New York
Mohsen Mahdawi, Columbia Student Detained by Trump Administration, Is Freed

Mohsen Mahdawi, an organizer of the pro-Palestinian movement at Columbia University, was freed from federal custody on Wednesday, more than two weeks after immigration officials detained him and sought to rescind his green card as part of a widening crackdown against student protesters.
In releasing Mr. Mahdawi on bail, Judge Geoffrey W. Crawford of Federal District Court in Vermont drew parallels between the current political climate and McCarthyism.
“This is not the first time that the nation has seen chilling action by the government intended to shut down debate,” Judge Crawford said.
The release of Mr. Mahdawi, a permanent legal resident, is a defeat for the Trump administration, though it does not mean the end of the federal government’s action against him. His immigration case will continue, but he will be able to fight it from outside a detention facility.
Mr. Mahdawi struck a defiant tone after his release.
“I am saying it clear and loud, to President Trump and his cabinet: I am not afraid of you,” he said.
The secretary of state, Marco Rubio, has argued that protesters like Mr. Mahdawi have spread antisemitism, while demonstrators say criticism of Israel’s actions in Gaza is not antisemitic.
Tricia McLaughlin, a spokeswoman for the Department of Homeland Security, denounced Judge Crawford’s decision in a post on social media.
“When you advocate for violence, glorify and support terrorists that relish the killing of Americans and harass Jews, that privilege should be revoked and you should not be in this country,” Ms. McLaughlin said, without offering any evidence to support her accusations.
Mr. Mahdawi, 34, had been in custody since April 14, when immigration officials detained him at an appointment in Vermont, where he is a resident, that he thought was a step toward becoming a U.S. citizen.
In granting the release of Mr. Mahdawi, Judge Crawford cited his extensive ties to his community and said he did not pose a danger to the public. He noted that the court had received more than 90 submissions from community members, academic experts and professors who know Mr. Mahdawi, “many of them Jewish,” attesting to his character and consistently describing him as “peaceful.”
The judge also spoke of the “extraordinary circumstances” of Mr. Mahdawi’s detention and the present moment in history.
Michael Drescher, the acting U.S. attorney in Vermont, who argued on behalf of the Trump administration, said that immigration officials had solid legal reason to detain Mr. Mahdawi as they considered his deportation case.
Mr. Drescher noted that Mr. Mahdawi is not a U.S. citizen and has access to resources that would enable him to leave the country. “His detention is not illegal,” Mr. Drescher said.
Judge Crawford’s Burlington courtroom was packed on Wednesday with supporters of Mr. Mahdawi, who remained hushed as the judge issued his order. A few began clapping as Mr. Mahdawi was allowed to collect his belongings and leave immediately.
Dressed in a plaid suit and wearing gold wire-rimmed glasses, Mr. Mahdawi draped a kaffiyeh around his shoulders. As he walked out of the courthouse to a jubilant reception, he raised his hands in the peace sign.
“They arrested me. What’s the reason? Because I raised my voice, and I said no to war, yes to peace,” Mr. Mahdawi said. “Because I said, ‘Enough is enough. Killing more than 50,000 Palestinians is more than enough.’”
A green card holder for the past 10 years, Mr. Mahdawi was not accused of a crime. Rather, Mr. Rubio wrote in a memo justifying his arrest that his activism “could undermine the Middle East peace process by reinforcing antisemitic sentiment.”
Mr. Rubio has said that immigration authorities have the right to eject even legal residents from the country for protest activities that the government says harm America’s foreign policy interests.
Mr. Mahdawi’s lawyers had requested a temporary restraining order to prevent federal officials from transferring him to a more conservative jurisdiction.
That tactic was used in the detention and attempted deportation of at least four other college demonstrators, including Mahmoud Khalil, a legal permanent resident and Columbia graduate who has been in a Louisiana detention facility since last month.
Another federal judge in Vermont, William K. Sessions III, swiftly granted that request, ordering that Mr. Mahdawi, who grew up in a Palestinian refugee camp in the West Bank, not be removed from the United States or transferred out of Vermont until he ordered otherwise.
Judge Crawford then extended the decision to keep Mr. Mahdawi in the state until Wednesday’s ruling.
Shortly after Mr. Mahdawi’s release, his lawyers said that he would be allowed to finish his academic program at Columbia.
“Today’s victory cannot be overstated. It is a victory for Mohsen who gets to walk free today out of this court,” said one of the lawyers, Shezza Abboushi Dallal.
