Northeast
NYC Ballet celebrates 75th anniversary as it attracts larger, younger crowds
- New York City Ballet, one of the world’s premier dance troupes, has been celebrating its 75th anniversary all year.
- Affordable pricing has been a major factor in attracting younger people to shows. Some evenings target young professionals with post-show receptions.
- The New York City Ballet’s 2024 budget is about $102 million, compared to $88 million in 2019. Audience capacity has exceeded pre-pandemic levels.
Alice McDermott settled into her seat at New York City Ballet on a recent Friday night, excited to see her first-ever ballet performance. The 31-year-old Manhattanite, who works in recruiting, was on a fun girls’ night out with three friends she’d met through work, starting with dinner.
“They told me I’d love the ballet,” says McDermott, who was also excited to realize she was already familiar with one of the evening’s performers, Tiler Peck, via the dancer’s popular Instagram feed. “They said you can put on a nice dress and just immerse yourself in another world, whilst marveling at what the human body can achieve.”
Seems they were right: At the end of the evening, McDermott, a new fan, went home and watched a ballet documentary.
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Perhaps you could call it “Ballet and the City”? Whatever the term for McDermott’s ballet evening with pals, the scenario would surely be music to the ears of the company — which has been celebrating its 75th birthday with fanfare this year — and especially its artistic leaders of the past five years, Jonathan Stafford and Wendy Whelan.
The two, both former dancers at the storied troupe founded by George Balanchine, have made it a key goal to bring in a younger audience to ensure the company’s long-term health — and more broadly, to guard the vitality of a centuries-old art form.
It seems to be working. Though some initiatives have been in place for longer, the last five years have seen a marked shift, according to numbers provided to the Associated Press: In 2023, 53% of ticket buyers were under age 50, and people in their 30s made up the largest age segment by decade. Five years earlier, in 2018, 41% of ticket buyers were under 50, and people in their 60s made up the largest age segment.
New York City Ballet’s associate artistic director Wendy Whelan, left, and artistic director Jonathan Stafford, right, stand inside the lobby of the David H. Koch Theater at Lincoln Center on Feb. 29, 2024, in New York City. (AP Photo/Bebeto Matthews)
Now, longtime ballet followers note that on a bustling Friday evening you can look down from the first ring of the David H. Koch Theater at Lincoln Center and not simply see, well, a sea of gray.
`A GENERATION OF YOUNG PROFESSIONALS’
A major factor in attracting younger people, especially those under 30, has been affordable pricing. There are also evenings targeting young professionals, including post-show receptions. And there have been collaborations with visual or musical artists with youthful followings — like the musician Solange, who in 2022 was commissioned to score a ballet by 23-year old choreographer Gianna Reisen.
The Solange collaboration was a significant moment, Whelan and Stafford said in a recent interview, surveying the past five years as the thumping of leaping dancers’ feet echoed through the ceiling above Stafford’s office.
“We sold out every show,” Whelan noted. “It was a little nugget, but it was memorable.”
Perhaps even more important was the fact, says Stafford, that about 70% of those ticket buyers were new to the company — contributing to “a generation of young professionals in the city that are at our theater every night now.”
Katherine Brown, the ballet’s executive director, said the company had taken a look at the theater and vastly reduced the price of certain seats — and saw them fill up. She also noted the 30-for-30 program, where members under 30 can buy any seat in the house for $30. “That thing has just exploded,” Brown says, from some 1,800 members in the last full season before the pandemic-forced shutdown, to some 14,000 now.
One can’t discount the “pure economics” of an evening at the ballet, especially for young people, says Wendy Perron, longtime dance writer and former editor of Dance Magazine. “When I was in New York in the ’70s and ‘80s, I just couldn’t afford to go to the ballet,” she says.
GETTING BETTER ACQUAINTED
Also not to be discounted: the effect of social media in promoting dancers as people with personalities.
