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NYC Ballet celebrates 75th anniversary as it attracts larger, younger crowds

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  • New York City Ballet, one of the world’s premier dance troupes, has been celebrating its 75th anniversary all year.
  • Affordable pricing has been a major factor in attracting younger people to shows. Some evenings target young professionals with post-show receptions.
  • The New York City Ballet’s 2024 budget is about $102 million, compared to $88 million in 2019. Audience capacity has exceeded pre-pandemic levels.

Alice McDermott settled into her seat at New York City Ballet on a recent Friday night, excited to see her first-ever ballet performance. The 31-year-old Manhattanite, who works in recruiting, was on a fun girls’ night out with three friends she’d met through work, starting with dinner.

“They told me I’d love the ballet,” says McDermott, who was also excited to realize she was already familiar with one of the evening’s performers, Tiler Peck, via the dancer’s popular Instagram feed. “They said you can put on a nice dress and just immerse yourself in another world, whilst marveling at what the human body can achieve.”

Seems they were right: At the end of the evening, McDermott, a new fan, went home and watched a ballet documentary.

HOW MANY BALLERINAS CAN DANCE ON TIPTOES IN ONE PLACE? A WORLD RECORD 353 AT NEW YORK’S PLAZA HOTEL

Perhaps you could call it “Ballet and the City”? Whatever the term for McDermott’s ballet evening with pals, the scenario would surely be music to the ears of the company — which has been celebrating its 75th birthday with fanfare this year — and especially its artistic leaders of the past five years, Jonathan Stafford and Wendy Whelan.

The two, both former dancers at the storied troupe founded by George Balanchine, have made it a key goal to bring in a younger audience to ensure the company’s long-term health — and more broadly, to guard the vitality of a centuries-old art form.

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It seems to be working. Though some initiatives have been in place for longer, the last five years have seen a marked shift, according to numbers provided to the Associated Press: In 2023, 53% of ticket buyers were under age 50, and people in their 30s made up the largest age segment by decade. Five years earlier, in 2018, 41% of ticket buyers were under 50, and people in their 60s made up the largest age segment.

New York City Ballet’s associate artistic director Wendy Whelan, left, and artistic director Jonathan Stafford, right, stand inside the lobby of the David H. Koch Theater at Lincoln Center on Feb. 29, 2024, in New York City. (AP Photo/Bebeto Matthews)

Now, longtime ballet followers note that on a bustling Friday evening you can look down from the first ring of the David H. Koch Theater at Lincoln Center and not simply see, well, a sea of gray.

`A GENERATION OF YOUNG PROFESSIONALS’

A major factor in attracting younger people, especially those under 30, has been affordable pricing. There are also evenings targeting young professionals, including post-show receptions. And there have been collaborations with visual or musical artists with youthful followings — like the musician Solange, who in 2022 was commissioned to score a ballet by 23-year old choreographer Gianna Reisen.

The Solange collaboration was a significant moment, Whelan and Stafford said in a recent interview, surveying the past five years as the thumping of leaping dancers’ feet echoed through the ceiling above Stafford’s office.

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“We sold out every show,” Whelan noted. “It was a little nugget, but it was memorable.”

Perhaps even more important was the fact, says Stafford, that about 70% of those ticket buyers were new to the company — contributing to “a generation of young professionals in the city that are at our theater every night now.”

Katherine Brown, the ballet’s executive director, said the company had taken a look at the theater and vastly reduced the price of certain seats — and saw them fill up. She also noted the 30-for-30 program, where members under 30 can buy any seat in the house for $30. “That thing has just exploded,” Brown says, from some 1,800 members in the last full season before the pandemic-forced shutdown, to some 14,000 now.

One can’t discount the “pure economics” of an evening at the ballet, especially for young people, says Wendy Perron, longtime dance writer and former editor of Dance Magazine. “When I was in New York in the ’70s and ‘80s, I just couldn’t afford to go to the ballet,” she says.

GETTING BETTER ACQUAINTED

Also not to be discounted: the effect of social media in promoting dancers as people with personalities.

