Washington
The Real Reason the Washington Post’s Non-Endorsement for President Is So Infuriating
On Friday afternoon, the New York Times and other outlets reported that, for the first time in almost 50 years, the Washington Post would not be endorsing a candidate in the 2024 presidential election—and would refrain from endorsing candidates in all future presidential elections, too. In a note to staffers, the newspaper’s beleaguered publisher, Will Lewis, implied that the decision was made for reasons of editorial independence, and characterized it as “consistent with the values The Post has always stood for and what we hope for in a leader: character and courage in service to the American ethic, veneration for the rule of law, and respect for human freedom in all its aspects.” Others interpreted the decision rather differently: “This is cowardice, with democracy as its casualty,” former Post editor Marty Baron wrote on X.
The Post’s move came days after the news broke that Patrick Soon-Shiong, the owner of the Los Angeles Times, had prevented the paper from endorsing a presidential candidate this year. In a letter to Soon-Shiong that was reprinted by the Columbia Journalism Review, Mariel Garza, who resigned as the newspaper’s editorials editor on Wednesday, argued that the “non-endorsement undermines the integrity of the editorial board and every single endorsement we make, down to school board races. People will justifiably wonder if each endorsement was a decision made by a group of journalists after extensive research and discussion, or through decree by the owner.” In a post on X, Soon-Shiong defended his decision and said that the editorial board “was provided the opportunity to draft a factual analysis of all the POSITIVE AND NEGATIVE policies by EACH candidate during their tenures at the White House, and how these policies affected the nation…. Instead of adopting this path as suggested, the Editorial Board chose to remain silent and I accepted their decision.” (“Makes sense,” Elon Musk posted in response.)
And I suppose these twinned non-endorsements did make sense, if you’ve been tracking the trajectory of these two newspapers—and the news business in general—over the past few years. Not to make a long story perhaps unfairly short, but I think it’s notable that both the Washington Post and the Los Angeles Times are newspapers that were “saved” years ago by very rich guys who these days seem mostly frustrated that they have not been able to make those newspapers earn their respective keeps.
Soon-Shiong, a biotech billionaire, did Los Angeles and the nation a huge favor by purchasing the Times from the publishing company then known as “Tronc” in 2018; since 2023, though, the Times has shed roughly a third of its newsroom in multiple rounds of layoffs, moves Soon-Shiong justified by noting that the paper could no longer afford to lose as much as $40 million per year. The Washington Post, of course, has been owned since 2013 by Jeff Bezos, whose $205.6 billion fortune, according to Forbes’ Real-Time Billionaires List, currently makes him the third-richest man in the world. But all that money has not stopped Bezos from signing off on layoffs and buyouts at the Post, kvetching about the newspaper’s current inability to turn a profit, and installing Lewis, an apparent twit, as its publisher.
Both men deserve kudos for stepping in to “save” their respective newspapers when they did. But they’ve also both already gotten all of the kudos they’re ever going to get for doing so, and at this point I’d bet that they’re both primarily concerned with minimizing the additional hassle that those papers present to their lives and their bank balances. Unfortunately for them, running a credible news outlet in the Trump era is pretty much all hassle, all the time. Fact-based news outlets these days are constantly hammered with bad-faith critiques of their reporting and analysis from conservatives hoping to intimidate these outlets out of reporting disfavorably on Donald Trump and his craven lickspittles in the Republican Party. These critiques often cite the volume of critical reporting and analysis focused on the right versus the left as evidence of newsroom bias, as opposed to evidence that the American right these days is disproportionately made up of liars, charlatans, and cryptofascists. These cries of “bias” never, ever end. The manufactured outrage is constant, and it is meant to cloud the discourse and exhaust hardworking reporters to the point where they back down.
The tactic doesn’t usually work, at least not on the editorial side. The people who are left in today’s trimmed-down newsrooms are generally smart, idealistic people who are not swayed or fooled by these empty critiques of their work. The people who sign these reporters’ paychecks, unfortunately, are not always so resistant. The biggest offices in modern media C-suites are sometimes filled by businesspeople who hear half the country constantly shouting about media bias and wonder whether or not the allegations might be true. These people can sometimes interpret the concept of “editorial neutrality” as meaning that their newsrooms should be equally critical of both major political parties, and it would not surprise me to find that they privately fear that their outlet’s revenue problems are partially a function of their newsroom being too “anti-Trump.” The non-endorsements at the Times and the Post were not editorial-side decisions; they were C-suite decisions. And it’s reasonable to wonder whether those C-suites are hoping to hedge their bets in advance of a very, very tight presidential election in which one of the candidates is a vindictive jerk with a massive grudge against the legacy media.
