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Delaware artist creates viral Mac Miller ‘Balloonerism’ album cover

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Delaware artist creates viral Mac Miller ‘Balloonerism’ album cover


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  • Delaware artist explains abstract album cover for Mac Miller’s ‘Balloonerism’
  • Mac Miller fans around the world have recreated Delaware artist’s ‘Balloonerism’ album art
  • ‘Balloonerism’ has topped multiple Billboard album charts

Whenever someone looks at the surreal album cover of late rapper Mac Miller’s “Balloonerism,” they’re also soaking in the creative genius of Delaware’s own Alim Smith.

Smith, also known as Yesterday Nite, is the visual artist behind the mesmerizing album art, which portrays Mac Miller with a Picasso-style face and a massive balloon head held by a shadowy figure. The posthumous album – which features R&B singer SZA, an alum of Delaware State University – dropped in January.

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Not only has “Balloonerism” soared to No. 1 across multiple Billboard album charts, the album art has sparked Mac fans around the world to create their own works of art inspired by Smith’s abstract album cover.

Alim Smith praised for Mac Miller ‘Balloonerism’ cover

Instagram artist Johnny Grieco, for example, caught Smith’s attention with an IG post that featured the “Balloonerism” cover as a backboard on a real basketball hoop.

“This is soooooooo hard,” Smith raved in the comment section of Grieco’s post.

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“Coming from the man himself!?” a humbled Grieco said to the Small Wonder artist, before adding: “You killed this artwork bro.”

Smith has delighted countless fans with his “Balloonerism” artwork. Lately he’s been getting a taste of his own trippy medicine, thanks to the relentless waves of fan art inspired by his work splashing him in the face.

But it hasn’t been easy for Smith to keep his head in the clouds. By the time he graduated from Cab Calloway School of the Arts in 2008, he was diagnosed with epilepsy and his mom lost her job, discouraging him from further pursuing his art education. But Smith was determined to thrive and continued to grow through networking and showings in Wilmington, Philly, New York and Florida from 2015-2017, one year before Mac Miller would reach out to him for artwork on Instagram. 

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“It’s very surreal, for one. Two, it’s very validating because I’ve been doing art since I was a kid. But I didn’t start taking it serious until I was like 25,” Smith, of Wilmington, told Delaware Online/The News Journal.

Smith, now 34, said it was about a decade ago when an ambitious idea entered his mind: “Around 35, I’ll be recognized more.”

Mac Miller loved Alim Smith’s abstract art style: ‘Need this’

Smith caught Mac Miller’s attention on Instagram on Aug. 16, 2018, with an abstract piece of art he posted of himself reimagined as a child.

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That painting was an IG repost (from March 21, 2016) of a self-portrait Smith created of his childhood days in Wilmington, an image that looked similar to the cover that Smith would eventually create for “Balloonerism.” In the self-portrait, Smith created himself as a balloon wearing glasses. But looming above him was a giant hand clutching a metal pin, ready to pop the balloon. 

Mac Miller commented on the IG post, “Need this.” Smith said Mac sent him a DM on Instagram and the two ended up talking on the phone.

Alim Smith dives into ‘Swimming’ artwork for Mac Miller

Smith said Mac initially wanted him to create artwork in support of “Swimming,” an album the rapper dropped just a few days before he commented on the self-portrait.

“He was talking about how we’re always swimming through life and navigating the tides and the waves and the crashing,” Smith said about Mac Miller.

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The painter mentioned the Pittsburgh rapper sent him reference pictures of him sitting in front of his door.

Smith first tried to Photoshop things into the image to make it look like the rapper was underwater. But Smith’s pieces didn’t seem to fit Mac’s vision for “Swimming.”

The painter also said Mac was really chill, and “I don’t know if he had a clear expectation” of what he wanted Smith to create for the “Swimming” project.  

“He didn’t like the direction of the sh– I was doing. So, he was like, ‘Just make me a self-portrait like yours, but just with me,’” Smith explained.

