Denver, CO
Review — Immersive Nostalgia at Meow Wolf’s Emo Nite Halloween Takeover in Denver – 303 Magazine
On October 26th, Meow Wolf Denver hosted the second night of its Halloween Danceportation series, the theme of which was “Emo Nite Halloween Takeover.” Known for blending interactive art installations with surreal storytelling, Meow Wolf’s venue is a labyrinth of strange landscapes, alien cities, and mind-bending rooms — the perfect setting for a costume party that pulls guests into a night of classic emo hits, immersive art, and live music.
READ: Meow Wolf Denver’s Danceportation Featuring J.Worra was a Night of Hidden Magic
As the party began, approaching the building felt like stepping into another dimension. In every direction, people dressed as favorite characters and nostalgic icons — from Shrek and Fiona to obscure pop culture figures — gathered, making it feel like a massive costume-themed festival before you even entered the building. With each step, reality started to bend away, preparing visitors for the world awaiting them inside.
Once inside, it was clear this was no ordinary Halloween party. Everywhere you looked, costumed figures roamed in all directions, and the opening chords of Fall Out Boy’s “Sugar, We’re Goin Down” echoed through the main hall. This song would kick off a playlist filled with hits that defined an entire generation and set the tone for the night ahead. Characters on stilts wove through the crowd, interacting with guests, while friends gathered to sing along, laughing and reminiscing over the familiar lyrics. It was surreal but fitting, a sense of nostalgia amplified by the strange, dreamlike surroundings.
One of the early highlights of the evening involved the elevator — but this was no typical ride. Guests were packed shoulder-to-shoulder with figures dressed as both beloved and fearsome characters. As the elevator climbed, the excitement grew, almost like it was transporting everyone to another world. When the doors finally opened, they revealed a fully immersive experience: a gritty, graffiti-covered cityscape filled with interactive games and alien influences. The first sight upon stepping out was a “Rat Battler” arena, where partygoers could face off in a head-to-head showdown controlling their own warrior rats. Fueled by the backdrop of My Chemical Romance, it felt like an edgy, underground competition, the perfect embodiment of the night’s throwback vibe.
Moving beyond this gritty world, guests were drawn deeper into Meow Wolf’s surreal maze, with the angsty emo anthems serving as a siren call. Each room in Meow Wolf has multiple pathways and countless hidden corridors, allowing people to pick their own adventure and discover something new at every turn. For those who followed the sound of music, a spiral walkway led to a stunning area hidden within a giant tree. Emerging into this open room, guests found themselves surrounded by glowing plants and intricately painted walls, with shadowed, alien-like insects crawling along the walls. The surreal environment felt like a dreamscape, perfectly blending eerie Halloween ambiance with emo nostalgia.
Nestled within the forested setting was a DJ stage, where a crowd gathered to shout along to their favorite emo songs. Above them, the venue stretched multiple stories high, with faces peering down from balconies that felt like they had reached the sky. It created a layered, almost otherworldly experience, as if guests wandered through a strange, organic festival within an alien planet. Nearby, friends gathered in cozy, cocooned conversation pits, laughing and taking photos, while others moved between levels, exploring the layered jungle-like room.

Throughout the night, each new corner revealed a different environment, each room its own unique theme and detail. Smaller side rooms held DJs spinning tracks for intimate crowds, and the alien movie theater became a fan favorite. Here, the 2002 Scooby-Doo movie played on a big screen, creating a moment of comfort amidst the night’s high-energy chaos. The dim lighting and quirky atmosphere offered a cozy retreat where people could sit, relax, and relive a childhood favorite before diving back into the party.
Another standout room was the “Glass Church,” an enormous, stained-glass-inspired installation designed to feel like a surreal, cathedral-like dance hall. Here, another DJ took over, creating an ethereal, otherworldly vibe that was mesmerizing and slightly eerie, perfectly fitting the Halloween theme. Each room in Meow Wolf’s labyrinth seemed crafted to resonate with different tastes, and the attention to detail made each environment a visual feast. From cityscapes to alien jungles, there was no shortage of fascinating spaces to wander through and explore.
