Hawaii
Beyond Paradise: 6 Visionaries Shaping The Hawaii Filmmaking Scene
As Hawai’i attempts to build its filmmaking scene, it benefits from diverse voices.
The Hawai’i film industry is intent upon growing into a leading force within the local economy and global entertainment scene. Fueled by tax breaks and an increasingly educated, motivated and well-trained talent and crew base, the islands are attracting both big-budget Hollywood productions and independent passion projects. Popular recent series filmed in Hawai’i include NCIS: Hawaii, Magnum PI, Hawaii Five-O, Rescue: HI Surf and Chief of War; blockbuster movies include Aquaman, Jurassic Park and Jumanji.
Globally, there is also a fresh focus on the value of diverse voices in storytelling, with media producers like Netflix and Prime Video expressing a desire for more indigenous content. The University of Hawai’i, in collaboration with Island Productions, just announced that it will be building a state-of-art film studio on West O’ahu, an area of the island traditionally populated by higher numbers of Native Hawaiians.
And yet, according to the nonprofit International Cultural Arts Network (iCan), “despite the large number of TV and film productions filming in Hawai’i, the Native Hawaiian Pacific Islander (NHPI) population is still the smallest percentage represented in the overall entertainment industry.”
Therefore, those involved in leading the local media scene increasingly are dedicating themselves to spreading the message that Hawai’i is about more than just beautiful backdrops. It’s a place that births and supports filmmakers, actors, and storytellers with diverse backgrounds and points of view.
Here, six leaders of the Hawai’i entertainment industry share their insights on what’s working, what needs to be fixed, and what the future holds: Ken Kao, James Sereno, Aaron and Jordan Kandell, Angela LaPrete and Jeanette Hereniko.
Ken Kao is the cofounder of Waypoint Entertainment.
Ken Kao, Waypoint Entertainment
Waypoint Entertainment has successfully produced highly acclaimed films including Academy Award-winning The Favourite starring Olivia Coleman, The Nice Guys featuring Ryan Gosling and Russell Crowe, and The Glass Castle, based on the bestselling memoir. Their latest feature, Cuckoo, premiered at the 2024 Berlin International Film Festival and also screened at South by Southwest.
Waypoint cofounder Ken Kao has made an impact in the film industry for 14 years, but only relocated from LA to Hawaii four years ago, during the pandemic. This move has given him an enhanced local perspective on global filmmaking.
“I’ve never been into creating entertainment just to make a buck,” said Kao in an exclusive interview with me. “I like the films I work on to have a message, to push the limits of a genre, to be something that stays with people. The Holy Grail for me is making something entertaining and meaningful at the same time. That’s what I strive for.”
The experienced producer recently branched out into screenwriting, and hopes to direct someday soon. One of his biggest objectives these days is to bring attention to indigenous cultures and help support inclusiveness within the entertainment industry.
“A lot of film people come here for the beauty of the scenery, and I have nothing against this. Hawaii Five-O, NCIS Hawaii – good for them,” Kao says. “But very few shows or movies use Hawai’i as a character. I would love to be able to do that, to elevate the story so that outsiders don’t just think of Hawai’i as some tourist spot with piña coladas and aloha shirts. I also know there is a growing lineup of local talent in terms of behind-the-camera crew, as well as great actors. We plan to really tap into that in our local productions.”
James Sereno, founder of Kinetic Productions, films ‘Paradise Broken’ w DP Paul Atkins.
James Sereno, Kinetic Productions
Kinetic Productions is an award-winning production firm based in Honolulu, Hawaii. Founder James Sereno is a producer and director of short films, feature films and commercials. He grew up in Hawaiʻi and graduated from the USC Film School with a degree in Cinematic Arts. At Team One Advertising, he won a coveted Cannes Bronze Lion for his America West Airlines spot. Back home, he has received numerous Pele Awards, which are given to local advertising agencies.
Sereno wrote, produced and directed the short film Silent Years, which won numerous awards and resulted in an invitation from Roger Ebert to showcase the narrative work at Ebertfest. He also directed and produced the feature films Paradise Broken and Haole, and has produced several more.