“And it is also a victory for everyone else in this country invested in the very ability to dissent, who want to be able to speak out for the causes that they feel a moral imperative to lend their voices to and want to do that without fear that they will be abducted by masked men.”
Even though Mr. Mahdawi is still at risk of deportation, his release from detention will give him a much stronger chance to challenge the government’s allegations, said Joshua Bardavid, an immigration lawyer in New York.
“It is so much more difficult to fight a case from detention, first and foremost, because the government gets to choose the venue,” Mr. Bardavid said. “Generally speaking, a case is heard where you are detained, and certain courts are known for being much more government-friendly than other locations.”
Because Mr. Mahdawi was released in Vermont, his case is likely to be heard in the Northeast, Mr. Bardavid said.
The Trump administration had sought to deport Mr. Mahdawi using the same legal provision that it used to detain Mr. Khalil in Manhattan before transferring him to Louisiana.
The government has contended that his presence is a threat to the foreign policy and national security interests of the United States. Federal officials have argued that pro-Palestinian demonstrators have enabled the spread of antisemitism, but they have not provided evidence of that.
Anna Kelly, a White House spokeswoman, said the administration regards studying in the United States as “a great privilege, not a right,” and that any noncitizen who harms national security or commits a crime “should be promptly deported.”
In April, an immigration judge in Louisiana found that federal officials could deport Mr. Khalil, and the Department of Homeland Security later denied him permission to attend the birth of his first child, who was delivered at a New York hospital.
In recent weeks, Mr. Mahdawi had been in hiding, worried about being arrested by immigration police after Mr. Khalil was detained at campus housing at Columbia. He asked the university for help but did not receive it. An extreme pro-Israel group, Betar, had warned on social media that he was next to be detained.
But he was determined to appear for an interview he had been told was related to his naturalization, even though he feared it was a trap. He alerted Vermont’s senators and representative in case things went wrong, and before the appointment, he studied the Constitution, preparing for a naturalization test.
Instead, immigration officers, some with their faces covered, placed Mr. Mahdawi in handcuffs and arrested him, according to a statement released by Vermont’s congressional delegation, Senators Peter Welch and Representative Becca Balint, both Democrats, and Senator Bernie Sanders, an independent.
On Wednesday, the lawmakers expressed relief that Mr. Mahdawi had been freed from detention and said that his constitutional right to due process had prevailed. They said that he had done nothing wrong and had been unfairly targeted by the federal government.
“The Trump administration’s actions in this case — and in so many other cases of wrongfully detained, deported, and disappeared people — are shameful and immoral,” they said in a statement. On Columbia’s campus, the news of Mr. Mahdawi’s release from federal custody was hailed as an important first step.
Gabriella Ramirez, a second-year graduate student and member of the University Senate who knows Mr. Mahdawi, said she was “very encouraged to see the justice system at work with Mohsen’s release from unlawful detention.”
She added: “I remain hopeful that we will see a similar outcome for my classmate Mahmoud Khalil.”
Anvee Bhutani and Carolyn Shapiro contributed reporting.

New York
Read the Ruling on the Judgment Against Trump in the E. Jean Carroll Case

Case: 24-644, 09/08/2025, DktEntry: 134.1, Page 28 of 70
statements at issue in this case were made three years earlier than the statement
in Carroll II, the statements were identical in material respects because both
accused Carroll of fabricating the sexual assault allegations for improper
purposes. Compare supra pp. 6-8 (June 2019 statements), with supra pp. 13-14 (October 2022 statement). 14
The truth or falsity of Trump’s statements in both 2019 and 2022
turned on whether Carroll was lying, that is, whether Trump sexually assaulted Carroll in 1996, irrespective of the specific sexual act committed. 15 The jury in
14
–
For example, in the 2022 statement which the Carroll II jury determined to be false — Trump stated, among other things: “I have no idea who [E. Jean Carroll] is.” Carroll, 690 F. Supp. 3d at 401. In the June 21, 2019 statement at issue here, Trump said: “I’ve never met this person in my life.” App’x at 1887. Moreover, in the 2022 statement, Trump said: “She completely made up a story that I met her . . . and, within minutes, ‘swooned’ her. It is a Hoax and a lie,” “it never happened,” and “for the record, E. Jean Carroll is not telling the truth, is a woman who I had nothing to do with, didn’t know, and would have no interest in knowing her if I ever had the chance.” Supp. App’x at 108. In the June 21, 2019 statement, Trump said: “Shame on those who make up false stories of assault to try to get publicity for themselves,” “I would like to thank Bergdorf Goodman for confirming that they have no video footage of any such incident, because it never happened,” and “[f]alse accusations diminish the severity of real assault.” App’x at 1887.
