The Utah Jazz are a curious case in the greater mixing bowl of the NBA. They’re now belly-deep into a rebuild that began 2 seasons ago when the new CEO of basketball operations scanned his team and firmly declared, “Hold my non-alcoholic beverage” before tearing down their Rudy Gobert and Donovan Mitchell All-Star core to start over from scratch.
The landscape of the NBA is typically broken into three equal, yet distinct sections. Not all NBA teams are created equal, and as every season commences, we find teams across the league begin to filter into 3 divisions.
At the top, you have your contenders; these are the squads with championship aspirations and a roster that they believe is capable of reaching the mountaintop. These teams are often the home of an all-star or two, with plenty of playoff experience. Some of these squads may be what you could call “pretenders”, but they’re championship-minded nonetheless.
In the middle, we have the aptly named section: “The Middle”, and as much as it pains me, I’ll abstain from making a sitcom reference here (My apologies to Atticus Shaffer). Whether they’re on the rise, slipping down the standings, or stuck in NBA limbo, these are the teams that won’t be winning the championship this season but are just too good to go all-in on the tank. This is a dangerous place to be in basketball—many have found themselves stuck here for years—but it’s a necessary stepping-stone toward joining the contenders.
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Last and least, we have the teams that have gone full tank mode. Accumulating assets and sending prayers to the lottery gods are these teams’ M.O. Each squad has some promising talent, but is simply too young, too underdeveloped, or too incompetent to rise out of the pit of bottom-dwellers.
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These tier lists seem to be all the rage nowadays, and I think I found the perfect one to illustrate my point.
In the ranks of the tanks, jostling for position is the prime objective. In a nutshell, to lose is to win, and a battle to lose better than your peers becomes the motivating factor in order to obtain the best odds for the upcoming draft.
Utah has embraced the tank at the perfect time as you could make the argument that 13 of the 15 Western teams have shifted to “win-now mode”. As we stand, the Jazz are rivaled only by Portland in the dive toward the bottom of the standings. Like the lake challenge of the Tri-Wizard Tournament, each party is actively exploring ways to gain an advantage to reach the bottom faster than the others.
The Jazz’s front office has received some recent heat for its lukewarm approach toward roster construction—too good to bottom out, too bad to contend for a playoff spot. The massive shadow of the 2025 NBA Draft class is beginning to loom over the Salt Lake Valley and the Utah Jazz are certainly locked into a single result: the coveted top 5 picks of the upcoming draft.
With names like Cooper Flagg, Ace Bailey, and V.J. Edgecomb gaining traction, securing a pick in the top 5 spots of the lottery seems to be a “can’t-miss” opportunity (though I would argue there’s no such thing as a bust-proof prospect). For the Jazz, locking into a favorable draft spot has everything to do with how Utah handles business throughout the regular season.
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Forming the Ensemble
Keyonte George flies down the court during the Salt Lake City Summer League.Getty Images
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The NBA Draft is a crapshoot, and it always has been (or do I need to remind you of names like Enes Kanter, Dante Exum, and Trey Lyles?). For a rebuilding team, the only hope your squad has to avoid becoming a perennial loser is by drafting well and developing young talent—especially for a small market team like Utah, that won’t attract the attention of top free agents.
Over the past two seasons, this Jazz team has consistently surpassed preseason expectations. A number of factors have been speculated to directly impact Utah’s success, including Lauri Markkanen’s emergence as an All-Star and Will Hardy’s impact on the team, but I believe that even with The Finnisher playing at the peak of his powers, this team can command the tank in the right direction.
Discounting the incoming players for a moment, as Dwight Shrute was born to be Belshnikel, this Utah Jazz roster is built to be bad. Following the All-Star break in February, the Jazz were a horrific 5-21. That certainly leans impish over admirable, and I believe that Utah can carry that negative momentum into this season.
Hendricks and Sensabaugh are still acclimating to the NBA game, and with three rookies in Cody Williams, Isaiah Collier, and Kyle Filipowski all looking to rack up NBA minutes, the Jazz are assembling an ensemble of youth that may stumble out of the gate but could spark a glimmer of hope for the coming years.
