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Firefighters Likely Had Limited View of Approaching Plane in LaGuardia Crash

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Firefighters Likely Had Limited View of Approaching Plane in LaGuardia Crash

The rapidly approaching plane that collided with a fire truck at New York’s LaGuardia Airport last month was most likely hard for the firefighters to see, a New York Times analysis has found.

They were navigating in the rain on a taxiway that was angled away from the oncoming plane. Because the plane had just touched down, the pilots and the firefighters were left with very little time to react.

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The collision killed both pilots and was the first deadly crash at the airport in over three decades. The two firefighters, who were rushing to another emergency, survived with injuries.

The Times built a 3-D model, interviewed aviation experts and analyzed flight data, video footage of the crash and air traffic control audio — all to answer a critical question: What could the firefighters see?

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The truck’s dispatch

The two firefighters were driving on Taxiway D in the lead vehicle of a convoy that had been dispatched to assist with an emergency on the other side of the airport from the fire station.

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Their fire truck, a type that can weigh upward of 60,000 pounds when fully loaded, is designed with the driver’s seat in the center, in part to offer better visibility. The other firefighter typically sits to the right of the driver.

The air traffic control tower had cleared an Air Canada Express jet to land on Runway 4. About two minutes later, the tower cleared the truck to cross the same runway using Taxiway D. Eleven seconds later, the tower called back with an urgent warning to stop, but the truck kept moving. It is unclear if the firefighters in the truck heard the warnings.

Each firefighter had a disadvantage

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Even in an optimal scenario in which the driver was looking directly toward the oncoming plane in the moments before collision, it’s likely that his view of the approaching plane would have been obstructed by the second firefighter.

If the driver had leaned forward slightly with his head turned about 90 degrees to the right before looking straight again, the plane would have most likely been obstructed:

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Note: Video shows estimated speeds of the truck and plane. The New York Times

The second firefighter would have had a better view, but for him, the plane would most likely not have stood out as a moving object until it grew closer to the truck. Even as the plane was approaching, it would have stayed in roughly the same position in his field of view — making the plane more difficult to track than if it had been moving across his line of sight.

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This is a familiar phenomenon documented in aviation and maritime navigation, in which an object approaching on a collision course can appear to be stationary until the last moment, when it seems to suddenly grow in size.

Here is what the view for the second firefighter could have been if he had been leaning forward slightly with his head turned about 90 degrees to the right and looking toward the plane:

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Second firefighter’s perspective

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Note: Video shows estimated speeds of the truck and plane. The New York Times

Crash footage shows that there was one vehicle in the convoy initially traveling alongside the fire truck, and it may also have blocked the firefighters’ view of the runway before it came to a stop about seven seconds before the crash.

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Based on the available evidence, there is no way to know with certainty where the firefighters were looking in the seconds before the crash. The runway where the crash occurred is bidirectional, meaning planes can approach one at a time for landing in both directions. As a result, the firefighters would not necessarily have been able to assume the direction of oncoming planes.

The two firefighters, Sgt. Michael Orsillo and Officer Adrian Baez, who were hospitalized along with about 40 others, did not respond to requests for comment. The Port Authority of New York and New Jersey, which runs LaGuardia Airport and its fire rescue unit, declined to comment.

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The taxiway was angled away from the oncoming plane

The lead fire truck had been driving along a taxiway that was angled away from the direction of the oncoming plane. This means that the plane was approaching off the right rear section of the truck — where it would have been difficult for the firefighters to see — instead of its direct right-hand side.

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As a result of the angle, the driver would have had a difficult time spotting the plane, regardless of where he was looking. If he had turned to the right, toward the plane, his view might have also been obstructed by the firefighter beside him:

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Possible sight lines for the driver

Note: Video shows possible sight lines about two seconds before collision. The New York Times

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The plane would have appeared in the right corner of the second firefighter’s field of view, but only if he had leaned forward slightly, turned his head to the right and looked in the plane’s direction. Here is what he might have seen right before the truck entered the runway about two seconds before collision:

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Possible sight lines for the second firefighter

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Note: Video shows possible sight lines about two seconds before collision. The New York Times

The analysis of the crash footage also shows that the truck turned slightly toward the left as it entered the runway. It is unclear whether it turned because the firefighters saw the plane, but the change in direction angled the firefighters farther away from the approaching plane, making it even harder to see.

Airports use these slanted taxiways because they allow planes to exit the runway more quickly, instead of having to make a sharp 90-degree turn at a slower speed.

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That said, the Federal Aviation Administration urges airports to use intersections configured at 90-degree angles because they give pilots and drivers the best visual perspectives to see other aircraft and vehicles, said Michael O’Donnell, a retired F.A.A. official and a former airport firefighter.

