trailer with a tiny space heater to sit on the lot so the kids could eat and rest there while he and his wife sold trees.
“That trailer was so cold at night,” said Lisa, shivering with the memory.
In those early years, when Louis Jr. worked all day at a produce warehouse with his dad before spending his evenings at his Christmas tree lot, he and Madalene used the tree money to create magical Christmases for their children.
“I remember waking up to mountains of presents under the Robles’ tree,” Lorraine said dreamily, “and Mom wrapped every single gift.”
When they were older, Lorraine and her siblings helped set up and sell the trees. They’d chase after the few scalawags who tried to steal them, and ultimately they lobbied Louis Jr. to let them have their own lots, which over time expanded from selling a few pumpkins on straw before Halloween to big pumpkin patch extravaganzas with petting zoos, art activities, inflatables and rides. (Stephen, who lives in San Diego, stepped away from the seasonal business.)
The Robles family considers silvertip firs, with their sturdy open branches and graceful form, to be the Cadillac of Christmas trees, said Gabriel Robles. They used to be plentiful, but they’re harder to find these days, he said, because they require altitude and cold to thrive.
Inflatables like bounce houses and giant slides were Gabriel’s innovation, and so popular he insisted on adding them to his Christmas tree lot too. His dad warned against the idea, but Gabriel said he was determined. He set them up at his lot and they did well for a few days. But then it rained, and his father’s logic became apparent. The inflatables never dried, Gabriel said, and the cold and mud made them even less appealing to visitors. “I still have customers to this day who say, ‘Please put the inflatables out again,’ but they don’t understand they take forever to dry.”
The Robles family is dismissive about big-box competitors (“They’ll never replace the tradition and environment you get at our lots,” said Lisa), and they collectively hiss at the mention of artificial trees.
“My dad has been worried that artificial trees get nicer and nicer, but it hasn’t really changed our sales,” Gabriel said. “The No. 1 reason people come to our lots is the fragrance. They want that fresh pine smell throughout their home, and fake sprays don’t cut it.”
Worker Jonathan Tovar, foreground, who helps with general operations, and Roman Robles, 21, background, whose father Gabriel Robles runs the lot, arrange trees while inventory is being unloaded.
The Robles family hand-select their trees every year from the farms in the Pacific Northwest. (The names of the farms are secret to keep competitors away, Gabriel said.) After the trees are delivered, the family sprays them with water every night and keeps them shaded from the sun so they don’t dry out. “That’s the secret of our success,” Gabriel said.
Louis Jr. said the biggest part of his family’s success has been adding fresh ideas to expand the business that come from each passing generation, starting with his dad, Louis.
Francisco and Lucia Robles and their five L.A.-born children lived on Brooklyn Avenue in East L.A. All three of their sons went to war for the United States, and two never came home, one lost in World War II and the other in the Korean War. Their third son, Louis Robles, served in WWII, right out of high school. He entered the Army’s 101st Airborne Division and earned a Purple Heart as one of the paratroopers who, at age 20, dropped into German-occupied France on D-day, June 6, 1944.
Paratrooper and produce wholesaler Louis Robles Sr. supplemented his income in 1949 by selling Christmas trees in L.A. In this family photo from 1955, Robles, then 31, pauses by his Robles Produce truck preparing to drive a load of fir trees from snowy Washington to his lot in Lincoln Heights. The boy at left is unindentified.
When he returned from the war, Louis joined his father selling produce, but he had bigger ideas, Louis Jr. said of his dad. He didn’t want to sell from a truck; instead, he went into the wholesale business, selling watermelons and oranges from a stall at the old Central Wholesale Produce Market at 8th Street and Central Avenue in downtown L.A. He married Elena Ramirez, who helped at the warehouse, keeping the books, and they had four children: three girls — Gail, Priscilla, Denise — and a boy, Louis Jr.
Then, in 1949, the same year his son was born, Louis Robles had another idea: Watermelon sales slowed in the winter. Oranges were plentiful year-round, but he needed another crop that could fill the income gap. He noticed how people went to the railyard in December and bought Christmas trees off boxcars, so fresh they still had ice clinging to their branches. Packing them in snow was how trees were kept fresh during transport from the Pacific Northwest.
Inspired by this, Louis Sr. found a vacant lot in Lincoln Heights and started selling Christmas trees. Being the innovator he was, he didn’t want to rely on other people’s choices for his trees. So he researched tree farms in the Pacific Northwest and visited them himself, selecting his own trees and, for a while, even driving his warehouse’s Robles Produce truck up north to transport them himself.
Lisa Nassar helps unload small Christmas trees at her brother Gabriel Robles’ Christmas tree lot at Plaza West Covina on Nov. 19. The 53-foot-long truck filled with trees from the Pacific Northwest stopped at Nassar’s lot first in Eagle Rock that morning, and would continue on to their sister Lorraine Robles-Acosta’s lot in Montebello.
