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Six takeaways from the return of the Emmys

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Six takeaways from the return of the Emmys

From left to right: Christopher Storer, Joanna Calo, Ayo Edebiri, Matty Matheson, Jeremy Allen White, Tyson Bidner, Edwin Lee Gibson, Liza Colón-Zayas, Oliver Platt, and Ebon Moss-Bachrach accept the Outstanding Comedy Series award for The Bear onstage during the 75th Primetime Emmy Awards at Peacock Theater in Los Angeles on Jan. 15, 2024.

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From left to right: Christopher Storer, Joanna Calo, Ayo Edebiri, Matty Matheson, Jeremy Allen White, Tyson Bidner, Edwin Lee Gibson, Liza Colón-Zayas, Oliver Platt, and Ebon Moss-Bachrach accept the Outstanding Comedy Series award for The Bear onstage during the 75th Primetime Emmy Awards at Peacock Theater in Los Angeles on Jan. 15, 2024.

Kevin Winter/Getty Images

The 75th Emmy Awards offered up nothing in the way of real surprise; practically every prize went to the frontrunner. Perhaps the closest the night came to a moment worth an eyebrow-raise was the In Memoriam segment that included a mournful rendition of the Friends theme song. Obviously, a very well-meaning attempt to recognize Matthew Perry, but that is not a song that translates into tears. The delay of this ceremony from September to now also meant that a lot of these frontrunners are fresh off Golden Globe and Critics’ Choice awards, making their wins seem even a little more obvious.

Still, like every Emmy night, there were some notable developments.

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1. Three big shows dominated the major categories given out Monday night: Succession in drama, The Bear in comedy, and Beef in limited series. All three won the big prize in their category as best series. All three won both directing and writing awards. All three won multiple acting awards — two for Beef (its two leads), three for The Bear (its three principals), and three for Succession (three members of its gazillion-person cast). Only four wins out of the 21 handed out in these three categories went to any other shows: Jennifer Coolidge for The White Lotus, Paul Walter Hauser for Black Bird, Quinta Brunson for Abbott Elementary and Niecy Nash-Betts for Dahmer — Monster: The Jeffrey Dahmer Story. It seemed like maybe Ted Lasso might be in the race for its (likely) final season, or The Last Of Us might make a strong showing for its adaptation of a stunning video game. But it was not to be. This was a night for the favorites to fully dominate.

2. Coolidge’s win for her supporting work in The White Lotus wasn’t unexpected, given that she won last year, but along with the rest of the night, it did come as a real blow to Better Call Saul fans, myself included. Many people who hoped against hope that Rhea Seehorn would win the trophy in her last shot for the work she did as Kim Wexler. In fact, Saul — a show a lot of its admirers think is better than Breaking Bad, from which it was spun off — won no Emmys at all. It ends an acclaimed six-season run with 53 nominations and no awards. Perhaps that’s only fitting for a show that’s about a bottom-feeder and repeat loser like Jimmy McGill, but those who know, know. Especially about Rhea Seehorn.

3. In place of the orchestra playing people off to trim runaway speeches, they decided this year to have host Anthony Anderson’s mother stand up in the audience and start yelling at them. The moment she did it to Jennifer Coolidge, it was more than clear that this was going to be terribly awkward. The producers didn’t continue with it, fortunately. It’s not clear whether they ever intended to. Perhaps they didn’t, or perhaps they instantly realized it was not going to land the way they hoped. Seriously, just play the music.

4. It’s often been the case that awards shows include a good number of Black actors as presenters, or as hosts like Anderson, but then don’t actually reward their work. Not so with these Emmys. Three of the first four women to take the stage as winners — Ayo Edebiri, Quinta Brunson, and Niecy Nash-Betts — were Black, and the ceremony’s look back at 75 years of Emmys included beloved icons like Arsenio Hall and Marla Gibbs as well as influential shows like Good Times and Martin. Anderson called it “like MLK Day and Juneteenth rolled into one.”

5. Most coverage of the Emmys goes to a handful of major categories, but there’s always plenty going on up and down the list. One story of note: With a win for his special Elton John Live: Farewell from Dodger Stadium, Elton John reached a made-up status that it’s hard not to admire anyway — the EGOT.

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6. At the 75th Emmys, it made sense to do a lot of remembering of the TV of the past. Some of this worked really well, like getting to see old sets (or rough approximations of old sets) or reunions, like the one between Rob Reiner and Sally Struthers. Some of it was a little effortful, like Anderson doing a skit with Dylan McDermott about American Horror Story. But on a generous curve of how “and now, we salute television!” stuff usually goes, it gets a solid B-plus.