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“We’ve got this crop of really exciting but also relatable, approachable dancers, and through social media, audiences can connect to them in a way they couldn’t back when we were dancing,” says Stafford, who retired as a dancer in 2014.

Consider Peck, one of the company’s most popular ballerinas (and a rising choreographer), whose Instagram feed had reached McDermott before she ever saw her dance. Peck supplies her half-million followers with short, punchy videos about everything from her 10 favorite dance roles to how she applies stage makeup. Her videos often feature her partner onstage and off, rising principal dancer Roman Mejia.

It’s all very different from a time when — like Odette in “Swan Lake” — ballerinas used to be mysterious and, above all, silent.

Social media — whether used by the company or via the dancers’ own feeds — can also answer questions. If you attended a performance of “The Nutcracker” a few seasons ago, you might have wondered why dancer Mira Nadon, as Sugarplum Fairy, suddenly disappeared from the stage at a key moment. The answer was on her Instagram later: Her pointe shoe had slipped off.

“See, you can get all your answers from Instagram now,” quips Whelan, who herself has an active feed.

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ESTABLISHING A PARTNERSHIP

A few months ago, Whelan, a much-loved former NYCB principal who also retired in 2014, got a congratulatory text from Stafford in the morning — it had been exactly five years since the two had taken the helm after a turbulent period when #MeToo accusations caused scandal.

Historically, the company had been led by one man — Balanchine until 1983, then Peter Martins. This time, the board tried something new: a duet. Stafford was already interim head, and Whelan had applied for the job.

“They put us in a room and closed the door, and we were like – ‘Hi?’” Whelan says. “They were like, figure it out! And we did.” Stafford, the artistic director, serves as a bridge between the creative and business sides. Whelan, associate artistic director, focuses on the delicate task of programming.

Company insiders describe a mood different from the days when one outsized, all-powerful personality ruled from above. For one thing, the pair says they’ve instituted annual taking-stock conversations with each dancer.

Diversity — ballet is slowly changing but still overwhelmingly white — is also a priority, they say, and that includes diversifying “the pipeline,” meaning students at the affiliated School of American Ballet.

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Recently, the company heralded its first two Black dancers to dance Dewdrop, the second most important female “Nutcracker” role: India Bradley and guest artist Alexandra Hutchinson of the Dance Theater of Harlem. Yet to come is a Black Sugarplum Fairy. The company says 26% of its dancers identify as people of color, whereas 10 years ago that figure was 13%. Stafford and Whelan have commissioned 12 ballets by choreographers of color in the last six years, it says.

“We know where the gaps are, and we take it seriously,” Whelan says.

She and Stafford say they’re also paying more attention to wellness, be it physical training to avoid injury, healthy diets, or a more frank discussion of mental health.

As for the company’s financial health, it is strong, Brown says, four years after the pandemic cost tens of millions in losses. The 2024 budget is roughly $102 million, compared to $88 million in 2019. Audience capacity has exceeded pre-pandemic levels.

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As for new fan McDermott, she’s planning more visits, along with her friends.

“I think we have a new tradition between the four of us,” she says. “We’ll definitely be making it a bit of a thing.”

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Boston, MA

Devers’ longest career HR wasted as Bello implodes in shortest career start

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Devers’ longest career HR wasted as Bello implodes in shortest career start


On a night when Rafael Devers blasted the longest home run of his career and pulled within single digits of his 1,000th career hit, the story of the Red Sox should’ve been just that: their talented young slugger doing what he does best.

Instead, the story of Tuesday night’s game was this:

A struggling Brayan Bello made the shortest start of his career, three players made an error, and the Blue Jays snapped a seven-game losing streak by scoring seven runs in an inning and beating the Red Sox 9-4.

Early on, it had the makings of a beautiful summer night at  Fenway Park. Almost exactly three hours after Alex Cora said, “It feels like he’s about to take off,” Devers did just that, homering to put the Red Sox on the board early for the second consecutive game. Torched 467 feet deep to right-center at 111.2 mph, it’s the farthest “Raffy Bomb” of the slugger’s entire career.

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“That is havoc right there,” a mic’d-up Tanner Houck raved to the broadcast in real time.