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Fortunately, as I will emphasize several times throughout this article, to lose is to win for the rebuilding Jazz, and a top 5 pick is the prize.
This team is also populated by players whose games don’t serve winning basketball. With no disrespect intended, when the back end of your roster is filled in by the likes of Talen Horton-Tucker, Luka Samanic, and Drew Eubanks, you’re in peak position for a season of sadness. My sincerest congratulations!
Emphasis on Youth
Though the Jazz have been caught in the 9-10 range of the draft lottery, early returns from the young core have been promising and indicate to the Jazz faithful that this team is fully capable of drafting well. Keyonte George has shown flashes of brilliance in his rookie season in Utah, and all three of Utah’s incoming rookies are showing tremendous potential.
In an interview with ESPN700, Jazz insider Tony Jones of The Athletic shared some insight on Utah’s shift toward favoring youth over experience.
Spence asks Tony what he believes the Jazz rotation will look like next year in order to prioritize the young guys
“Well the number one thing is Walker Kessler becomes the starting center and John Collins comes off the bench”
To build a team’s foundation on youth above experience is a risky proposition, but in putting the focus on developing young talent, growing pains are sure to tally up the loss column.
As we’re on the topic of Walker Kessler, seeing John Collins eat into his playing time was eating into my soul. Even in an uneven year for Kessler, he boasted the second-highest average of blocks per game in the NBA, behind only the unearthly wingspan of Victor Wembanyama. With the statement from Tony Jones that Kessler would take priority over Collins in Utah’s rotation, I could hear the jubilation in the streets as Jazz nation rejoiced.
Youth is the core of Utah’s focus, so be prepared to see some sloppy basketball. Growing pains may be unbearable at times, and just as the Wizards and Pistons suffered last season, so too must the Jazz suffer to improve their lottery odds.
I for one am incredibly giddy to see Williams, Collier, and Filipowski improve through the course of the 82-game NBA season, and I expect George, Hendricks, and Sensabaugh to build upon their solid rookie seasons. Sure, the future of the Jazz likely lies on these players’ shoulders, but Utah can afford to miss on a prospect occasionally as long as they retain their war chest of draft capital.
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Markkanen’s Future
Lauri Markkanen looks on dramatically as the Jazz tangle with the Orlando Magic.Photo by Fernando Medina/NBAE via Getty Images
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Of course, uncertainty surrounding Lauri Markkanen’s future with the Jazz has headlined trade rumors since the offseason began, and the shape of the Utah Jazz in the coming years likely hinges on Markkanen’s presence—or lack thereof.
Recent reports indicate that Lauri intends to re-sign with the Jazz, though he may wait until after the August 6th window to ensure he can’t be traded during the 2024-25 season.
Lauri has really taken to Utah. His family has taken to Utah. Obviously the Jazz can trade him between now and Aug 6th, and Lauri knows that, but Lauri has forged a really close relationship to Will Hardy. And Will [Hardy] has really found a way to unlock his career. -Tony Jones, The Athletic
First of all, I’d like to point out how refreshing it is to see a player of Markkanen’s caliber openly enjoy living in Utah. Markkanen and the Jazz have been a wonderful tandem, and with every passing day, the chances that the front office ships Lauri to another team decrease with every passing day and I think that’s a positive for the Jazz.
The most significant question mark surrounding the Jazz is Markkanen’s impact on team success. He’s proved in the past that a Finnish scoring avalanche can be enough to drag his team to wins, but those results are counterproductive to the central objective of the team. I doubt Lauri’s feelings about Utah would be tarnished by a losing environment—two years into a rebuild and he seems as happy as ever—but finding the perfect balance of Markkanen’s brilliance and youth development won’t be an easy task for Coach Will Hardy.