“I grew up in Hawaiʻi and went away to film school in LA, but eventually wanted to come home to tell stories of my culture,” Sereno said in an exclusive interview with me. He moved back in 1999, formed Kinetic Productions, and has since focused on telling local stories. “I love that I live, love and produce in my ʻaina [homeland].”
Sereno feels it is a very dynamic time for telling stories of inclusion and diversity – and that Hawaiʻi sits at the center of the cultural melting pot. “With filmmakers like Justin Chon (Gook, Chief of War) and Chris Yogi (I Was a Simple Man, August at Akikoʻs), the future is exciting,” he says. However, it’s always a challenge to “share your unique perspective and point of view while still making something that appeals to a broader audience.”
To aspiring filmmakers, Sereno offers this advice. “There is really no excuse today for not being able to tell a story and bring it to life. Equipment is so accessible. You truly just need passion and a good story to make it happen.”
Angela Laprete is a producer and the founder of ICAN.
Angela Laprete, ICAN
Angela Laprete has over 30 years of experience as a producer on projects spanning from feature films and TV series to music videos and commercials. Her credits include Chief of War, Monarch, Hawaii Five-O and the award-winning independent film The Wind and The Reckoning, which was shot mostly in Olelo (Hawaiian language).
Born to a Japanese mother and Italian-Irish father, Laprete grew up in Hawaii from the age of four. She is fiercely committed to building out Native Hawaiian talent at all levels of production, from PAs and crew to directors and producers. She also feels that authenticity is critical in shows about Hawai’i, and therefore helps productions connect with cultural advisors. But she admits it can be frustrating at times to get people to take local talent and cultural values seriously.
In order to further these objectives, Laprete cofounded the nonprofit International Cultural Arts Network (iCan) with industry partners Brian Keaulana and Robert Suka last year. “Our big picture goal is building out a sustainable entertainment industry in Hawai’i – infrastructure, workforce development and opportunities for our talent,” she said in an exclusive interview with me.
ICAN offers free classes in acting and writing to Native Hawaiian and Pacific Islanders (NHPI) who are accepted into their programs. “We always think outside the box,” says Laprete. “We don’t conform to the norms because we are fortunate to have been in the business for so long. We bring in these high-level people who are in Hawai’i to teach. It’s been really inspiring for our students and our teachers.”
In terms of seeing more indigenous content and opportunities for NHPI folks, Laprete points to the success of Reservation Dogs and Beef. “There is an opportunity for more of these kinds of indigenous, diverse stories to be told from the inside out. That’s happening – and it is happening in Hawai’i, if slowly. But it is only happening because of people like those at ICAN saying, ‘We have the talent. Give them the opportunity. Our culture is so important. We have to preserve that.’”
Aaron and Jordan Kandell are writers and producers at Twin Ink.
Aaron and Jordan Kandell, Twin Ink
Identical twins Aaron and Jordan Kandell were born and raised in Hawai’i, then went on to study film and creative writing at USC. After graduating, they moved back home to the islands. Operating under their banner of Twin Ink, they have produced and written for numerous film and TV projects, including the animated version of Disney’s Moana and the feature film Adrift.
The Kandell brothers feel strongly that it is time for the film industry to become more inclusive. As a result, they’re delighted to see so many people of Hawaiian and Polynesian ancestry emerging onto the scene – not just in crew positions, but also rising up as writers, directors and producers.
“We are values-driven in Hawai’i,” they said in an exclusive interview with me. “The culture of collaboration, humility and hard work that endures in the islands plays a vital role in the success of people in the industry.”
They then proceeded to list filmmakers of note based in the islands, many of whom are kanaka, of Polynesian ancestry:
· Dana Ledoux Miller, an accomplished Samoan female writer who is currently working on the live action Moana and the animated Moana sequel
· Angela Laprete and Brian Keaulana, producers, and Pa’a Sibbet, writer/creator, the local team behind Jason Momoa’s massive epic series Chief of War
· Chris Bright, the first writer of Hawaiian ancestry on a major studio film set in Hawaii: the live action version of Lilo & Stitch
· Mitchell Viernes and Paula Fuga, who shot the new short Kukini entirely in Olelo (Hawaiian language) using an all-kanaka cast, crew, and craftsmen
· Gerard Elmore, a producer and the director of Ohina, who has been selected for Sundance producer lab
· Matt Kester, the first local boy writer to become a showrunner of a major network show, Rescue: HI Surf, which is being set and shot entirely on O’ahu using local talent
· Noah Evslin, the Kauai-born and bred writer and producer of numerous Shondaland shows who currently writes on NCIS Hawaii and Rescue
· Erin Lau, the first female kanaka filmmaker to direct a network TV episode, who is currently shooting Rescue
· Alika Tengen, who is in post-production on his second local feature film. His first was hailed at Sundance in 2022
“And there are still other heavy hitters who aren’t from Hawai’i, but do live and work here!” the Kandell brothers add. “The new head of film at Netflix, Dan Lin, relocated his family to the islands a few years ago, for example, and now serves on the Board of the Hawai’i International Film Festival.”
