Alijah Arenas will withdraw his name from the NBA draft and return to USC for his sophomore season, according to a person familiar with the decision not authorized to speak publicly on the matter.

The former five-star prospect, whose father is NBA star Gilbert Arenas, was expected to spend just a single season at USC before declaring for the draft. But nothing went as planned during Arenas’ freshman season.

Arenas was involved in a single-car accident in April 2025 and hospitalized for six days after a Tesla Cybertruck he was driving hit a tree and burst into flames. The week that he returned to practice after the accident, Arenas learned he needed knee surgery. He didn’t debut for the Trojans until late January. And when he finally made it into the lineup, Arenas was thrown into a starring role in the middle of a brutal Big Ten slate and struggled to adjust.

Still, there were glimpses of the player that Compton Magic AAU founder Etop Udo-Ema told The Times had the potential to one day “be the face of the NBA.” Over one stretch in early February, Arenas had 29 points in a win over Indiana, scored 24 and hit a winning shot at Penn State and put up 25 points at Ohio State.

“Just the things he can do, the IQ he has, what he can see, the way that he moves, the length, the size,” Udo-Ema said, “he’s the most talented guy I’ve ever seen.”

But Arenas told The Times in late February that he was unhappy with the results of his freshman campaign to that point.

“I know what I’m capable of. And I’m not there yet,” Arenas said. “Simple as that.”

Arenas had submitted his name as an early entrant in the NBA draft, the deadline for which was Monday. But ultimately, he opted to return to USC as a sophomore, in hopes of starting anew.

Arenas returns to a roster that should be even more talented in the 2026-27 season. Guard Rodney Rice and forward Jacob Cofie also announced earlier this month that they would return, while three top-25 prospects are set to join the roster this summer.

USC also already added a trio of players in the portal, including a 7-footer in Connecticut’s Eric Reibe and an experienced starter in Georgetown’s KJ Lewis.

Xia Brookside certainly has made an impact on Total Nonstop Action Wrestling (TNA) over the last few weeks.

As Brookside climbs the ladder to get back into the TNA Knockouts World Championship, she appeared to make an enemy along the way. Brookside helped Arianna Grace retain the title over Lei Ying Lee at Rebellion when she put Grace’s foot on the rope to break up the pin attempt.

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Brookside was far from finished with Lee. Last week, Lee wanted answers from Brookside. The English wrestler gave Lee a hug in the middle of the ring, but assaulted her. Their feud is heating up.

Outside of the ring, Brookside revealed on Sunday she was starting “a new chapter.” She posted a video of herself getting baptized.

“Something I’ve been considering for a very long time, after getting consistent in going to church weekly, reading daily and the incredible support from my man, it felt like the easiest decision I’ve ever made,” she wrote on X. “Thank you to everyone that came to support me.”

Brookside, whose real name is Xia-Louise Brooks, is the daughter of retired pro wrestling star Robbie Brookside. He currently works as a trainer and producer for WWE NXT.

She started her pro wrestling career in the United Kingdom and worked her way through the independent scene, eventually joining WWE in 2018. She was featured in WWE NXT UK before she joined Stardom in Japan and eventually TNA.

She’s held championships in International Pro Wrestling United Kingdom and Rise Wrestling during her career. She was also ranked No. 91 on Pro Wrestling Illustrated’s list of top women’s wrestlers in 2019.

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Brookside is back to making an impact on TNA again and is sure to be in line for the knockouts title down the line.

For years, the NFL has playfully scoffed at conspiracy theories its drama is scripted.

Now, the league has hired some of the best writers in the entertainment industry to do just that.

The NFL is going Hollywood, looking to expand its audience with theatrical motion pictures and its first scripted streaming series. This isn’t just about using the names and logos of real NFL teams, but diving headlong into storytelling about the league in the form of upcoming movies — one about John Madden, another a Christmas Day release about an unlikely hero for the New York Giants — and “The Land,” a dramatic Hulu series centered on fictional characters and the Cleveland Browns starring Christopher Meloni, Mandy Moore and William H. Macy.

It’s the next step in the partnership between the NFL and Skydance Sports, the forming of a premier content studio aimed at creating must-watch storytelling and attracting everyone from hardcore football fans to people who otherwise have no real interest in the game.

The NFL has long contended it’s the world’s greatest reality show and the numbers support that. According to Sportico, NFL games were 84 of the top 100 most-watched television shows last year. And the year before, it was 93 of 100.

“When you have an audience as big as the NFL’s, there are a lot of different demographics to service and engage even more deeply,” said Jason Reed, who heads Skydance Sports. “Those movies work as a fan service. They service towns, fans of those franchises, and they really connect. What they also do is pick up this other group of people who maybe wouldn’t watch a football game.”

Pulling back the curtain on the league is a challenge. The NFL isn’t likely to sanction unflattering content, at least not much of it, yet the goal is to make the stories as realistic as possible. How will the writers handle issues such as concussions, drug use or domestic violence? That was addressed in a presentation at last month’s owners meetings by JW Johnson of the Haslam Sports Group, who oversees the business strategy of the Browns.

“We don’t want this to be — no offense to our friends at ESPN — a ‘Playmakers’ situation,” said Johnson, referring to the popular but short-lived series on the Cougars, a fictional football team, that explored mature themes and was canceled after one season after pressure from the NFL. “We want this to be a really fan-friendly show that also has the authenticity of what happens in a locker room and on the field. We’re very comfortable with it.”

Dan Fogelman, creator of “This is Us,” and a lifelong football fan, had long envisioned writing a dramatic series based on his favorite sport. That led to “The Land,” which began production last fall and does not have an official premiere date.

“We’re not making this stuff up out of thin air,” said Fogelman, who also created the Hulu series “Paradise,” a post-apocalyptic political thriller. “The characters are flawed and they do bad things, but the NFL has been great about that. I was worried up top, and it just hasn’t been an issue because we’re not out there looking to be salacious. We’re not trying to do ripped-from-the-headlines, crazy, exaggerated versions of reality. We want things that really happen, done accurately and in a cinematic way.”

To that end, he brought in actual NFL players as consultants to help with the storylines and make sure the details make sense.

“We had a bunch of NFL players come and visit us in our little office, and we’re on the second floor,” he said. “Some of my heroes were in that room. I was genuinely concerned the floor was going to fall through.”

Enter NFL Films, which for more than six decades has turned a violent sport into an art form, filling the frame with meticulous focus on a Matthew Stafford spiral — and without the benefit of a second take. Those camera operators are heavily involved in the production of both the upcoming movies and the streaming series.

“That’s our whole thing,” Reed said. “How do we support great filmmakers and make sure they know how to access the resources and expertise that NFL Films has developed over 60 years, and combine those two together? That, to me, is the secret sauce of the venture.”

What’s more, what the father-and-son combination of Ed and Steve Sabol created in NFL Films provides an incredible library for future projects.

“The well is infinite,” said Jessica Boddy, vice president of commercial operations and business affairs for NFL Films. “We’ve only scratched the surface.”

For Fogelman, “The Land” is scratching a creative itch he’s felt since childhood.

“I’ve wanted to do this show for 20 years,” he said. “I’m a failed athlete myself. My connection with my father growing up — he worked a lot — was I grew up in Pittsburgh as a Steelers fan and also migrated to New Jersey, where we became Giants fans. My dad would let me watch games with him if I was quiet and didn’t act goofy. We would also throw the football back and forth.

“Now, many decades later, my father is 83, and our connection is that we talk every Monday after Giants games. He now talks with my son and me. For me, football has been very much in the fabric of my life and my relationship with my friends. This has been something I’ve been chasing for a very long time.”