Utah
‘There’s just nothing like it’ — The 1896 letter declaring Utah a state has come to the Beehive State
It’s unclear how a 1896 document signed by President Grover Cleveland approving Utah as a state ended up at a Boston-based document auction this spring, but it’s now finding its home in the Beehive State.
Anthony Christensen, the founder of Anthony’s Fine Art & Antiquities, announced the gallery’s purchase of the document in its neoclassical gallery on Monday afternoon.
The building itself is historical — it formerly was the Immanuel Baptist Church built in 1911 — and throughout the gallery hangs the work of artists like Walter Rane, Arnold Friberg and Minerva Teichert. The sun peers in through the stained glass ceiling and around every corner is a treasure like Louis Comfort Tiffany’s The Good Shepherd stained-glass window or H.L.A. Culmer’s landscape of the Grand Canyon.
It took decades of trying for Utah to become a state, but there was something else that Christensen emphasized when he first announced the sale.
Christensen quoted from a letter John Adams wrote to his wife Abigail Adams about how what has become known as Independence Day in the United States would be remembered.
“I am apt to believe that it will be celebrated, by succeeding Generations, as the great anniversary Festival,” Adams wrote. “It ought to be commemorated, as the Day of Deliverance by solemn Acts of Devotion to God Almighty. It ought to be solemnized with Pomp and Parade, with Shews, Games, Sports, Guns, Bells, Bonfires and Illuminations from one End of this Continent to the other from this Time forward forever more.”
Paraphrasing this quote, Christensen recalled how the Latter-day Saint pioneers celebrated July 4 and lit bonfires in what is now known as Big Cottonwood Canyon even as they faced military opposition. “They wanted to be part of America, that was their heritage,” Christensen said.
With that as a backdrop, Micah Christensen, art consultant and European art and furniture expert, said Anthony’s Fine Arts & Antiquities has been in the business for 40 years and has purchased many historically significant objects throughout the decades.
“But this one really strikes at what we feel like is part of our stewardship,” Christensen told media in a press conference. “Which is to make sure that things that are meaningful to the state find their way back here and are celebrated and understood in context.”
The document — a handwritten letter penned in iron gall ink — sold for $27,188 at auction. Christensen said there were several documents from the federal government that were sold at auction. “But what’s uncommon is there would be one that was so specific to the state of Utah.”
“I hereby authorize and direct the Secretary of State to cause the Seal of the United States to be affixed to my Proclamation admitting the State of Utah into the Union of States; dated this day, and signed by me; and for doing so this shall be his warrant,” the document reads in full.
Christensen said the gallery bought it “because we felt like it was important to bring that document and ensure that it is here in the state and it’s our goal to make sure that it goes to a state institution.”
It symbolizes the end of Utah’s petitioning to become part of the United States. It was signed on Jan. 4 of that year. It was signed concurrently with a proclamation (Proclamation 382) that created the state. The territory applied six times before finally entering the Union in 1896.
The gallery displayed it on the wall surrounded by other historical objects related to Utah’s journey to statehood, including a 45-star flag.
Ronald Fox, the co-chair of the Utah Commission on the 250th anniversary of the United States and president of The Fox Group, partnered with the gallery in its pursuit of the document.
Cleveland signed the document in private. “He had a delegation from Utah there,” Fox said, but they did not witness the signing of the document.
Its journey from that signing to where it currently is in downtown Salt Lake City is unclear.
Somewhere around the turn of the 20th century, a clerk or a secretary of state released a batch of documents into the public and they were no longer property of the federal government, Fox said. Private collectors owned this document prior to it coming to auction, but whose hands and how many hands it passed through is unknown.
“It is our hope that it goes into the new state museum,” Fox said, referencing the history museum slated to open in 2026 at the Utah Capitol. It’s Christensen’s hope that the gallery will find a client who would buy the document and donate it to the state so it can end up in the museum.
Fox also said that it’s likely the first time this document has ever actually been in the state of Utah. “There’s just nothing like it.”
When the document was signed and Utah became a state, Fox said there was a jubilant celebration.
“The telegraph office was buzzing with information, and the telegraph operator came out into the middle of the street with a double barrel shotgun and fired it off to get everybody’s attention,” Fox said.
The 5 p.m. edition of the Deseret Evening News reported the news of Utah becoming a state on Jan. 4, 1896, also noting the shotgun announcement, bells ringing and blowing of whistles.
Utah’s struggle to become a state was unlike any other state in the country.