Eventually, Louis Sr. bought his own produce warehouse, and Louis Jr., always a helper after school and on weekends, joined the business right after graduation. The younger Robles married his high school sweetheart, Madalene Maldonado on Jan. 4, 1969 — after the busy holiday season, of course — and they immediately started a family. Although she helped at the warehouse, Madalene’s main interest “was being a homemaker; raising her children and being a good wife,” Louis Jr. said.
Louis Sr. was considered by his family to be a taskmaster. He was generous about giving out jobs, but he didn’t tolerate people standing around at work. Laughing, Lisa said anytime you saw him coming, you grabbed a broom and started sweeping. “I still carry that mentality — there’s always something to do, even if it’s just pushing a broom,” she said.
Louis Sr. instilled that work ethic in all of his family growing up. “Grandfather was the first one out on the floor, always working and moving, and he took people up with him,” Gabriel said. “He really believed if he succeeded, you were going to succeed. It wasn’t about a handout, it was a hand up.”
Workers unloaded trees at Robles Christmas Trees run by Gabriel Robles.
Louis Sr. was well-respected by his creditors and so beloved by his employees that they insisted on filling his grave themselves after his sudden death in 1984. But the senior Robles never attended any of his son’s games in high school, Louis Jr. said, and he missed many family activities because of work.
“That was his blind spot. He always put business first,” Louis Jr. said. “I decided I wanted a balance — I would take care of business but I would also take time to go to my children’s games.”
Louis Sr. was such a force of nature, no one was prepared when he fell in December 1984. Because this was the family’s busy season, he insisted on working despite a bad cold that turned into walking pneumonia, Louis Jr. said. He told his family he would rest in January.
He almost made it. Shortly before Christmas Louis Robles had a stroke, then a heart attack and, on Dec. 27, at age 60, he died.
Gabriel Robles, right, consults with his father, Louis Robles Jr., while Gabriel’s son Mason, left, checks his phone during the first delivery of this year’s Christmas trees at his West Covina lot.
Louis Sr.’s death, so unexpected, required Louis Jr. to take over the business himself, but it also cemented his vow to put God and family first. “I remember playing in the all-stars game in baseball and looking for my dad, and he wasn’t there, and I thought, ‘I’m not going to do that to my kids,’” he said.
Gabriel laughed, saying: “My dad was so much into my basketball games, I got kind of embarrassed.”
Eventually, the watermelon and produce business became too competitive, and Louis Jr. sold the warehouse around 2012. By then, Robles Produce was debt-free, he said. His children were working, getting married and established in their own homes, and he’d been ordained as a pastor in 1999 and was deeply involved in his church. But the family pumpkin patch and Christmas tree business remained a constant.
“It does get in your blood,” said Lorraine’s husband, Joseph, with a laugh. “I got my blood transfusion when I married my wife.”
Today, Louis Jr. acts as an advisor and consultant to his children’s three pumpkin patches and Christmas tree lots. They meet to discuss pricing and inventory, but the siblings run their own lots with each a little different from the other. There are disagreements, of course, Gabriel said, “but in the end, the thing that makes us so successful is we’re united — if someone goes against us, we’re a united front.”
Louis Robles, 76, center, of El Monte, poses with three generations of his family: son Gabriel Robles, of Fontana, far left, with his daughter Loren, 15, wife Kathy, and two sons sitting up top, Mason 19, left, and Roman, 21, Louis’ daughters Lisa Nassar, of Upland, right, Lorraine Robles-Acosta, of Pomona, and Lorraine’s husband Joseph Acosta, far right, at Robles Christmas Trees in West Covina. Gabriel’s sons say they are eager to continue the family business. “I’ve been bitten by the bug,” said Mason.
It’s not clear how many of Louis Sr.’s seven great-grandchildren will continue the family business, but Gabriel’s sons, Roman and Mason, say they’re on board. Both have opted to skip college for a hands-on business course, soaking up whatever they can from their father and grandfather.
“Our great-great-grandfather started with nothing, and now we have this. And every generation we’ve built it higher,” Mason said.
“Not many kids my age are blessed to have a family business to learn from,” said Roman. “I want to do something more with my life than just showing up.”
Lifestyle
Kumail Nanjiani opens up on his regrets, critical failures and embracing fear : Wild Card with Rachel Martin
A note from Wild Card host Rachel Martin: Here’s my theory about Kumail Nanjiani: He is not a person who is afraid of his feelings. I think he’s the opposite of that kind of person.
Kumail has made his emotional life part of his comedy – whether it’s his deep and abiding love for his wife (as told in the hit movie, “The Big Sick”), his obsession with his cat or the anxiety that grips him in the middle of the night – Kumail’s brand of comedy is often about how we feel our way through living.
His new standup special is on Hulu and it’s called “Night Thoughts.”
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