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Mac Miller ‘Balloonerism’ album cover explained

The inspiration behind Smith’s self-portrait came from a school picture when the visual artist was a student at Shortlidge Elementary School in Wilmington. Smith posed in the photo wearing glasses and a deadpan look on his face.

“I needed to capture how awkward that phase is in life like when you’re not a teenager yet, but you’re still not a kid no more. You have two big teeth, and your body just looks wrong, proportion-wise,” Smith explained. “I just wanted to capture that vibe.”

Flora Smith, the painter’s mom, said her son wasn’t crazy about posing for photos as a child, and that’s carried over to adulthood.

“That [school] picture was a picture of him and how he felt his face would look if he could make the different pieces of his face move around, because he hated taking pictures,” the mom explained. “He’s an introvert, but he’s an extrovert with his art.”

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When Alim Smith learned about death of Mac Miller

Weeks after Mac graced Smith’s Instagram page, Smith was doing an art show at Gallery 102 in Washington, D.C., on Sept. 7, 2018. But he said something didn’t seem right.

“I was feeling so weird all day. I didn’t know why,” Smith recalled. “I experienced a lot of death in life and I feel like sometimes before I get the news, I’m just feeling weird.”

The feeling intensified at the art show when Smith learned Mac had died. The rapper died at age 26 from an accidental drug overdose.

A day after Mac died, Smith wrote an emotional tribute on Instagram and shared a painting of the “Balloonerism” cover, which featured crease marks on it because he had folded it up, Smith’s mom said.

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The painter said Mac was a down-to-earth person, despite being famous, which was evident whenever they talked on the phone.  

“He was cool as hell. He was one of the only celebrity people that hit me up [at the time],” Smith explained. “We just chatted on the phone about basketball. We were chatting and sh–. He was cool.”

What did Mac Miller think of the ‘Balloonerism’ album cover?

Mac never got a chance to see the final version of his “Balloonerism” cover. But the rapper did get to see drafts and “he loved it,” Smith said.

Fans bootleg Mac Miller ‘Balloonerism’ with Alim Smith album art

During the pandemic, bootlegs of “Balloonerism” were floating around. Mac’s fans took Smith’s unpolished cover painting and were selling fake vinyls and cassettes of the album, he said.

The visual artist’s mom said fans also used words from his IG tribute to Mac and printed them onto fake albums and T-shirts. The mom said she sensed something “crazy” was brewing with how passionately Mac’s fans were spreading her son’s unpolished “Balloonerism” artwork.

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“I said, ‘This is crazy.’ It’s growing like wildfire,” the mom recalled.

Smith said the movement was so out of control that Warner Records was pressured into using his artwork for the official release of “Balloonerism.”  

“That’s why Warner [Records] had to reach out to me, because the fans kind of already made it a thing,” he explained.

After “Balloonerism” officially dropped, Smith was surprised to see even more fan art and publicity surrounding his album art.

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“Once it came out again, it was like the same exact process, but on steroids, because now the images are on billboards and it’s everywhere,” he said.

‘Balloonerism’ floats, despite Mac Miller tragedy

Although Mac Miller died before “Balloonerism” officially dropped, Smith said it feels like the rapper has still been along for the ride.

Smith said at one point he was working on official artwork for Starz’s drama “Empire,” but it got derailed after cast member Jussie Smollett staged a hate-crime hoax, Smith said.  

“I had a project I was doing …. for the show ‘Empire,’ but then Jussie Smollett got into his situation, so they had to nix it,” Smith explained. “Then I was doing things for Mac Miller, and then he passed.”

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Two of Smith’s major projects became deflated. But “Balloonerism” would eventually rise, taking Smith’s recognition to another level. The visual artist said it’s like the late Mac Miller is still involved with the project and is celebrating the album’s success with him.

“For it to come around so full circle, it feels like he still is a part of it,” Smith said about Mac. “And to know that he at least seen [the ‘Balloonerism’ art] and was fu—– with it before he passed, I feel good about that.”

Smith is also more recognized than he’s ever been, all before celebrating his 35th birthday on Monday, March 24.