The truck did not slow down or stop before entering the runway

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The Times analysis of the crash footage indicates that the truck did not stop or slow down before entering the runway and that it was traveling at a relatively steady speed of about 30 miles per hour from the moment the air traffic controller first gave the warning to stop until the collision.

Note: Video shows estimated speeds of the truck and plane. The New York Times

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Slowing down or stopping entirely may have given the firefighters more time to look and assess any oncoming traffic on the runway.

Seconds after the controller first warned the truck to stop, about seven seconds before the crash, the convoy of vehicles that was following the lead truck slowed down and stopped while the lead truck continued.

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Once the tower clears an emergency response vehicle to cross a runway, the vehicle’s drivers are not expected to obey the stop marks on the pavement, Mr. O’Donnell said. But they are expected to look for aircraft before crossing and proceed with caution, he said.

Other distractions

It’s also likely that there were other visual distractions. The airport runway and taxiways are lined with lights. The night of the crash was rainy and misty, and the rain-slicked surface of the runway could have given it the appearance of a glaring light show.

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“At night, it’s basically like driving through a lit-up Christmas tree,” said Bobby Egbert, a spokesman for the Port Authority Police Benevolent Association, the officer’s union. “You have so many lights and the crew has to know exactly what those lights mean.”

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Emergency personnel responded to a Port Authority fire truck’s collision with an Air Canada jet on the runway at LaGuardia Airport in New York. Angela Weiss/Agence France-Presse via Getty Images

What the firefighters could have seen or not seen “with that equipment, at that time of night, with that illumination,” is one of the many components of the National Transportation Safety Board’s investigation, said Peter Knudson, a spokesman for the board, who said the preliminary report would be released later this month. He declined to answer questions about the crash, citing the ongoing investigation.

According to safety board officials, the airport’s runway status lights, set in the pavement at taxiways and runway crossings to warn of planes on or approaching the runway, were functional that night. Video analysis of the crash shows that the truck may have entered the runway around the same time as the lights went from red to dark, which they are designed to do a couple seconds before a plane passes.

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What the jet’s pilots may have seen

For the pilots, Captain Antoine Forest and First Officer Mackenzie Gunther, the truck was most likely in their field of vision from the cockpit, if they were looking down the runway:

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Note: Video shows estimated speeds of the truck and plane. The New York Times

About the same time that the fire truck entered the runway, the Air Canada jet dropped its speed sharply below what is typical after touchdown, according to a Times analysis that compared the jet’s flight data with hundreds of other landings on Runway 4 by the same aircraft model. The plane reduced its speed to about 100 miles per hour from about 140 miles per hour in about three seconds.

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The firefighters’ limited visibility is only one factor among many that the authorities are investigating as possibly contributing to the crash. They are also looking into any potential problems with air traffic controller staffing, radio miscommunications and vehicle tracking technology.

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How we analyzed the crash footage

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The Times estimated the position and speed of the lead fire truck by analyzing video of the crash, flight path data from Flightradar24, satellite imagery and the manufacturer’s dimensions of the vehicle.

First, we geolocated the camera in the crash video by matching landmarks in the footage (buildings, runway markings and lights) to their real-world positions in satellite imagery. From that fixed vantage point, we measured the span of the truck in each video frame. Those measurements — combined with the truck’s physical dimensions, its path along the taxiway and its position relative to the runway lights — allowed us to estimate its position frame by frame. From those positions and the video’s timestamps, we then calculated the truck’s speed. Our estimates of the truck’s position are within three feet, and its speed is within five miles per hour.

We placed the positional data of the truck into a georeferenced 3-D model of the airport, where we programmatically animated the vehicles along their paths. We tested our analysis by overlaying the video frames on the 3-D model rendered from the camera’s position, as seen in the video below.

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The Times also obtained flight data showing landings at LaGuardia Airport from several hundred aircraft — the same model as the Air Canada Express jet. The data helped us understand how the plane’s speed on the runway compared with that of other planes slowing down after a typical touchdown.

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Source: Video of the crash from @305topgun, via X The New York Times

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San Francisco Film Patrons Are Found Dead on Side of Highway

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San Francisco Film Patrons Are Found Dead on Side of Highway

Three San Francisco couples set out Monday for their annual road trip to Ashland, Ore., for the town’s famous Shakespeare festival. They drove separately and planned to meet at 6:30 p.m. on the terrace of their favorite Japanese restaurant there.

They had booked a table for six, but only four showed up for dinner.

Judith and Wylie Sheldon were found dead in their running car on the side of the road to Oregon, shocking their friends and family and leaving a hole in San Francisco’s arts and film world.

