Maine
Folk songs about climate change? Yup, people in Maine are listening. – The Boston Globe
To be sure, singing about climate change can be a tough sell.
“It was scary at first,” Zak said. “When you write love songs or other popular music, there are set maps to follow. Trying to incorporate climate change into music isn’t something a lot of people do.”
But it seems to be working. The band, GoldenOak, has around 20,000 monthly listeners on Spotify and counting, and their top song has more than 300,000 listens. A previous project from the band won EP of the year by the Portland Music Awards.
GoldenOak, made up of siblings Zak and Lena Kendall, bassist Mike Knowles, and drummer Jackson Cromwell, formed around 2016. As the band’s main lyricist, Zak draws on his background in ecology and his close attention to how climate change is reshaping daily life in Maine.
At the College of the Atlantic, he studied human ecology, immersing himself in climate science and environmental issues while sneaking in song writing between classes. After graduating, he dove into climate activism as executive director of Maine Youth for Climate Justice.
Then he began to notice something: tropes of displacement, violent storms, and dying forests were bleeding into his lyrics. He saw a way to combine his passions of climate activism and folk music, and that convergence has defined his songwriting ever since.
Bands like AJR and Grammy-winning artist Jon Batiste have also sung about climate change. “As an artist, you have to make a statement,” Batiste said in an interview with Covering Climate Now. “You got to bring people together. People’s power is the way that you can change things in the world.”
Batiste called “Petrichor,” his recent song, “a warning set to a dance beat.” GoldenOak’s discography has taken it a step further, featuring multiple conceptual albums bringing climate urgency into the folk tradition.

The band’s first climate-focused album, Room to Grow, is a ten-song invitation to climate action, laying out what’s at stake and why the natural world is worth protecting.
In “Ash,” for instance, Kendall frames the loss of ash trees as a kind of breakup song — a farewell to a species that once filled the forests where he grew up. This was the wood he carved into canoe paddles, and that Wabanaki basket makers relied on for generations, a tree species now disappearing under the spread of the emerald ash borer.
Most of the album leans somber, with nine tracks moving between poetic depictions of ecological loss, frontline activist anthems, and moments of climate hopelessness. But its most popular song, “little light,” reaches in the opposite direction: a hopeful ode to renewable energy and indigenous knowledge.
“Music can be a powerful form of activism,” Zak said. “Over time I found a way to incorporate my lived experience, academic research and frontline stories to tell these stories.”
It’s a hard balance, Zak explains. Push the climate narrative too far and suddenly you’re just singing statistics; lean too much on personal experience and it becomes just another introspective track.
With All the Light in Autumn, released December 5, Zak keeps testing that balance. Ten birds on the album cover represent its ten songs. Some, like “The Flood” and “All the Birds,” return to themes of ecological loss, while others pull back to connect climate change to the political forces shaping it.
Written in the weeks after the presidential election, the song “Always Coming, Always Going” confronts the environmental protections dismantled under the Trump administration. Other tracks take aim at resource extraction under capitalism, environmental inequity, and the hollow myth of the American dream.
“Before this album came out people kept asking me if this one would be about climate change too,” Zak said. “And I think the answer is always going to be yes because climate change touches every aspect of our lives.”
Folk music grappled with environmental themes long before the genre’s famed artists recognized them — ballads about coal country, songs about scarred landscapes. Now, the relentless cycle of climate impacts may push more artists to write about it, extending even into mainstream pop.
“Music can help people process their emotions about climate change,” said Fabian Holt, a former music sociologist at Roskilde University in Denmark who now studies climate and culture. “But it can also serve as a medium for mobilization.”
“Just writing these songs about climate change doesn’t always feel like enough,” Zak said. “We try to lean into our role as activists, creating spaces for people to gather and share their own stories.” GoldenOak uses its platform to promote voting initiatives, amplify protests, and sometimes even perform at them.
Back onstage, Zak and Lena lean into the microphone to dedicate their most beloved song to climate activists and people living on the frontlines. Its lyrics insist on hope, even when climate progress falters. As the crowd joins in, humming, singing or whispering the words to themselves, it becomes clear how music can turn shared climate grief into collective resolve.
This story is published in partnership with Inside Climate News, a nonprofit, independent news organization that covers climate, energy and the environment.
Maine
Who is raising the most money in the Maine governor’s race?
(Joe Phelan/Staff Photographer)
Candidates vying to become Maine’s next governor have until midnight Tuesday to file campaign finance reports for the first quarter of the year.
The reports will show who is best positioned to control the message in the final month-plus until the primaries. But fundraising success doesn’t always guarantee a win at the ballot box.
The reports come as a growing number of leading candidates are taking to the airwaves a head of the June 9 primaries. Five Democrats and seven Republicans are vying to replace Gov. Janet Mills, who is term limited.