From a practical standpoint, these endorsements are no great loss. It is no longer 1912, after all, and very few citizens are relying on their newspapers to tell them which presidential candidate they should vote for. The newspaper endorsement is in many ways vestigial from an era when these outlets wielded vastly more cultural influence than they currently do. Pretty much everyone in America has already made up their minds about the presidential election, and those few people who haven’t almost certainly are not regular readers of the Washington Post or the Los Angeles Times.
But as Garza noted in her letter to Soon-Shiong, it’s more that the non-endorsement affects the rest of the newspaper. If a newspaper’s owner or publisher can dictate whether it endorses someone for president, then how is a reader to trust that all of the other endorsements weren’t also influenced by the fat cats at the top? Sure, nobody’s relying on a newspaper to tell them who to support for president, but I suspect that people are absolutely willing to take a paper’s advice on who to support for county commissioner or state representative or any number of other, less prominent races. Interference in the presidential endorsement affects the credibility of all the other endorsements, too. As Garza also noted, it’s just plain weird that a newspaper that has spent years reporting on Trump’s unfitness for office would refrain from endorsing his opponent. The non-endorsement, in that context, makes it seem like Harris is somehow unfit to lead—or, at least, that’s how the Trump campaign is currently spinning it; they wrote that “even her fellow Californians know that she’s not up for the job.”
None of this is new, of course. For most of the history of journalism in America, the owners and publishers of newspapers, magazines, and other outlets have attempted to influence the content therein, sometimes very blatantly. But it’s sort of sadly ironic that this historical trend is re-emerging at the Washington Post of all places. More than any other American newspaper, perhaps, it was the Post and its Nixon-toppling Watergate investigation that embodied the concept of the independent newsroom, filled with fearless journalists and heroic editors, reporting the truth no matter the cost. Nowadays, apparently, the blowback that the Post might receive for officially endorsing the only fit candidate for president is a price that’s too high to pay.
Washington
Washington football displays depth, talent at first spring scrimmage
On a perfect day in Seattle for football, Washington took the field inside Husky Stadium for its first scrimmage of spring practice, and ahead of his third season at the helm, Jedd Fisch seemed pleased with the results.
“Guys played and competed their ass off,” he said after the Huskies ran 120 plays. “That’s the type of day we want to have…We have a lot to work on, but we’re excited that today gave us this opportunity.”
The 120 plays had a little bit of everything, but the biggest thing the Huskies showed during the day was that, despite the inexperience that Fisch’s coaching staff is looking to lean on at several positions, there’s plenty of talent littering the roster. The best example of that is sophomore safety Paul Mencke Jr., who had his best practice in a Husky uniform after Fisch announced on Saturday that senior CJ Christian is out for the year after suffering a torn Achilles tendon during Tuesday’s practice at the Virginia Mason Athletic Center.
“Paul’s done a great job of competing and being physical and playing fast, and you could see over these three years, he’s really grown into understanding now the system, and what’s asked of him as a safety,” Fisch said. “I think there’s a lot of in him that he wants to be like (safeties coach Taylor) Mays. He sees himself as a tall, linear, big hitter. So when you have your coach that is known for that type of play, I think Paul has done a great job.”
Mencke was all over the field. Not only did he lay some big hits, just like his safeties coach did during his time at USC, but the former four-star recruit also tallied a pair of pass breakups, an interception in a 7-on-7 period, and multiple strong tackles to hold ball carriers to limited yards.
While the defense did a good job getting pressure throughout the day and making the quarterbacks hold the ball with different looks on the back end, with safety Alex McLaughlin, linebacker Donovan Robinson, and edge rusher Logan George all among the players credited for a sack, quarterback Demond Williams Jr. got an opportunity to show off how he’s improved ahead of his junior year.
Early on, he showed off his well-known speed and athleticism, making the correct decision on a read option, pulling the ball and scampering for a 25-yard gain before displaying his touch. Throughout the day, his favorite target was junior receiver Rashid Williams, whom he found on several layered throws of 15-plus yards in the various scrimmage periods of practice.
On a day when every able-bodied member of the team was able to get several reps of live action, here are some of the other noteworthy plays from the day.
Spring practice notebook
- Freshman cornerback Jeron Jones was unable to participate in the scrimmage and was spotted working off to the side with the rest of the players rehabbing their injuries.
- The running backs delivered a pair of big blows on the day. First, cornerback Emmanuel Karnley was on the receiving end of a big hit from redshirt freshman Quaid Carr before the former three-star recruit ripped off a 13-yard touchdown run on the next play. Later on, every player on offense had a lot of fun cheering on freshman Ansu Sanoe after he leveled Zaydrius Rainey-Sale, letting the sophomore linebacker hear all about it when the play was whistled dead.
