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Eleanor Coppola, Emmy-winning documentary filmmaker, dead at 87

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Eleanor Coppola, Emmy-winning documentary filmmaker, dead at 87

Eleanor Coppola, an Emmy-winning documentary filmmaker and artist, has died at 87.

Coppola’s death was confirmed to Fox News Digital by a representative for her husband of 61 years, Francis Ford Coppola. She died at her home in Rutherford, California, on Friday, her family said in a statement to the Associated Press. No cause of death was given.

Coppola was best known for directing the Emmy Award-winning 1991 documentary “Hearts of Darkness: A Filmmaker’s Apocalypse,” which followed the notoriously turbulent production of her husband’s 1979 war drama “Apocalypse Now.”

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Eleanor Coppola, who documented the making of some of her husband Francis Ford Coppola’s iconic films, including the infamously tortured production of “Apocalypse Now,” and raised a family of filmmakers, has died. (Chad Keig/Courtesy of the Coppola family via AP)

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Raised in Orange County, California, Coppola graduated from the University of California, Los Angeles with a degree in applied design. She met Francis, 85, in 1962 while working as an assistant art director on his directorial debut, the Roger Corman-produced 1963 horror film “Dementia 13.”

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The two, who married in February 1963, shared son Gian-Carlo, who tragically died at age 22 in a 1986 boating accident, son Roman, 58, and daughter Sofia, 55. An obituary for Coppola stated that her marriage to Francis was “utterly infused with art and film and family, and their work overlapped in profound ways.”

Coppola took up documentary filmmaking while living in the Philippines with Francis during the production of “Apocalypse Now.” Though filming was scheduled to be completed in five months, the shoot was plagued with problems and took over a year to finish.

Coppola began documenting the chaotic making of “Apocalypse Now” as shooting was delayed by a number of setbacks including a typhoon that destroyed sets, the hospitalization of star Martin Sheen due to a near-fatal heart attack and the death of a construction crew member.

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Francis and Coppola are pictured on the set of “The Godfather Part II.” (Gerald Israel/Hulton Archive/Getty Images)

After “Apocalypse Now” was released in August 1979, the film was nominated for eight Academy Awards, winning two. Coppola’s behind-the-scenes footage, which was compiled to create “Hearts of Darkness,” became one of the most famous films about movie making.  It premiered at the 1991 Cannes Film Festival and was released on Showtime.

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The documentary earned four Emmy Award nominations, with Coppola and co-directors George Hickenlooper and Fax Bahr taking home the trophy for informational programming directing. 

“The beginning of the film idea for me was certainly documenting ‘Apocalypse Now,’” Coppola recalled in a 2017 interview with Deadline. “I had no idea.”

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She continued, “I’d made some little art films in the early ’70s, but when I got this camera in the Philippines I was just mesmerized, looking through the viewfinder. I really responded to that, so I made different documentaries, because I always loved to shoot.”

Coppola and Francis (middle) are pictured with their children Roman (left) and Sofia (right) in 2007. (Ernesto Ruscio/FilmMagic)

After “Hearts of Darkness,” Coppola continued to make behind-the-scenes documentaries about movies directed by Francis and her children Roman and Sofia, who followed in their parents’ footsteps and became filmmakers.

Roman has directed several movies of his own and regularly collaborates with filmmaker Wes Anderson. He is president of his father’s San Francisco-based film company, American Zoetrope.

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Sofia became one of the most acclaimed filmmakers of her generation as the writer-director of films including “Lost in Translation” and 2023’s “Priscilla,” which she dedicated to Coppola. 

In addition to several of her husband’s films, Coppola documented Roman’s 2001 movie “CQ” and Sofia’s 2006 film “Marie Antoinette.” Her obituary stated that she was most recently editing a documentary about “Marie Antoinette.”

Francis and Eleanor Coppola were married for 61 years at her time of death. (Axelle/Bauer-Griffin/FilmMagic)

In 2016, at the age of 80, Coppola wrote and directed her first narrative feature film, “Paris Can Wait.” The romantic comedy starred Diane Lane, Alec Baldwin and Arnaud Viard. She followed that up with “Love Is Love Is Love” in 2020. 

Coppola had initially set out only to write the screenplay to “Paris Can Wait.” 

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“One morning at the breakfast table my husband said, ‘Well you should direct it.’ I was totally startled,” Eleanor told the Associated Press. “But I said ‘Well, I never wrote a script before and I’ve never directed, why not?’ I was kind of saying ‘why not’ to everything.”

Coppola also published the 1979 book “Notes: On the Making of ‘Apocalypse Now’” and her 2008 memoir “Notes on a Life.” Per her obituary, Coppola completed writing her third book, a memoir about her recent life, at the age of 87.

“I appreciate how my unexpected life has stretched and pulled me in so many extraordinary ways and taken me in a multitude of directions beyond my wildest imaginings,” Coppola wrote in the manuscript.