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8 creative ways to build your village, according to our listeners

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8 creative ways to build your village, according to our listeners

How did you build your village? We asked NPR’s audience this question in our newsletter in January, inspired by Life Kit’s interview with Priya Parker on how to create community.

The key is to start imagining the community you might want to live in and then take steps to make that a reality, says Parker, a conflict resolution facilitator and the author of The Art of Gathering: How We Meet and Why It Matters.

Many of our readers have done just that. We received dozens of responses from folks who’ve found creative ways to make lasting connections where they live.

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One person said he’d gotten closer to his neighbors by hosting a weekly coffee date. Another strengthened her network of mom friends by organizing a night out. One man grew a garden in his front lawn just to have something to talk about with passersby.

Here’s a sampling of village-building activities from our readers. These have been edited for length and clarity.

Throw a party for your neighbors (and get their contact info) 

I live in a cul-de-sac with about 20 homes. We organized a Memorial Day cookout, invited the neighbors and requested their contact information. We have used the information to check in during power outages and weather events, like tornadoes. It helps us feel more connected to our neighbors, many of whom we would not know otherwise. — Linda Ray Miller

Find comforting ways to help out during hard times 

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I grew up in a tight-knit Southern neighborhood where people just seemed to know what to do in times of trouble. If there was a major illness, a death in the family or any other difficult situation, the freezer-friendly meals, offers to babysit and cards of condolences would flood in. Everyone stepped up to make those who were struggling feel less alone and take burdens off their plate. — Annie Lerner Smithson

Invite neighbors out for coffee and conversation 

We have a wonderful new café in town, and I’ve been hosting a weekly table where I invite two neighbors to come and have coffee and conversation. It is now more important than ever to reach out to those who may not share our views, so that when a big tree branch falls across our driveway, we’re going to feel comfortable enough to go down the road and ask to borrow a chain saw. — Christopher Irion

Grow a garden as a springboard for small talk 

I had a very small front yard of grass and formal landscaping. I removed them and planted bulbs, perennials and blueberries. This gives my neighbors something to be interested in and something for us to talk about. It also motivated my immediate neighbors to plant flowers. — Friday Ululani

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Make the mom village you wish you could have 

When my daughter was young, we noticed another child at her day care who seemed to have a similar personality. We sent a note home asking if they wanted a play date and have since become very good friends with that family.

A few months later, I was chatting with a few moms during day care pickup and suggested a night out for a drink. One of the moms literally gave me a hug! Six of us [now regularly] go out for “mom’s night out.” We’ve even got the dads going out for trivia once a month as well.

I’m so glad I didn’t stop at one mom friend and opened up my circle and created a village! — Emily Johnston

Share what makes you happy 

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My daughter died a couple of years ago and I needed to have some sort of purpose to live.

With a bit of meditation, I realized what had always made me happy in life: sharing food, stories, music, art and games.

This is what I’ve begun to do. I started with potlucks. Then potlucks with an open mic. We’ve gone on to gathering around the fire with instruments and stories, bowling once a week and attending the local girls’ roller derby.

I started with just four couples, and now [the group numbers] 24. I expect this spring’s/summer’s potlucks will expand the group by a lot. — Terry Garrett 

Support a local business 

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I just started a Punk Rock Movie Club in my little town of Catskill, N.Y. I wondered if anyone would come. In less than a week, 55 people in the Hudson Valley signed up to be members. It supports the theater that has reopened and gives me an opportunity to share my guilty pleasure and build a tribe of enthusiasts. — Jenny Toomey

Send them snail mail 

My favorite hobby is snail mail. I send over 200 letters and packages every year. I have a huge stash of supplies: cards organized by sentiment, a crate of fun things I can throw inside the card and a giant collection of stickers.

It’s a calming and fun activity, and it sincerely has led me to remain connected with people I otherwise would have completely lost touch with. — Mandy McGee

Thank you to those who emailed us with your responses for this callout. Stay in touch with Life Kit and sign up for our newsletter. You’ll get a weekly dose of expert advice on health, money, relationships and more.

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The story was edited by Malaka Gharib. We’d love to hear from you. Leave us a voicemail at 202-216-9823, or email us at LifeKit@npr.org.

Listen to Life Kit on Apple Podcasts and Spotify, and sign up for our newsletter. Follow us on Instagram: @nprlifekit.