Ms. Sheldon, 84, was the daughter of William Wyler — who won three Oscars for best director — and chaired the board of the San Francisco Silent Film Festival. Mr. Sheldon, 86, was a prominent lawyer.

David Smith, who had befriended the couple more than 40 years ago, said in an interview that he and the others at the dinner table had grown nervous as time ticked on and their friends did not answer repeated calls to their cellphones. They learned they had not checked into their hotel either.

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The friends eventually learned from one of the couple’s sons that the California Highway Patrol had found the couple at 5:46 p.m., both dead inside their running Jeep Compass. It was parked on the side of Interstate 5, north of Redding, Calif., more than 100 miles from their destination, the authorities said. Ms. Sheldon was driving, while Mr. Sheldon was in the passenger seat, according to the authorities.

The Redding area on Monday was under an extreme heat warning issued by the National Weather Service. Temperatures reached 109 degrees, according to the Weather Service.

Mr. Smith said he learned from the son that the couple had been found without any water or other liquids in the car. The fan was on high, but the air conditioning was not working, meaning they might have been blasted with hot air, Mr. Smith said. The windows were rolled down. The car had plenty of gas, and there were no signs of mechanical failure or foul play, Mr. Smith said the son told him.

“They didn’t crash. They stopped. They both just died there,” Mr. Smith said. “The entire thing is so bizarre. We’re still in a state of shock.”

The circumstances and cause of the couple’s death is under investigation but “appears to be medically related,” the Highway Patrol said in a statement.

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Whether the heat contributed to the couple’s death “may be determined” by an autopsy, a spokesman for the Shasta County Sheriff’s Office said, adding that one had not been scheduled yet and could take several weeks to complete.

“We’ll just have to see,” the spokesman, Tim Mapes, said.

The Sheldons met at Stanford University and had two sons. They lived in a large home in San Francisco’s upscale Pacific Heights neighborhood that had views of the bay from the front and a garden out back.

They hosted many parties there on behalf of the San Francisco Silent Film Festival and sometimes let revelers pose for photos with Mr. Wyler’s Oscar statuettes. Ms. Sheldon fell in love with silent movies after first seeing those created by her father — before his better known blockbusters like “Ben-Hur” and “Roman Holiday” — only about 30 years ago, said Anita Monga, artistic director of the festival.

Stacey Wisnia, the festival’s executive director, said the couple was generous, delightful and unassuming.

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Back in Ashland, Ore., Mr. Smith said the four remaining friends had distracted themselves from their grief by attending plays, including “A Midsummer Night’s Dream” and “Come From Away.” They were able to give away their friends’ tickets.

Ms. Monga had last seen Ms. Sheldon just last month at the film festival, which was held at the newly remade Castro Theater.

“This is such a shock,” Ms. Monga said of the deaths. “Also because it’s still a mystery.”

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Luigi Mangione’s lawyers withdraw plans for psychiatric defense

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Luigi Mangione’s lawyers withdraw plans for psychiatric defense

Luigi Mangione appears for a pretrial hearing at Manhattan Criminal Court in New York, June 17, 2026.

Angelina Katsanis/AP


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Angelina Katsanis/AP

New York — In a dramatic reversal, Luigi Mangione’s legal team on Thursday backed away from a plan to use a psychiatric defense when his case goes to trial in state court in September. Mangione has pleaded not guilty to murdering health insurance CEO Brian Thompson in 2024 on a Manhattan street.

At a hearing only a day earlier before state Judge Gregory Carro, Mangione’s attorneys confirmed that Mangione had been undergoing psychiatric evaluation. They signaled that his defense would be based at least in part on the argument that Mangione was experiencing “extreme emotional disturbance.”

But in a one-line letter sent to Carro on Thursday, Mangione’s team said that “at this time” they no longer intend to introduce psychiatric evidence during the trial. It’s unclear what sparked the shift. Mangione’s team didn’t respond to NPR’s request for comment.

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Former Manhattan prosecutor and legal analyst Gary Galperin told NPR it was a “stunning reversal” for Mangione to withdraw from the psychiatric defense. “One can only speculate at this point as to the reasons,” he said.

“What remains, of course, at this point is the question of what defense they will pursue at trial,” he added.

This maneuver came after Carro ordered Mangione’s attorneys to quickly share psychiatric information with prosecutors.

“They need to know what the malady is that this defendant suffers and how that triggered extreme emotional distress,” he said, during Wednesday’s hearing. “I’m not going to let you surprise people on the eve of trial. Get it done.”

Assistant Manhattan District Attorney Joel Seidemann repeatedly complained that Mangione’s team was “stonewalling” the prosecution by withholding medical information about his psychiatric state. “We have gotten nothing,” Seidemann said.