“We’ve got this crop of really exciting but also relatable, approachable dancers, and through social media, audiences can connect to them in a way they couldn’t back when we were dancing,” says Stafford, who retired as a dancer in 2014.
Consider Peck, one of the company’s most popular ballerinas (and a rising choreographer), whose Instagram feed had reached McDermott before she ever saw her dance. Peck supplies her half-million followers with short, punchy videos about everything from her 10 favorite dance roles to how she applies stage makeup. Her videos often feature her partner onstage and off, rising principal dancer Roman Mejia.
It’s all very different from a time when — like Odette in “Swan Lake” — ballerinas used to be mysterious and, above all, silent.
Social media — whether used by the company or via the dancers’ own feeds — can also answer questions. If you attended a performance of “The Nutcracker” a few seasons ago, you might have wondered why dancer Mira Nadon, as Sugarplum Fairy, suddenly disappeared from the stage at a key moment. The answer was on her Instagram later: Her pointe shoe had slipped off.
“See, you can get all your answers from Instagram now,” quips Whelan, who herself has an active feed.
ESTABLISHING A PARTNERSHIP
A few months ago, Whelan, a much-loved former NYCB principal who also retired in 2014, got a congratulatory text from Stafford in the morning — it had been exactly five years since the two had taken the helm after a turbulent period when #MeToo accusations caused scandal.
Historically, the company had been led by one man — Balanchine until 1983, then Peter Martins. This time, the board tried something new: a duet. Stafford was already interim head, and Whelan had applied for the job.
“They put us in a room and closed the door, and we were like – ‘Hi?’” Whelan says. “They were like, figure it out! And we did.” Stafford, the artistic director, serves as a bridge between the creative and business sides. Whelan, associate artistic director, focuses on the delicate task of programming.
Company insiders describe a mood different from the days when one outsized, all-powerful personality ruled from above. For one thing, the pair says they’ve instituted annual taking-stock conversations with each dancer.
Diversity — ballet is slowly changing but still overwhelmingly white — is also a priority, they say, and that includes diversifying “the pipeline,” meaning students at the affiliated School of American Ballet.
Recently, the company heralded its first two Black dancers to dance Dewdrop, the second most important female “Nutcracker” role: India Bradley and guest artist Alexandra Hutchinson of the Dance Theater of Harlem. Yet to come is a Black Sugarplum Fairy. The company says 26% of its dancers identify as people of color, whereas 10 years ago that figure was 13%. Stafford and Whelan have commissioned 12 ballets by choreographers of color in the last six years, it says.
“We know where the gaps are, and we take it seriously,” Whelan says.
She and Stafford say they’re also paying more attention to wellness, be it physical training to avoid injury, healthy diets, or a more frank discussion of mental health.
As for the company’s financial health, it is strong, Brown says, four years after the pandemic cost tens of millions in losses. The 2024 budget is roughly $102 million, compared to $88 million in 2019. Audience capacity has exceeded pre-pandemic levels.
As for new fan McDermott, she’s planning more visits, along with her friends.
“I think we have a new tradition between the four of us,” she says. “We’ll definitely be making it a bit of a thing.”
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Northeast
Hochul orders NY landmarks, including One World Trade Center, lit green for Muslim American Heritage Month
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New York Gov. Kathy Hochul on Friday issued a proclamation declaring January Muslim American Heritage Month across the state and directed 16 state landmarks, including NYC’s One World Trade Center, to be illuminated green Friday night in “celebration of the heritage and culture of Muslim Americans.”
“Home to the largest Muslim American population in the nation, New York is proud to join in this month-long celebration, recognizing the values, faith and traditions of our Muslim American communities,” Hochul said in a statement.
“New York remains committed to being a beacon of hope, tolerance, and inclusivity that celebrates the diversity of its Muslim American population and protects them from Islamophobia, hate, bias, and harm.”
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One World Trade Center stands on the site of 6 World Trade Center, which was heavily damaged by debris during the collapse of the North Tower in the 9/11 attacks.