The night’s music roster was packed with crowd-pleasers. Alongside a lineup of DJs, live performances from bands like Bury Mia, Astral Planes, Caroline Reilly and Thurston provided moments of raw, live energy. The crowd went wild when special guests like Kellin Quinn from Sleeping with Sirens and Forrest Kline from Hellogoodbye created moments of excitement that were all the more amplified by the themed setting. Decadon and High Zombie closed out the evening with “Grave Sets” that served as the night’s final thrill. The music felt like the heartbeat of the night, pulsating throughout the rooms, tying everything together in a festival-like vibe. It was easy to get lost in the art and let the music serve as a soundtrack for the night’s adventure.
The crowd itself was a massive part of the experience. Seeing so many people embrace the immersive atmosphere and come dressed in intricate costumes added an infectious energy to the space. Characters from every genre mingled, laughed and shared drinks, creating a sense of camaraderie that’s hard to find outside such an event. At one point, guests dressed as the “Green Monkeys” from Legends of the Hidden Temple gathered for an emo karaoke session and belted out “Dirty Little Secret” by The All-American Rejects. These spontaneous moments brought the party’s playful energy to life and made it feel like a community gathering as much as a Halloween celebration.
As the night wore on, it became clear that Meow Wolf’s Emo Nite Halloween Takeover was a truly unique experience. Each detail, from the music selection to the intricately designed rooms, created a space where people could lose themselves in the past and present at once. The combination of familiar emo tunes and eerie, surreal surroundings made it a one-of-a-kind Halloween event, perfect for fans of both alternative music and immersive art. For anyone in Denver looking for a Halloween celebration that blends nostalgia, art and otherworldly experiences, Meow Wolf’s Danceportation nights are not to be missed. It’s a place where the strange and familiar meet and where stepping outside reality feels as natural as the music itself.
All photographs courtesy of Zack Hartman
Denver, CO
New report finds Denver metro home buyers and sellers experiencing ‘unattainability fatigue’
Higher mortgage rates are discouraging buyers and sellers, and slowing market activity along the way across the Denver metro, according to a Denver Metro Association of Realtors May market trends report.
“There’s a lot of fatigue going on, and specifically due to interest rates, Denver has seen a pretty typical 6% average price appreciation, but the last couple of years it’s been relatively flat. However, that’s just kind of made up for the fact that during the pandemic we saw huge appreciation gains,” said Heather O’Leary, a realtor and a member of the Denver Metro Association of Realtors market trends committee.
Watch more of Micah Smith’s interview with Heather O’Leary on the current housing market in the video below.
New report finds Denver metro home buyers and sellers experiencing ‘unattainability fatigue’
O’Leary said from May 2017 to May 2026, the median sale price grew from $382,000 to $615,000, a 6% average annual increase that mirrors the market’s long-run historical norm.
“A median home in the Denver metro area could cost 87% more than it did in 2020 and so buyers are exhausted. That’s where we get the term affordability or unattainability fatigue, because it’s just difficult for them to jump into something. And then sellers are honestly exhausted as well, because they don’t want to have to drop their prices,” O’Leary said.
According to the report, closed sales fell nearly 7% year-over-year, attached-home sales dropped almost 18%, and new listings declined more than 17%.
However, the report found the luxury market is outperforming the broader market.
“Luxury buyers are definitely less affected by interest rates, and we’ve seen 3.1% increase year-over-year in pending sales, and about 5% in closed sales, and that’s really because luxury buyers are less affected by interest rates, because they have more flexibility, potentially more cash and equity in a home,” O’Leary said.
