Atlanta, GA
What has gone wrong with the Atlanta Dream?
The Atlanta Dream have had an all around unfortunate and largely disappointing season. It’s hard to sugarcoat the ugly reality of how the past couple of months have gone — a span in which the Dream are 7-17 and are currently on the outside looking in with regards to the playoffs.
The bottom four teams in the 12-team WNBA do get the benefit of a weighted lottery draw at the number one pick in 2025 draft. However, as a result of the 2023 Allisha Gray trade with the Wings, the Dream owe Dallas their unprotected first-round pick next summer.
Of course, Gray has become a two-time All-Star, so that’s not to say the team would like a do over there, but there won’t be any significant ‘golden parachute’ for missing the playoffs this time around.
For a season when hype has surrounded both the team and the league as a whole, the play of the hometown team may have begun to turn off onlookers to the women’s game in Atlanta. It’s clear the entire organization is committed to winning now and in the future, and their record isn’t a reflection of that lack of commitment, but there may only be 16 games left to prove that to the fans in 2024.
There are two very obvious reasons for the lackluster play of the hometown team, and they go hand in hand in some respect: the injuries and the offense.
Injuries
This one is pretty straightforward: the Dream have been struck by the injury bug. Bad. Arguably two of their three most important offensive players have missed significant time, and the direct replacements are just unable to produce at the needed level.
Rhyne Howard is currently in Paris with Team USA Basketball helping to bring home gold as part of the 3×3 women’s Olympic team, but she suffered a fluke ankle injury on June 19 in a game against the Minnesota Lynx, and due to this she missed a crucial 10-game stretch — a stretch in which the team went 1-9.
Howard’s importance to the team hardly can’t be overstated: she was named an All-Star in her first two seasons in the league, is the offensive focal point, and is the one who has the ball in her hands when the clock runs down. Her combination of scoring (15.4 points per game) and passing (3.4 assists per game) in her overall creation package is rare for a big guard, and that absence was felt as the Dream sagged to a 1-11 close to the pre-All-Star Break/Olympic portion of the season.
Jordin Canada, the nominal starting point guard, has only play four of a possible 24 games before the break mostly due to a right hand injury suffered in the offseason. In the four games she suited up — all without Howard — she was able to zip the ball around and juice the offense up to the needed standard.
She likes to take a backseat scoring the ball (8.8 points per game) in exchange for ball distribution (6.0 assists per game, a mark that would rank sixth in the league if she qualified). Canada can operate in open space or in tight spaces, and is equally sharp at running a pick-and-roll or finding players cross-court popping open for three.
Here’s an ad hoc pick-and-roll where Canada draws a second defender and dumps it off for an easy score.
Canada can push the pace if necessary and find teammates on the break like below.
And one more example, this one threading the needle to create an easy shot for Haley Jones.
Unfortunately, just as she was getting back into the rhythm of basketball, the point guard suffered a broken finger in a game against the New York Liberty on June 30 and missed the final six games before the break. In Canada’s absence has been a mix of Haley Jones, Crystal Dangerfield and Destanni Henderson, but none of them provide the dribble penetration or court vision Canada brings to the table.
In total, the Dream have yet to have all of Howard, Canada, and Allisha Gray on the court for a single minute through the first 24 games of the season — and that clearly is not a recipe for success.
Offense
The performance of the offense can’t be completely separated from the many issues on the injury front. But as it stands now, the offense is sitting in 12th place, making that the side of the ball the singularly glaring reason for the poor record so far. Their 96.2 offensive rating is the same distance from 11th place (the Chicago Sky at 99.8) as the Sky are to the sixth place Indiana Fever (103.4).
In a similar vein, the team has the worst effective field goal percentage (eFG%) in the league at a brutal 45.1, more than four percentage points than even league average. The only team in their vicinity is the Chicago Sky, who have the benefit of Angel Reese and Kamilla Cardoso to rebound a significant portion of their team’s own misses.
So yeah, it’s been bad.
The shotmaking, and especially so in the three-point shooting, has been a clear issue.
The Dream are shooting a league-worst 24% from the corner — the shortest three-point shot and one that’s almost always an easier catch-and-shoot attempt — despite attempting the third-highest rate of their threes from there (22% of three-point attempts).
Overall, they take the second-fewest shots in the league from three as a percentage of their field goal attempts. Instead, their shot diet is very heavy on inefficient mid-range shots — by far taking the most in the WNBA from 10-feet out the the three-point line. This accounts for 27% of their attempts, a rate even higher when in the halfcourt offense.
Coach Tanisha Wright has the team set up to run a motion offense, where most of the separation comes from running around screens off-ball (usually set by bigs at the elbow or in the paint). A staple set is to run a ‘floppy action’ with two perimeter players finding space to curl into an elbow touch. This means having two bigs who can set screens in the paint is key for the guards and wings find space to receive the ball.
