Maine
Folk songs about climate change? Yup, people in Maine are listening. – The Boston Globe
To be sure, singing about climate change can be a tough sell.
“It was scary at first,” Zak said. “When you write love songs or other popular music, there are set maps to follow. Trying to incorporate climate change into music isn’t something a lot of people do.”
But it seems to be working. The band, GoldenOak, has around 20,000 monthly listeners on Spotify and counting, and their top song has more than 300,000 listens. A previous project from the band won EP of the year by the Portland Music Awards.
GoldenOak, made up of siblings Zak and Lena Kendall, bassist Mike Knowles, and drummer Jackson Cromwell, formed around 2016. As the band’s main lyricist, Zak draws on his background in ecology and his close attention to how climate change is reshaping daily life in Maine.
At the College of the Atlantic, he studied human ecology, immersing himself in climate science and environmental issues while sneaking in song writing between classes. After graduating, he dove into climate activism as executive director of Maine Youth for Climate Justice.
Then he began to notice something: tropes of displacement, violent storms, and dying forests were bleeding into his lyrics. He saw a way to combine his passions of climate activism and folk music, and that convergence has defined his songwriting ever since.
Bands like AJR and Grammy-winning artist Jon Batiste have also sung about climate change. “As an artist, you have to make a statement,” Batiste said in an interview with Covering Climate Now. “You got to bring people together. People’s power is the way that you can change things in the world.”
Batiste called “Petrichor,” his recent song, “a warning set to a dance beat.” GoldenOak’s discography has taken it a step further, featuring multiple conceptual albums bringing climate urgency into the folk tradition.

The band’s first climate-focused album, Room to Grow, is a ten-song invitation to climate action, laying out what’s at stake and why the natural world is worth protecting.
In “Ash,” for instance, Kendall frames the loss of ash trees as a kind of breakup song — a farewell to a species that once filled the forests where he grew up. This was the wood he carved into canoe paddles, and that Wabanaki basket makers relied on for generations, a tree species now disappearing under the spread of the emerald ash borer.
Most of the album leans somber, with nine tracks moving between poetic depictions of ecological loss, frontline activist anthems, and moments of climate hopelessness. But its most popular song, “little light,” reaches in the opposite direction: a hopeful ode to renewable energy and indigenous knowledge.
“Music can be a powerful form of activism,” Zak said. “Over time I found a way to incorporate my lived experience, academic research and frontline stories to tell these stories.”
It’s a hard balance, Zak explains. Push the climate narrative too far and suddenly you’re just singing statistics; lean too much on personal experience and it becomes just another introspective track.
With All the Light in Autumn, released December 5, Zak keeps testing that balance. Ten birds on the album cover represent its ten songs. Some, like “The Flood” and “All the Birds,” return to themes of ecological loss, while others pull back to connect climate change to the political forces shaping it.
Written in the weeks after the presidential election, the song “Always Coming, Always Going” confronts the environmental protections dismantled under the Trump administration. Other tracks take aim at resource extraction under capitalism, environmental inequity, and the hollow myth of the American dream.
“Before this album came out people kept asking me if this one would be about climate change too,” Zak said. “And I think the answer is always going to be yes because climate change touches every aspect of our lives.”
Folk music grappled with environmental themes long before the genre’s famed artists recognized them — ballads about coal country, songs about scarred landscapes. Now, the relentless cycle of climate impacts may push more artists to write about it, extending even into mainstream pop.
“Music can help people process their emotions about climate change,” said Fabian Holt, a former music sociologist at Roskilde University in Denmark who now studies climate and culture. “But it can also serve as a medium for mobilization.”
“Just writing these songs about climate change doesn’t always feel like enough,” Zak said. “We try to lean into our role as activists, creating spaces for people to gather and share their own stories.” GoldenOak uses its platform to promote voting initiatives, amplify protests, and sometimes even perform at them.
Back onstage, Zak and Lena lean into the microphone to dedicate their most beloved song to climate activists and people living on the frontlines. Its lyrics insist on hope, even when climate progress falters. As the crowd joins in, humming, singing or whispering the words to themselves, it becomes clear how music can turn shared climate grief into collective resolve.
This story is published in partnership with Inside Climate News, a nonprofit, independent news organization that covers climate, energy and the environment.
Maine
US Senate confirms key new Maine officials
The U.S. Senate on Monday confirmed President Donald Trump’s appointees for U.S. attorney and U.S. marshal for the District of Maine.
In party line votes, Judge Andrew Benson of Unity got the nod to be the next U.S. attorney, and former Lewiston Police Chief David St. Pierre was confirmed as U.S. marshal.
Both nominees received bipartisan support in the Senate Judiciary Committee earlier this year. They were approved “en bloc,” along with 47 other nominees in a single vote, prompting dissent from Maine’s junior senator.
