Louisiana
Genetic testing shows more Gulf of Mexico shrimp at Louisiana seafood market, festival • Louisiana Illuminator
A joint WVUE-TV Fox and Louisiana Illuminator investigation into shrimp sold at festival and market vendors in the New Orleans area found most of the samples to be domestic.
The results could indicate retailers and event organizers are becoming more careful about how they label and present their dishes.
The samples of shrimp were collected from nine vendors at an area seafood market in early November and from five vendors Oct. 6 at the Gretna Heritage Festival. Only one of the samples, which came from a non-restaurant vendor at the Gretna Fest, tested positive as foreign. All nine samples from the seafood market were from the Gulf of Mexico, the analysis found.
The testing was performed by SeaD Consulting, a food safety technology company that recently developed a rapid seafood species identification test. Dave Williams, a Houston resident, developed the process in collaboration with Florida State University microbiologist Prashant Singh.
“I grew up in the fishing communities,” Williams said. “It’s important to me.”
Their technology examines tissue for specific DNA markers unique to a species of Asian shrimp commonly raised in aquaculture farms.
The Illuminator and WVUE-TV Fox 8 independently collected the shrimp samples and shipped them to Singh’s laboratory at Florida State, following an industry standard chain-of-custody protocol.
Last month, SeaD Consulting used its own team to collect seven samples from the inaugural Louisiana Shrimp Festival in New Orleans. Testing from that event showed all seven samples were domestic, though that was expected considering the event served as a fundraiser for local shrimpers.
Those results are a far cry from those seen at the Louisiana Shrimp & Petroleum Festival in Morgan City, where four out of five vendors evaluated during the Labor Day weekend event were serving shrimp that tested positive for foreign genetic markers.
A similar story unfolded a few weeks later at the National Shrimp Festival in Gulf Shores, Alabama, on Oct. 12. Testing by SeaD Consulting at that event revealed four out of five samples were farm-raised imports.
News of the Louisiana Shrimp & Petroleum Festival results sparked immediate outrage from consumers and public officials who have been trying for years to address the ongoing problem of imported seafood. State Rep. Jessica Domangue, R-Houma, publicly excoriated Shrimp & Petroleum Festival organizers for allowing its vendors to undermine Louisiana’s unique culture and “openly violate Louisiana law” for years.
Williams said he believes word of his testing has gotten out to festival and market organizers, prompting them to consider stricter rules for food vendors. He has now turned his attention to the restaurant industry, which he said has been more resistant to change.
“We don’t want to stop people promoting their product in a manner that helps them sell it,” Williams said. “So if they’re going to put boats on the wall, if they’re going to have nets, if they’re going to imply that they’re local, then, for God’s sake, serve local product.”
State laws require restaurants and anyone else selling seafood in Louisiana to label it as such, but the state never adequately funded enforcement of the laws. Ambiguity in state law prevented health inspectors from levying fines even after recording more than 2,600 violations since 2019. Lawmakers rectified that issue with legislation passed in May, calling for stricter enforcement.
Laws at the federal level have seen a recent step-up in enforcement.
Last summer, U.S. Food & Drug Administration agents arrested the owners of an iconic Mississippi Gulf Coast restaurant and their seafood wholesalers on charges related to a decades-long fish substitution scheme. The individuals pleaded guilty to felonies ranging from wire fraud to mislabeling seafood.
In the wake of that case, the Federal Trade Commission adopted new guidance in October to clarify that restaurant decor, imagery, menu descriptions and slogans that suggest their seafood is local could be illegal if the restaurant is not actually serving domestic catch, according to Reuters.
According to some estimates, upwards of 80% to 90% of seafood consumed in the U.S. is imported. The foreign seafood industry has a number of problems. Some seafood companies have been caught using slave labor for commercial fishing and processing, and testing of imported seafood in Louisiana revealed the presence of banned veterinary chemicals that are potentially harmful to humans.
Louisiana shrimper and seafood retailer David Chauvin said the influx of cheap imported shrimp has decimated the domestic industry.
“For us to compete with imported shrimp, we can’t,” he said. “If we keep going down this road, we’ll be out of business.”
Chauvin said he believes regular genetic testing at restaurants and festivals could make a big difference for the industry. He and other shrimpers have been asking for tighter regulations for years, but he said there are many big businesses making a lot of money from the status quo. The state should at least require all state institutions, such as schools and prisons, to prohibit serving imported shrimp, he said.