When the Kandell brothers returned to Hawai’i after university, they worked briefly as teachers. They maintain that same spirit of mentorship to this day, actively leading creative salons and participating in efforts to uplift the local film community. “You have to build relationships in order to succeed in this business,” they say. “We’re happy to help the future generation of Hawai’i filmmakers do just that.”
In the early days of HIFF, Jeannette Hereniko honored then unknown Chinese filmmaker Zhang Yimou.
Jeannette Hereniko, Hawaii International Film Festival
As the founder of the Hawaii International Film Festival back in 1981, Jeannette Hereniko is the O.G. matriarch of the local film world. A lifelong storyteller, she decided to create HIFF shortly after moving to Hawaii in the mid-70s because, she said in an exclusive interview with me, “It became clear and shocking to me that the individual life stories of Hawai’i’s Asian Americans and Hawaiians were rarely featured in the media and never seen on the big screen.”
When she launched the Hawaiʻi International Film Festival, the purpose of her life came into focus: The Festival showcased films made by and about Asians and Pacific Islanders that reflected their stories about their culture and point of view.
These days, Hereniko says, the Hawaiʻi film scene is experiencing a renaissance. “Hawaiʻi filmmakers are better prepared and positioned to share their stories on the screen than ever before. We have built a supportive film community nurtured by HIFF, Ohina, ICAN and Hawai’i Women in Filmmaking, to name but a few. Perhaps most importantly, today the world of filmmaking welcomes and often seeks out diversity.”
That said, people in Hawai’i continue to face the same challenge as always: Funding. “Unlike New Zealand, Canada, France, Korea, and many other places, our national and state governments do not offer meaningful funding for filmmakers, particularly for those who want to make a feature film that may not be a blockbuster hit,” Hereniko explains. “It’s especially competitive to secure funds from Hawaiʻi donors because we are a relatively small state with immediate worthy and urgent needs.”
The solution? “We need more imaginative producers who, among other things, can write convincing business plans that attract investors and private donors,” Hereniko says. “We also must elect state leaders who recognize the value of Hawaiʻi’s film industry, not only economically but as a universally effective medium to tell stories that reflect our diverse and rich culture.”
Hawaii
Hawaii County Surf Forecast for May 04, 2026 | Big Island Now
Forecast for Big Island Windward and Southeast
| Shores | Tonight | Monday | ||
|---|---|---|---|---|
| Surf | Surf | |||
| PM | AM | AM | PM | |
| North Facing | 1-3 | 1-3 | 1-3 | 1-3 |
| East Facing | 4-6 | 4-6 | 4-6 | 3-5 |
| South Facing | 3-5 | 3-5 | 3-5 | 2-4 |
| Weather | Mostly cloudy. Occasional showers. | ||||||
|---|---|---|---|---|---|---|---|
| Low Temperature | In the upper 60s. | ||||||
| Winds | North winds 5 to 10 mph. | ||||||
|
|||||||
| Weather | Partly sunny. Scattered showers. | |||||
|---|---|---|---|---|---|---|
| High Temperature | Around 80. | |||||
| Winds | Northeast winds 5 to 10 mph. | |||||
|
||||||
| Sunrise | 5:49 AM HST. | |||||
| Sunset | 6:45 PM HST. | |||||
Forecast for Big Island Leeward
| Shores | Tonight | Monday | ||
|---|---|---|---|---|
| Surf | Surf | |||
| PM | AM | AM | PM | |
| West Facing | 2-4 | 2-4 | 2-4 | 1-3 |
| South Facing | 3-5 | 3-5 | 3-5 | 2-4 |
| Weather | Mostly cloudy until 12 AM, then partly cloudy. Scattered showers. |
||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|
| Low Temperature | In the lower 70s. | ||||||||||
| Winds | Southwest winds around 5 mph, becoming east in the evening, then becoming light and variable after midnight. |
||||||||||
|
|||||||||||
| Weather | Mostly sunny. Isolated showers. | |||||||
|---|---|---|---|---|---|---|---|---|
| High Temperature | In the mid 80s. | |||||||
| Winds | Southwest winds around 5 mph. | |||||||
|
||||||||
| Sunrise | 5:53 AM HST. | |||||||
| Sunset | 6:49 PM HST. | |||||||
The current small northwest swell will decline tonight. A moderate northwest swell will build on Monday and produce surf above seasonal average during the peak Monday night and early Tuesday. This swell will slowly decline late Tuesday and Wednesday. A larger northwest swell could produce surf near the High Surf Advisory level Thursday, then lower Friday into next weekend.