The terrorists who carried out the 9/11 attacks were Muslim and members of al Qaeda, a violent militant group.
The Tribute in Light is illuminated above the skyline of Lower Manhattan and One World Trade Center behind the Statue of Liberty ahead of the 24th anniversary of the 9/11 attacks in New York City Sept. 10, 2025. (Gary Hershorn/Getty Images)
The move came just one day after New York City Mayor Zohran Mamdani was sworn in with the Quran as the first Muslim mayor of the city.
“While I was proud to be sworn in as our city’s first Muslim mayor [Thursday], Muslims have been part of New York for centuries,” Mamdani said in a statement. “We have built small businesses, raised our families, pursued every profession, enriched our culture and cuisine, and been a part of what makes our city what it is today.
“I am grateful for Governor Hochul’s leadership in recognizing these many contributions and ensuring that every January, Muslim New Yorkers can see ourselves reflected and recognized in a city and state that is also our home.”
Other Muslim politicians, including New York State Assembly Deputy Majority Leader Charles Fall, state Sen. Robert Jackson, New York City Councilmember Shahana Hanif and New York City Councilmember Yusef Salaam applauded the designation, thanking Hochul for honoring the community and promoting inclusivity.
Zohran Mamdani is sworn in as mayor on a pair of family Qurans Thursday. (Amir Hamja/Pool via Reuters)
SOCIALIST MAYOR MAMDANI INAUGURATED ALONGSIDE BERNIE SANDERS AND AOC ON NEW YEAR’S DAY
Council of Peoples Organization CEO Mohammad Razvi noted the Muslim community has “demonstrated resilience in the years following 9/11 while continuing to strengthen New York through immigrant contributions, civic leadership and service. This recognition affirms our place in the social, cultural and civic life of our state. … This moment reflects New York’s continued commitment to civil rights, religious freedom, unity and interfaith solidarity and to ensuring that people of all backgrounds are seen, valued and included.”
While anti-Muslim hate crime increased after the 9/11 attacks, Jews were targeted more frequently than all other groups combined in New York City in 2024, with anti-Jewish incidents accounting for 54% of all hate crimes, according to a report from The Times of Israel.
One World Trade Center will be one of 16 landmarks illuminated in honor of Muslim American Heritage Month. (Gary Hershorn/Getty Images)
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The Institute for Social Policy and Understanding reported the Muslim community in New York City makes up 12.5% of pharmacists, 40% of taxi drivers and more than 57% of street food vendors.
Fox News Digital has reached out to organizations supporting 9/11 victims, survivors and their families for comment.
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Boston, MA
Officers who defended the Capitol on Jan. 6 say their struggles linger, 5 years after the riot – The Boston Globe
Gonell was one of the officers who defended the central West Front entrance to the Capitol that day as Congress was certifying Democrat Joe Biden’s victory and hundreds of Trump’s supporters broke into the building, echoing his false claims of a stolen election. Gonell was dragged into the crowd by his shoulder straps as he tried to fight people off. He almost suffocated. In court, he testified about injuries to his shoulder and foot that still bother him to this day.
“They have tried to erase what I did” with the pardons and other attempts to play down the violent attack, Gonell said. “I lost my career, my health, and I’ve been trying to get my life back.”
Five years since the siege, Gonell and some of the other police officers who fought off the rioters are still coming to terms with what happened, especially after Trump was decisively elected to a second term last year and granted those pardons. Their struggle has been compounded by statements from the Republican president and some GOP lawmakers in Congress minimizing the violence that the officers encountered.
“It’s been a difficult year,” said Officer Daniel Hodges, a Metropolitan Police Department officer who was also injured as he fought near Gonell in a tunnel on the West Front. Hodges was attacked several times, crushed by the rioters between heavy doors and beaten in the head as he screamed for help.
“A lot of things are getting worse,” Hodges said.
More than 140 police officers were injured during the fighting on Jan. 6, which turned increasingly brutal as the hours wore on.