Chauvin’s idea was actually included in legislation Louisiana approved in May that will take effect Jan. 1. The new law will require all local school districts, state agencies and state institutions that serve seafood to use only domestic shrimp and crawfish. It will also set much stricter country-of-origin laws for restaurants, prohibitions against vague menu descriptions, clear enforcement authorizations for state agencies and much higher fines for labeling violations by retailers and wholesalers.
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Louisiana
Louisiana State Police urge safe driving during Thanksgiving travel
MONROE, La. (KNOE) – Louisiana State Police is reminding families traveling for Thanksgiving to make driving safety a priority.
LSP said holidays are for fellowship and gratitude, not tragedies on the roadways.
State Police ask drivers whose holiday festivities involve alcohol or any substance that can alter their driving ability to make transportation plans beforehand. They recommend planning a different ride, or using a designated driver and public transportation options to prevent impaired driving.
LSP urges all drivers to wear seatbelts, saying it can make the difference between life and death. They also encouraged everyone to buckle up before the vehicle moves.
Anyone who sees reckless driving or hazardous road conditions should call LSP (*577) and report to any State Police headquarters.
Copyright 2025 KNOE. All rights reserved.
Louisiana
Louisiana actor Monti Sharp looks back at 1990s ‘Guiding Light’ role
More than 30 years after his Emmy-winning turn on “Guiding Light,” Monroe native Monti Sharp still remembers the moment that changed his life − when a small-town actor heard his name called on national television.
“And the winner is − Monti Sharp from Guiding Light.” The words, spoken by “The Young and the Restless” actress Kimberlin Brown at the 1993 Daytime Emmys at New York City’s Marriott Marquis Hotel, are still embedded in Sharp’s memory.
“Something shot through me and my body jerked,” he said. It took his “Guiding Light” co-star Amelia Marshall − his onscreen sister − to give him a little push toward the stage.
“It was a very surreal moment,” Sharp said. “It was just all kind of a real enchanting time. Huge surprise to me.”
From Ouachita Parish to daytime TV
Sharp, the youngest of five children born to an attorney and educator, described himself as a “ferocious reader” who spent weekends at the Ouachita Parish Library devouring books. It was there, he said, that he discovered Richard Corson’s “Stage Makeup” − the book that first opened the door to the world of theater and set him on his artistic path.
“I was just fascinated by that book and I checked it out and I kept it for quite a while until they came out a subsequent edition − third, fourth and fifth edition,” Sharp said. “I used to send away for catalogs where I could order things like nose putty and all these different things. I just wanted to try them out. I think that opened my mind up to the reality of theater.”
He spent several years on the road performing in regional theater before landing the role of David Grant on “Guiding Light.” He said he a casting director saw him in a production at The Public Theater in New York City and left a note in his mailbox alerting him about an audition she thought he should pursue.
“I think my manager or my agent at the time reached out and they scheduled the audition ,” he said. “That was a whole new audition process to me. Totally different from auditioning for theater. So I went into it with a kind of − looking back − naive view of it. I thought ‘I’m used to audition for plays. Ok’ but that process lasted a long time and eventually got to the point where we did a screen test. I showed up to the studio to do a screen with Nia Long and that was kind of interesting because I didn’t have the role but I knew I was this close. I think there was maybe two other guys there. I think Flex Alexander [and] I forget the other gentleman’s name. So I did it. I just had fun and we just really got along very well and then I went home and I just kind of forgot it because I was doing plays and other stuff.”
Sharp said his agent called and asked him to come by the office, delivering the news in person that he had won the role. Hearing he’d gotten the part was “exhilarating,” Sharp said.
Sharing the screen with Nia Long and more about Sharp’s turn in Guiding Light
Sharp’s first major storyline on “Guiding Light” centered on a forbidden romance between his character and Kat Speakes, portrayed by Long. The relationship put his character at odds with Kat’s father, Hampton Speakes, who was dating David’s sister, Gilly Grant. The storyline ultimately cemented his Emmy win.
“My character was introduced on the show as sort of this mysterious guy who no one really knew if he was a good guy or a bad guy,” he said. “Kat and I ran away together and we spent the summer on the run, trying to be in love and escape her father [and] the community who thought I was bad. That was a pretty exciting entrance. They really milked that entrance of my character and played into the mystery and all that and I think that’s what really captured people put me in the position to be nominated certainly.”