A south-southwest swell will produce surf around seasonal average tonight and will gradually decrease Monday and Tuesday, with mainly small background surf along south facing shores through the rest of the week.
Trade wind swell will slowly lower below seasonal average on Monday and will remain small through the remainder of the week.
NORTH EAST
am
pm
Surf: Minimal (ankle high or less) surf.
Conditions: Semi choppy with ESE winds 5-10mph in the morning increasing to 10-15mph in the afternoon.
NORTH WEST
am
pm
Surf: Minimal (ankle high or less) surf.
Conditions: Clean in the morning with ESE winds less than 5mph. Bumpy/semi bumpy conditions for the afternoon with the winds shifting W 5-10mph.
WEST
am
pm
Surf: Minimal (ankle high or less) surf.
Conditions: Light sideshore texture in the morning with NNW winds 5-10mph. Bumpy/semi bumpy conditions for the afternoon with the winds shifting to the WNW.
SOUTH EAST
am
pm
Surf: Minimal (ankle high or less) surf.
Conditions: Sideshore texture/chop with NE winds 10-15mph.
Data Courtesy of NOAA.gov and SwellInfo.com
Hawaii
Hawaiian Airlines Is Gone. Travelers Just Lost The Airline That Knew Hawaii Best.
Hawaiian Airlines ended as an independently functioning airline on April 22, but what it built didn’t end with it. The parts that, in hindsight, made Hawaiian feel ahead of everyone else are the same ones Alaska is now stepping into and scaling.
Just days before the flight code disappears, it is easier to see the shape of what Hawaiian actually was. It was not just the airline that could not make the numbers work; it was the airline that kept getting the future right earlier than almost everyone else around it.
Hawaiian Airlines saw premium differently.
Beat of Hawaii editors have both been flying the Pacific on Hawaiian for nearly a half-century. And we saw it at (mostly its best) firsthand, on the second-to-last HA1 from Los Angeles to Honolulu. The 787 was not trying to copy what other U.S. carriers were doing. It was trying to reset expectations entirely, and for a regional Hawaii airline, that meant more than it would have anywhere else. Hawaiian repeatedly won top-rated U.S. airline recognition year after year, for operational performance and service.
The Adient Ascent business class suites we experienced were one example. Hawaiian backed it early, before any other U.S. airlines had committed to something comparable. At the time, that looked like a risk for a carrier already on borrowed time and with little room for error. Now it looks like it was a blueprint.
Alaska’s new international business class uses the exact same business-class platform. The headlines now belong to Alaska, but the decision to believe in that suite, when it was still unproven, belongs exclusively to Hawaiian Airlines.
Hawaiian largely built a product that reflected the emotional aspects of Hawaii flights. TEAGUE designed the interior around Hawaii, with Polynesian navigation references overhead in the ceiling, Hawaiian touches throughout, and materials tied directly to the place in a way no U.S. airline even attempts. The seat, the layout, the feel of the cabin all reflected that, in some ways at least, perfectly.
We covered that in detail in Hawaiian Airlines Dreamliner First Class Review. When the Dreamliner arrived, nothing about that experience felt like a legacy airline barely holding on. It felt like something big, maybe just getting started.