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I could agonize over every possibility for 1,000 more words, but I’ll spare both of us by wrapping this up on a positive note. At the moment, the Utah Jazz rebuilding process is right on schedule. With a batch of promising young prospects and a star to build around in Lauri Markkanen, this team will have plenty of fun moments throughout the season. Though it will likely be a “fun” team to watch from time to time, it won’t be a winning team, and I believe that this Jazz squad has a high chance of fighting for the 15th spot in the Western Conference.
The tank is on, and the Jazz have the supplies and artillery to inspire hope of a bright future in Utah. Let me know what you think.
The soaring desert vistas of Canyon Point, Utah, provide the backdrop to our June 2026 cover shoot, setting the stage for a Travel Issue titled ‘The Great Escape’ – a series of ‘horizon-expanding adventures and voyages of discovery’, as Wallpaper* editor-in-chief Bill Prince describes.
The luxurious base camp for the shoot was Amangiri, a unique 600-acre estate that is part of the Aman hotel group and appears out of the ochre-coloured desert like a modernist oasis. Completed in 2008 by architects Marwan Al-Sayed, Wendell Burnette, and Rick Joy, it has become a pilgrimage for design aficionados seeking the ultimate escape: indeed, the various low-lying structures are designed to fade away into their surroundings, so that visitors feel entirely consumed by the area’s majestic – but desolate – landscapes.
The story behind our June 2026 cover story
Dress, $1,800; boots, price on request, both by Calvin Klein Collection (calvinklein.co.uk)
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(Image credit: Photography by Geordie Wood, fashion by Jason Hughes)
‘It has always been a dream to shoot at Amangiri,’ says Wallpaper* fashion and creative director Jason Hughes, who collaborated with American photographer Geordie Wood on the story. Landing in Las Vegas, the team – including model Colin Jones, who was born in Spanish Fork, Utah – travelled through Nevada and Arizona on a five-hour car journey to Amangiri, where they set up in one of the new private villas on the estate. ‘It was amazing to witness the way the landscapes changed across the journey,’ says Hughes.
Despite the serene end result, shooting in such a remote location did hold some challenges: notably, the rapidly shifting March weather. ‘It was insane to witness out of nowhere a one-hour-long snow storm, turning the entire landscape white, before disappearing again within an hour after the sun came out,’ says Hughes. ‘Colin was an absolute trooper, braving the conditions and battling through to deliver the best pictures.’
Jones, who has previously walked the runway for houses like Maison Margiela, Ferragamo and Givenchy, wears a series of pieces from the S/S 2026 collections in the images, which were selected to echo the landscape. ‘We wanted the tones and textures to reflect the backdrops, which were incredibly inspirational,’ says Hughes. ‘It was a truly one-of-a-kind shoot.’
Discover the full shoot below.
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Dress, £960, by Hodakova (hodakova.com)
(Image credit: Photography by Geordie Wood, fashion by Jason Hughes)
Dress, £2,840, by Saint Laurent by Anthony Vaccarello (ysl.com)
(Image credit: Photography by Geordie Wood, fashion by Jason Hughes)
Jacket, £4,610; trousers, £2,960, both by Versace (.versace.com). Boots, price on request, by Calvin Klein Collection (calvinklein.co.uk)
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(Image credit: Photography by Geordie Wood, fashion by Jason Hughes)
Jacket, £4,300, by Phoebe Philo (phoebephilo.com)
(Image credit: Photography by Geordie Wood, fashion by Jason Hughes)
Gilet, £850; trousers, £1,350, both by Coach (coach.com). Top, price on request, by Durazzi Milano (durazzimilano.com). Boots, price on request, by Calvin Klein Collection (calvinklein.co.uk)
(Image credit: Photography by Geordie Wood, fashion by Jason Hughes)
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Top, price on request, by Durazzi Milano (durazzimilano.com). Top (worn underneath), £300, by Acne Studios (acnestudios.com). Skirt, £300, by Meryll Rogge (meryllrogge.com)
(Image credit: Photography by Geordie Wood, fashion by Jason Hughes)
Coat, price on request, by Bottega Veneta (bottegaveneta.com)
(Image credit: Photography by Geordie Wood, fashion by Jason Hughes)
(Image credit: Photography by Geordie Wood, fashion by Jason Hughes)
