Washington, D.C
The Heart Of The City: Go-Go Museum & Cafe Honors DC’s Musical Legacy | Essence
Janet Purnell waits in line at a community celebration for the signing of a bill designating Go-Go music as DC’s official music at the Culture House in Washington, DC, on Wednesday, February 19, 2020. DC Councilmember Kenyon McDuffie, Ward 5, wrote the bill that calls for the implementation of a program to support, preserve, and archive Go-Go music and its history. “I’ve been here for 30 years and loved the music when I first heard it,” said Purnell. “I love Chuck Brown.”
(Photo by Jahi Chikwendiu/The Washington Post via Getty Images)
The heart of Washington, DC beats to a rhythm all its own—go-go music. Now, for the first time ever, that sound has a permanent home at the new Go-Go Museum & Cafe in Anacostia, ensuring that DC’s most iconic cultural export will be celebrated for generations to come.
Go-go, a unique blend of funk, rhythm, and percussion born in the streets and clubs of Washington in the 1970s, has been the lifeblood of the city for decades. Now, it has a permanent place where its legacy will continue to inspire future generations.
The team behind the highly anticipated Go-Go Museum & Cafe is set to cut the ceremonial ribbon in Washington’s historic Anacostia neighborhood on November 18, marking the launch of the first institution dedicated to celebrating and preserving go-go—a syncopated, drum-driven funk that has become the heartbeat of DC’s cultural identity.
Go-go music is much more than a genre—it’s a culture, a movement, and an undeniable source of pride for DC, especially for the Black community. Rooted in syncopated beats and live performances, go-go has provided the soundtrack to countless DC block parties, political protests, and neighborhood gatherings. It became the city’s official music in 2019, cementing its cultural significance not just for Washingtonians but for the world. And now, with the opening of the Go-Go Museum, the genre’s impact can be preserved and celebrated.
The Go-Go Museum & Cafe is the brainchild of community organizer and go-go promoter Ron Moten, who helped lead the #DontMuteDC movement—a pivotal moment in 2019 that defended the city’s musical identity from erasure. What started as a protest to keep go-go music playing in public spaces grew into a broader effort to protect and preserve DC’s unique cultural heritage. Moten, along with co-founder and museum curator Dr. Natalie Hopkinson, has made this vision a reality, giving go-go music the spotlight it has long deserved.
Located at 1920 Martin Luther King Jr. Blvd SE in the heart of historic Anacostia, the museum will feature interactive exhibits, live performances, and artifacts that tell the story of go-go’s rise from local sound to global recognition. Visitors can expect to see memorabilia like DJ Kool’s touring jacket, Chuck Brown’s promotional cutout, and a rare bomber jacket from the iconic band Rare Essence. The space will also feature cutting-edge technology, including holograms of go-go legends like Backyard Band’s Anwan Glover.
For the DC community, the museum is more than just a space—it’s a testament to the enduring power of go-go music and its role in shaping the city’s identity. “We wanted to create a space where the community could come together to celebrate and experience go-go in all its glory,” Moten explained. With a recording studio, outdoor stage, and café, the Go-Go Museum is set to be a vibrant cultural hub, ensuring that go-go’s infectious rhythm will continue to thrive.
As the museum gears up for its official opening in January, with special events planned for Go-Go Preservation Week in November, one thing is clear: DC’s go-go beat will never be muted again.
Washington, D.C
Pop-up museum in DC features the scandal that changed American history – WTOP News
Among the liquor store, barber shop and dry cleaners at the Watergate Complex’s retail plaza, there is a new pop-up museum dedicated to the scene of the crime that toppled Richard Nixon’s presidency.
Among the liquor store, barber shop and dry cleaners at the Watergate Complex’s retail plaza, there is a new pop-up museum dedicated to the scene of the crime that toppled Richard Nixon’s presidency.
The temporary exhibit features the work of artist Laurie Munn — portraits of members of the Nixon administration and those connected to the Watergate break-in. The exhibit features members of Congress, the media and some who were on Nixon’s enemies list.
Keith Krom, chair of the Board of Directors of the Watergate Museum, told WTOP the exhibit was first featured in the gallery in 2012 for the 40th anniversary of the break-in at the Democratic National Committee.
“When she (Munn) learned about our museum effort, she offered to reassemble them as a way for us to expand awareness of the museum,” Krom said.
Krom, who lives in the Watergate, said his favorite portrait is of one of the special prosecutors, whose firing sparked the “Saturday Night Massacre” in 1973.
“I had the pleasure of being a student of Archibald Cox,” Krom said. “He served as my mentor for my third-year writing project.”
Krom said during this time, at the Boston University School of Law, he spent a great deal of time with him.