- Sophomore wide receiver Justice Williams put together a strong day with several contested catches, showing off his strong hands and 6-foot-4 frame, including a 25-yard catch and run off a drag route from backup quarterback Elijah Brown.
- Of all the tackles for a loss the Huskies were able to rack up throughout the day, two stood out. First, junior defensive tackle Elinneus Davis burst through the middle of the line to wrap up freshman running back Brian Bonner. Later on, freshman outside linebacker Ramzak Fruean wasn’t even touched as he shot through a gap in the offensive line to track down a play from behind, letting the entire offensive sideline know about the play on his way back to his own bench.
- The Huskies experimented with several defensive line combinations on Saturday, and for the first time this spring, it felt like freshman Derek Colman-Brusa took the majority of his reps alongside someone other than Davis, who he said has taken on an older brother role to help mentor the top-ranked in-state prospect in the 2026 class.
“Elinneus is a phenomenal guy. Great work ethic. He’s kind of taken on that older brother mentor for me. He’s been a great help just to learn plays and learn the scheme. Can’t say enough good things about the guy.”
- Ball State transfer Darin Conley took a handful of reps with the first team, while rotating with Colman-Brusa, who got a lot of work in alongside Sacramento State transfer DeSean Watts.
Washington
Sioux Falls art teachers show ‘incredible’ work at Washington Pavilion
Twenty Sioux Falls School District art teachers have their own original pieces on display at the Washington Pavilion’s University Gallery now through May 31.
The “Teachers as Artists” exhibit showcases their work not just as educators, but as artists inside and outside of the classroom, and highlights how art education builds critical thinking, creative problem-solving and self-expression skills.
Edison Middle School art teacher Meagan Turbak-Fogarty said she dreamt of such a showcase since her first year teaching.
She and Kathy Dang, an art teacher at Marcella LeBeau Elementary School who also serves on the city’s Visual Arts Committee, partnered with the city and Washington Pavilion to bring the showcase to life.
Turbak-Fogarty has taught at Edison for five years and said her passion for art is “instantly felt” on her classroom walls, but that students have asked where they could see her art in the classroom, or what kind of art she creates in her own time.
“I always felt the feeling that I stand in front of all these kids every single day and preach about how much I love art, and how art has changed my life,” Turbak-Fogarty said. “That got me thinking, ‘I want to show them.’”
Some of her works on display at the Pavilion include art she created in her first year teaching, including a large Cheetos bag she created as an example for her eighth grade classroom when they were working on a large chip bag project. Turbak-Fogarty said she loves painting, working with acrylics and unconventional materials.
“I wanted to show my students that art can be anything,” she said. “It doesn’t have to be hanging up in a museum to be considered art.”
Continuing to do her own art while teaching the subject helps keep her inspired, Turbak-Fogarty explained, adding that it helps her push her own creativity when it comes to projects she works on with students.
Samantha Levisay, an art teacher at John Harris Elementary School, showed three pieces in the show — “Moments in Time,” “Midnight Butterfly Garden” and “Whimsy” — with the same mixed media, watercolor and printmaking skills that she teaches in different units at every elementary grade.
Levisay educates her students that “art is everywhere.” She said her favorite memories as an art teacher are “moments when I show students a lesson, and they take it even further.”
“Kids are so creative; I marvel at them all the time,” she said. “They inspire me every day with their endless creativity and imagination.”
Roosevelt High School art teacher Ruth Hillman showed two pieces in the show: “The Potato on the Wall,” a mixed media work, and a collection of her handmade clay charms in a shadow box.
She also wore some of her art — miniature potato earrings made of clay.
Hillman is in her third year at RHS. When she’s not teaching art, she’s also making art, and sells her charms at shows like the Art Collective.
Washington High School art teacher Mollie Potter displayed a three-part painting series at the show that she said were inspired by her English language learner students’ stories, and how teachers help students “take flight,” as represented by balloons, parachutes and kites in her work.
Porter said she is often inspired by her students’ art in the classroom; for example, one former student was obsessed with swans, and Porter said she later created a painting inspired by one of the student’s stories about swans.
At an April 17 reception, Mayor Paul TenHaken emphasized the arts as an “important economic driver in the community,” and said the show honored educators “who are artists in and of themselves,” but who might not have had a chance to display their art outside the classroom before.
“This is a way for us to honor them and show their incredible work,” TenHaken said.
Washington
How will Trump get out of his fight with Pope Leo?
Full Episode:
Washington Week with The Atlantic full episode, 4/17/26
Donald Trump has achieved what he’s achieved to date by being more rhetorically reckless, blunter and more insulting than any president in memory. But are there any limits? Join moderator Jeffrey Goldberg, Leigh Ann Caldwell of Puck, Stephen Hayes of The Dispatch, and Jonathan Lemire and Michael Scherer of The Atlantic to discuss this and more.
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