Sports
As breaking debuts at Olympics, meet the New York DJ behind the Paris party
PARIS — All eyes are on the round boxing ring, where dancers trade air flares instead of jabs under a bright spotlight. But the most influential person in the room stands in the shadows behind a turntable.
It’s where Stephen Fleg does his work.
2024 Paris Summer Olympic Games
More than a neutral referees but less than a dancer at center stage, DJs like him are the backbone of breaking competitions. The New York-based DJ, producer and B-boy is one of two DJs who will be at the controls of breaking’s Olympic debut at Place de la Concorde. DJ Fleg will split duties with Poland’s DJ Plash for the women’s competition Friday and the men’s event Saturday.
In an art form redefining Olympic sport, it’s no surprise that breaking is built on a unique relationship that doesn’t exist in other events.
“A referee is very much supposed to stay out of it, a judge is staying out of it, they’re completely separate from the event itself,” Fleg said. “What I’m doing is not. I have direct involvement.”
A B-boy of 25 years who deejayed his first event in 2005, Fleg is fully aware of the power he wields playing music for the dancers. He earned his spot by overseeing several Olympic qualifiers, including the final competition in Budapest in June. After the event, Zack Slusser, the vice president of Breaking for Gold USA and USA Dance, heard from first-time breaking spectators that it was the first sporting event they had attended in which no one was on their phone. Everyone was entrenched in the atmosphere Fleg created in.
“A referee is very much supposed to stay out of it, a judge is staying out of it, they’re completely separate from the event itself,” Fleg said. “What I’m doing is not. I have direct involvement.”
(Alan Chi – WDSF)
“The DJ,” American B-boy Jeffrey “Jeffro” Louis said, “is everything.”
The best ones separate themselves by reading the room, understanding the dancers and then choosing the perfect songs that can take the room on an emotional journey, said B-girl Sunny Choi. There are aspects of a breaking battle that only some people experience, but everyone — judges, dancers and spectators — interacts with the music.
It should be funky, maintaining the essence of the art form that originated in the 1970s in the Bronx, while offering a mix of sounds. The drum break from which it derives its name name is key. The rhythm may be faster than some contemporary hip-hop, Fleg said, but some songs will be familiar to viewers tuning in to their first competition.
The International Olympic Committee licensed about 400 songs for the competition. They include vintage funk songs and 1990s and 2000s hip-hop. Some songs are brand new. Others will be comfortable classics for the breakers. Instead of the mechanical “pots and pans” sounds that DJs used for years to avoid copyright infringement issues during the early days of livestreamed events, viewers may recognize the sounds of James Brown, Busta Rhymes or A Tribe Called Quest.
But DJs don’t just pick good songs. Breakers have the opportunity to make songs stand out.
Jeffrey Louis works out with teammates during a breaking practice session at the Team USA training facility at the 2024 Summer Olympics July 30 in Eaubonne, France.
(David Goldman / Associated Press)
“Any song really has all these different notes, elements, instruments going on,” Slusser said. “The best dancers out there will highlight something that the audience probably isn’t hearing. … It’s totally interpretive and the best dancers are those that are able to capture those moments and also feed the audience exactly what that dancer is feeling.”
Dancers do not know which song they will get until it starts blaring over the speakers. Unlike gymnasts and figure skaters who practice their routines to set music for months before the Olympics, breakers have about five seconds to think of a plan before a round, Choi said.
Competitors are critiqued by a panel of nine judges who look for technique, vocabulary, originality, execution and musicality. The movements, from the high-flying power moves to intricate downrock movements on the floor, are a dancer’s vocabulary. They use them to write the sentences of each battle’s story.
The DJ, with his musical selection, chooses the plot.
“It’s a conversation between the breakers,” Slusser said. “But it’s a conversation contextualized by what the DJ does.”
Jeffro acknowledged DJs can control the result of a battle by giving a dancer a particularly difficult song. Fleg knows he can’t simply give his friends their favorite tracks. The IOC wanted to safeguard against potential bias by requiring DJs to present a set list of roughly three songs for each battle slot the day before the competition. They won’t know who will be dancing in each slot when they select the list. When the battle begins, DJs can choose only from their short list, selecting different sections, tinkering with transitions and looping in different effects.
American Sunny Choi, also known as B-Girl Sunny, competes in the B-girl Red Bull BC One World Final at Hammerstein Ballroom in 2022.
(Andres Kudacki / Associated Press)
With the discipline determined to maintain its roots while teetering between art and sport, the set list compromise is one of the few formatted elements that won’t be exactly authentic to the culture.
