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Tattoo culture in Central Arkansas: Why people get inked, and the craft’s history | Arkansas Democrat Gazette

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Tattoo culture in Central Arkansas: Why people get inked, and the craft’s history | Arkansas Democrat Gazette


Central Arkansas is home to a vibrant tattoo community and some of the best artists in the state, with dozens of shops in the metro area providing the popular service.

An estimated 32% of people in the United States have at least one tattoo, according to a study conducted by the Pew Research Center in 2023. The study also found that 22% had more than one tattoo.

Tattooing represents an enduring fascination with altering one’s appearance and quest for individuality that has evolved throughout history, with the display of body art becoming more intricate and colorful, offering a glimpse into the world of the person who has tattoos.

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WHY TATTOO?

For some, their tattoo design is chosen simply for aesthetic purposes. Others take a more philosophical approach to their chosen art. Tattoos can tell stories of tragedy, triumph, trauma or accomplishment.

“It can be a confidence boost, or sometimes it’s the rebel cause or trying to make mom mad,” said Josh Chambers, owner and resident artist at The Parlor Tattoo.

The Parlor, at 112 Main St. in North Little Rock, is a storied local shop and boasts more than 28 years in business plus a 4.8-star rating online, with more than 340 reviews as of May.

Another standout local shop is Black Cobra Tattoo Studio at 2323 N. Poplar St. in North Little Rock. It is owned by artist Matt O’Baugh, has been in business for 10-plus years and has a 4.8-star rating with more than 330 reviews.

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Like Chambers, O’Baugh speculated that one reason people get tattoos is to rebel — to “see how much I can p*** my parents off.”

Bradley Labelle, who is having a traditional Norse tattoo worked on by Black Cobra artist Breezy Tucker, said he wanted his tattoo to reflect his beliefs, and the tattoo he chose is a spiritual tribute for him.

Artist Breezy Tucker (right) works on Bradley Labelle’s (left) traditional Norse tattoo at Black Cobra on May 28, 2025. (Arkansas Democrat-Gazette/Jesse Cain)

As artist Josh Henderson tattooed on Austin Mauney part of a stylized character from the Zelda video game franchise at Black Cobra, Mauney explained that he decided on this design to continue his pattern of other characters from the same franchise. He said he has an emotional connection to those characters.

Tattooing also has a deeper meaning for some of those running the local shops.

Chambers explained that tattooing is more than just a profession; it is a craft that saved his life. He shared his humble artist beginnings — the inside of a prison cell in 2016 — and how he was encouraged to pursue tattooing while there.

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In 2023, after years of hard work, he took over at The Parlor Tattoo.

“I could always draw like the Simpsons characters, all of us as the Simpsons or whatever,” Chambers said. “Everyone (in prison) assumed that I tattooed already.”

The Parlor owner and tattoo artist Josh Chambers demonstrates his wireless rotary tattoo machine on John Shackleford in the 22 May 2025 photo. (Arkansas Democrat-Gazette/Jesse Cain)
The Parlor owner and tattoo artist Josh Chambers demonstrates his wireless rotary tattoo machine on John Shackleford in the 22 May 2025 photo. (Arkansas Democrat-Gazette/Jesse Cain)

O’Baugh also entered the profession in the early 2000s, as an apprentice. Back then, the industry was in a state of experiment and change. “Everybody went through techniques to push the boundaries and seeing what would happen,” he said. “There were a lot of growing pains.”

O’Baugh said there was a “hyper realistic” movement in tattooing, where there was little or no line work. Effects were made by using color shading to make the tattoos look more realistic. “But, after a few years, we found that the designs just didn’t hold as well as they did with line work,” he said.

Black Cobra Tattoo Studio owner / Tattoo artist, Matt O’Baugh, shows off some of his favorite things at Black Cobra on May 28, 2025. (Arkansas Democrat-Gazette/Jesse Cain)
Black Cobra Tattoo Studio owner / Tattoo artist, Matt O’Baugh, shows off some of his favorite things at Black Cobra on May 28, 2025. (Arkansas Democrat-Gazette/Jesse Cain)

BODY PIERCING

Black Cobra and other tattoo shops also offer another popular body modification service: piercing. A survey conducted by Statista in 2017 found that at least 84% had their earlobe pierced, while 20% had other types of piercings.

Like tattoos, piercings can have a deeper meaning for those who have them.

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Kyle Arkansas, a piercer at Black Cobra, said piercing can be a way for someone to cope with trauma.

Another Black Cobra piercer, Kade Oliverio, added that getting a piercing can offer that rush of adrenaline someone needs, or they might get a piercing to draw attention away from a part of their body they are uncomfortable with.

Tattoo artists Paul Lee (left) and Maia Brouillette (right) pose for a picture in the drawing studio at Black Cobra on May 28, 2025. (Arkansas Democrat-Gazette/Jesse Cain)
Tattoo artists Paul Lee (left) and Maia Brouillette (right) pose for a picture in the drawing studio at Black Cobra on May 28, 2025. (Arkansas Democrat-Gazette/Jesse Cain)

HISTORY OF THE CRAFT

Body modification and tattooing dates back thousands of years, and today’s tattooing is a far cry from the utilitarian version noted 19th-century professional artist, Martin Hildebrandt, practiced. It became more intricate and colorful, offering a glimpse into the personality of the person with tattoos.