Benson and St. Pierre were recommended to Trump by U.S. Sen. Susan Collins, a five-term Republican whose Federal Appointments Advisory Committee helps vet possible appointees.
“Judge Benson and Chief St. Pierre have each devoted more than three decades to public service and law enforcement in Maine,” Collin said in a written statement. “I was proud to support both their nominations and now confirmations, and I am confident that they will serve the people of Maine with distinction.”
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Sen. Angus King, an independent who caucuses with the Democrats, also signed off on the recommendation. But King joined Democrats in voting “no” on Monday.
A King spokesperson said the junior senator opposed approving all of the nominations in a single vote, because the slate included “many seriously problematic candidates.”
St. Pierre is a 2018 graduate of the FBI National Academy in Quantico, Virginia, who oversaw the Lewiston Police Department during the 2023 mass shooting that resulted in 18 deaths. He retired last year after serving more than 30 years with the department.
The U.S. Marshals Service is the enforcement arm of the federal courts. Its duties include protecting the federal judiciary, managing property seized from criminals, transporting federal criminals and overseeing the Witness Protection Program.
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Benson, a graduate of the University of Maine Law School, is currently serving as the interim U.S. attorney of Maine, a position to which he was appointed last October. He was a Maine District Court judge from 2014 to 2025. Prior to that, he was a homicide prosecutor in the Maine Office of Attorney General for 15 years.
Benson will now be the chief federal law enforcement officer for the District of Maine. He’s one of 83 U.S. attorneys, and the only one in Maine.
Despite Monday’s partisan votes, both nominees received strong bipartisan support from the Senate Judiciary Committee. Benson was recommended 19-3 in January and St. Pierre was endorsed 20-2 in March.
Maine
This New Maine Seafood Restaurant Just Opened in the Former Bar Futo in Portland
As someone who is completely obsessed with oysters, summer seafood spots, and the excitement of trying a brand-new restaurant, I’ve been counting down the days for Ladyfish to open in Portland. There’s just something about a seasonal pop-up that makes it feel extra special, and Ladyfish already feels like the place everyone will be talking about this summer.
Where Is It Located?
Located at 425 Fore Street in Portland’s Old Port, the restaurant officially opened on May 13 and has already been drawing major attention from locals and visitors looking for fresh seafood and fun summer vibes.
What Makes Ladyfish Stand Out From Other Restaurants?
What makes Ladyfish stand out is how playful and exciting the menu feels while still keeping Maine seafood at the center of everything. The scallops in a blanket are already becoming one of the must-order dishes, balancing buttery richness with fresh coastal flavor. The eggplant dip is unbelievably good and adds a unique twist to the menu, while the steamed buns are soft, flavorful, and honestly addictive. On top of all that, the seafood is incredibly fresh, which is exactly what you want from a summer restaurant in Portland.
Since opening, Ladyfish has quickly become one of the hottest new dining spots in the city, proving that Portland’s restaurant scene continues to thrive with creative concepts and unforgettable seafood experiences.
22 Seasonal Maine Restaurants Worth Visiting for a Delicious Meal
Gallery Credit: Sean McKenna
10 Maine Lobster Pounds You Need to Try This Summer 🦞
Summer plans = eating your way through these 10 Maine lobster pounds!
Gallery Credit: Arlen Jameson
Maine
Maine high school students accidentally served dirt at charity dinner
Teenagers are known for dishing out the dirt, but not quite like this.
Students at a high school in Maine were fed potting soil at a community service event raising money to fight hunger, in a bizarre incident the school called “an unfortunate accident.”
Students at Medomack Valley High School in Waldoboro had baked a batch of potting soil earlier that day during a science class experiment to determine the effect of sterilized soil on plant growth, according to a statement from the school.
“The soil had been placed in a baking dish covered with foil and set off to the side of the stove area, separate from the Empty Bowl Supper food items,” the statement signed by principal Linda Pease read.
Later, in the mad dash to serve guests at the charity dinner, the oven-roasted dirt got mixed in with other food items meant for the meal and was brought out for service.
“Three students briefly put some of the soil in their mouths, believing it to be a dessert item, before immediately realizing what it was,” the school said, adding they “promptly” had the unwanted earthen confection removed from the serving tables.
“This was a completely accidental situation and absolutely not a prank,” the school assured.
The parents of the involved students were contacted by administrators, and the students were spoken with at school.
“Those involved in organizing the Empty Bowl Supper, a longstanding community service event that means a great deal to our school and community, are deeply sorry that this occurred.”
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” data-image-caption=”<p>Maine District Court Judge Andrew Benson during a trial 2025 trial at Skowhegan District Court. (Anna Chadwick/Staff Photographer)
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