Atlanta, GA
After Further Review: Denver Broncos vs Atlanta Falcons
In the Denver Broncos 38-6 demolition of the Atlanta Falcons, there were 10 accepted penalties and two reviews. These numbers show average official involvement, but the result from the field was more impressive. Here were some notable calls from the officials.
Personal Foul on Garett Bolles
Garett Bolles had a rare personal foul called on him for unnecessary roughness. In this case, I am fairly confident that the judgment of umpire Tab Slaughter was that Bolles threw his body into a player on the ground. This was a pretty borderline call if so, however, it both fit the letter of the rule and was a deescalating call. I was a bit surprised to see it in this matchup, but there were several parts of the game where tensions between the two teams got abnormally high. Calling something like this foul to the absolute letter of the rule is a good way to help both teams calm down.
Intentional Grounding
There were questions last week about a very questionable Patrick Mahomes call that easily could have been called intentional grounding. I wanted to explain intentional grounding a bit more this week because Bo Nix had a pass that very easily could have been called intentional grounding but was not. The standard for intentional grounding penalty is that the passer threw a ball, under imminent threat from the defense, with no realistic chance of completion. Intentional grounding is ignored when a quarterback outside the pocket throws a pass that reaches the line of scrimmage. This standard sucks to officiate, because there is enormous ambiguity in a realistic chance of completion. This term is defined “a pass thrown in the direction of and lands in the vicinity of an originally eligible receiver”, but the definition still does not provide us much help. Players in the NFL are so fast, and routes cross the field in such a way, that it is really impossible for officials to know what is realistic. Plus option route mistakes are relatively common, and we do not want to call the receiver making the wrong break a penalty. So officials call intentional grounding very generously. This is the type of standard that can change rapidly, because its not really a rule but rather a choice by the NFL officiating department on how the rule will be interpreted.
Replay Review
Early in the third quarter, there were two different replay reviews. The first was of a Lil’Jordan Humphrey incomplete pass that was reversed into a catch and fumble. Mike Periera expressed his astonishment that the call was overturned, believing it did not meet the elements of a catch. While I was thrilled for Denver that the call was overturned, I agreed with Periera. A catch requires two feet and something else, and I was comfortable with the notion that Humphrey had one foot and something else, or possibly two feet and nothing else, but he seemed significantly short of making a catch to me.
On the next drive, Denver challenged a spot that would have set up third and one on an Estime catch, and had the call overturned to a first down. This is an interesting situation. First, the replay was unambiguous, Estime had the first down. However, its not clear that he should have been awarded the first down. The spot that had him short was very consistent with the spotting of the ball during the game (the officials were consistently very strict and a bit stingy perhaps). That challenge made the ruling less consistent with how other similar plays were being spotted, so there is a strong argument that he should not have been awarded the first down.
These two reviews highlight one thing I continue to believe, which is that teams should be less afraid of challenging in impactful situations. Even if you think you are not going to succeed, a timeout is a relatively small price to pay and you can get surprising results that significantly break the normal expectation of the game.
Official Evaluation
This was a well-officiated game of football. There was one bad a call and a few questionable calls, but mostly it was very by the book. Line judge Derek Anderson and down judge Derick Bowers were very strict on spotting the ball, frequently making their own jobs harder than necessary to avoid the possibility of ever giving an extra foot of distance to either team. This was not my favorite kind of spotting, but it was profoundly consistent throughout the game. They were also very patient on offensive formations.
Probably the most indicative part of the game was a non-call. Referee Alan Eck described it this way “The man in motion went beyond the center, therefore there is no foul for crackback block.” This was a very confusing explanation. What happened on the play is Denver had a man in motion from left to right (Nate Adkins) who blocked downfield. At the snap, TE Adam Trautman also went from where he had bee on the left side and blocked the defensive end to the right of the formation (barely past the center). As he had gone past the center, his block was not towards the center, and therefore was legal. After seeing the replay many times, I could squint and understand what Eck meant, but live it was rather confusing. The good news is that while there was a long delay (surely replay was checking that Trautman had gone past the center), the result was a correct call. I called this non-call indicative, because like most of the work from Alan Eck and crew, it was not perfection, but it was a good day. They spotted a lot of tricky but correct penalties, and had the good judgment to leave some unnecessary things alone.