Coppola is survived by Francis, Sofia and Roman and three grandchildren.

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The Associated Press contributed to this report.



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Oregon

Oregon’s relives playoff nightmare as Indiana delivers brutal 56-22 beatdown

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Oregon’s relives playoff nightmare  as Indiana delivers brutal 56-22 beatdown


ATLANTA — For the second time in as many seasons, Oregon entered the College Football Playoff with high expectations and exited with a pillar to post thrashing from a conference foe.

In similar fashion to last year’s Rose Bowl rout by Ohio State, No. 1 Indiana had its way with No. 5 Oregon in a CFP semifinal at the Peach Bowl Friday night. By the end of the 56-22 mauling, led by Fernando Mendoza’s five touchdowns, neither the scoreboard nor the box score reflected how lopsided things truly were.

Three Ducks turnovers, including a pick-six by Dante Moore on the opening play of the game, led to 21 first-half points for the Hoosiers (15-0), who led 35-7 at halftime.

“This is going to be a life lesson that a lot of people never get,” Oregon coach Dan Lanning said. “We just got our butt kicked. That’s going to happen in life and not just Dante. Every single person in the locker room, every coach, every person can learn, hey, how do you respond to that.

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“Some people crawl into a hole, don’t face the music. Some people say, okay, let’s figure it out. Let me challenge myself so I can be better. Let me be an example of how you handle moments like this. I think there is a way to handle that.”

One could say the Ducks (13-2) should have learned a similar lesson from the Rose Bowl, but with so many new starters from a year ago that’s not entirely accurate.

This UO team ranked in the top 10 in many statistics all season and was at times even more dominant than last year’s team. But against the best competition its weaknesses showed more than its strength. The Hoosiers (15-0) capitalized on many of those to advance to face Miami in the CFP Championship on Jan. 19.

“They have a great defense, great disguise and different looks, but you can’t win football games if you’re causing turnovers,” said Moore, who was 24 of 39 for 285 yards with two touchdowns but lost 28 yards rushing due to three fumbles. “Something of course I need to work at.”

Moore lost two fumbles, one on a strip sack and another when running back Dierre Hill Jr. ran into the tip of the ball on Moore’s wind up.

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“First play, I still like the play, but it sucked the result,” offensive coordinator Will Stein said. “We had the fumble off the elbow, like, crazy. … We were stopping ourselves, but they’re a really good defense. They are really good and they create takeaways and they don’t mess up.”

Mendoza was 17 of 20 for 177 yards and the five scores, which went to four different IU players.

Named offensive MVP, Mendoza set a Peach Bowl completion percentage record and threw the most touchdowns against Oregon since Cal’s Davis Webb had five in 2016.

“He understands what he’s doing,” Lanning said. “He has great weapons to be able to take advantage of.”

Indiana was 11 of 14 on third down, including nine of its first 10, underscoring one of Oregon’s defensive weaknesses against better teams.

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Defensive coordinator Tosh Lupoi called it a “really poor finish” to an “awesome season.”

It’s difficult to take a long view after another promising campaign ends in such brutally demoralizing fashion, though several players tried.

“This is a great program,” said running back Noah Whittington, who was limited due to turf toe. “It’s going to continue to grow. Eventually we’re going to get the job done. Unfortunately it wasn’t today, but down the road we’re going to get ‘em.”

Yet for a second year in a row, albeit once again with several top skill players out due to injury, Oregon was embarrassed on a national stage.

“In this moment,” Lanning said, “you feel like a failure and they’re not. They’re not failures. These guys won a lot of damn ball games. … I also think you can’t discredit that we played well. We’ve played well at times even here in the postseason.”

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Lanning proclaimed Oregon’s season motto “double down,” an expected value proposition in blackjack, which adopted because the program’s process is sound, even if last year’s Rose Bowl ending was not.

In many cases, it worked. But not always, like Friday night. It doesn’t mean that Lanning’s methods won’t pay off in the long run. It does mean the 2025 season ends without the ultimate reward, and in this case, far worse: another playoff blowout loss, which even if it proves again to be against the eventual national champion is still an offseason’s worth of misery to endure.

Adding insult to injury is Mario Cristobal, in his fourth year at Miami, bringing the Hurricanes back to the national championship game for the first time in 23 years.

But Oregon still earned a seat back at the CFP table. Whether Lanning is willing to double down in the same spot, or consider greater changes with two outgoing coordinators, could determine if the Ducks play differently next year.



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Utah

Utah Highway Patrol urges caution after woman dies helping crashed car in Weber Canyon

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Utah Highway Patrol urges caution after woman dies helping crashed car in Weber Canyon


WEBER COUNTY, Utah — She was a good Samaritan, stopping to help when she saw a crashed car, but tragically, that decision ended her life.

According to the Utah Highway Patrol, just before 6 a.m. on Friday, a man and woman were traveling along I-84 in Weber Canyon when they saw a crashed car on the side of the road.