“At 34, to make an album cover and thousands of artists are painting their own interpretation, stealing it, putting it on tattoos, doing all kinds of sh–, that’s very validating,” Smith said.

If you have an interesting story idea, email lifestyle reporter Andre Lamar at alamar@gannett.com. Consider signing up for his weekly newsletter, DO Delaware, at delawareonline.com/newsletters. 

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DSBF Final: Primo Maschio guts out series sweep – State of Delaware News

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DSBF Final: Primo Maschio guts out series sweep – State of Delaware News


Primo Maschio won the $110,000 DSBF series championship for sophomore male pacers Thursday at Bally’s Dover

Photos by Quenton Egan Photography

DOVER — Following decisive wins in both preliminary legs, Primo Maschio dug deep to head off Lew Not Lou for a 1:52.3 triumph in the $110,000 Delaware Standardbred Breeders’ Fund (DSBF) series championship for 3-year-old male pacers on Thursday, Dec. 18, at Bally’s Dover.

Primo Maschio and driver Trae Porter landed second-over on the first turn behind Shore Not Beach (driven by Pat Berry), who worked to clear early leader Lew Not Lou (Jason Thompson) for the lead at the end of a :27 first quarter. Left uncovered off the first turn, Primo Maschio drove on to assume control of the terms with a circuit to go, and the Badlands Hanover-Primadonna gelding rolled to the half in :55.

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Up the backstretch and through the far turn, Primo Maschio faced sustained pressure from Lew Not Lou, who re-emerged from third to force a :28.2 third quarter and pose an even bigger threat off the home turn.

“I was a little worried,” said Porter of Lew Not Lou taking aim at Primo Maschio off the corner. “He got to my saddle pad, but as soon as we got to the top of the stretch, my colt dug in deeper. He’s such a nice horse.”

Primo Maschio, driven by Trae Porter, won in 1:52.3 on Thursday at Bally's Dover.
Primo Maschio, driven by Trae Porter, won in 1:52.3 on Thursday at Bally’s Dover.

Primo Maschio kept Lew Not Lou a neck at bay while Shore Not Beach stayed on from the pocket to finish third, just a length shy of the top pair.

Walter Callahan trains Primo Maschio, now a 19-time winner with $414,618 in earnings from 27 career starts, for Forrest Bartlett. As the overwhelming 1-10 favorite, Primo Maschio paid $2.20 to win.

 

 

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Denvir nets 30 as Delaware Valley downs Bernards – Boys basketball recap

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Denvir nets 30 as Delaware Valley downs Bernards – Boys basketball recap


Delaware Valley’s Tommy Denvir (3) runs the ball around Phillipsburg’s Matthew Scerbo, Jr. (5) in the 2025 HWS boys basketball semifinals: Phillipsburg vs. Delaware Valley, Feb. 15, 2025.Tim Wynkoop | lehighvalleylive.com contributor

Tommy Denvir scored a game-high 30 points for Delaware Valley in its 61-51 win over Bernards in Alexandria.

Delaware Valley (2-0) led 40-27 at halftime against Bernards.

Lochlyn Marsh scored 12 points for Delaware Valley. Peter Dubljevic had eight points.

Ryan Frame and Richie Jobs each scored 16 points for Bernards (0-3). Ricky Giebel tallied 10 points, five rebounds, four assists and five steals. Casey Hoeckele recorded 12 rebounds with four points and three blocks.



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AIG Unit Sued Over Coverage for Delaware Plant Mercury Cases

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AIG Unit Sued Over Coverage for Delaware Plant Mercury Cases


An American International Group Inc. unit was hit with a lawsuit seeking coverage for litigation alleging people were exposed to mercury from a former chlorine manufacturing facility in Delaware run by Occidental Chemical Corp.

Environmental Resource Holdings LLC, the successor to Occidental through a merger, should be covered under liability policies that AIG’s National Union Fire Insurance Co. of Pittsburgh, PA, issued to a contractor that worked at the facility, according to the lawsuit filed Wednesday in the US District Court for the Middle District of Louisiana.

The lawsuit centers on agreements from 1989 and 1991 that required the contractor, …



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