Though Cleveland signed the letter on Jan. 4 1896, it wouldn’t be until July 4 of that year that the official statehood celebrations commenced and the U.S. added the 45th star to the American flag.
Utah
Discover the deliciousness of New York-style pizza at Fini Pizza in Utah City
The beloved Fini Pizza made quite the impact during its debut in Utah City.
Just days after opening, the pizza joint sold out of everything by 5 p.m. on a Monday afternoon. The demand for the delicious New York-style pizza was higher than expected.
Owner Sean Feeney and the rest of his team worked late into the night to prep for the week, building pizza boxes, slicing pepperonis and doing all they could to prevent that from happening again.
Feeney said he has three goals with Fini Pizza:
- “Make something that is excellent and delicious and cravable.”
- “Do it in a way where you’re making others feel like they matter and you want their days to be better.”
- “How do we then go outside of these doors and really show people how proud we are to be a part of this neighborhood?”
For the first time, Fini Pizza also opened up Fini Cafe, a charming little cafe that serves up bagels, sandwiches, coffee and pastries.
“You can start your days with us,” Feeney said. “And we can start our day together on a good foot.”
Choosing Utah
This is the first location of Fini Pizza outside the New York City area. Why did Feeney choose Utah? It goes all the way back to his childhood.
Feeney visited the Beehive State to participate in the AAU National Basketball Championship at 11 years old in Salt Lake City. During that trip, he met Jazz legend Frank Layden and former players, like Luther Wright and John Crotty. He also said he “fell in love with Utah” on his first visit.
His family kept coming back to the state they fell in love with, and Feeney said he always wanted to plant some kind of roots in Utah.
“I just resonated with the family-first values-driven environment,” Feeney said. “When I visit Utah, I feel like there is a strong sense of family. There’s a very values-driven environment that I just love. I think about the mountains. I think about the active lifestyle people live here.”
So when a friend showed him some renderings of plans for Utah City, an up-and-coming neighborhood in Vineyard, he figured this was how he could bring Fini Pizza to the state he loved so much.
“I saw the mountains, and I got very excited about building a community from the ground up. And we start with pizza,” Feeney said.
A history of Fini Pizza
Plans for Fini Pizza started taking shape at the end of 2020.
“I’ve always loved pizzerias,” Feeney said. “I grew up in New Jersey, and most of my greatest memories of meals and birthday parties, and after soccer practices or even after funerals and wakes, we would go to our local neighborhood pizzerias growing up.”
Feeney had already found success with two Italian restaurants and decided it was time to try out his pizza dream. He noticed at the time that his neighborhood in Williamsburg in New York City was getting more and more polarized. He thought, why not open a pizza place to bring people together?
“I thought, that would be an exciting thing to try to do and add a pizzeria that was really focused on bringing people together and delivering good days,” Feeney said.
He opened four more Fini Pizza establishments in Brooklyn over the span of six years.
Now, in the Utah City cafe, illustrations of the four restaurants decorate the walls, reminding customers of the history of the place.
“I thought the concept of Fini would resonate with just kind of what I love about Utah,” Feeney said.
Growing up around food
In New Jersey, Feeney grew up having the dinner table as an important part of his days. His mom is Italian and his dad is Irish, and he recalls having their entire families come down to their house on the Jersey Shore.
“We would have these big Sunday suppers and cookouts,” Feeney said. “And I saw my Italian aunts and grandma and my mom and her sisters cooking all day and everybody else just having the best time. And I would get to see my dad be so proud to host everybody in his backyard.”
His family also made the restaurant experience special for him and his siblings. His dad would make reservations for the family at “incredible restaurants” in New York City, and then he would study up on them and share the history of the restaurant and what to order.
“It was all ingrained in me from an early age,” Feeney said.
In 2003, Feeney moved to New York City from New Jersey to work in finance. He loved trying out new restaurants after work, and he would take clients, friends and co-workers out almost every night of the week.
“Over the course of 16 years doing that five nights a week, sometimes six, I started becoming just really great friends with people in the industry,” Feeney said.
He became friends with a neighbor who was a chef, and they ultimately decided to open a restaurant together — Lilia in Williamsburg. Two and a half years later, he left his day job to pursue the restaurant industry full time.
Feeney said the hospitality industry “kind of found me. I just kept feeding the passion for it. And then it turned out that the people I loved most were like, ‘You should do this. You seem really happy, and you love it.’ And I haven’t really looked back since.”
The ‘magic’ of owning a restaurant