They got out to help, but then they saw another car coming with its brakes locked up.

“The two individuals that were standing outside of the vehicle ran to avoid being hit. One went one direction, the other went towards the side of the barrier, jumped over the barrier, thinking it was solid on the other side, and fell in between the two bridge structures below,” said Corporal Eric Prescott with Utah Highway Patrol.

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Woman dies after falling over I-84 barrier while assisting accident in Weber Canyon

Woman dies after falling over I-84 barrier while assisting accident in Weber Canyon

Prescott said they were from out of town and didn’t know the area very well, and unfortunately, he’s seen this happen before.

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“About 15 years ago. I had another crash that occurred. Had 29 cars that were involved in a similar situation,” he said. “he stepped out to help, and he slipped on the barrier and fell.”

FOX 13 News asked if something could be fixed.

“We love that people want to help, but you also need to consider your safety also. So, it’s a pitch-black situation, you need to be cognizant and aware of like, hey, is this risk worth it of a vehicle that’s in the dark around the corner, no one’s going to be able to see you, and so you just have to weigh that risk,” Prescott said.

No other injuries were reported.

Prescott said they also have trauma resources available for the other drivers on the scene.

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“They didn’t do anything wrong, they were involved in a crash, the bridge was icy. Didn’t contribute anything to the death of this individual, but there’s still going to be those feelings that are going to be involved in it,” Prescott said. “We were able to give some information, these resources, to kind of help give them some closure, to help them to know that, hey, this wasn’t your fault.”

FOX 13 News visited gas stations and rest stops around the area, and while no one wanted to be on camera, each person said even after hearing the story, they would still want to get out and help someone in their time of need.

UHP stated that it takes them 24 hours to notify the next of kin, but they’re hoping to release the identification and other information about the investigation in the coming days.





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Washington

Washington National Opera cuts ties with the Kennedy Center after longstanding partnership | CNN Politics

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Washington National Opera cuts ties with the Kennedy Center after longstanding partnership | CNN Politics


The Washington National Opera on Friday announced it is parting ways with the Kennedy Center after more than a decade with the arts institution.

“Today, the Washington National Opera announced its decision to seek an amicable early termination of its affiliation agreement with the Kennedy Center and resume operations as a fully independent nonprofit entity,” the opera said in a statement.

The decoupling marks another high-profile withdrawal since President Donald Trump and his newly installed board of trustees instituted broad thematic and cosmetic changes to the building, including renaming the facility “The Donald J. Trump and The John F. Kennedy Memorial Center for the Performing Arts.”

The opera said it plans to “reduce its spring season and relocate performances to new venues.”

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A source familiar with the dynamic told CNN the decision to part ways was made by the opera’s board and its leadership, and that the decision was not mutual.

A spokesperson for the Kennedy Center said in a statement, “After careful consideration, we have made the difficult decision to part ways with the WNO due to a financially challenging relationship. We believe this represents the best path forward for both organizations and enables us to make responsible choices that support the financial stability and long-term future of the Trump Kennedy Center.”

Kennedy Center president Richard Grenell, who was appointed by Trump’s hand-picked board, said on X, “Having an exclusive relationship has been extremely expensive and limiting in choice and variety.”

Grenell added, “Having an exclusive Opera was just not financially smart. And our patrons clearly wanted a refresh.”

Since taking the reins at the center, Grenell has cut existing staff, hired political allies and mandated a “break-even policy” for every performance.

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The opera said the new policy was a factor in its decision to leave the center.

“The Center’s new business model requires productions to be fully funded in advance—a requirement incompatible with opera operations,” the opera said.

Francesca Zambello, the opera’s artistic director, said she is “deeply saddened to leave The Kennedy Center.”

“In the coming years, as we explore new venues and new ways of performing, WNO remains committed to its mission and artistic vision,” she said.

The New York Times first reported the opera’s departure.

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Founded in 1956 as the “Opera Society of Washington,” the group has performed across the district, taking permanent residency in the Kennedy Center in 2011.

The performing arts center has been hit with a string of abrupt cancellations from artists in recent weeks including the jazz group The Cookers and New York City-based dance company Doug Varone and Dancers who canceled their performances after Trump’s name was added to the center – a living memorial for assassinated President John F. Kennedy.

The American College Theater Festival voted to suspend its relationship with the Kennedy Center, calling the affiliation “no longer viable” and citing concerns over a misalignment of the group’s values.

American banjo player Béla Fleck withdrew his upcoming performance with the National Symphony Orchestra, saying that performing at the center has become “charged and political.”

The Brentano String Quartet, who canceled their February 1 performance at the Kennedy Center, said they will “regretfully forego performing there.”

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CNN has reached out to the Kennedy Center on the additional cancellations.

The opera said, “The Board and management of the company wish the Center well in its own future endeavors.”

CNN’s Betsy Klein and Nicky Robertson contributed to this report.



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