Feel free to ask questions in the comments or to send me an email. While I rarely make unsolicited comments on non-Broncos games, if you have any rules questions from other games I am happy to either reply in the comments or if the matter is of enough concern in next weeks column.
Atlanta, GA
Atlanta Ballet Returns to the Fox Theatre to Present Cinderella for One Weekend Only This Fall
Photo above: Glass slipper scene from a past Atlanta Ballet production of Cinderella, provided by the Atlanta Ballet
Tickets on sale for Atlanta Ballet 2’s limited three-performance run of the beloved fairytale at the city’s iconic theatre
ATLANTA (June 19, 2026) – Atlanta Ballet is set to return to the Fox Theatre for the first time since 2019 as Atlanta Ballet 2 presents three performances of Cinderella. For one weekend only, Oct. 16-17, dancers from Atlanta Ballet 2 and the Atlanta Ballet Centre for Dance Education will perform one of the world’s most beloved fairy tales on the city’s iconic stage, marking an exclusive homecoming for the company.
Cinderella tells the timeless story of kindness, perseverance and the search for true love. Part of Atlanta Ballet’s family ballet series, the one-hour, family-friendly production is designed to introduce young audiences to the art of ballet, transporting them into a world of enchantment through immersive storytelling, vibrant costumes, imaginative sets and beloved characters.
“Having the opportunity to perform at The Fox is very meaningful for our Atlanta Ballet 2 dancers,” said Gennadi Nedvigin, artistic director of Atlanta Ballet. “The theatre with its whimsical decor is deeply rooted in Atlanta’s cultural history and returning there with Cinderella allows us to share a timeless story with new generations in the magical environment.”
Choreographed by Bruce Wells, this version of Cinderella blends classical choreography with narration to suit audiences of all ages. Wells is internationally acclaimed for his role as a former soloist with New York City Ballet, where he performed works by George Balanchine, Jerome Robbins, Frederick Ashton and Anthony Tudor. Audiences may also recognize Wells’ previous Atlanta Ballet 2 works, including Beauty and the Beast, Swan Princess and Snow White.
While the Fox Theatre engagement offers audiences an opportunity to see Atlanta Ballet perform on one of the city’s most iconic stages, the company’s primary performance home will remain the Cobb Energy Performing Arts Centre. Following the October performances, all Atlanta Ballet productions, including the annual Nutcracker, will continue to be presented at Cobb Energy Performing Arts Centre.
For more information and to purchase Fox Theatre pre-sale tickets, visit www.atlantaballet.com
Public ticket sales begin June 19.
About Atlanta Ballet:
Founded in 1929, Atlanta Ballet is one of the premier dance companies in the country and the official state Ballet of Georgia. Atlanta Ballet’s eclectic repertoire spans ballet history, highlighted by beloved classics and inventive originals. After 96 seasons, Atlanta Ballet continues its commitment to share and educate audiences on the empowering joy of dance. In 1996, Atlanta Ballet opened the Centre for Dance Education, which is dedicated to nurturing young dancers while providing an outlet for adults to express their creativity. Atlanta Ballet’s roots remain firmly grounded in the Atlanta community and continue to play a vital role in the city’s cultural growth and revitalization. For more information, visit www.atlantaballet.com, follow us on Instagram @atlantaballet, and like us on Facebook at www.facebook.com/atlantaballet.
