Washington, D.C
Refik Anadol's AI tribute to Czech composer Antonín Dvořák takes the stage in Washington, DC
Installed in Prague last September, Refik Anadol’s “data painting” paying homage to Antonín Dvořák in his birthplace was installed near a sculpture of the Czech composer at the Rudolfinum music hall. In Washington, DC, where Dvořák Dreams (2023) is on view at the Kennedy Center for the Performing Arts (until 24 September), it appears near sculptures of former president John F. Kennedy and, less than half a mile away, Avard Fairbanks’s busts of George Washington on the campus bearing his name.
The work’s installation in the District makes sense, according to Elle Anastasiou, who commissioned Dvořák Dreams and directs the new media art organisation 0xCollection, which is backed by the billionaire Czech lottery and gambling businessman and philanthropist Karel Komárek.
“Dvořák was the first renowned composer to involve African American spirituals and African American culture into a western musical canon, and was an incredible supporter of the African American community and culture,” Anastasiou, who is based in Basel and London, tells The Art Newspaper. “Particularly in Washington, at this time of year, [the work] conveys a message that we would like to share—that art, and music, and both of those things put together, even if you don’t fully understand it and it’s not your native context, it is a place of community and it is a language which is fundamental to driving humanity forward.”
Audiences experience Dvořák Dreams by Refik Anadol, presented by 0xCollection and the Kennedy Center at the Reach Plaza Photo: elman studio. Courtesy of 0xCollection and The Kennedy Center
The installation reflects “a very American legacy that reflects values that, upon coming to America, are espoused about this country being founded on immigrants and on the excellence of people from all walks of life and on opportunity and that being the basis of American exceptionalism”, Anastasiou says, “whether or not one can claim those are factually true in today’s day and age”.
The installation is a curated, pre-recorded projection of imagery and sound that plays in a 60-minute loop on a 32ft square screen on the side of a cube in a courtyard beside the Washington performance centre. Depending on the day, the piece runs either from noon or 4pm until midnight. In coordination with music, dizzying waves of colour dissolve and come back together, as if seen from above in a box. At various points, representational imagery—whether a cityscape, the Statue of Liberty or Dvořák composing—fade in and out of view, at times as if seen through a rain-covered or cloudy window.
The public display has drawn picnickers in lawn chairs who have come to see Dvořák Dreams in its US premiere, which began last week. The California-based artist tells The Art Newspaper that one way that he measures the work’s impact is that he has already received three emails from students asking if he would discuss their artificial intelligence (AI) and art theses with them.
Refik Anadol with his work Dvořák Dreams, presented by 0xCollection and the Kennedy Center at the Reach Plaza Photo: elman studio. Courtesy of 0xCollection and The Kennedy Center
“In his hometown, when we unveiled the project for the first time, it was very emotional,” Anadol says of the work’s debut in Prague, where he says Dvořák is a hero. “What I felt in the Kennedy Center—now it became a form of art. Now it became like his other works that travel around the world.”
Anadol and his studio of neuroscientists and AI coders have taken pains to focus the sound to create an “immersive experience” at the Kennedy Center, but the artist says he appreciates the background noise, as airplanes fly to and from Ronald Reagan Washington National Airport over the adjacent Potomac River, and the nation’s capital bustles.
“It was loud enough that it was the prime experience. Not the planes. Not the public. But there’s also beauty in hearing the city,” he says. “Cities are probably the most important living organisms that we have that connect society and the culture.”
Audiences experience Dvořák Dreams by Refik Anadol, presented by 0xCollection and the Kennedy Center at the Reach Plaza Photo: elman studio. Courtesy of 0xCollection and The Kennedy Center
Dvořák Dreams is split into four parts representing the musician’s youth in the Austrian empire, his move to New York where he directed the National Conservatory of Music, his return to Europe and his love for composing. Its presentation in the US capital is fitting because “when he came to the United States, his breakthrough happened”, Anadol says.
The artist’s AI “fed” on around 200 works by Dvořák and pored over his notes and art to compose a new piece in the musician’s style. Anadol has done the same for other luminaries, including a projection on Antoni Gaudí’s Casa Batlló in Barcelona, which drew around 65,000 people in May 2023, a work about the poet Rumi in Istanbul in June 2022 and works on Zaha Hadid and Mozart.