Hawaiian moved first on what travelers actually use.
Before most U.S. airlines could stabilize their hodgepodge of largely poor-quality, expensive WiFi deployments, Hawaiian moved to Starlink across its fleet, putting very fast, free connectivity on all its trans-Pacific A330S and A321neos. It simply worked from gate to gate. No falderal, no log-in, no loyalty program or credit card.
Note: Unfortunately, Hawaiian was never able to achieve WiFi certification on its Dreamliners, and Alaska is just now in the process of obtaining that.
Starlink WiFi was not a small upgrade. It changed how Hawaii flights felt, especially for travelers who were used to paying for something slow or unreliable, if it existed at all. We cannot tell you how many times we’ve flown with other airlines that promised WiFi to and from Hawaii, only to find it didn’t work or didn’t work well. Hawaiian made the right call early, and it made it across two aircraft fleets already in service, not just on new plane deliveries.
Hawaiian identified the parts of the experience that travelers actually cared about, and it moved before anyone else did. Alaska now inherits that advantage. It does not have to explain why it counts or prove that it works, since all that came and went. Hawaiian already did its part, as have others since. Alaska has also decided to deploy Starlink WiFi across its entire network that BOH editors enjoyed on a brand new Alaska 737 MAX 8 about a week ago.
Hawaiian built a brand that traveled well: Pualani.
For decades, Hawaiian showed up in Australia, Japan, Korea, and New York City (pictured) with something that already had great meaning. And that too was not an accident, nor is it easy to replicate.
The Pualani brand was consistent. The identity was tied to our iconic home in a way that translated well internationally, especially in Japan, where airline brand perception still carries weight in purchasing decisions. Travelers were not just choosing a seat or a fare. They were choosing what the airline represented.
A national branding study ranked Hawaiian first among U.S. airlines for brand effectiveness, with a score of 123 out of 200 for logo recognition, brand attribution, and consistency. Alaska scored 74 and ranked ninth. We covered that gap about Hawaiian’s reach in How Hawaiian Airlines Pualani Branding Took Aloha Global. The difference was clearly not about marketing budgets. It was about what the brand stands for when it enters a market far from home.
We have previously explored what happened to that identity. The answer is not simple, and it is not finished. Alaska can keep parts, but it can never recreate the conditions that originally built it.
Hawaiian reached further than it was capable of.
Hawaiian ordered the 787 with plans that extended well beyond Asia, including potentially London and Singapore. It also kept flying routes that did not earn their keep and never figured out how to price its product the way the rest of the industry had learned to.
What it did not have was the corporate financial structure to keep it working when conditions tightened the way they did, and its ambitions outran the balance sheet years before Alaska ever stepped in.
The failure was not Hawaiian’s vision.
That part has already been told, and it does not need to be repeated here. We covered it in Why Hawaiian Airlines Failed: A Story of Planes, Promises, And Pride.
The timing, the cost structure, and the other breakdowns, both COVID-related and around the Saber-to-Amadeus migration in 2023, and other events, all seemed to come crashing down at once.
The leadership payouts that followed only sharpened the contrast. Peter Ingram at $13.2 million, Shannon Okinaka at $4.9 million, Jonathan Snook at $5.4 million, and Aaron Alter at $4.2 million. Those numbers landed hard with many when the airline itself couldn’t remain viable.
Hawaiian needed Alaska. This was not a strategic pairing of equals, as it was once called; it was a rescue.
Alaska gets the part Hawaiian could not finish.
Alaska inherits the aircraft decisions, product direction, connectivity upgrades, and early bets Hawaiian made when it still had room to maneuver. It gets to scale them across a far larger network, and with its stronger financial base.
It also inherits the harder question. What happens to the parts of Hawaiian that were not just operational decisions, but identity?
What Hawaii loses is harder to measure for residents and kamaaina.
Hawaiian was never the biggest airline serving the islands, nor the most profitable or efficient. What it was, for a long time, was the airline that understood uniquely what a Hawaii flight was supposed to feel like.
That was demonstrated in small ways and big ones. It showed up in how the cabin felt when you boarded, the unique Hawaii-based service provided, in how the brand translated overseas, in the decisions that put traveler experience ahead of short-term gain, and even good sense.