But while Tina Charles has made a strong return from a season away from the game, Cheyenne Parker-Tyus has unfortunately been unable to reprise her All-Star season from a year ago.
This, in part, prompted Wright to move Parker-Tyus to the bench for Nia Coffey after attempting to start ‘CPT’ with Charles in a double big lineup to begin the season. But the lack of spacing — as well as a lack in defensive range — quickly seemed destined to fail.
These kinds of possessions happened too often in the first half of the season: Haley Jones drives in transition with Tina Charles trailing in filling the lane as well. Parker-Tyus, just a 26% three-point shooter, is caught between getting to her reliable spot in the post and spacing the floor, and so she puts up an early long two.
Most of Atlanta’s bigs have flashed touch from long range, but often from a step or two inside the three-point arc. Parker-Tyus, Charles, Naz Hillmon have all shown consistency in spotting up for long twos, but in today’s game of basketball, that extra point behind the line is key.
And certainly that trio of bigs is comfortable scoring from the post. But having a post up-heavy offense with two starting-caliber bigs that aren’t super comfortable passing out of double teams (without even mentioning the lack of spacing around them) has hampered the offense in a major way — as I outlined above.
This is a tough attempt from Charles, the queen of tough attempts throughout the season. DeWanna Bonner help pushes Charles into a baseline fadeway over the concrete base of Alyssa Thomas.
So to recap, the motion offense by design has produced a lot of spot up attempts from long two. And the offense is being ran without the projected starter at point guard for the vast majority of the season. And the spacing from the usual benefit of the corner three has completely abandoned the team.
All of these things and more have added up to an anemic offense thus far.
With the hopeful return of healthy players after the break, and a little more urgency in firing threes after the promotion of 3-and-D specialist Nia Coffey to the starting lineup — as the return of sharpshooting guard Maya Caldwell — there’s hope the Dream can put up more points in the games ahead. But the team remains behind the 8-ball in terms of making the playoffs, three games back of the Sky for eighth place.
They have 16 games left to play in 2024. The question is now: can they salvage what’s left of the season?
*all stats per Basketball-Reference
Atlanta, GA
Atlanta smash-and-grab: Masked men ram U-Haul into clothing store
ATLANTA – Atlanta police are searching for three masked men who drove a rental truck directly through the brick wall of a downtown clothing store early Wednesday morning. Investigators say the thieves heavily ransacked the business before making a quick escape.
Atlanta smash-and-grab details
What we know:
The burglary occurred just before 5 a.m. Wednesday at Identity-ATL, a high-end streetwear shop on the 100 block of Walker Street SW. Police say three masked men repeatedly rammed a U-Haul truck into the side of the building, smashing a massive hole in the brick wall.
Store owner Rod Thomas received an urgent call from his alarm company and rushed to his business as fast as he could. The thieves grabbed whatever clothing items they could get their hands on, drove away a white pickup truck, and left behind a pile of rubble.
Shop owners react to destruction
What they’re saying:
Thomas what he saw when he arrived at his store. He worked so hard to build. “I was just speechless, for real,” Thomas said. “I’m just distraught, you know.”
Despite the blow to his storefront, Thomas remains determined to move forward. “I rather they not do that. But I have to move forward,” Thomas said, offering a straightforward message to the thieves: “Do something better. That’s what I would say.”
Phillip Louissaint, who owns Saint’s Professional Grooming barbershop in the same building, said the neighborhood is normally a safe, pleasant place to do business. “It’s very disturbing,” Louissaint said. “Actually, it’s disturbing a little bit. We haven’t had any signs of anything like this happening here.”
Search for masked suspects
What we don’t know:
Police have not yet provided a physical description of the three suspects who remain on the loose. Authorities have also not released an official dollar amount or total value for the clothing items that were stolen during the raid.
No injuries were reported during the crash or the subsequent robbery. Investigators are currently reviewing area surveillance videos to track down the white pickup truck and identify the men responsible.
The Source: The information in this story was gathered from store owner Rod Thomas and neighboring business owner Phillip Louissaint, who explained how they experienced the incident.
Atlanta, GA
Jermaine Dupri sues Sony Music over alleged $18 million royalty dispute involving So So Def artists
Atlanta music executive Jermaine Dupri and his So So Def companies are suing Sony Music Entertainment, accusing the record label of improperly handling royalty payments tied to a decades-long business relationship.
The lawsuit, filed July 6 and amended July 7 in the U.S. District Court for the Southern District of New York, alleges Sony underpaid, failed to properly report and withheld millions of dollars in royalties connected to recordings by artists including Kris Kross, Xscape, Da Brat and Jagged Edge.