“For me it’s an ongoing series,” he said. “What I am advising is we will need independent AIs for each genius or for topics. It is a way of respecting data and respecting the person who left a legacy behind for humanity.”
- Refik Anadol: Dvořák Dreams, until 24 September, Reach Plaza, Kennedy Center for the Performing Arts, Washington, DC
Washington, D.C
50 years of DC Metro: A look back in photos
One family, four generations with DC Metro
As Metro celebrates 50 years of service, one D.C. family is marking the milestone with a legacy of their own — four generations who have all worked on the system, helping keep the region moving for decades.
WASHINGTON – D.C. residents got on their first Metro train 50 years ago on March 27, 1976. Here’s a look back at the beginning.
Connecticut Avenue; NW; looking south. evening traffic-jams are aggravated by metro subway construction in Washington D.C. ca. 1973 (Photo by: HUM Images/Universal Images Group via Getty Images)
View of the Metro Center subway station (at 13th and G Streets NW) during its construction, Washington DC, November 16, 1973. (Photo by Warren K Leffler/PhotoQuest/Getty Images)
Standing in the cavernous tunnel, planners wearing hard hats discuss the construction progress of the Metro Center subway station at the intersection of 13th and G Streets in Washington, DC, November 16, 1973. (Photo by Leffler/Library of Congress/In
WASHINGTON, DC – NOVEMBER 07: FILE, Metro construction miners and blasters on a jumbo drill outside the hole they are working on at Rock Creek Parkway and Cathedral Ave NW in Washington, DC on November 7, 1973. (Photo by James K.W Atherton/The Washin
WASHINGTON, DC – MARCH 4: FILE, View of the Post Office at North Capital and Mass Avenue NE, and 1st NE where subway tunnels were being constructed in Washington, DC on March 4, 1974. (Photo by Joe Heiberger/The Washington Post via Getty Images)
WASHINGTON, DC – AUGUST 29: FILE, Workers rig a pipe at the entrance to the Rosslyn Metro Station in Washington DC on August 29, 1974 (Photo by Larry Morris/The Washington Post via Getty Images)
WASHINGTON, DC – MARCH 27: FILE, The crowd at Rhode Island Station on opening day of the Washington Metro on March 27, 1976. (Photo by James A. Parcell/The Washington Post via Getty Images)
WASHINGTON, DC – MARCH 28: FILE, Reverend Leslie E. Smith of the Episcopal Church, right, and George Docherty of New York Avenue Presbyterian church hold a joint service at the new Metro Center station in Washington, DC on March 28, 1976. (Photo by D
WASHINGTON, DC – JULY 1: FILE, An aerial view of metro construction where it crosses the Washington Channel. The Potomac River, the Pentagon and Northern Virginia can be seen in the distance. (Photo by Ken Feil/The Washington Post via Getty Images)
WASHINGTON, DC – JANUARY 27: FILE, A packed train of commuters on the Silver Spring metro on the Red Line on January 27, 1987. (Photo by Dudley M. Brooks/The Washington Post via Getty Images)
WASHINGTON, DC – JULY 4: FILE, Thousands of people press their way into the Smithsonian Subway station after the Independence Day fireworks in Washington, DC on July 4, 1979. (Photo by Lucian Perkins/The Washington Post via Getty Images)
Washington, D.C
Pop-up museum in DC features the scandal that changed American history – WTOP News
Among the liquor store, barber shop and dry cleaners at the Watergate Complex’s retail plaza, there is a new pop-up museum dedicated to the scene of the crime that toppled Richard Nixon’s presidency.
Among the liquor store, barber shop and dry cleaners at the Watergate Complex’s retail plaza, there is a new pop-up museum dedicated to the scene of the crime that toppled Richard Nixon’s presidency.
The temporary exhibit features the work of artist Laurie Munn — portraits of members of the Nixon administration and those connected to the Watergate break-in. The exhibit features members of Congress, the media and some who were on Nixon’s enemies list.
Keith Krom, chair of the Board of Directors of the Watergate Museum, told WTOP the exhibit was first featured in the gallery in 2012 for the 40th anniversary of the break-in at the Democratic National Committee.
“When she (Munn) learned about our museum effort, she offered to reassemble them as a way for us to expand awareness of the museum,” Krom said.
