Her mom was diligent about keeping a very young Kaley McCabe supplied with computer paper. The budding artist would spend hours during her childhood making up stories and fashioning them into books she stapled together and created construction paper book covers for them.
“My parents always encouraged my drawings: My mom is an elementary school teacher, and she has a massive collection of children’s books. I think she always knew I would end up being an illustrator, and she and my dad were both supportive of my love of art. They still have a lot of my terrible drawings from when I was a kid,” she says.
It’s unlikely that anyone would describe her work as “terrible” today— a senior designer for children’s books at ReaderLink and a freelance illustrator, McCabe has also illustrated the “Disney Tim Burton’s The Nightmare Before Christmas: You’re My Little Nightmare” and “Disney Tim Burton’s The Nightmare Before Christmas: Welcome to Halloween Town!” children’s books, and she’s one of the featured artists in this year’s San Diego Book Crawl, alongside illustrator Susie Ghahremani. The annual event celebrates Independent Bookstore Day (the last Saturday in April), and this year’s book crawl is April 26 to 28, with people encouraged to visit as many of the 14 participating locations as possible for a chance to earn prizes by making purchases (in person) and getting the event passport stamped at each location. As book crawl artists, McCabe created the main artwork featured in the marketing and merchandise, and Ghahremani designed and created the limited-edition collectible pins.
McCabe, 31, lives in Rancho Peñasquitos with her husband, Jake, and talked a bit about her process for creating some of her work, where she likes to go book hunting, and her favorite heavy metal bands.
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Q: What do you think it was about visual art that you were initially drawn to (pun intended)?
A: I loved being able to create worlds and the characters that inhabited them. And even when I was drawing things from cartoons or other media, I would also make my own characters to be a part of the stories I loved so much.
Q: In what ways has your love of the art form evolved over the years?
A: As a kid I always loved children’s books and graphic novels, but as I’ve gotten older, I’ve really come to appreciate how much work goes into each book. I oftentimes revisit children’s books I read a million times over as a child and will catch details or jokes I never noticed before. There’s so much heart that is put into books that I now understand after being part of the creation process.
What I love about Rancho Peñasquitos…
My neighborhood is very quiet, but it’s also close to the 15 highway, so it’s very easy to get anywhere in San Diego. I love that there is a park right down the street from me, which I often go to just to swing. My husband and I take a long walk every day around our neighborhood, and we have a lot of kind people we chit-chat with on our route. There’s also a lot of animals we see in people’s windows and yards that we’ve given our own names to. I especially love when we get to see Tuxedo, a small black-and-white cat who is often roaming the cul-de-sac. She’s a sweetheart!
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Q: In your bio on the San Diego Book Crawl website, it mentions your work illustrating the “Disney Tim Burton’s The Nightmare Before Christmas: You’re My Little Nightmare” book. You also illustrated “Disney Tim Burton’s The Nightmare Before Christmas: Welcome to Halloween Town!” The first is a board book and the latter features flaps, pull tabs, and other interactive elements based on the popular film.What was your relationship to the movie before working on these books?
A: I’m sure it comes as no shock, but I was obsessed with “The Nightmare Before Christmas” as a kid. I remember taking my friends to the El Capitan Theatre in Hollywood to see a 3D showing of the movie for my birthday one year. I replayed the DVD over and over again in my room while I drew in sketchbooks or played computer games. Tim Burton and his uniquely creepy point of view was a massive inspiration to me, and “Nightmare” was my favorite work of his. I wish I could go back to my younger self and tell her she would one day be working with Tim Burton and his team on books—she’d flip!
Q: Can you talk a bit about your creative process for illustrating books based on such well-known and beloved drawings?
A: My process for working on licensed books is a bit different than typical projects. Since these are established characters, often they come with specific rules: what you can show a character doing, what environments they can be in, etc. Keeping those guidelines in mind, I’ll start working on very loose sketches to lay out each page. I’ll do these very quick (often scribble) drawings for each page of the book, to get an idea of how the layouts will work together as a full book. Once I’m happy with the general direction, I’ll go in and do rough sketches of the characters and backgrounds to block everything out. The characters don’t need to be incredibly accurate at this point; I just need to get across what I’m thinking to the editors and the licensing team to get their feedback. After this, I go in and start working on tight sketches, which is where you home in on the details and make sure everything is on-model. This can take a long time, depending on how complex characters and backgrounds are. In the case of “Nightmare,” I often find myself scrubbing through the movie frame-by-frame to find specific references and small details.
Once the tight sketches are done, they are sent to the licensing team again to get their feedback. This is usually when the most changes are made. Often, licensing teams will supply you with bluelines or redlines, which are corrective overlays to your artwork that show you exactly how they’d like you to revise a pose. They’re usually images that just have your original sketch at half-opacity and then a red or blue drawing on top to show the corrections (hence the name).
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Once that stage is over, you can start to work on colors. This is usually the longest stage, but to me this is the most fun part. Getting to bring the sketches to final render is satisfying, plus at this point I can usually sit back and just enjoy the process; the details and layout have all been figured out already, so I have a set blueprint to just add color to.