Dupri and So So Def are seeking at least $18 million in damages, along with interest and attorneys’ fees, according to the complaint.
So far, Sony Music Entertainment has not filed a response to the complaint.
According to the lawsuit, Dupri and his companies discovered the alleged royalty issues after a 2025 audit conducted by accounting firm Gelfand, Rennert & Feldman.
According to the complaint, the parties entered a tolling agreement in November 2025 after So So Def raised concerns about approximately $18 million in allegedly unpaid royalties.
The complaint alleges Sony engaged in a pattern of financial reporting problems, including underreporting royalties, failing to report certain royalties, changing royalty statements years later, using incorrect royalty rates and improperly withholding payments.
The lawsuit also alleges Sony improperly used unrecouped balances, money a label claims is still owed from previous expenses, to offset royalty payments that should have been paid.
Kris Kross royalty dispute
One of the largest claims in the lawsuit involves Kris Kross, the Atlanta rap duo known for the 1992 hit “Jump.”
The complaint alleges Sony failed to properly report producer and override royalties from Kris Kross’ first two albums, Totally Krossed Out and Da Bomb.
According to the lawsuit, Sony did not provide royalty statements for those projects until 2023, and Dupri’s companies claim they are owed more than $2.2 million related to those recordings.
The complaint also alleges Sony later produced statements showing more than $33 million in foreign sales connected to Kris Kross royalty accounts and maintained those royalties in a separate accounting system that So So Def did not know existed.
Claims involving Xscape, Da Brat and Jagged Edge
The lawsuit also details royalty disputes involving several other artists connected to Dupri and So So Def. Dupri claims So So Def is owed more than $10 million in interest on unpaid royalties tied to Xscape, Kris Kross and Da Brat projects.
For Xscape, the complaint alleges Sony underreported producer royalties from the group’s 1993 album “Hummin’ Comin’ at ‘Cha” and owes more than $960,000 related to that project.
The lawsuit also alleges Sony underreported production-share royalties by more than $144,000 through incorrect calculations and underreported producer royalties from Xscape’s album “Off the Hook” by more than $22,000.
For Da Brat, the complaint alleges Sony underreported producer royalties from her 1994 album Funkdafied and owes more than $1 million related to that recording. The lawsuit also alleges additional royalties may be owed from her album “Anuthatantrum,” though damages have not been determined.
The lawsuit alleges Sony began reporting previously unreported royalties connected to Jagged Edge’s 1997 album “The Jagged Era” in statements issued in 2023. The complaint claims those statements only covered royalties dating back to 2007, leaving earlier royalties unaccounted for.
Dispute over Sony’s royalty practices
The complaint challenges Sony’s handling of unrecouped balances.
The lawsuit cites an Xscape account that showed an unrecouped balance of about $1.53 million as of 2020. Dupri’s companies allege Sony withheld more than $1 million in royalties generated between 2020 and 2024 because of that balance.
The plaintiffs argue those balances should have been forgiven under Sony Music’s 2021 Artists Forward Legacy Unrecouped Balance Program.
The lawsuit alleges Sony’s failure to apply the program resulted in approximately $1 million in payments that were not made. The complaint also identifies potential royalty issues involving artists and projects connected to So So Def, including: Mariah Carey, Usher, Bow Wow, Bone Crusher, Anthony Hamilton and more.
Dupri and his companies are seeking compensatory damages, interest, attorneys’ fees and a jury trial.
Atlanta, GA
Atlanta City Council member proposes citywide heat safety plan as temperatures climb
ATLANTA, Ga. (Atlanta News First) — After Atlanta hit 96 degrees with a heat index of 102 over the Fourth of July weekend, a City Council member is pushing legislation to formalize how the city responds when extreme heat threatens public health.
Atlanta typically opens cooling centers as temperatures climb, but Councilmember Kelsea Bond said the city lacks a consistent, codified process to ensure the same steps are taken each time extreme heat arrives.
“There’s not something that is cohesive in our code that says this is going to happen this way every single time,” said Michael Julian Bond, Post 1 at-large.
Bond’s proposed resolution would create a citywide heat safety plan. It calls for more cooling centers, expanded outreach to vulnerable residents and using a health-based measure such as HeatRisk to determine what resources are needed based on conditions.
“The many individuals that don’t have working A/C or don’t have adequate air conditioning — we want to make sure they are able to get relief,” Bond said.
Multiple council members have signed on in support, arguing the city needs to prepare for more frequent and intense heat as the climate warms.
“The weather’s not going to get any cooler with global warming, and so we want to be prepared,” Bond said.
Copyright 2026 WANF. All rights reserved.
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