Those choices didn’t keep the airline alive. But they shaped what the airline became and what Alaska now has to work with. Hawaiian did not survive as an independent airline, and it did not disappear, exactly.
What does Hawaiian’s legacy mean to you now that the airline itself is no longer on its own, and does seeing Alaska build on what Hawaiian started change how you look at either one?
Lead Photo © Beat of Hawaii attending the inaugural HNL-JFK route celebration in New York City at Grand Central Station.
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Hawaii
Hawaii County Weather Forecast for May 03, 2026 | Big Island Now
Hilo
Tonight: Mostly cloudy. Scattered showers in the evening, then numerous showers after midnight. Lows 60 to 70 near the shore to 52 to 58 at 4000 feet. North winds up to 10 mph. Chance of rain 70 percent.
Sunday: Mostly cloudy. Numerous showers in the morning, then scattered showers in the afternoon. Highs 77 to 82 near the shore to 62 to 67 at 4000 feet. Northeast winds up to 10 mph. Chance of rain 70 percent.
Sunday Night: Mostly cloudy with numerous showers. Lows 60 to 69 near the shore to 51 to 56 at 4000 feet. Northeast winds up to 10 mph. Chance of rain 70 percent.
Kona
Tonight: Partly cloudy. Isolated showers in the evening. Lows around 72 near the shore to 49 to 54 near 5000 feet. Light winds. Chance of rain 20 percent.
Sunday: Mostly sunny in the morning, then partly sunny with isolated showers in the afternoon. Highs 82 to 87 near the shore to around 67 near 5000 feet. West winds up to 10 mph. Chance of rain 20 percent.
Sunday Night: Mostly cloudy with isolated showers in the evening, then partly cloudy after midnight. Lows around 72 near the shore to 49 to 54 near 5000 feet. Light winds. Chance of rain 20 percent.
Waimea
Tonight: Mostly cloudy with scattered showers. Lows 61 to 71 near the shore to 55 to 62 near 3000 feet. East winds up to 15 mph. Chance of rain 50 percent.
Sunday: Breezy. Partly sunny with scattered showers. Highs around 78 near the shore to 67 to 77 near 3000 feet. East winds up to 20 mph increasing to 10 to 20 mph in the afternoon. Chance of rain 50 percent.
Sunday Night: Mostly cloudy with scattered showers. Lows 61 to 70 near the shore to 54 to 61 near 3000 feet. East winds 10 to 15 mph decreasing to up to 15 mph after midnight. Chance of rain 50 percent.
Kohala
Tonight: Mostly cloudy with scattered showers. Lows 61 to 71 near the shore to 55 to 62 near 3000 feet. East winds up to 15 mph. Chance of rain 50 percent.
Sunday: Breezy. Partly sunny with scattered showers. Highs around 78 near the shore to 67 to 77 near 3000 feet. East winds up to 20 mph increasing to 10 to 20 mph in the afternoon. Chance of rain 50 percent.
Sunday Night: Mostly cloudy with scattered showers. Lows 61 to 70 near the shore to 54 to 61 near 3000 feet. East winds 10 to 15 mph decreasing to up to 15 mph after midnight. Chance of rain 50 percent.
South Big Island
Tonight: Partly cloudy. Lows around 74 near the shore to around 55 near 5000 feet. Northeast winds up to 15 mph.
Sunday: Breezy. Mostly sunny in the morning, then partly sunny with isolated showers in the afternoon. Highs around 85 near the shore to around 66 near 5000 feet. East winds up to 20 mph. Chance of rain 20 percent.
Sunday Night: Partly cloudy. Isolated showers in the evening. Lows around 74 near the shore to around 54 near 5000 feet. Northeast winds up to 15 mph increasing to 10 to 15 mph after midnight. Chance of rain 20 percent.
Puna
Tonight: Mostly cloudy. Scattered showers in the evening, then numerous showers after midnight. Lows 60 to 70 near the shore to 52 to 58 at 4000 feet. North winds up to 10 mph. Chance of rain 70 percent.
Sunday: Mostly cloudy. Numerous showers in the morning, then scattered showers in the afternoon. Highs 77 to 82 near the shore to 62 to 67 at 4000 feet. Northeast winds up to 10 mph. Chance of rain 70 percent.