As of Tuesday, Republican Jonathan Bush topped all candidates in broadcast, cable and digital advertising, having booked nearly $1.5 million in ads through the primary, the political spending tracker AdImpact said.
But Republican Garrett Mason is benefitting from about $3 million in spending by Restoration of America PAC, which is running ads targeting Gov. Janet Mills and tying Mason to President Donald Trump.
Other Republican candidates running ads are Bobby Charles ($63,000), Owen McCarthy ($43,660) and Ben Midgely ($55,000.)
Hannah Pingree tops the Democratic slate with about $564,000 in ad spending, followed by Nirav Shah ($493,000), Shenna Bellows ($462,700) and Angus King III ($299,000.)
As of Tuesday afternoon, fundraising totals were only trickling in. Public access to those reports was hampered because the Maine Commission on Governmental Ethics & Election Practices is building a new website, and glitches made some reports unviewable.
This story will be updated when more reports are filed. As of Tuesday afternoon:
- Republican Jonathan Bush reported raising about $845,000 in the first quarter, but 60% of that, $500,000, was a personal loan to his own campaign. His totals were not yet available through the new website, but his quarterly fundraising and spending was provided by ethics staff.
- Republican Robert Wessels was the only other active candidate that had filed. He raised nearly $11,600 for the quarter and has about $13,540 in cash.
This is a developing story.
Maine
Obituary: Anne Theresa Tarling
Anne Theresa Tarling
SANFORD – Anne Theresa Tarling, 74, of Sanford, Maine passed away peacefully at home on April 23, 2026, surrounded by her loving family. While our hearts are broken, we find comfort in knowing she lived a full and beautiful life rooted in love, creativity, and devotion to the people who meant the most to her.
Anne was born on April 3, 1952, in Portland, Maine, to the late Joseph and Blanche Morin. She grew up in Portland and graduated from Deering High School in 1970.
In 1980, Anne married the love of her life, Ernest Tarling. Together they built a life centered on family, laughter, and partnership. Their 45 years of marriage were filled with shared memories and a deep commitment to one another and to their family.
Anne was a talented self-taught artist who found great joy in painting and sharing her creativity with others. She proudly exhibited her work at local art shows and specialty shops, and her paintings found their way into homes near and far. Her art brought beauty and comfort to many and will continue to remind us of her for years to come.
She also enjoyed gardening, sailing the coast of Maine, and hosting family gatherings. She was known for her famous chocolate chip cookies and for never missing a birthday or special occasion.
Being a devoted Nana brought her great joy, and she cherished time spent with her family above all else.
In addition to her parents, Anne was preceded in death by her brother, Stephen Morin; her sister, Julie Pochebit, her brother-in-law, Daniel Desmond; nieces Elizabeth McKee and Alison Pochebit.
She is survived by her brother, Paul (Sue Ellen) Morin, two sisters, Cheryl Desmond and Celine (Stephen) Pochebit; her husband of 45 years, Ernest Tarling; her son, Greg (Karen) Flagg, her four daughters, Jennifer Copper, Rebecca (Frank) Zavadil, Stefenie (Matthew) Burdick, and Kendra (Justin) Dowling; her 11 grandchildren, Cody, Matthew, Jackson, Gracey, Lucas, Quinn, Beau, Shea, Ellie, Will, and Stevie; a large extended family, including many loving nieces and nephews; and her longtime best friend, Sandy Hobbs.
A funeral service will be held Saturday, May 2, at 11 a.m. at St. Martha Church, 30 Portland Road, Kennebunk, Maine, followed by a celebration of life at 12:30 p.m. at For the Love of Food + Drink at Saltwater Farm, 411 Post Road, Wells, Maine.
To share a memory or leave a message of condolence, please visit Anne’s Book of Memories Page at http://www.bibberfuneral.com.
Arrangements are in the care of Bibber Memorial Chapel, 67 Summer Street, Kennebunk, ME 04043.
Maine
Moldy Maine weed is being treating with radiation
Maine marijuana growers are increasingly using radiation and other methods to remove contaminants from their products, a process consumers are likely in the dark about.
Despite a state policy requiring remediated products to be labeled as such, Maine’s Office of Cannabis Policy is not enforcing that rule.
In response to a complaint by a dispensary owner in late February, deputy director of operations Vern Malloch acknowledged, “we are not requiring labeling of remediated or treated product,” according to records obtained through a media request.
“We plan to issue guidance on this in the near future,” Malloch wrote.
Office of Cannabis Policy Director John Hudak also told lawmakers last year that the agency hasn’t enforced remediation labeling requirements since at least November 2024.
“The Office began receiving pushback from cannabis cultivators who did not want to label their cannabis if they ‘treated’ their cannabis with radiation or ozone prior to submitting the cannabis for mandatory testing,” Hudak wrote in testimony last year.
