Maine

Maine blues/rocker Paul ‘Bad Daddy’ Waring to perform in Hallowell and Augusta

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Paul “Unhealthy Daddy” Waring Chris Monaghan picture

Sometimes, issues pop up when conducting an interview and that’s precisely what occurred on April 26 after I chatted with Paul Waring (aka Unhealthy Daddy) over the telephone from his studio in Belfast. It was an informative dialog that went effectively till I hung up and found that I had did not press ‘document/begin’ on my cassette recorder. For sure, the air turned blue as I swiftly redialed my telephone to see if the singer/songwriter/guitarist was nonetheless out there. Luckily, he was, and after I defined my blunder, he chuckled and we started once more.

Q: I feel we mentioned your upcoming performances at Bruno’s and Hydeout on the Wharf on Might twenty seventh and twenty eighth, respectively, and I requested should you had ever carried out there in Hallowell earlier than.
Waring: And the reply to that’s “No.” I’ve by no means carried out at Bruno’s, so we don’t actually know precisely simply the way it’s organized, which is okay as a result of we form of get in that scenario so much within the varied golf equipment we play right here in Maine — lots of them being eating places.

Q: What is going to your present entail?
Waring: We’ll cowl actually all of my discography and a handful of covers that we do, and there’ll be merch and CDs and every kind of issues out there. I’d invite anyone to come back up and chat us up — and meet-and-greet with us — at any time.

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Q: Talking of CDs, you may have two albums out now, is that appropriate?
Waring: Sure, that’s proper.

Q: When did the primary one come out?
Waring: The primary one I did in 2008, and was form of a product of the work {that a} good good friend of mine and I did once we had been working collectively again then. He’s since moved on and began a brewery and has much less time to give attention to music, however we’re good pals and undoubtedly musical mates — we’re form of simpatico in the identical kind of types inside the blues style that enchantment to us — in order that comes out by way of our music and, actually, I feel is mirrored usually fairly effectively on that first document we did.

Q: What was that album referred to as?
Waring: It was a self-titled document for the band that I had going then which was referred to as The Unhealthy Daddies … however that was some time again and I’ve been that means to get to this document truly for fairly a while, since most likely 2015 or so, however working as a musician right here in Maine presents many challenges, together with personnel.

Q: How so?
Waring: I went by way of a couple of years having problem discovering the right combination of some people to work with; that’s widespread for people who find themselves producing authentic music, you wish to discover people who find themselves into that, that wish to have interaction in that course of. So it was simply a few years earlier than the pandemic that I started working with the crew I’ve now; they’re an awesome bunch of men, however actually the pandemic scenario actually interrupted us. I believed I used to be going to do the brand new document right here in Maine, (however) I truly discovered myself in Chicago fairly a bit and determined to do it there with pals I had revamped there the final decade or so. It was cool, very enjoyable, and it was actually nice to be making a document in Chicago, truly.

Q: And seeing the journey limitations throughout that interval saved you there in Chicago, you could possibly say that the pandemic made your new album potential.
Waring: Yeah, that’s proper. It was actually January of 2021 and I simply felt like there was no finish in sight and I used to be not in place personally; emotionally I simply felt drained, not glad, then I noticed, “Effectively, I’ve obtained all these songs written, what can I do right here to tug this collectively?” That’s after I turned to my buddies in Chicago and I stated, “Hey, what if I employed you guys to work on a undertaking with me?” They usually had been ecstatic simply to have one thing to do musically, and so they preferred the fabric, they thought the songs had been good, I performed all of them of my demos and so they had been instantly on-board. Then it simply turned an actual collaborative session to place all of it collectively.

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Q: Seeing you made the album in Chicago with these gamers, will it translate over right here in Maine with a complete new group of musicians?
Waring: Effectively, the songs would possibly come off a little bit bit in a different way than what’s on the album however the message will come by way of clearly, and in a means it’s form of extra pleasing to have a little bit extra fluidity between completely different teams like that, folks taking part in what they hear reasonably than making an attempt to repeat, say, note-for-note; I ’m okay with that.

Q: Effectively, I feel that that lends itself to the blues, does it not?
Waring: Oh, that’s proper, yeah, that’s level, and like all type of music, actually, it’s a type of communication, regardless of the style we’ll all sharing comparable concepts. However the fantastic thing about blues or jazz or rock or soul, any of those genres, is the concept that there will be spontaneity.

Q: In closing our chat, is there something, Paul, that you just’d like me to go on to the parents studying this text?
Waring: Yeah, I feel it’s essential to push my roots right here in Maine working as a musician doing blues and blues/rock, which is what I play. One of many issues I believed I might do with this album was simply poke above the fray a little bit bit and get a little bit little bit of consideration coming my means.

Afterword: Because the writer of this column, I need to state that having listened to “It’s A Mad Mad Unhealthy Dad World,” what Waring and crew have laid down in these 10 tracks is as strong and tight as something I heard down on Beale Road in Memphis. This album and the man who made it are the actual deal — should you just like the blues, you gotta take a look at each of them!

Fortunate Clark, a 2018 “Protecting the Blues Alive” Award winner, has spent greater than 50 years writing about good music and the individuals who make it. He will be reached at [email protected] you probably have any questions, feedback or options.

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