Former Capitol Police Chief Thomas Manger took over the department six months after the riot. He said in a recent interview that many of his officers were angry when he first arrived, not only because of injuries they suffered but also “they resented the fact that they didn’t have the equipment they needed, the training they needed ” to deal with the unexpectedly violent crowd.
Several officers who fought the rioters told The Associated Press that the hardest thing to deal with has been the effort by many to play down the violence, despite a massive trove of video and photographic evidence documenting the carnage.
Trump has called the rioters he pardoned, including those who were most violent toward the police, “patriots” and “hostages.” He called their convictions for harming the officers and breaking into the building “a grave national injustice.”
“I think that was wrong,” Adam Eveland, a former District of Columbia police officer, said of Trump’s pardons. If there were to be pardons, Eveland said, Trump’s administration should have reviewed every case.
“I’ve had a hard time processing that,” said Eveland, who fought the rioters and helped to push them off the Capitol grounds.
The pardons “erased what little justice there was,” said former Capitol Police Officer Winston Pingeon, who was part of the force’s Civil Disturbance Unit on Jan. 6. He left the force several months afterward.
Pushback from lawmakers and the public
Hodges and Gonell have been speaking out about their experiences since July 2021, when they testified before the Democratic-led House committee that investigated Jan 6. Since then, they have received support but also backlash.
At a Republican-led Senate hearing in October on political violence, Hodges testified again as a witness called by Democrats. After Hodges spoke about his experience on Jan. 6, Sen. Peter Welch, D-Vt., asked the other witnesses whether they supported Trump’s pardons of the rioters, including for those who injured Hodges. Three of the witnesses, all called by Republicans, raised their hands.
“I don’t know how you would say it wasn’t violent,” says Hodges, who is still a Washington police officer.
It has not just been politicians or the rioters who have doubted the police. It also is friends and family.
“My biggest struggle through the years has been the public perception of it,” Eveland said, and navigating conversations with people close to him, including some fellow police officers, who do not think it was a big deal.
“It’s hard for me to wrap my head around that, but ideology is a pretty powerful thing,” he said.
Improvements in safety and support
As police officers struggled in the aftermath, Manger, the former Capitol Police chief, said the department had to figure out how to better support them. There were no wellness or counseling services when he arrived, he said, and they were put in to place.
“The officers who were there and were in the fight — we needed to make sure that they got the help that they needed,” Manger said.
Manger, who retired in May, also oversaw major improvements to the department’s training, equipment, operational planning and intelligence. He said the Capitol is now “a great deal safer” than it was when he arrived.
“If that exact same thing happened again, they would have never breached the building, they would have never gotten inside, they would have never disrupted the electoral count,” Manger said.
Pingeon, the former Capitol Police officer, said he believes the department is in many ways “unrecognizable” from what it was on Jan. 6 and when he left several months later.
“It was a wake-up call,” he said.
Pingeon, who was attacked and knocked to the ground as he tried to prevent people from entering the Capitol, said Jan. 6 was part of the reason he left the department and moved home to Massachusetts. He has dealt with his experience by painting images of the Capitol and his time there, as well as advocating for nonviolence. He said he now feels ready to forgive.
“The real trauma and heartache and everything I endured because of these events, I want to move past it,” he said.
Gonell left the Capitol Police because of his injuries. He has not returned to service, though he hopes to work again. He wrote a book about his experience, and he said he still has post-traumatic stress disorder related to the attack.
While many of the officers who were there have stayed quiet about their experiences, Eveland said he decided that it was important to talk publicly about Jan. 6 to try to reach people and “come at it from a logical standpoint.”
Still, he said, “I’ve had to come to terms with the fact that just because something happened to me and was a major part of my world doesn’t mean that everyone else has to understand that or even be sympathetic to that.”
He added: “The only thing I can do is tell my story, and hopefully the people who respect me will eventually listen.”
Pittsburg, PA
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