The DMAR Market Trends Committee releases reports monthly, including data for Adams, Arapahoe, Boulder, Broomfield, Clear Creek, Denver, Douglas, Elbert, Gilpin, Jefferson and Park counties.
Denver7
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Micah Smith anchors Denver7’s 4 and 5 p.m. newscasts, and reports on issues impacting all of Colorado’s communities. She specializes in telling stories centered on social equity and hearing voices that are unheard or silenced. If you’d like to get in touch with Micah, fill out the form below to send her an email.
Denver, CO
Denver-ish Central Market? RiNo food hall vendors claim they’ve been pushed out
When Denver Central Market opened at 2669 Larimer Street 10 years ago, the food hall was a harbinger of RINo’s revitalization, serving as an anchor destination for residents and visitors alike.
Today, the space looks to be in the midst of a seismic transition. Over the past week, three of the vendors occupying prime real estate in the 12,000 square-foot facility have exited, leaving behind empty shelves, empty counters and, in some cases, hard feelings.
The Curio bar is now temporarily closed. Shelves once full of spirits and mixers sit as empty as a frat house liquor cabinet after rush week; the long tables and stools have no drinkers to fill them. Directly across from the bar are the empty glass cases of the Butchers at RiNo, which once stored large cuts of beef, pork and chicken that customers could either order sandwiches made from on-site or take home to cook themselves.
And the long counter at High Point Creamery, occupying the space connecting the Crema coffee shop to Izzio Bakery, now lies bare, with exposed wires and broken drywall as the only evidence of its former occupant.
While there’s still plenty of activity at the other food stalls that call Denver Central Market home, all this begs the question: What the hell is going on? The food-hall’s management says it’s just part of the natural cycle of concepts entering and exiting as leases expire. Vendors, however, say they’re being pushed out.
“Changes in tenants are pretty typical for a Market/Food Hall and we’ve had very little over the past ten years,” reads a statement from Denver Central Market, delivered through a spokesperson, who notes that the exiting businesses were on 10-year leases that had expired. “But we are excited for what’s to come. News to follow.”
Vendors, however, tell a different story, accusing Denver Central Market owner Ken Wolf of pushing them out and generally making them feel unwelcome during their time at the space.
“After a decade of building High Point Creamery at Denver Central Market, we weren’t given a meaningful opportunity to continue operating there,” says High Point Creamery founder and CEO Erika Thomas. “Ken Wolf chose not to renew our lease and instead gave the space to Etai Barron of Izzio.”
Neither Denver Central Market nor representatives of Izzio have confirmed that Etai Barron is taking the space. But Thomas isn’t the only vendor to complain.
“I’d like to thank all my customers, employees, vendors, friends and family for helping Butchers at RiNo operate and almost flourish,” writes Butchers at RiNo owner and general manager Brent Ratliff. “I put a lot of blood, sweat and tears into this business that hopefully brought immense joy. It’s unfortunate property management didn’t make us feel welcome when we began, nor when we closed. Best of luck to everyone.”
Among the various allegations of heavy-handed management are instances of DCM ownership dictating the name and branding of new businesses entering the space, and even pushing back on products they chose to sell. Tenants have also cited confusing and expensive facility fees that all vendors must pay in addition to rent for shared services, such as table busing, security and maintenance services that they claim proved inadequate. Saying they fear legal action, some of the vendors who share these complaints request anonymity.
They have more specific concerns, too. On May 29, for instance, the building was temporarily closed to address an issue with the water, which vendors say was regularly not hot enough to pass health inspections, or was too low in pressure to be useful. According to city records, three in-progress Denver Department of Public Health & Environment complaints were filed against the facility May 28-29, but it is unclear if those are directly related to water problems.
According to sources, fingerpointing between DCM owner Wolf and the building’s owner, Eden Ventures, has turned this and other facility issues into a game of endless hot potato, leaving problems unresolved.