Q: What inspires you in your artwork, in the creative process?
A: This is a little meta, but seeing other creative people inspires me to be creative. I always get really inspired when I watch a great animated movie, play a great video game, or when I’m browsing through thrift stores and come across old, illustrated books or toys and dishware. Video games, especially, have been a creative inspiration for me-I recently played through the “Psychonaut” video games after finishing a large book project, and it really helped rejuvenate me.
Q: Do you have any local bookstores you frequent? Favorite local spots to go to when you want to read or draw?
A: My favorite place to browse books is actually my local library! The (Rancho Peñasquitos) library is very lovely and quiet. Especially right now, when federal funding is getting cut for libraries and book banning is on the rise, I want to give my library as much support as I can.
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As for where I like to draw, I wish I had a cool, artsy answer for this, but I honestly love drawing most when I’m alone on my bed. In my head, I love the idea of going to a local coffee shop to draw, but I get anxious about drawing in public. I have a daydream of taking my iPad to the San Diego Zoo and drawing some of the animals, but I need to psyche myself up to do it. Maybe I’ll make that one of my goals for 2025!
Q: What is the best advice you’ve ever received?
A: The best advice I’ve ever received is to just draw every single day. Even if I am completely burned out and have no desire to draw, I will at least scribble something out for 5 minutes. Doing this every day helps you maintain all the training you’ve put into your drawing hand and stops it from “getting rusty.”
Q: What is one thing people would be surprised to find out about you?
A: If you just saw my artwork, you’d probably never guess that my favorite genre of music is heavy metal! I’ve loved metal for a long time, but the sub-genres I listen to frequently have changed over time. I started with loving symphonic metal (Nightwish, Delain, Within Temptation), but in recent years I’ve also gotten into metalcore, which is a mix of metal and hardcore music (aka, lots of harsh, angry vocals). My favorite bands are Spiritbox, The Devil Wears Prada, Motionless in White, Lacuna Coil, Architects, and The Birthday Massacre. There’s something cathartic about drawing cute unicorns while listening to loud angry music, haha.
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Q: Please describe your ideal San Diego weekend.
A: My husband Jake and I have annual passes to the (San Diego) Zoo, so my ideal weekend in San Diego is to visit the zoo early in the morning—ideally when the red panda is out and about, he’s so cute! Then, I’d go visit a local goth clothing and accessory store called La Loupe Noir and probably spend way too much money. Then, we could stop and get some coffee at a local shop (Seven Seas Roasting Co. is right next door), before heading over to La Jolla to see the sea lions on the ocean cliffs. Then we could round out the day by going to Tokyo Central and Main to grab some snacks and their premade meals (the katsu chicken is delicious).
San Diego will put off issuing citations for paid parking in Balboa Park for about one month while improvements are made, but Mayor Todd Gloria says the new system is functioning well and being “actively adopted.”
In a long and harshly worded memo released Thursday, Gloria said recent calls by City Council members to suspend the program were politically motivated and examples of bad governance and erratic decision-making.
Gloria also deflected blame for the chaotic way enforcement began Monday, when city officials raced to put stickers about resident discounts on parking kiosks and lobbied a vendor to deliver crucial missing signs.
The mayor said the council had “shaped, amended and approved” paid parking in Balboa Park and contended an accelerated timeline chosen by the council made it hard for his administration to implement it flawlessly.
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The mayor’s memo came in response to a Tuesday memo from Councilmembers Kent Lee and Sean Elo-Rivera in which they called implementation of paid parking “haphazard” and “not ready for prime time.”
Lee and Elo-Rivera said the process for city residents to get approved for discounts was so complex, cumbersome and confusing that Gloria should waive fees for residents until they have had time to adapt and learn.
While Gloria rejected that suggestion in part of his memo, he later said “enforcement remains focused on education, not punishment, during this early phase, to ensure park users are aware of the new parking fees.”
Dave Rolland, a spokesperson for Gloria, said Thursday that no specific date had been set for when the city would shift from education to enforcement. But he added that “about a month” would be an accurate timeline.
City officials have already corrected one key mistake: Signs that were missing Monday — alerting drivers that the 951-space lower Inspiration Point lot is free for three hours — have since been installed.
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Lee and Elo-Rivera in their memo decried “an inadequate effort to educate the public on how to use this new system.”
They said San Diegans had not been clearly informed about when a portal for city resident discounts would go live or how to use it.
And they complained that residents weren’t told they couldn’t buy discounted parking passes in person, or when enforcement with citations would actually begin.
City residents must apply for discounts online, pay $5 to have their residency verified, then wait two days for that verification and choose the day they will visit in advance.
Lee and Elo-Rivera called the city’s efforts “a haphazard rollout that will surely lead to San Diegans missing out on their resident discount and paying higher parking rates than they have to.”
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Gloria said the city collected $23,000 in parking fees on Monday and Tuesday and another $106,000 in daily, monthly and quarterly passes — mostly from residents who get discounts on such passes.