15
In other words, the application of issue preclusion to the falsity element is proper because Trump’s 2019 and 2022 statements did not turn on the specific sexual act he committed. He did not deny, for example, digital penetration specifically. In all statements, he denied any sexual assault, full stop. The Carroll II jury found Trump’s 2022 statement to be false because it found that he sexually abused Carroll. See Tannerite Sports, LLC v. NBCUniversal News Grp., a division of NBCUniversal Media, LLC, 864 F.3d 236, 242 (2d Cir. 2017) (Under New York law, “to satisfy the falsity element of a
28
New York
13 Off Broadway Shows to See in September

‘The Wild Duck’
Henrik Ibsen’s searing dissections of bourgeois hypocrisies appear to be in sync with our angry times. The Norwegian playwright is even getting high-profile movie adaptations, with the Tessa Thompson-starring “Hedda” dropping in October. In New York, Simon Godwin’s production of this semi-obscure effort from 1884, about a family’s secrets coming to light, follows recent revivals of “An Enemy of the People,” “A Doll’s House” and “Ghosts.” (Through Sept. 28, Theater for a New Audience)
‘Mexodus’
In their hip-hop musical, Nygel D. Robinson and Brian Quijada portray an enslaved man and the sharecropper-turned-soldier he meets at the Rio Grande. The story looks at a different kind of Underground Railroad while also connecting to our current turbulence with an era-transcending message of solidarity. David Mendizábal directs the two-man show, which is part of Audible Theater’s series. (Sept. 9-Oct. 11, Minetta Lane Theater)
The Small Rooms Where It Happens
Grier Mathiot and Billy McEntee’s lovely “The Voices in Your Head” was staged for about 20 people at a time in a storefront church last year. McEntee’s “Slanted Floors” goes even smaller: The actors Kyle Beltran and Adam Chanler-Berat portray a couple living out their domesticity under the watch of five audience members in a Brooklyn apartment. (Sept. 9-Oct. 10, Slanted Floors Play).
A collaboration between Hansol Jung (“Wolf Play”) and the collective The Pack, co-directed by Jung and Dustin Wills, “Last Call, a Play with Cocktails” takes place in various New York City apartments, so the audience size varies depending on where the show lands on any given day. One constant: There will be drinks. (Sept. 19-Oct. 13, En Garde Arts)
‘Family’
Alec Duffy’s original staging of “Family,” an early work by the playwright-turned-filmmaker Celine Song, took place in a Brooklyn apartment for audiences of about 30. The production — outré, operatically gothic, near-feral at times — is returning for an encore run, but in a more traditional theatrical space. Let’s see how Duffy recalibrates the show. (Sept. 12-28, La MaMa)
‘The Essentialisn’t’
“Can you be Black and not perform?” Such is the question driving Eisa Davis’s new piece, in which she leads a cast of four. A Pulitzer Prize finalist for her haunting play “Bulrusher” and the co-creator of the concept album “Warriors” with Lin-Manuel Miranda, Davis remains a frustratingly underrecognized writer and performer with a lyrical, fiercely poetic voice all her own. Here is an opportunity to watch her confront and subvert the expectations placed on Black artists. (Sept. 10-28; Here Arts Center)
‘The Other Americans’
John Leguizamo’s stage career is paved with solo shows, sometimes autobiographical, in which he brings to life a gallery of characters. At first glance it looks as if his latest piece might be more of the same since it involves a Colombian American New Yorker, like the writer-performer himself. But while Leguizamo does play that central character, Nelson, he is far from alone onstage: “The Other Americans,” directed by Ruben Santiago-Hudson, is a family drama with an actual cast — it’ll be exciting to watch Leguizamo jostle with costars. (Sept. 11-Oct. 19, Public Theater)
‘Caroline’
Chloë Grace Moretz was only 17 when she starred in Scott Z. Burns’s “The Library” at the Public Theater, in 2014, but her screen career was already buzzing. Still, few expected that it would take over a decade for Moretz to return to the New York stage. At long last here she is again, under the direction of the ever-reliable David Cromer (whose recent credits include “Dead Outlaw” and “Good Night, and Good Luck”). The three characters in Preston Max Allen’s new play are all members of one family, with Moretz in the middle as the daughter of the character played by Amy Landecker (“Transparent”) and the mother of young Caroline (River Lipe-Smith). (Sept. 12-Oct. 19, MCC Theater)
‘Are the Bennet Girls OK?’