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Brandi Glanville Says Breast Implants Caused Face Parasite

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Brandi Glanville Says Breast Implants Caused Face Parasite

Brandi Glanville
I GOT FACE PARASITE FROM BOOB JOB

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‘Crime 101’ is an old-fashioned heist film that pays off

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‘Crime 101’ is an old-fashioned heist film that pays off

Chris Hemsworth plays Davis, a virtuoso jewel thief, in Crime 101.

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If there’s anything I miss in pop culture, it’s the presence of ordinary movies. I don’t mean blockbusters like Avatar or cultural events like Barbenheimer or Oscar contenders like One Battle After Another. I’m talking about the routine, well-made entertainments that, for nearly a century, used to open in theaters every week. You’d go see them because the story sounded good or you liked the stars or you just wanted to enjoy something as part of an audience.

I was reminded of how much I’d missed them as I watched Crime 101, a pleasingly rare example of what used to be commonplace. Based on a 2020 novella by the terrific crime novelist Don Winslow, Bart Layton’s movie boasts a slate of top-notch stars and puts a nifty, self-conscious spin on the old-fashioned heist picture. Hopscotching through Los Angeles’ glamor and grit, the action centers on three solitary characters, each at a personal Rubicon.

Chris Hemsworth plays Davis, a virtuoso jewel thief who pulls off clockwork robberies in neighborhoods along the 101 Freeway. A study in terse masculinity — Davis is a Steve McQueen fan, it’s worth noting — this control freak gets knocked off his bearings by running afoul of his mentor (played by a menacing Nick Nolte) and by getting involved with a charming publicist (Monica Barbaro) who wants him to open up.

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His nemesis is an honest police detective named Lou, nicely played by Mark Ruffalo. Rumpled and brainy, Lou’s got an unhappy wife (Jennifer Jason Leigh) and an unhappy boss who tells him to stop chasing the 101 jewel thief and start padding LAPD arrest stats by closing easier cases. But Lou’s obsessed.

Both he and Davis wind up crossing paths with Sharon (an excellent Halle Berry) who works selling high-end insurance to rich jerks (one played with fine jerkiness by Tate Donovan). Waiting for a promotion that never comes, Sharon suffers from insomnia — her sleep app chastises her — and seeks refuge in self-affirmation tapes.

Davis (Chris Hemsworth) and Sharon (Halle Berry) in CRIME 101. (Photo Credit:

Chris Hemsworth plays a jewel thief and Halle Berry is an insurance broker in Crime 101.

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Now, if you’ve ever seen a heist movie, you know that the action will inevitably build to a big robbery that brings all the principals together. Crime 101 does this quite deftly and even stirs into the brew a young thug, played by Barry Keoghan in comical blond hair, whose run-amok emotions make him dangerous. That said, one of the movie’s pleasures is that it isn’t clogged with action sequences. It’s got an old-fashioned interest in character, especially compromised characters, and gestures at darkness rather than diving into it. It glistens with the silver-lined optimism you find in Elmore Leonard.

The dialogue is intelligent and often witty; the stars seem like stars; the tension keeps building. And now that filming has largely abandoned LA, it’s a treat to see a movie that once again captures the many textures of the city, from its taco stands and snaking freeways to its yoga-mat beaches, billionaire mansions and encampments on the streets. Layton lets us see how the whole plot is driven by the abyss separating the entitlement of LA’s haves from the struggle of its countless have-nots.

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Winslow’s original novella appeared in a collection called Broken, and that’s a handy clue to what makes this movie interesting. Davis, Lou and Sharon are all wounded, but essentially decent people who follow specific codes of honor. Davis’ robberies take care to never ever hurt anyone; Lou doesn’t bust innocent people just for the arrest stats or cover up police shootings like other cops; Sharon behaves like a proper insurance agent, believing she’s helping people feel safe and climbing the corporate ladder diligently.

Yet they inhabit a broken reality. Davis’ fellow crooks don’t actually believe in honor among thieves; Lou’s colleagues care less about justice than covering for each other; Sharon’s bosses think that women agents age-out because rich male clients only want to deal with hot, young ones. As the story builds, each must confront this broken world, and decide whether or not to do some breaking of their own — starting with their own personal codes.

Naturally, I won’t tell you what — or who — gets broken. But I will say that Crime 101 pays off neatly. Probably too neatly. But I didn’t mind at all. That’s how ordinary movies are supposed to end.

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