The best part of owning a restaurant is the people he gets to work with, according to Feeney.
“They’ve changed my life in a big way,” Feeney said. “The people that I get to work with every day and having this amazingly awesome responsibility of being in their charge, I truly am grateful. I never thought I would be in that position ever. And it’s just changed my life forever.”
He called what his employees do in the hospitality industry “noble” and says when they help make a person’s day better by serving up delicious food that they create “magic.”
“What they produce every single night, what we do together, it’s bigger than the sum of its parts,” Feeney said. “And that’s what I’ve loved. And I’ve loved being able to just witness people doing this for others.”
Fini Pizza giving back
Fini Pizza offers 25% discounts year-round to firefighters, police officers and educators. They also have a program where children under 17 can read three books, share the title and two sentences about the books, and then receive a free pizza for them and their family.
“I just wanted to continue to find creative ways to invest in the community, make the neighborhood more together, more stronger, and more connected,” Feeney said.
Another way Fini Pizza is getting involved with the community is through a program called Fini Hoops.
The Fini Hoops program hosts basketball teams on its own court — he tried it out in New York and loved it, so the Utah City location is also getting its own court, which is currently being built up. It will open up in June.
At the court, Fini Hoops will host basketball tournaments, camps and clinics to get more kids playing ball, and then afterwards, they can enjoy some pizza. Winners of the Fini Hoops tournaments receive free pizza for life.
“I just wanted to create moments for youth in basketball and connect it to pizza as well,” Feeney said.
What I ordered
When I stopped into Fini Pizza on a Wednesday night, I was greeted by smiles and friendly hellos from the staff. The aesthetic of the place is beautiful, with wood accents and a woodsy green color.
Here’s what I ordered:
The Sicilian Pizza: I ordered a slice of the Sicilian pizza, which has a thicker crust, sweet crushed tomato sauce, chili oil, garlic breadcrumbs, freshly shaved parmigiano and pepperoni. There was a little heat that I really liked, maybe from the pepperoni and chili oil? This was a very good slice of pizza.
The White Pizza: I ordered a whole box of this one to share with my sister, and I’m glad I did. The crust is classic New York style crust. The pizza comes with three cheeses — fresh mozzarella, parmigiano and fontina — and on top is drizzled olive oil and lemon zest. I wasn’t sure what I would think of the lemon, but it surprised and delighted me in the best way. It’s refreshing and a beautiful final note to the overall taste.
Storefront information
- Address: 875 N. Main St. Suite A, Vineyard, UT 84059
- Hours: Monday-Sunday, noon-10 p.m.
- Price: $
Utah
The story behind our ‘one-of-a-kind’ Travel Issue cover story
The soaring desert vistas of Canyon Point, Utah, provide the backdrop to our June 2026 cover shoot, setting the stage for a Travel Issue titled ‘The Great Escape’ – a series of ‘horizon-expanding adventures and voyages of discovery’, as Wallpaper* editor-in-chief Bill Prince describes.
The luxurious base camp for the shoot was Amangiri, a unique 600-acre estate that is part of the Aman hotel group and appears out of the ochre-coloured desert like a modernist oasis. Completed in 2008 by architects Marwan Al-Sayed, Wendell Burnette, and Rick Joy, it has become a pilgrimage for design aficionados seeking the ultimate escape: indeed, the various low-lying structures are designed to fade away into their surroundings, so that visitors feel entirely consumed by the area’s majestic – but desolate – landscapes.
The story behind our June 2026 cover story
Dress, $1,800; boots, price on request, both by Calvin Klein Collection (calvinklein.co.uk)
(Image credit: Photography by Geordie Wood, fashion by Jason Hughes)
‘It has always been a dream to shoot at Amangiri,’ says Wallpaper* fashion and creative director Jason Hughes, who collaborated with American photographer Geordie Wood on the story. Landing in Las Vegas, the team – including model Colin Jones, who was born in Spanish Fork, Utah – travelled through Nevada and Arizona on a five-hour car journey to Amangiri, where they set up in one of the new private villas on the estate. ‘It was amazing to witness the way the landscapes changed across the journey,’ says Hughes.
Despite the serene end result, shooting in such a remote location did hold some challenges: notably, the rapidly shifting March weather. ‘It was insane to witness out of nowhere a one-hour-long snow storm, turning the entire landscape white, before disappearing again within an hour after the sun came out,’ says Hughes. ‘Colin was an absolute trooper, braving the conditions and battling through to deliver the best pictures.’
Jones, who has previously walked the runway for houses like Maison Margiela, Ferragamo and Givenchy, wears a series of pieces from the S/S 2026 collections in the images, which were selected to echo the landscape. ‘We wanted the tones and textures to reflect the backdrops, which were incredibly inspirational,’ says Hughes. ‘It was a truly one-of-a-kind shoot.’
Discover the full shoot below.