“Early data shows that the program is functioning and being used,” he said. “These are not the metrics of a system that is failing to function. They are the metrics of a system that is new, actively being adopted, and continuing to improve as public familiarity increases.”
While Gloria conceded that some improvements are still necessary, he rejected calls from Lee and Elo-Rivera for a suspension, citing his concerns it would jeopardize city finances and confuse the public.
“Your proposal to suspend paid parking for residents two days into the new program would have immediate and serious fiscal consequences,” Gloria said. “This reversal could introduce confusion among park users and would disregard investments already made to establish the system, potentially compromising the program’s effectiveness.”
Paid parking in Balboa Park is expected to generate about $3.7 million during the fiscal year that ends June 30, but revenue is expected to rise substantially when the fees are in place for a full fiscal year.
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Gloria said the money is a small part of the city’s overall solution to recurring deficits it faces of more than $100 million per year.
“What we will not do is reverse course days into implementation in a way that undermines fiscal stability, creates uncertainty, and sends the message that addressing a decades-old structural budget deficit that has plagued our city is optional because it is politically uncomfortable,” he said. “That kind of erratic decision-making is not good governance, and San Diegans deserve better.”
Meanwhile, a spokesperson for the San Diego Zoo said Thursday that paid parking there has continued to go smoothly since it began on Monday.
The zoo, which is using Ace Parking for enforcement, opted for immediate citations instead of an educational grace period.
SAN DIEGO (FOX 5/KUSI) — San Diego Police responded to a barricaded individual in the Mission Valley area Thursday afternoon, prompting a heavy law enforcement presence.
The Nexstar Media video above details resources for crime victims
The department confirmed around 1 p.m. that officers were on scene in the 1400 block of Hotel Circle North, and are working to safely resolve the situation. Authorities asked the public to avoid the area and allow officers the space needed to conduct their operations.
Police described the incident as a domestic violence restraining order violation. At this time, it’s unknown if the person is armed.
No injuries have been reported.
The suspect was taken into custody within an hour.
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Further details about the barricaded person were not immediately released. Police say updates will be shared as more information becomes available.
This is a developing story. Check back for updates.
1 — The number of plate appearances for Campusano while in the majors between June 1 and June 13 and the one at-bat resulted in a weak, pinch-hit groundout against a position player (Kike Hernandez) on the mound in mop-up duty. Campusano was recalled to the majors four times in 2025 but did not get a real opportunity get settled after he went 0-for-6 with four walks and a strikeout in three straight starts as a DH in early May. Of course, hitting .227/.281/.361 with eight homers over 299 plate appearances after getting the first real chance to start in 2024 likely informed how the Padres viewed his opportunity in 2025.
TRENDING
Down — Called up a final time on the last day of the regular season, Campusano balked at the idea that the season did not go the way he wanted. “I had a great season,” he said as he and his teammates packed for the NL Wild Card Series in Chicago. And he did … for Triple-A El Paso. He hit more home runs than ever (25), drove in more runs (95) and finished with a career-high 1.036 OPS, tops among all qualifying Triple-A hitters. The disappointment inferred in the question posed to Campusano was that he was not able to impact the big-league team in any way in 2025, which began with the team choosing to bring in a 40-year-old Yuli Gurriel a chance on the opening day roster over a homegrown product. Once billed as the catcher of the future, Campusno did not catch a single game in the majors, nor did he get any hits, although the opportunity to play was sporadic after getting three straight starts as a DH in early May (see stat to note). The Padres even lost back-up catcher Elias Díaz to an oblique injury over the final weekend of the regular season, but Campusano — who played out the string for a Triple-A El Paso team that did not make the playoffs rather than participate in the majors as a September call-up — was added to the postseason roster more as a right-handed bat than a third catcher (Martín Maldonado was also re-added to the team for the playoffs as the defensive back-up to Freddy Fermin). Campusano, of course, was not asked to help the team in either capacity before the Padres were eliminated in three games.
2026 OUTLOOK
Campusano is finally out of minor league options this year, so the Padres will either have to carry him on the roster, trade him or expose him to waivers. He has fans in the organization, but two big-league staffs headed by Bob Melvin and Mike Shildt seemingly lost faith in his ability to catch a game and all the responsibilities that come with that. It remains to be seen what impact the arrival of robo umps will have on how new manager Craig Stammen views Campusano’s ability behind the plate, but he’s been a potent minor league hitter who has yet to truly get on track in the majors beyond the second half of 2023 (.875 OPS, 6 HRs). Campusano has dabbled at first base in recent years in the minors (12 starts total), so perhaps he settles into a role as a second catcher/right-handed DH/first base option to start 2026.
Luis Campusano #15 of the San Diego Padres and Nick Pivetta #27 walk to the dugout during a practice before the Wildcard series against the Chicago Cubs at Wrigley Field on Sept. 29, 2025 in Chicago, Illinois. (Photo by K.C. Alfred / The San Diego Union-Tribune)