Sunday Night: Mostly cloudy with numerous showers. Lows 60 to 69 near the shore to 51 to 56 at 4000 feet. Northeast winds up to 10 mph. Chance of rain 70 percent.
Waikoloa
Tonight: Partly cloudy. Lows around 72 near the shore to 50 to 55 above 4000 feet. Southeast winds up to 15 mph.
Sunday: Breezy. Sunny in the morning, then partly sunny with isolated showers in the afternoon. Highs 82 to 87 near the shore to around 68 above 4000 feet. Northeast winds up to 20 mph. Chance of rain 20 percent.
Sunday Night: Mostly cloudy with isolated showers in the evening, then partly cloudy after midnight. Lows around 72 near the shore to 51 to 56 above 4000 feet. East winds up to 15 mph. Chance of rain 20 percent.
Synopsis
High pressure north of the islands will produce moderate trade winds through Monday. Wind speeds will weaken from Tuesday through Thursday as a weak cold front passes north of the island chain. Trade winds slowly return by the end of next week as the stalled front diminishes and the broad ridge builds back over the region.
Short term update
The infrared satellite imagery this evening shows a shallow cold front roughly 600 miles northwest of Kauai approaching the Hawaii region. This frontal cloud band will weaken and stall out north of the state with no significant rainfall impacts. Trade wind speed trends however will decrease as the trough breaks down the ridge north of the island chain. Light large scale winds over Hawaii from Tuesday through Thursday will trigger and expansion of onshore sea breezes during the daylight hours and offshore land breezes overnight. These light local scale winds are driven by diurnal thermal differences between ocean temperatures and island heating/cooling cycles.
The short range forecast grids look reasonable. No updates to the evening forecast.
Prev discussion
Issued at 352 PM HST Sat May 2 2026 Radar and satellite show mostly cloudy skies and scattered showers across most windward and many mauka areas, along with the Kona region of the Big Island, this afternoon. Very few showers have made it to leeward areas, but a good amount of cloud cover has moved in from time to time. Winds were generally out of the northeast at 10 to 20 mph with a few higher gusts, but some leeward areas had west winds coming in off the ocean. These showers will decrease in the Kona region this evening, but otherwise should continue into the night.
With the upper low to our northeast finally moving away, upper level ridging will be able to strengthen. This will keep moderate to occasionally breezy trade winds with us through Monday as surface high pressure systems to our NE and NW move east across the Pacific. A weak trough (dying cold front) will move toward the area Monday, and pressure falls associated with its approach will veer winds to southeasterly Monday night. Light north to northeast winds behind the trough are expected to develop over western islands Wednesday, perhaps reaching as far east as Maui Wednesday night. With light winds Tuesday through Thursday, expect a few more clouds than normal over leeward areas, and perhaps a brief shower.
Winds will then return to southeasterly Thursday and remain that way into next weekend. PW values will be relatively low throughout the next week. The only day of values noticeably above 1″ will be Wednesday, when convergence from the surface trough will peak. Trades may return next weekend.
Aviation
Moderate to breezy easterly trades will persist through Sunday, with clouds and brief showers favoring windward sites. Expect periods of MVFR conditions in showers, otherwise widespread VFR is expected.
No AIRMETS are in effect.
Marine
No changes to the forecast this evening, and not expecting any significant changes with the morning package.
High pressure to the north-northeast will maintain trade winds through the remainder of the weekend. A front to the northwest will move to the east and help to weaken the ridge to the north. As a result, expect trades to steadily weaken, becoming light and variable by the middle of the week.
The current northwest swell (310-320 degrees) will gradually fade over the remainder of the weekend. Another small swell is expected to arrive late Sunday night/early Monday morning, and will help to maintain elevated surf along north and west facing shores. A storm low near Japan is expected to move to the east and will send a long period northwest swell to the islands. This swell (320 degrees) is expected to arrive Thursday, but currently expected to peak below advisory levels.
The current south swell will hold through the remainder of the weekend, and then gradually decline. As trades steadily weaken, wind waves and trade wind swell will follow with diminishing surf expected along east facing shores during the next several days.
HFO Watches/Warnings/Advisories
None.
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Data Courtesy of NOAA.gov
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