Dress, £960, by Hodakova (hodakova.com)
(Image credit: Photography by Geordie Wood, fashion by Jason Hughes)

Dress, £2,840, by Saint Laurent by Anthony Vaccarello (ysl.com)
(Image credit: Photography by Geordie Wood, fashion by Jason Hughes)

Jacket, £4,610; trousers, £2,960, both by Versace (.versace.com). Boots, price on request, by Calvin Klein Collection (calvinklein.co.uk)
(Image credit: Photography by Geordie Wood, fashion by Jason Hughes)

Jacket, £4,300, by Phoebe Philo (phoebephilo.com)
(Image credit: Photography by Geordie Wood, fashion by Jason Hughes)

Gilet, £850; trousers, £1,350, both by Coach (coach.com). Top, price on request, by Durazzi Milano (durazzimilano.com). Boots, price on request, by Calvin Klein Collection (calvinklein.co.uk)
(Image credit: Photography by Geordie Wood, fashion by Jason Hughes)

Top, price on request, by Durazzi Milano (durazzimilano.com). Top (worn underneath), £300, by Acne Studios (acnestudios.com). Skirt, £300, by Meryll Rogge (meryllrogge.com)
(Image credit: Photography by Geordie Wood, fashion by Jason Hughes)

Coat, price on request, by Bottega Veneta (bottegaveneta.com)
(Image credit: Photography by Geordie Wood, fashion by Jason Hughes)

(Image credit: Photography by Geordie Wood, fashion by Jason Hughes)

Shirt; trousers, both price on request, by Victoria Beckham (victoriabeckham.com). Boots, price on request, by Calvin Klein Collection (calvinklein.co.uk)
(Image credit: Photography by Geordie Wood, fashion by Jason Hughes)

Dress, £1,975, by Ferragamo (ferragamo.com)
(Image credit: Photography by Geordie Wood, fashion by Jason Hughes)
Saint Laurent
Lavallière Dress in Nylon
Acne Studios
Thin Ribbed Tank Top
Versace
Straight-Leg Leather Trousers
Phoebe Philo
Harrington Jacket
Victoria Beckham
Embroidered Woven Shirt
Model: Colin Jones at Women Management. Casting: Bert Martirosyan. Hair: Michael Thomas Lollo at The Only Agency using Living Proof. Make-up: Akiko Owada at The Wall Group using Chanel. Digi tech: Dayvid LeMmon. Photography assistant: Karen Goss. Fashion assistant: Lucy Proctor. Production: Danielle Quigley. Production assistant: Sheriff Production Retouching: May. Special thanks to Amangiri, Utah.
Utah
Kevin O’Leary defends his Utah data center project: ‘Think about the number of jobs’
Many Americans don’t like the AI data centers popping up in their communities, though Kevin O’Leary thinks that’s because they don’t fully understand them.
O’Leary, the venture capitalist and “Shark Tank” investor who recently starred as a villainous businessman in “Marty Supreme,” said Americans have misconceptions about data centers and their environmental impact.
“It’s understanding the concerns of people, but at the same time, think about the number of jobs,” O’Leary said in a post on X on Friday.
Addressing environmental worries, O’Leary noted that he graduated from the University of Waterloo with a degree in environmental studies.
“When a group comes to me and says, ‘Look, I have concerns about water, I have concerns about air, I have concerns about wildlife,’ I totally get it,” O’Leary said.
O’Leary has clashed with residents in Box Elder County, Utah, over a new AI data center he’s backing on a 40,000-acre campus.
County commissioners approved the project, which is also backed by Utah’s Military Installation Development Authority, on Monday despite the community opposition. O’Leary said, without providing evidence, that the criticism mainly came from “professional protesters” who were “paid by somebody.”
One major concern for residents about the data center — dubbed the Stratos Project — is that it could strain the water supply. Data centers can use millions of gallons of water each day. Increased utility bills, noise, and a drop in quality of life are also points of contention.
O’Leary said the public misunderstands the impact of data centers because they were “poorly represented” in the past, and that the technology powering them has “advanced dramatically.” He said data centers don’t use as much water as they once did and can use a closed-loop system to avoid evaporation. Data centers can also rely on air-cooled turbines as an alternative to managing the temperature of the computer arrays, he said.
A fact sheet published by Box Elder County said the project won’t divert water from the nearby Great Salt Lake, agriculture, or homes. It also says that Stratos won’t increase electricity prices or taxes.
Many residents, however, are not so sure. The Salt Lake Tribune reported on Thursday that an application to divert water from the Salt Wells Spring stream, near the Great Salt Lake and long used by a local ranch for irrigation, was rescinded after nearly thousands of Utah residents lodged complaints.
“At some point, understanding the value of sustainability, water and air rights, indigenous rights, and making sure the constituencies understand what you’re doing is going to be more valuable than the equity you raise,” O’Leary said on X.
Anjney Midha, a Stanford University adjunct lecturer who appeared on the “Access” podcast this week, would agree with that sentiment. He said that listening to local communities and being transparent about the intentions and impacts of data centers are essential to making them work.
“My view is that if it’s not legible to the public that these data centers and the infrastructure required to unblock this kind of frontier technology progress are serving their benefit, then it’s not going to work out,” Midha said.
In a subsequent post on X on Friday, O’Leary said his project would be “totally transparent.”
“We want it to be the shining example of how you do this,” he said.
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