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Mangione’s lead attorney Karen Friedman Agnifilo denied her team was delaying the court process or improperly withholding information.

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Inside Trump’s Touring Exhibition of American Heroes

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Inside Trump’s Touring Exhibition of American Heroes

Video by Zack Wittman for The New York Times

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The museums, designed by conservative nonprofits and Trump appointees, tell the story of early America, from colonization to revolution. The one exhibition looking beyond the early years is the “Wall of American Heroes.” It is a list of 51 people, chosen to illustrate 250 years of American history.

A White House spokesman said they were “individuals who shaped this nation’s history, culture and spirit across generations.”

The people pictured on this national honor roll — and the people left out — help illustrate what this administration sees as the highlights of American history.

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Amid the administration’s efforts to reshape the nation’s relationship with its past, Trump appointees heavily weighted the list toward a single era of American history — and a few specific kinds of hero.

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MOUNT RUSHMORE, 1927

1936-1937

1933-1934

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1939

MOUNT RUSHMORE, 2025

Some of those featured are American icons who would be on just about anyone’s list of the country’s heroes. Many are already honored with monuments, holidays or their faces on coins.

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Photo cards show Harriet Tubman, Martin Luther King Jr., the Wright Brothers, Susan B. Anthony, Clara Barton and Sacagawea.

But nine of the 51 people fit one surprising mold: They were all in show business in the 1960s.

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Photo cards show John Wayne, Jimmy Stewart, Johnny Cash, Frank Sinatra, Aretha Franklin, Walt Disney, Irving Berlin, Elvis Presley and Louis Armstrong.

The list also focuses on just one of America’s wars. All four people shown in military uniform served in World War II.

Photo cards show George S. Patton, Louis Zamperini, Audie Murphy and Grace Hopper.

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All four religious leaders on the wall are Christian.

The wall also features some of the wealthiest people of their time.

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Cards show Steve Jobs, John D. Rockefeller, Andrew Carnegie and Henry Ford.

Tens of millions of people have immigrated to America in the past 250 years. But the “Wall of American Heroes” includes only four immigrants, all white men born in the 19th century.

Photo cards show Irving Berlin, Alexander Graham Bell, Andrew Carnegie and Albert Einstein.

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The center of the display includes a long quotation by President Trump.

A wall featuring 51 photographs of people, with the space in the middle dedicated to a quotation from President Trump.

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The other exhibitions in the Freedom Trucks were crafted by a pair of conservative nonprofits, PragerU and Hillsdale College. But the “Wall of American Heroes” was created by Freedom 250, a nonprofit effort whose leaders were chosen by President Trump and that was created to lead the planning of celebrations of the nation’s 250th birthday, overshadowing a bipartisan congressional commission.

A spokeswoman for Freedom 250 said Mr. Trump was not directly involved in the selection of those featured.

But the list clearly tracks Mr. Trump’s own lifetime and the heroes of the conservative political movement.

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In May, a Freedom Truck stopped at the Villages Public Library in Wildwood, Fla. Zack Wittman for The New York Times

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The wall’s tilt toward heroes of the baby boomer generation, for instance, extends beyond Hollywood stars and musicians. Of the four religious leaders on the list, two — Archbishop Fulton Sheen and the Rev. Billy Graham — also appeared on TV regularly in the 1950s and 1960s. The only painter on the list is Norman Rockwell, known for his idealized depictions of American life in that period.

By contrast, there is only a handful of figures from the first decades of American independence.

“That’s a disservice, if your intention is to present the last 250 years,” said Sarah Weicksel, the executive director of the American Historical Association. “Because all of the people on this list are building on the work and struggles and progress that was made by the people in the 150 years prior.”

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The “Wall of American Heroes” was inspired by a similar display in a traveling museum created by the State of Virginia. But Virginia’s display celebrates little-known historical figures.

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Virginia’s display of heroes highlights little-known figures. Jason Andrew for The New York Times

Mr. Trump’s, by and large, celebrates people who are already well-known — and, often, people who were famous in their own time. For example, it praises P.T. Barnum, a circus impresario who used hoaxes and freak shows to draw crowds. The wall calls him an “icon of American sensationalism.”

The spokeswoman for Freedom 250 said that many of the names on the wall were drawn from a list of 250 people that Mr. Trump wants to include in a “Garden of American Heroes” in Washington.

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The spokeswoman declined to say what criteria were used to narrow down the list.

The only president whose name appears on the wall — not on the list of heroes, but alongside his quotation — is Mr. Trump himself.

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Explore the Wall of Heroes

Navigate the display by dragging from side to side.

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Zack Wittman for The New York Times

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