After its successful country musical “Music City” last year, the Bedlam company returns to one of its foundational authors: Jane Austen (Kate Hamill’s adaptation of “Sense and Sensibility” was an early Bedlam hit in 2014). Now Emily Breeze’s new take on “Pride and Prejudice” looks like it’s going to have fun with the Regency superstar’s best-seller: “I haven’t reread the source material since I skimmed it in high school,” Breeze claims. (Sept. 14-Oct. 19, West End Theater)
‘When the Hurlyburly’s Done’
After dedicating a decade to his “Rhinebeck Panorama” project, which includes the Apple, Gabriel and Michael family cycles, the writer-director Richard Nelson set out for war-torn Kyiv to work with the local Theater on Podil on a staging of his 2008 play “Conversations in Tusculum.” So inspired was he by the experience that he wrote the company this piece, about Ukrainian actors performing “Macbeth” in 1920. The resulting production (in Ukrainian with English supertitles) settles at Nelson’s frequent artistic home, the Public Theater, for a short run. (Sept. 16-21, Public Theater)
‘Weather Girl’
These days weather reporters like Stacey (Julia McDermott) are called upon to deliver apocalyptic accounts of a world either drowning in floods or bursting into flames along with their forecasts. Written by Brian Watkins (the creator of the time-travel Western series “Outer Range”), this solo play straddles satire and warning. (Sept. 16-Oct. 12, St. Ann’s Warehouse)
‘And Then We Were No More’
The most intriguing pairing this month may well be that of Elizabeth Marvel and Tim Blake Nelson. They are not onstage together, though: Marvel stars in this new play by Nelson, who somehow finds time to write (he also has a novel, “Superhero,” coming out in December) in between gigs as an ur-character actor (next up: the film “Bang Bang” and the series “The Lowdown”). Marvel plays a lawyer in a near-future society where the justice system is even more out of whack than our current one. (Sept. 19-Nov. 2, La MaMa)
‘Torera’
The title character of Monet Hurst-Mendoza’s play is a young Mexican woman, portrayed by Jacqueline Guillén, who yearns to make a space for herself in bullfighting — which the WP Theater’s site noncommittally refers to as “a controversial practice that we neither condemn nor condone.” Tatiana Pandiani choreographs and directs. (Sept. 20-Oct. 19, WP Theater)
‘Crooked Cross’
Sally Carson’s play premiered in Britain in 1935 and takes place just a couple of years earlier, in Germany — you can guess what the title refers to. The show, based on Carson’s own novel, presciently tracks the rise of Nazism through the prism of a divided Bavarian family. (Sept. 20-Nov. 1, Mint Theater)
‘All Right. Good Night.’
N.Y.U. Skirball plays a vital role in the New York cultural ecosystem by programming radical theatermakers from around the world, albeit for blink-and-you’ll-miss-them runs. Such is the case with this piece by the experimental German company Rimini Protokoll (“Remote New York”) in which Helgard Haug intertwines the disappearance of a Malaysia Airlines flight in 2014 with her father’s slide into dementia. Bonus: a live score by the exquisite Berlin-based musician Barbara Morgenstern and Zafraan Ensemble. (Sept. 25-27, N.Y.U. Skirball)
New York
Take a Closer Look at These ‘Great’ New York City Trees

Species Magnolia grandiflora
In 1968, this magnolia tree, then over 40 feet tall, was supposed to be cut down to make way for an apartment complex. Hattie Carthan jumped into action. Ms. Carthan, an environmentalist and activist in the Black community, moved to Brooklyn in 1928 and had a deep love for trees. In 1966, she founded the Bedford-Stuyvesant Beautification Committee, which planted more than 1,500 trees and also taught youth groups about caring for them — not a popular mission at the time. “When I first suggested that we buy trees, I almost got thrown out of the block association,” Ms. Carthan told The New York Times in 1975. “They said, ‘Oh, trees make leaves and you have to sweep.’”
Ms. Carthan was so determined to save the magnolia on Lafayette Avenue, which was estimated to have been planted in about 1885, that she campaigned for it to be designated by the city’s Landmarks Preservation Commission as a living landmark — and won. Today it is the sole remaining landmark tree in New York City.
In 1972, Ms. Carthan created the Magnolia Tree Earth Center, which, despite her death in 1984, continues to educate young people about environmental issues. The center is facing financial hardship, but there is hope that it will be revitalized, said Wayne Devonish, the chairman of its board. “We need to embrace all that it represents in terms of being like a little urban oasis, smack dab in central Brooklyn,” he said. “If we show the tree, and the center, love, hopefully there’s another good 100 — or 200 — years.”
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