“I didn’t realize how much he must have gone through. Here he was, this one man, who was challenging the president of the United States over something pretty serious,” Krom said.
The pop-up opened in October and was recently extended to stay open until April 25. Krom said the hope is to find it a permanent location within the Watergate Complex, where they can “present the history of Watergate, but with two perspectives.”
The first would be on the building’s “architectural significance to D.C.,” he said.
“You may not like the design, you actually may hate it,” Krom said. “But you cannot deny that it changed D.C.’s skyline.”
The secondary focus would, of course, be on the mother of all presidential scandals that changed the course of American history.
“That’s where that suffix ‘-gate’ started and continues to be used for almost every scandal that comes out today,” Krom said.
The inspiration for the museum spawned from an interaction from a tourist outside the Watergate.
“He says, ‘This is the Watergate, right?’ And I was like, ‘Yeah, it’s one of the buildings,’” Krom recalled.
The tourist then asked Krom, “So where’s the museum?”
“I was like, ‘Oh, we don’t have a museum.’ And he literally just looked at me and said, ‘That’s so sad.’ And he got on his bike and rode away,” Krom said.
While the self-proclaimed political history nerd said he “still gets goose bumps” when he drives by the Capitol at night, Krom hopes that when people leave the museum, “they’ll walk away with a new appreciation for how our government works, the guardrails that are in place.”
“Maybe an understanding that those guardrails themselves are kind of frail, and they probably need our collective help in making sure they last — that’s what we hope to accomplish,” Krom said.
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Washington, D.C
Cherry Blossoms Hit Peak Bloom in Washington DC
According to the National Park Service at the National Mall, famous cherry blossoms around the nation’s capital have hit peak bloom conditions. The National Park Service X account for the National Mall proclaimed this morning, “PEAK BLOOM! PEAK BLOOM! PEAK BLOOM!”
It became apparent yesterday that the bloom would be at peak today. “Despite a sunny afternoon and patches of blue sky, the cherry blossoms remain at Stage 5: Puffy White,” the Park Service wrote on X yesterday. Stage 5, “Puffy White”, is the final stage blossoms go through before being in full bloom. They start at Stage 1 as a “Green Bud”, grow into Stage 2 with “Florets Visible”, and then florets become extended at Stage 3. In Stage 4, there is “Peduncle Elongation” which sets the stage for the puffy blossoms to appear in Stage 5. Puffy White and Peak Bloom are defined as when 70% of the blossoms on the trees reach that stage.
Peak bloom varies annually depending on weather conditions; the most likely time to reach peak bloom is between the last week of March and the first week of April. According to the Park Service, extraordinary warm or cool temperatures have resulted in peak bloom as early as March 15 in 1990 and as late as April 18 in 1958.
The planting of cherry trees in Washington DC originated in 1912 as a gift of friendship to the People of the United States from the People of Japan. In Japan, the flowering cherry tree, or “Sakura,” is an important flowering plant. The beauty of the cherry blossom is a symbol with rich meaning in Japanese culture.
Dr. David Fairchild, plant explorer and U.S. Department of Agriculture official, imported seventy-five flowering cherry trees and twenty-five single-flowered weeping types from the Yokohama Nursery Company in Japan. After experimenting with growing them on his own property in Maryland, he deemed that the cherry tree would be perfect to plant around the Washington DC area. This triggered an interest by a variety of individuals to plant the tree around Washington. In 1909 the Mayor of Tokyo, Yukio Ozaki, donated 2,000 trees to the United States on behalf of his city. When the trees arrived, they were riddled with disease and insects and to protect other agriculture, they were burned. The Tokyo Mayor made a second donation of trees in 1910, this time amounting to 3,020 trees. This started the forest of cherry trees that now line the Potomac basin around Washington DC. In a gesture of gratitude back to Japan, President Taft sent a gift in 1915 of flowering dogwood trees to the people of Japan. Thousands of trees have been added since, including another gift of 3,800 trees from Japan in 1965.
Washington, D.C
BREAKING | MPD officer struck by hit-and-run driver in Southwest DC
WASHINGTON (7NEWS) — Authorities are searching for an SUV after an officer with the Metropolitan Police Department (MPD) was struck by a hit-and-run driver in Southwest D.C. on Wednesday night.
The crash happened just before 10 p.m. at Martin Luther King Jr. Avenue and Forrester Street, SW.
Police confirmed the officer, an adult man, was conscious and breathing when he was rushed to a nearby hospital for treatment of his injuries. There is no word on his condition.
The driver involved fled the scene, and investigators are looking for a white Range Rover with a partial South Carolina tag of “403.”
Anyone with information is urged to call 202-727-9099 or text tips at 50411.
This is a developing story that will be updated as more information becomes available.
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