The Red Sox scored another run when Vladimir Guerrero Jr. couldn’t nab Tyler O’Neill’s pop-up to shallow right – originally ruled a triple, later changed to an error on Guerrero – and Masataka Yoshida doubled to drive him in, increasing Boston’s lead to 2-0.

Almost immediately, however, the Red Sox were dealing with a far less enjoyable brand of havoc: After two 1-2-3 innings, Bello couldn’t make it out of the third. 10 Blue Jays batters came to the plate, and by the time a pitching change was announced, Boston’s 2-0 lead had become a 7-2 Toronto takeover.

The Red Sox starter opened the top of the third by giving up a double to Danny Jansen and a single to Isiah Kiner-Falefa. Kevin Kiermaier’s hit deflected off Enmanuel Valdez’s glove and into right field, getting the Blue Jays on the board. Abreu threw wildly to third, the ball soaring far and high above Devers. The rookie outfielder was charged with an error, the tying run scored, and after a brief meeting of the umpires, Kiermaier stood on third with no outs.

When Bello followed with a walk to leadoff man Bo Bichette, Andrew Bailey paid him a visit on the mound. Bello then proceeded to walk Spencer Horwitz to load the bases – still without an out – for Vladimir Guerrero Jr.

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The slugger would’ve had a homer in 21 other ballparks, but at Fenway, he had a double, which clanked around the centerfield triangle long enough to score two. Justin Turner’s groundout plated another run, and George Springer’s home run to the Boston bullpen made it seven.

Finally, Cora called for Greg Weissert, who came in and got the remaining two outs. All told, Bello lasted 2.1 innings, the shortest start of his career. He allowed a season-high seven earned runs – the most the Red Sox have allowed in a single inning since April 13, 2023 – on five hits, walked three, and struck out two. He threw 52 pitches, 29 for strikes. His changeup was flat, and the Blue Jays hit it hard.

“I obviously didn’t want to come out of the game. I wanted to compete, I was kind of surprised when they took me out,” Bello said (via translator Daveson Perez). “But hopefully, moving forward I don’t have a terrible outing like the one I just had.”

Tuesday was the latest in a concerning line of high-traffic performances by the young right-hander, who hasn’t been the same since returning from the injured list on May 12. Bello went at least five innings and issued two walks or fewer in each of his first five starts of the season, and allowed no more than two earned runs in four of them. In nine starts since the IL, however, he’s failed to complete five innings four times, and allowed at least two earned runs in each game, and at least three in seven of them.

“Honestly no,” Cora answered when asked if he could pinpoint the reason for Bello’s control issues.

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“My mindset is good, mechanics are good. I can’t – I don’t really know what’s going on right now,” Bello said. “But I do know that I’m working with (Andrew Bailey) about attacking the zone, doing what I’m supposed to do. And there’s still a lot of season left for me. I know it hasn’t been great to this point, but I know what I’m capable of and I know what I can do.”

Lately, the Red Sox have been the comeback kids. In their first 65 games, they never won when trailing after seven innings, but entering Tuesday, they’d completed four such comebacks in their last 14 contests, including Monday night. Unfortunately, the largest deficit they’ve overcome this season is four runs; they were already down five when Josh Winckowski took over in the fourth and gave up another two (both earned).

Gausman’s start was eerily similar to his previous start, against the Red Sox in Toronto; after allowing five runs, four earned, on six hits, walking three, striking out four, and giving up two homers in 5.2 innings on June 19, he went six innings on Tuesday night. He gave up four runs (three earned) on five hits, including two home runs, issued one walk, and struck out five.

In the Blue Jays starter’s final inning, it seemed like the Red Sox might recreate Monday night’s comeback magic. Devers led off with a 426-foot double to the yellow 420-marker, the deepest part of center field. It might have clanged off the railing and into the stands above the Boston bullpen for his second homer of the night, but the fan seated at the end of the row reached out and made contact, and the ball deflected back onto the warning track.

Thus, Devers stood on second with a fan-interference two-bagger. Gausman wouldn’t be so lucky with O’Neill, who clobbered a first-pitch sinker to 448 feet to the left corner of the Green Monster seats for a two-run homer, his 16th of the year. It would be the last of Boston’s five hits.

