Don Stone, a Dallas civic leader and strong supporter of the arts, died on Sunday. He was 96.

Angela Stone, Don’s youngest child, said her father was one of a kind, a rare mix of sweet and tough.

“He was just the most wonderful man I ever knew, just generous to a fault, smart, charming. He influenced so many people,” she said.

Stone gave widely across North Texas, including $500,000 to endow college scholarships for musically gifted Dallas ISD students. Stone also held leadership positions at several North Texas arts organizations, including the Dallas Public Library, Voices of Change, Dallas Black Dance Theatre, Fine Arts Chamber Players, Orchestra of New Spain, the Greater Dallas Youth Orchestra, Shakespeare Dallas and Booker T. Washington High School for the Performing and Visual Arts.

“He just believed that all of our lives would be so much poorer without music, art and theater. He said in our country we have the freedom to support whatever we want and that we needed to support the arts so that they would continue to exist,” Stone said.

Stone, a businessman who lived in Turtle Creek, worked for Sanger Harris, which later became Macy’s. He was a 2018 TACA Silver Cup Award honoree for his arts and culture advocacy in North Texas.

Maura Sheffler, president and executive director of The Arts Community Alliance (TACA), said in a statement that Stone’s legacy will continue to inspire the local arts community.

“We are deeply saddened by the passing of Don Stone, a devoted champion of the arts whose leadership and generosity,” she wrote.

Stone’s wife of over 72 years, Norma, died in June. She was the one who first got her husband involved in the arts, according to their daughter Angela.

Michelle Miller Burns, the DSO’s president and CEO, said the Stones had a profound impact on the DSO.

“It is with such a heavy heart that I received news of Don Stone’s passing earlier this week. Don was a devoted patron, a donor and a board member of the Dallas Symphony Orchestra, and his leadership and generosity really have helped shape the Dallas symphony across five decades,” she said.

In 1980, Stone served as DSO’s chairman of the Board of Governors and helped launch efforts to raise $80 million for Morton H. Meyerson Symphony Center and secure architect I.M. Pei.

In 1997, the Stones launched the Norma and Don Stone New Music Fund and committed $1 million to continuously support new works. Some of the works supported through the fund include this year’s world premiere of Angélica Negrón’s requiem For Everything You Keep Losing. The fund also supported a Grammy award-winning violin concerto by Aaron Jay Kernis co-commissioned with the Seattle Symphony, Toronto Symphony and Melbourne Symphony.

“I think it is rare for a couple who so firmly believes in the future of classical music and creating opportunities for new musical voices to be heard to really put support behind that in a meaningful way to fuel that process, to ensure that it can come to fruition,” Burns said.

She said the DSO will continue the Stones’ legacy by commissioning new works through the Norma and Don Stone New Music Fund.

Stone is survived by his children Michael, Lisa and Angela, six grandchildren and six great-grandchildren. The family will have a private funeral.

Arts Access is an arts journalism collaboration powered by The Dallas Morning News and KERA.

This community-funded journalism initiative is funded by the Better Together Fund, Carol & Don Glendenning, City of Dallas OAC, Communities Foundation of Texas, The University of Texas at Dallas, The Dallas Foundation, Eugene McDermott Foundation, James & Gayle Halperin Foundation, Jennifer & Peter Altabef and The Meadows Foundation. The News and KERA retain full editorial control of Arts Access’ journalism.

DALLAS — A late comeback attempt fell short for the Detroit Pistons.

They fell to the Dallas Mavericks in overtime, 116-114, after recovering from a third-period 18-point deficit. A dunk by Anthony Davis gave the Mavericks the lead for good with 1:32 to play in overtime.

Cade Cunningham (29 points, 10 rebounds and nine assists) missed a short jumper with 7 seconds left that would’ve tied the game at 116, and Jalen Duren (17 points, 13 rebounds) couldn’t convert two offensive rebounds into a tip-in basket. Davis corralled the rebound with 0.9 seconds left, and the Mavericks called timeout.

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The Pistons fouled Davis after the inbounds pass with a foul to give. Daniss Jenkins, who scored 11 points after halftime, stole the second inbounds pass with 0.6 seconds left but didn’t have enough time to get a shot off.

The Pistons trailed by 18 points with five minutes to play in the third quarter. Their bench unit was instrumental during a 31-11 run that gave the Pistons the lead again, 99-97, midway through the fourth quarter. They held Dallas to 38.5% shooting and forced nine turnovers in the second half.

PHILADELPHIA – It was evident in July and August that Dallas Goedert was going to be a big part of the Eagles’ offense in the red zone. It felt that way most summers, but this time, with first-year offensive coordinator Kevin Patullo in place, the Eagles are dialing up plays for the tight end.

“I think when I get a ball in my hand down there, I’m tough to tackle, I can find my way in, fight my way in,” said Goedert. “It’s just that our red-zone philosophy has changed a bit. We used to run a lot, a lot of quarterback sneaks, things like that down there. We’ve tried to find ways to get me the ball, which is really cool, and I’m gonna keep trying to make them work.”

So far, Goedert has nine touchdown catches. According to NFL Research, five of his touchdowns were thrown behind the line of scrimmage this season, the most by a non-running back in the Next Gen era.

“He’s such a physical guy,” said Patullo. “His determination to just get yards and have an impact on anything, whether it’s in the pass game, whether it’s gadgets, whatever it may be. He’s really dynamic with the ball in his hands. So anytime you can get the ball in his hands, obviously, that’s what we’re going to try to do.”

However, the touchdown math didn’t add up for Goedert. He thought eight was the magic number to break the record for most TD catches by a tight end in franchise history, owned by Pete Retzlaff, but Retzlaff had 10 in 1965, meaning Goedert needs one more to break that dusty, 60-year-old mark.

“I thought it was eight, but I was wrong, so I thought I already had it,” he said.

Reminded that he would have had it already had he not dropped a wide-open throw to him in the end zone on Sunday, which would have given him a career-high three in one game, he winced, then answered.

“Yeah, scars right there,” he said. “That one hurts.”

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With three games left, and with his heavy involvement in the red zone, it is reasonable to expect that the record will at least be tied, perhaps even broken.

“It’s pretty cool,” he said. “Anytime you can break a record, obviously things are going well for you. Obviously, winning is the most important thing and I want to do whatever I can to help win. If they’re giving me the ball down there, I’m gonna try to score. It would be a cool thing to have.”

Goedert’s production in the low red zone is a reason the Eagles lead the NFL in red-zone success, converting close to 70 percent of their trips (25-for-36) inside the 20 into touchdowns. The tight end has nine of those 25 red-zone TDs.

“We’ve had different things for me in the red zone throughout my career here, a lot of them just haven’t got called,” said Goedert. “Once they started calling them, I tried to make sure they worked so they could keep designing and calling other ones. Any time you go in the huddle and hear that play, knowing you have the opportunity to get in the end zone, it gets you kind of excited, for sure.”

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