“We’ve taken so many cultural wins with this,” Fleg said. “Being big-picture, it’s just like, we get to play funk music, we get to play these classic breaks, we play new things, all these things are great representations of how breaking has been perceived. … I understand that we kind of have to put this aside to be able to make this come through at this level at the Olympics.”
Fleg says he has always been a fan of the Games and recalled attending the 1996 Atlanta Olympics. Getting to elevate the art he’s cherished for decades onto this global stage is a coveted opportunity. While he stops short of calling breaking a sport, he feels that the top breakers are the same level of athletic and creative genius as the basketball player who turns off a screen to drain a long three-pointer.
In his role, he’s ready to spin the perfect assist.
Sports
Dolphins’ Tua Tagovailoa open to fresh start elsewhere after disappointing season: ‘That would be dope’
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Tua Tagovailoa appears to be ready to move on from the Miami Dolphins – a feeling that seems mutual between the two sides.
Tagovailoa was benched for the final three games of the season due to poor performance. A day after the Dolphins’ season ended with a 38-10 loss to division rival New England, the sixth-year signal-caller appeared open to the idea of a “fresh start.”
Mike McDaniel speaks with Miami Dolphins quarterback Tua Tagovailoa (1) in the fourth quarter of a game against the Buffalo Bills at Hard Rock Stadium on Sept. 25, 2022, in Miami Gardens, Florida. (Megan Briggs/Getty Images)
“That would be dope. I would be good with it,” Tagovailoa said Monday, according to The Palm Beach Post, when asked specifically if he was “hoping for a fresh start.”
When asked by another reporter if he understood “fresh start” as playing “elsewhere,” Tagovailoa reportedly confirmed it.
The remarks came the same day that head coach Mike McDaniel confirmed that the team would be approaching the 2025-2026 season with a competitive mindset for the position.
“In 2026, I think there will be competition for our starting quarterback. What that is and how that looks, there’s a lot that remains to be seen. It’s the most important position on the football field, and you have to make sure you do everything possible to get the best person out there on the field.”
Miami Dolphins quarterback Tua Tagovailoa runs off the field during the first half of an NFL football game against the New England Patriots in Foxborough, Massachusetts, on Jan. 4, 2026. (AP Photo/Robert F. Bukaty)
DOLPHINS TURNING TO HALL OF FAME QUARTERBACK TO HELP FIND NEXT GENERAL MANAGER: REPORT
“Who that is – whether they’re in-house or somewhere else, that’s something that we’ll be extremely diligent on,” he continued. “But I know there will be competition for those reins. That much I do know.”
Tagovailoa threw for 2,660 yards with 20 touchdowns this season, but he struggled with accuracy and mobility, throwing a career-high of 15 interceptions. His poor performance comes just one season after signing a four-year, $212.4 million contract extension in July 2024.
Miami Dolphins quarterback Tua Tagovailoa speaks during a press conference after an NFL football game against the Baltimore Ravens, Thursday, Oct. 30, 2025, in Miami Gardens, Florida. (AP Photo/Rebecca Blackwell)
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The Dolphins face a serious decision regarding Tagovailoa, as releasing him next year would result in a $99 million dead cap charge. If the move is designated as a post-June 1 release, those charges would be split over two years, with $67.4 million allocated to the 2026 cap and $31.8 million in 2027.
The Associated Press contributed to this report.
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Sports
Snoop Dogg hilariously keeps pace with furious Steve Kerr’s ejection-producing rant
In a warm-up for his role in the upcoming Winter Olympics, Snoop Dogg was given a microphone during the second half of the NBA game between the Golden State Warriors and the Clippers on Monday night at the Intuit Dome.
Can’t wait for those Olympics! Snoop hilariously sizzled when Warriors coach Steve Kerr stormed the court in the fourth quarter of the Clippers’ 103-102 victory.
“The Arizona Wildcat done came out of him. Look at him!” Snoop said, alluding to Kerr’s college team. “Aw, Rawwwr, rawwwr, rawwwr!”
Kerr was hit with two technical fouls in less than a minute. He nearly got one with 8:44 to play when Warriors guard Stephen Curry made a shot that appeared to be a continuation after a foul, but the officials nullified the basket.
Less than a minute later, Kerr found a new level of vehemence after the Clippers’ John Collins wasn’t called for goaltending on a shot by Gary Payton II. The four-time NBA championship coach flew into a rage, aggressively gesturing at officials and screaming.
Kerr picked up the two technicals — his first in nearly four seasons — and was held back by Payton and assistant coaches before exiting to the locker room.
Snoop Dogg, who had joined regular Peacock/NBC announcers Reggie Miller and Terry Gannon for the second half, rose to the occasion, his commentary keeping pace with Kerr’s antics.