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Winckowski settled in after the fourth and held the Blue Jays scoreless for the remainder of the game, giving his teammates ample time to chip away. By the top of the ninth, it became a career night for him, too: his seventh strikeout – Guerrero swinging – set a new personal best.

“We gotta throw more strikes, that’s the most important thing,” Cora said of Bello. “Regardless of the results, we have to be more aggressive in the zone. He was 3-1 to Vladdy, right? So I think that summarizes his outing, we gotta throw more strikes.”

“Winck was the opposite,” Cora continued. “He pounded the strike zone the whole night, and he gave us, he saved us today.”

The bottom of the ninth was a mirror image of the night before. Again, Jarren Duran was the last batter of the contest. But this time, there would be no glorious walk-off; the leadoff man struck out swinging for the club’s fourth 1-2-3 inning, the end of his 14-game hitting streak, and the loss.

It wasn’t the only streak to die on Tuesday night. Tied after two games, this will be the first Red Sox-Blue Jays series not to end in a sweep after eight consecutive sweeps since 2022.

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Pittsburg, PA

New legislation proposes ticketing for trash pickup violations in Pittsburgh

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New legislation proposes ticketing for trash pickup violations in Pittsburgh


New legislation proposes tickets for trash pickup violations in Pittsburgh

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New legislation proposes tickets for trash pickup violations in Pittsburgh

00:31

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PITTSBURGH (KDKA) — People who live in the city of Pittsburgh could soon be getting tickets for trash pickup violations.

City Councilperson Bob Charland has introduced new legislation that, if approved, would allow for on-the-spot ticketing for four existing trash violations.

They include accumulating garbage, improperly storing your cans, setting cans out too early or bringing them in too late, and contaminating your recyclables.

“Our goal is not to penalize struggling residents, but rather to hold accountable those who neglect their responsibilities,” Charland said in a release. “We’re committed to providing resources for those in need while ensuring a clean environment for all Pittsburghers regardless of their neighborhood.”  

Under the proposed legislation, a first violation would be $35, $50 for the second, and $100 for the third. 

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“I commend Councilman Charland’s longstanding attention to this issue, and I appreciate his office’s hard work to craft a bill that properly balances neighborly responsibilities with equity concerns. This legislation will materially improve all 90 of our neighborhoods and I am proud to sign on as a co-sponsor today,” said Councilperson Erika Strassburger (D-8), co-sponsor of the bill.    

It’s unclear when the legislation may be voted on and when it would go into effect if it were approved and signed into law. 



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Connecticut

The impact that gun violence has on hospitals and health care workers in Connecticut

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The impact that gun violence has on hospitals and health care workers in Connecticut


HARTFORD, Conn. (WTNH) — The United States Surgeon General declared gun violence a health emergency, and News 8 is taking a look at how these acts of violence impact healthcare workers in the state.

While Connecticut leads the rest of the United States in terms of gun laws, communities are still experiencing high rates of gun violence.

Firearms are the number one cause of death for youth in Hartford, according to Jennifer Martin, M.D., an emergency medicine doctor at Saint Francis Hospital.

“It is taxing on the entire medical staff,” Martin said. “From everyone who works in the emergency departments, the operating rooms, the surgical floors. Every single person it touches touches violence in that way and it wears on everybody.”

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At Connecticut Children’s Medical Center, they have staff who will meet with families and victims of gun violence while they are still receiving medical care to discuss what happened and help them through the recovery process, Dr. Kevin Borrup, executive director of the hospital’s Injury Prevention Center, said.

Borrup said that the most effective time to intervene with a gun shot victim is at the bedside shortly after the incident, calling it the “golden hour” where people are more likely to receive help.

Saint Francis also has efforts to educate the community on gun violence prevention.

Sen. Richard Blumenthal (D-Conn) said that while the surgeon general’s declaration was a step in the right direction, he hopes that it is followed by action.

“We need real action to ban assault weapons, provide for better liability on the part of the gun manufacturers, red flag statutes,” Blumenthal said.

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