About the Fox Theatre:
The Fox Theatre is one of Atlanta’s premier venues for live entertainment, welcoming more than 200 performances a year in its 4,665-seat theatre. From concerts to ballets, comedy, and movies, the historic venue attracts more than 500,000 visitors annually. The theatre also hosts over 100 annual private events such as wedding receptions, trade shows, corporate meetings, and association functions in two stunning ballrooms. The Fox’s premium Marquee Club presented by Lexus is a 10,000 sq. ft, three-story luxury lounge accessible to all Club Level ticket holders or annual members of the Fox Theatre.
As a 501(c)(3) nonprofit arts organization, the Fox Theatre stands today as a fiercely protected landmark and a nationally acclaimed theatre. In alignment with its guiding principles, the Fox Theatre is committed to fostering an environment rooted in diversity, equity, and inclusion—onstage, backstage, and throughout the staff and guest experience.
The Fox Theatre proudly acknowledges its partners’ generous support: Coca-Cola, Georgia Natural Gas, Georgian Terrace Hotel & Livingston Restaurant, Humana, Lexus, Northside Hospital, Regions Bank, and Casamigos Tequila. Tickets for all events are available at FoxTheatre.org, or toll-free at 855-285-8499. Stay connected by following the Fox Theatre on social via @theFoxTheatre on Instagram, Twitter, and Facebook.
Atlanta Braves manager Walt Weiss told reporters prior to tonight’s game against the Milwaukee Brewers that center fielder Michael Harris II could go on the IL with lower back issues if it doesn’t improve in the coming days.
The team is hopeful an IL-stint can be avoided as he is semmingly doing better and he is receiving treatment and could be available tonight, but Mauricio Dubón is starting in place of Harris II in center field.
Harris II left the June 16 game and also missed time earlier this month with lower back tightness. With monsoon season hitting the Atlanta-area, the wet conditions have wrecked the team’s schedule, but also created non-ideal conditions on the field, including on the 16th when Harris II left the contest.
It’s not good news – but it isn’t bad news either.
Atlanta, GA
YMCA of Metro Atlanta Partners with Trae Young Family Foundation to Unveil 8 New Pickleball Courts with ‘First Dink’ Celebration
New courts will bring access to one of the nation’s fastest-growing sports through youth programming, recreational play and community wellness initiatives
The YMCA of Metro Atlanta distributed the following announcement about the opening of new pickleball courts in East Cobb:
The YMCA of Metro Atlanta celebrated the grand opening of eight brand-new pickleball courts at its McCleskey-East Cobb Family YMCA location with a “First Dink” ceremony Wednesday, June 17. The new courts expand opportunities for community members of all ages to stay active, build connections and enjoy one of the nation’s fastest-growing sports.
The event featured remarks by leaders from the YMCA of Metro Atlanta and the Trae Young Family Foundation, followed by a ceremonial “First Dink.” Players from the Atlanta Bouncers, the city’s first professional pickleball team, closed out the celebration with a clinic, introducing community members to the game through demonstrations and hands-on play.
Made possible through donations from the Trae Young Family Foundation, YMCA of the USA and the YMCA community, the new pickleball courts will enhance a variety of YMCA programming, including youth camp camps, recreational play, leagues and opportunities for families and older adults to strengthen their physical and social well-being through active lifestyles.
“At the YMCA of Metro Atlanta, we believe everyone deserves opportunities to connect, grow and thrive through healthy living,” said Lauren Koontz, president and CEO of the YMCA of Metro Atlanta. “These new pickleball courts will provide a welcoming space where children, families and older adults can build relationships, stay active and experience the joy of play together. We are grateful to the Trae Young Family Foundation and all the donors for helping make this investment in our community possible.”
As pickleball continues to grow in popularity nationwide, the YMCA of Metro Atlanta remains committed to creating accessible opportunities for people of all ages and abilities to pursue healthier lifestyles and meaningful connections. The new courts at the McCleskey East-Cobb Family YMCA represent the latest example of the organization’s dedication to strengthening communities through youth development, healthy living and social responsibility.
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