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Shirt; trousers, both price on request, by Victoria Beckham (victoriabeckham.com). Boots, price on request, by Calvin Klein Collection (calvinklein.co.uk)
(Image credit: Photography by Geordie Wood, fashion by Jason Hughes)
Dress, £1,975, by Ferragamo (ferragamo.com)
(Image credit: Photography by Geordie Wood, fashion by Jason Hughes)
Saint Laurent
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Lavallière Dress in Nylon
Acne Studios
Thin Ribbed Tank Top
Versace
Straight-Leg Leather Trousers
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Phoebe Philo
Harrington Jacket
Victoria Beckham
Embroidered Woven Shirt
Model: Colin Jones at Women Management. Casting: Bert Martirosyan. Hair: Michael Thomas Lollo at The Only Agency using Living Proof. Make-up: Akiko Owada at The Wall Group using Chanel. Digi tech: Dayvid LeMmon. Photography assistant: Karen Goss. Fashion assistant: Lucy Proctor. Production: Danielle Quigley. Production assistant: Sheriff Production Retouching: May. Special thanks to Amangiri, Utah.
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Many Americans don’t like the AI data centers popping up in their communities, though Kevin O’Leary thinks that’s because they don’t fully understand them.
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O’Leary, the venture capitalist and “Shark Tank” investor who recently starred as a villainous businessman in “Marty Supreme,” said Americans have misconceptions about data centers and their environmental impact.
“It’s understanding the concerns of people, but at the same time, think about the number of jobs,” O’Leary said in a post on X on Friday.
Addressing environmental worries, O’Leary noted that he graduated from the University of Waterloo with a degree in environmental studies.
“When a group comes to me and says, ‘Look, I have concerns about water, I have concerns about air, I have concerns about wildlife,’ I totally get it,” O’Leary said.
O’Leary has clashed with residents in Box Elder County, Utah, over a new AI data center he’s backing on a 40,000-acre campus.
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County commissioners approved the project, which is also backed by Utah’s Military Installation Development Authority, on Monday despite the community opposition. O’Leary said, without providing evidence, that the criticism mainly came from “professional protesters” who were “paid by somebody.”
One major concern for residents about the data center — dubbed the Stratos Project — is that it could strain the water supply. Data centers can use millions of gallons of water each day. Increased utility bills, noise, and a drop in quality of life are also points of contention.
O’Leary said the public misunderstands the impact of data centers because they were “poorly represented” in the past, and that the technology powering them has “advanced dramatically.” He said data centers don’t use as much water as they once did and can use a closed-loop system to avoid evaporation. Data centers can also rely on air-cooled turbines as an alternative to managing the temperature of the computer arrays, he said.
A fact sheet published by Box Elder County said the project won’t divert water from the nearby Great Salt Lake, agriculture, or homes. It also says that Stratos won’t increase electricity prices or taxes.
Many residents, however, are not so sure. The Salt Lake Tribune reported on Thursday that an application to divert water from the Salt Wells Spring stream, near the Great Salt Lake and long used by a local ranch for irrigation, was rescinded after nearly thousands of Utah residents lodged complaints.
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“At some point, understanding the value of sustainability, water and air rights, indigenous rights, and making sure the constituencies understand what you’re doing is going to be more valuable than the equity you raise,” O’Leary said on X.
Anjney Midha, a Stanford University adjunct lecturer who appeared on the “Access” podcast this week, would agree with that sentiment. He said that listening to local communities and being transparent about the intentions and impacts of data centers are essential to making them work.
“My view is that if it’s not legible to the public that these data centers and the infrastructure required to unblock this kind of frontier technology progress are serving their benefit, then it’s not going to work out,” Midha said.
In a subsequent post on X on Friday, O’Leary said his project would be “totally transparent.”
“We want it to be the shining example of how you do this,” he said.