“Oh, Steve gonna get thrown out! Get him out of there. Get him out of there! Back him up!” Snoop barked.
All Miller and Gannon could do was laugh as Snoop continued, referencing the location of the Intuit Dome and Kerr’s Southern California ties: “Steve back in Inglewood right now. Inglewooood!!! Get him, Steve! You in Inglewood, Steve!”
Snoop will join NBC Olympics host Mike Tirico in Italy in February, riffing on stories that unfold at the Winter Games the way he did at the 2024 Paris Summer Olympics. The NBA game was an indication he’ll again be up to the task.
“We are excited to have Snoop bring his unique energy and passion to our NBA coverage,” NBC Sports executive producer Sam Flood said in a statement. “It will be a once in a lifetime opportunity to watch Snoop, Reggie and Terry talk hoops with a side order of fun.”
Snoop said in the release that his debut as an NBA game broadcaster “is a dream come true for me. I can’t wait to bring a fresh vibe to the analysis.”
For the record, official Brian Forte acknowledged after the game that goaltending should have been called against Collins. Curry told reporters that he appreciated his coach’s passion.
“Two crazy calls in a row that you feel like can dictate the momentum of the game, it doesn’t mean a win or a loss, it just dictates the momentum,” Curry said. “I love that fired up Steve, for sure. Somebody had to do it.”
Visiting Los Angeles has been emotional for Kerr since the Pacific Palisades wildfire a year ago destroyed his childhood home, which his family bought in 1969. His mother, 90-year-old Ann Kerr, still lived in the house, located near Rivas Canyon, and was evacuated safely.
Sports
Russell Wilson not thinking about retirement, plans to play in 2026: ‘I know what I’m capable of’
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Russell Wilson went from starting quarterback of the New York Giants to third string just a few weeks into the 2025 season, leaving many to question if the 10-time Pro Bowler decides to play next season.
Wilson, 37, doesn’t sound like he’s mulling over his decision. He wants to play in 2026.
“I’m not blinking,” Wilson said, per SNY. “I know [what] I’m capable of. I think I showed that in Dallas, and I want to be able to do that again, you know, and just be ready to rock and roll, and be as healthy as possible and be ready to play ball.”
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New York Giants’ Russell Wilson attempts to escape a sack by Dallas Cowboys defensive end James Houston (53) in the first half of an NFL football game Sunday, Sept. 14, 2025, in Arlington, Texas. (Julio Cortez/AP Photo)
Wilson signed a one-year, veteran minimum deal with the Giants this past offseason worth $10.5 million, which had tons of incentives if he were to play the entire season.
That same offseason, the Giants traded back into the first round to select Jaxson Dart out of Ole Miss, and he proved during training camp to have NFL-ready chops under center.
GIANTS STICK WITH GM JOE SCHOEN DESPITE ANOTHER LOSING SEASON, CITING NEED FOR ‘CONTINUITY AND STABILITY’
Still, then-head coach Brian Daboll was steadfast in his decision to start Wilson despite Dart’s success. But, after just three games, where the Giants went 0-3, a change was made.
Daboll went with Dart in Week 4 against the Los Angeles Chargers at home, and the rookie defeated Justin Herbert and company to not only get his first career win, but cement himself as the team’s starter moving forward.
Even then, Wilson remained positive, saying in interviews after practice that he understands the direction of the team and wanted to help Dart develop and grow in his new role.
New York Giants’ Russell Wilson, left, and Jaxson Dart, right, talk on the bench in the first half of an NFL football game against the Dallas Cowboys Sunday, Sept. 14, 2025, in Arlington, Texas. (Julio Cortez/AP Photo)
In his three starts for the Giants, Wilson threw for 831 yards with three touchdowns to three interceptions, though all of those touchdowns came in a Week 2 overtime heartbreaker for New York. Over half of Wilson’s passing yards also came in that game, throwing for 450 in the 40-37 loss.
Wilson also said that he tore his hamstring during that game against the Cowboys.
“I played that game, you know, I tore my hamstring on Friday in practice – the last play of practice. And I had a Grade 2 (tear). I couldn’t tell anybody. I had to go and play on it just because I knew the circumstance, I had to play on it, no matter what,” Wilson explained.
“I actually ended up going to the Dallas Mavericks’ facility, training. And you know, just kept it quiet, just trying to get treatment on it and just knowing that I probably couldn’t run from the goal line to the 10-yard line if I wanted to, but I feel like… I got to play this game.”
New York Giants quarterback Russell Wilson (3) scans the field at the line against the New York Jets during the first half at MetLife Stadium. (Rich Barnes/Imagn Images)
It will be interesting to see if Wilson will land anywhere, and better yet, if a team is willing to try him out as a starter again.
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