Wolf and chef Jeff Osaka — who operated the Sushi-Rama franchise in Denver, among other concepts — opened DCM in 2016 to great fanfare and customer traffic, filling a void in the then-nascent RiNo neighborhood. In 2019, Wolf sold the building occupied by Denver Central Market, along with other properties along the block, to Eden Ventures for a reported $55 million. Soon after the sale, the relationship between Wolf and Eden Ventures soured, with Wolf suing the new owners over lease-extension terms and, at one point posting signs at the food hall forbidding Eden employees from entering.
While Eden Ventures owns the building, Wolf still leases the space, and in turn leases the individual food and retail stalls to vendors. Of the 11 original vendors from a decade ago, only three are left: Izzio, Crema and Green Seed Market. Most of the concepts that have entered DCM since — including Tammen’s Fish Market, Lunchboxx, Vero, and Temper Chocolates and Confections — are companies in which Wolf has an ownership stake.
DCM management is rumored to be taking over the Curio bar space, which could reopen as soon as next week, and the Butcher in RiNo space also reportedly has an interested buyer. And whether or not Izzio replaces High Point Creamery, the owner of that venture is relieved to move on.
“Fortunately, High Point was never defined by a single location,” says Thomas. “Today we operate five locations, including our newest shop at McGregor Square. We’ve found fantastic partners who value what we bring to the table, and we’re excited about what’s ahead.”
Denver Central Market is located at 2669 Larimer Street and is open from 8 a.m. to 9 p.m. Sunday through Thursday and 8 a.m. to 11 p.m. Friday and Saturday. For more information, visit denvercentralmarket.com.
Denver, CO
Defensive lineman Jordan Miller has a tough battle to make the Broncos’ final 53-man roster
As the Denver Broncos prepare for the 2026 season, they have a lot of positives going for the franchise. One of them would be their defensive line. Once a position group with a lot of questions marks, it has ascended to one of the best units in the National Football League over the past few seasons.
The departure of John Franklin-Myers in free agency may have an impact on the group’s performance for the upcoming gridiron campaign. Though the Broncos are hoping a combination of young players they have drafted over the past several seasons can offset the loss of Franklin-Myers.
One player hoping to make the squad is defensive lineman Jordan Miller. At the conclusion of the 2024 NFL Draft, the Broncos signed Southern Methodist standout and gave him one of the biggest signing bonuses from that cycle. For the past two seasons, Miller has been a practice squad player for the Broncos. After two years learning the ropes, is Miller finally ready to earn a spot on Denver’s final 53-man roster? Let’s discuss.
Age: 26 | Experience: 2 | College: SMU (via Miami) | Height: 6’3” | Weight: 307 pounds
Arm Length: 33-3/8” | Bench: 27 reps | 40-Yard Dash: 5.18 seconds
Jordan Miller’s 2026 outlook with the Broncos
Several years ago, I highlighted Miller’s strengths in our 2024 roster review series. His strength and size at the point of attack are enticing. Additionally, he boasts a tremendous wingspan on the interior which routinely gave opposing offensive linemen in his collegiate career fits.
The physical traits Miller has are certainly promising. However, entering his third year with the Broncos, he faces steep competition in order to make the final 53-man roster. That’s no fault of his own—it’s just the reality of the situation—Denver’s defensive line is stacked.
I believe the franchise will keep six defensive lineman in the rotation once again this season. Having six players in their trenches will help keep the rotation fresh and give them a shot to be at their best. Zach Allen, Sai’vion Jones, Tyler Onyedim, D.J. Jones, Malcolm Roach, and Eyioma Uwazurike appear to be the favorites set to make the squad. With that in mind, it is hard to see a viable path for Miller to make the squad.
Given the aforementioned, it seems like Miller will once again be a practice squad candidate for the Broncos. In the event that something were to happen to Jones or Roach, I could see Miller getting called up to the active roster to help handle spot duty reps on the interior of Defensive Coordinator Vance Joseph’s defensive front.
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