Krom, who lives in the Watergate, said his favorite portrait is of one of the special prosecutors, whose firing sparked the “Saturday Night Massacre” in 1973.
“I had the pleasure of being a student of Archibald Cox,” Krom said. “He served as my mentor for my third-year writing project.”
Krom said during this time, at the Boston University School of Law, he spent a great deal of time with him.
“I didn’t realize how much he must have gone through. Here he was, this one man, who was challenging the president of the United States over something pretty serious,” Krom said.
The pop-up opened in October and was recently extended to stay open until April 25. Krom said the hope is to find it a permanent location within the Watergate Complex, where they can “present the history of Watergate, but with two perspectives.”
The first would be on the building’s “architectural significance to D.C.,” he said.
“You may not like the design, you actually may hate it,” Krom said. “But you cannot deny that it changed D.C.’s skyline.”
The secondary focus would, of course, be on the mother of all presidential scandals that changed the course of American history.
“That’s where that suffix ‘-gate’ started and continues to be used for almost every scandal that comes out today,” Krom said.
The inspiration for the museum spawned from an interaction from a tourist outside the Watergate.
“He says, ‘This is the Watergate, right?’ And I was like, ‘Yeah, it’s one of the buildings,’” Krom recalled.
The tourist then asked Krom, “So where’s the museum?”
“I was like, ‘Oh, we don’t have a museum.’ And he literally just looked at me and said, ‘That’s so sad.’ And he got on his bike and rode away,” Krom said.
While the self-proclaimed political history nerd said he “still gets goose bumps” when he drives by the Capitol at night, Krom hopes that when people leave the museum, “they’ll walk away with a new appreciation for how our government works, the guardrails that are in place.”
“Maybe an understanding that those guardrails themselves are kind of frail, and they probably need our collective help in making sure they last — that’s what we hope to accomplish,” Krom said.
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Washington, D.C
Cherry Blossoms Hit Peak Bloom in Washington DC
According to the National Park Service at the National Mall, famous cherry blossoms around the nation’s capital have hit peak bloom conditions. The National Park Service X account for the National Mall proclaimed this morning, “PEAK BLOOM! PEAK BLOOM! PEAK BLOOM!”
It became apparent yesterday that the bloom would be at peak today. “Despite a sunny afternoon and patches of blue sky, the cherry blossoms remain at Stage 5: Puffy White,” the Park Service wrote on X yesterday. Stage 5, “Puffy White”, is the final stage blossoms go through before being in full bloom. They start at Stage 1 as a “Green Bud”, grow into Stage 2 with “Florets Visible”, and then florets become extended at Stage 3. In Stage 4, there is “Peduncle Elongation” which sets the stage for the puffy blossoms to appear in Stage 5. Puffy White and Peak Bloom are defined as when 70% of the blossoms on the trees reach that stage.
Peak bloom varies annually depending on weather conditions; the most likely time to reach peak bloom is between the last week of March and the first week of April. According to the Park Service, extraordinary warm or cool temperatures have resulted in peak bloom as early as March 15 in 1990 and as late as April 18 in 1958.
The planting of cherry trees in Washington DC originated in 1912 as a gift of friendship to the People of the United States from the People of Japan. In Japan, the flowering cherry tree, or “Sakura,” is an important flowering plant. The beauty of the cherry blossom is a symbol with rich meaning in Japanese culture.
Dr. David Fairchild, plant explorer and U.S. Department of Agriculture official, imported seventy-five flowering cherry trees and twenty-five single-flowered weeping types from the Yokohama Nursery Company in Japan. After experimenting with growing them on his own property in Maryland, he deemed that the cherry tree would be perfect to plant around the Washington DC area. This triggered an interest by a variety of individuals to plant the tree around Washington. In 1909 the Mayor of Tokyo, Yukio Ozaki, donated 2,000 trees to the United States on behalf of his city. When the trees arrived, they were riddled with disease and insects and to protect other agriculture, they were burned. The Tokyo Mayor made a second donation of trees in 1910, this time amounting to 3,020 trees. This started the forest of cherry trees that now line the Potomac basin around Washington DC. In a gesture of gratitude back to Japan, President Taft sent a gift in 1915 of flowering dogwood trees to the people of Japan. Thousands of trees have been added since, including another gift of 3,800 trees from Japan in 1965.
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