A spokesperson for the agency declined to answer specific questions Monday, but confirmed the agency stopped enforcing the rule after some growers raised concerns over the “misleading impact” that labeling treated cannabis has on consumers.
“Requiring label disclosure of the use of irradiation or ozone treatment implies a consumer risk that is not scientifically supported and is potentially misleading in its implication about potential harm from exposure,” Alexis Soucy, OCP’s director of media relations, wrote in an email.
Over the last couple years, several marijuana products have been subjected to recall because of high levels of mold, yeast and other contaminants. Unsafe levels of mold in cannabis can cause flu-like symptoms, including respiratory issues, sinus infections, headaches and dizziness.
But rather than tossing their product, growers can turn to a process called irradiation, often involving gamma rays or X-rays, to remove contaminants.
Supporters say it’s a safe way to reduce waste and prolong shelf lives. Mold and yeast grow naturally just about everywhere and many species are benign. Standard cannabis mold testing does not differentiate between harmful and harmless microbes.
Opponents, however, argue there isn’t enough research about remediating cannabis to say whether it’s safe or not. There is not much data on whether the various types of remediation are effective at killing microbes or are safe for consumers, most of whom don’t know about the practice.
“It’s a complex topic without many answers,” said Yasha Kahn, who co-founded MCR Labs, one of four licensed cannabis testing facilities in Maine. “Hopefully, the rescheduling can lead to more research.”
The federal government moved last week to reclassify cannabis from a Schedule I to Schedule III drug. Decades-long restrictions on cannabis research will be lifted, which acting Attorney General Todd Blanche said will allow for studies into “marijuana’s safety and efficacy.”
Kahn, who operates several testing labs throughout New England, said irradiating cannabis has become increasingly prevalent in legal markets across the country and the world. It’s still debated whether irradiation works as well as it’s supposed to, he said.
‘THIS IS A FAIRLY NEW PROCESS’
There are numerous kinds of cannabis remediation, each with its own pros and cons. Growers most commonly use X-rays, gamma radiation or ozone gas to remove mold and microbes.
Radiation does not kill all the mold, yeast and other microbes present in cannabis outright, Kahn said. Certain species of mold, like harmful mycotoxins, can often survive remediation. Others can remain dormant for months following the procedure.
“Irradiation gets rid of mold’s ability to procreate, and not necessarily permanently,” he said. “You can take that same product and test it again, months from then, and there’s going to be mold growth.”
Some in the industry, like organic marijuana farmer Lizzy Hayes in Mercer, fear that having the option to remediate cannabis removes the incentive to grow clean cannabis. If you can simply use radiation to eliminate mold from harvested crops, she said, why would you put effort into growing mold-free products?
Part of the blame, according to Hayes, lies at the feet of Maine’s recreational cannabis testing regime. Unlike the state’s medical marijuana market, batches of recreational cannabis products must be tested for contaminants like mold, yeast and heavy metals before they can be put on a dispensary shelf.
But since the mold test only detects the presence of mold, not whether it’s harmful, Hayes said many growers save themselves the trouble and irradiate their cannabis by default rather than risking a failed test.
“When you have a regulatory system that incentivizes irradiation, it’s also making it so that customers don’t have access to as high quality of a product,” she said.
Some in the industry disagree. A bill was proposed last year to codify requirements around labeling treated cannabis and inspecting remediation equipment. It was ultimately defeated after many Maine cannabis growers testified in opposition to the bill.
“Radiation and ozone treatment methods are well-established, scientifically validated technologies commonly used in industries far beyond cannabis,” wrote Jacob Racioppi, owner of Goose River Cannabis in Unity. “In fact, they are standard in the food industry.”
Joel Pepin, co-founder of JAR Cannabis Company, owns and operates one of about a dozen X-ray machines in Maine’s cannabis industry. He estimated that about half of Maine’s recreational cannabis has been treated by similar methods. It would be overkill, he said, to require all of that product to be labeled over scientifically unfounded concerns.
“If we apply this same logic to other industries in Maine, then why doesn’t this bill also require dental patients to wear a shirt that says, ‘treated by X-ray’ after leaving the dental office?” Pepin testified.
Neither Racioppi nor Pepin responded to requests for an interview.
Lorri Maling, laboratory director at cannabis testing facility Nelson Analytical, seconded Pepin that remediating cannabis is “more in use now than it was a few years ago.”
While some opponents of irradiation claim the process reduces THC content and eliminates terpenes — the chemicals that give different cannabis strains unique scents and effects — Maling said there’s no data to back that up. Nor is there much data to back up many other conclusions about the effects of irradiating cannabis.
Most of the studies on the effects of irradiation have been on fruits and vegetables, she said, which have not shown any negative effects — though there’s no guarantee that any remediation method will kill all bacteria.
“This is a fairly new process for cannabis,” Maling wrote in an email. “I really cannot say that it is safe or unsafe for cannabis as there really is not enough data on this.”
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