Hildebrandt first tattooed Civil War soldiers for identification purposes. He opened his New York City shop in 1870.

In the same city, in 1891, Samuel O’Reilly was granted the first patent for an electric rotary tattoo machine. It was inspired by Thomas Edison’s electric pen.

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There is no record of O’Reilly selling such a machine, however.

But the oldest known tattoos were discovered more than 100 years after Hildebrandt set up his shop, when the remains of Ötzi the Iceman was found near the Italian-Austrian border in 1991.

He had 61 tattoos, including several on his legs, arms and lower back, according to the Smithsonian Institution. Ötzi also had some of the oldest known ear piercings in the archaeological record.

Carbon dating estimates he lived around 5,300 years ago during the Copper Age, according to an article published in the Smithsonian magazine in 2023.

The remarkable preservation of Ötzi represents the best evidence and direct archaeological proof of the practice of tattooing. The amount of tattooing on Ötzi’s body indicates social practices that likely predate his life, according to the Smithsonian.

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Whatever the reason people decide to get body modifications, the trend doesn’t appear to be going anywhere anytime soon, and it has only become more beautiful as new colors, techniques and styles emerge in the world of tattooing and piercing.

Artist Josh Henderson (left) tattoos a stylized video game character on Austin Mauney’s (right) arm at Black Cobra on May 28, 2025. (Arkansas Democrat-Gazette/Jesse Cain)
Artist Josh Henderson (left) tattoos a stylized video game character on Austin Mauney’s (right) arm at Black Cobra on May 28, 2025. (Arkansas Democrat-Gazette/Jesse Cain)



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Arkansas lithium boom hits milestone with first buyer; 8,000 tonne-a-year deal signed

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Arkansas lithium boom hits milestone with first buyer; 8,000 tonne-a-year deal signed


A major milestone has been reached in Arkansas’ highly anticipated lithium boom—its first customers.

Smackover Lithium has secured the first binding offtake agreement with a commercial client for lithium extracted in Arkansas.

“So this lithium from Arkansas will find its way into global markets, ex China,” said Jesse Edmondson, Standard Lithium’s director of government relations.

Commodity trading firm Trafigura Trading has just signed a 10-year agreement to buy 8,000 metric tonnes of battery-quality lithium carbonate per year from Smackover Lithium’s South West Arkansas Project, a joint venture between Standard Lithium and Equinor, a Norwegian company.

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For context, the U.S. as a whole only produces about 5,000 tonnes of battery-grade lithium a year.

“The SWA project, once in full production, will produce 22,500 tonnes per year,” Edmondson said. “So this 8,000-tonne-per-year agreement is significant, right? That’s over a third of our annual offtake.”

Last year, Standard Lithium received a $225 million grant from the U.S. Department of Energy to advance lithium extraction from the Smackover Formation, a briny aquifer beneath southern Arkansas that many hail as what could be America’s best domestic source of the critical mineral.

Beating companies like Chevron and Exxon to the punch, Standard Lithium pioneered direct lithium extraction and since 2020 has operated a demo plant in El Dorado. The company is building a larger facility in Lafayette County that is set to begin operation in 2028.

“We’ve got the only proven technology that works in the Smackover that’s been done through our commercial demonstration plant in El Dorado since May of 2020. And really that has been the proving ground which has unlocked a lot of the federal opportunities for us. So we’re the largest recipient of a DOE grant in the critical mineral space in this hemisphere,” Edmondson told KATV.

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“So [we’re] really excited to bring lithium production to the state of Arkansas and really back to the United States. The U.S. used to be a leader in lithium production 40, 50 years ago. So it’s time to reclaim that status,” he said.

The market price of a tonne of battery-grade lithium is volatile, but has recently ranged between $10,000 to $12,000, so the value of what Standard Lithium alone is expected to produce could exceed a quarter of a billion dollars annually.

That’s not counting what Exxon, Chevron, and other companies may produce once they get up and running.



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Arkansas needs balanced strategy to address educator concerns about AI

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Arkansas needs balanced strategy to address educator concerns about AI


COMMENTARY: While AI can offer transformative support for students who need it, it also risks eroding the foundational skills we are trying to help them acquire. Arkansas needs a balanced strategy that prioritizes accessibility without sacrificing rigor.



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Congressional subcommittee to hold hearing in Little Rock on ‘failures’ of local housing authority | Arkansas Democrat Gazette

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Congressional subcommittee to hold hearing in Little Rock on ‘failures’ of local housing authority | Arkansas Democrat Gazette


Joseph Flaherty

jflaherty@adgnewsroom.com

Joseph Flaherty covers the city of Little Rock for the Arkansas Democrat-Gazette. A graduate of Middlebury College and Columbia University’s Graduate School of Journalism, he has worked for the newspaper since 2020.

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