Sharp believes audiences connected with his earnest portrayal of David Grant because he approached the role with the discipline shaped by his theater background. Sharp said he was determined to do more than simply show up, tape his scenes and collect a paycheck. He wanted the work to matter, he said, and approached the role with a genuine effort to find artistic and theatrical meaning in it.
His portrayal helped cement his character’s fanbase and earned him the 1993 Soap Opera Digest Award for Outstanding Male Newcomer in addition to his Emmy. He was also named one of TV Guide’s ‘Soaps’ Sexiest Stars’ and went on to receive additional Emmy and Soap Opera Digest Award nominations.
Coming from the theater, Sharp said he and like-minded co-stars “were like magnets,” pushing one another to elevate the material beyond soap-opera conventions.
“It’s a very, very fast and very demanding workflow,” Sharp said. “Very different from any other type of work, certainly episodic television where you might be doing one script that whole week as opposed to one script per day.”
What Monti Sharp noticed about the treatment of Black daytime actors in the 90s
Sharp said the soap world of the early 1990s didn’t feature many Black actors as central characters, and issues surrounding race sometimes surfaced behind the scenes.
“There were some wild things that happened that needed to be dealt with,” he said. He approached those situations “not combative, but pretty cocksure,” a stance he believes challenged the show’s writers and producers to respond in kind.
Sharp said he began noticing that Black daytime actors weren’t getting the same visibility as white actors. Walking past newsstands, he said, he would see Black magazines featuring Black talent, but white publications almost never featured them on the cover unless they were part of a group, which he said was rare.
“There was a lot of segregation in the coverage and in the presentation of the product to the public,” Sharp said. “I recall we were doing these − because I was popular at the time − we were doing these public appearances. Go Maine for a couple of hours and sign some autographs with other people from the show and I went on one of these things at some point with a popular character from another show and we just started talking about what a gig this was and he said something like ‘Can you believe for like two hours we’re getting x amount of dollars’. I was like ‘You’re getting ‘X’ amount’. He was like ‘How much you’re getting?’ I said ‘I’m getting ‘Y’ amount’.”
Sharp said that when he questioned the pay gap, he was bluntly told that Black talent did not earn the same as white actors − even with his rising popularity and recent award wins. He recalled being told he should feel “fortunate” to be invited to fan events and was asked whether he wanted to continue, a response he described as a “gut punch.” Sharp said it was one of the first moments that ‘soured’ his relationship with the industry.
Despite his award wins, Sharp’s character’s storylines and screen began to shrink. When he said he raised questions, he was told a major story was coming − one that never materialized. He recalled speaking with one of the show’s writers who later confided that they had been fired after pushing for more material for Sharp and the actress who played his onscreen sister.
Beyond Guiding Light
Sharp’s post-“Guiding Light” career spanned daytime, film, and primetime television. He took on roles in “As the World Turns” and “General Hospital,” appeared in the film “Dead Presidents,” and made guest spots on shows ranging from “ER” and “Modern Family” to “NCIS: Los Angeles,” “How to Get Away with Murder,” and most recently “9-1-1.”
Sharp said these days, between television and film auditions, he has shifted more of his creative energy towards visual art − a passion that long sat in the background of his acting career but moved to the forefront during the pandemic.
He returned to Monroe in February 2024 to exhibit his work at the Northeast Louisiana African American Heritage Museum.
For updates on his artwork, he encourages visitors to join his mailing list at sharpartstudio.com.
Follow Ian Robinson on Twitter @_irobinson and on Facebook at https://bit.ly/3vln0w1.
Louisiana
Over 7 million people in the U.S. have vision impairment. Here’s the parish data.
Approximately 7 million people in the United States have vision impairment, including about 1 million people with blindness.
As of 2012, 4.2 million Americans aged 40 or older have uncorrectable vision impairment. This number is predicted to more than double by 2050, according to the Centers for Disease Control and Prevention,
The U.S. has a rapidly aging population, which means more people living with diabetes and other chronic conditions, which can lead to vision loss.
In Louisiana, an average 7.4% of adults are living with a vision disability.
These parishes had the lowest percent of adults living with a vision disability in 2023, in ascending order:
These parishes had the highest percent of adults living with a vision disability in 2023, in descending order:
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East Carroll Parish with 13.3%,
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Tensas Parish with 11.5%,
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Madison Parish with 11.3%,
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Claiborne Parish with 10.9%,
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Bienville Parish with 9.9%,
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Evangeline and Morehouse parishes with 9.7%,
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Concordia Parish with 9.1%,
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Avoyelles Parish with 9%.
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