Missouri
Latest work from mid-Missouri poet Elijah Burrell conveys needed messages
A holy wink opens “Skies of Blur,” the third and latest collection from mid-Missouri poet Elijah Burrell.
The wink travels from Jesus to the future St. Peter, but also from the poet to his reader across these initial lines: “In Simon Peter’s native tongue, / I wonder if boat and doubt sound slant.”
Here, Burrell raises questions of what a poem — what our language — can be, and how we locate ourselves in relationship. Should we take words, passed from one soul to another, so serious? Not really. Do we ever take our words seriously enough? Again, no echoes in our ears.
Over the course of these poems and pages, Burrell reveals an in-plain-sight mystery: We are always translating. Our experiences, someone’s pigeon-carried letters, the low brass hum of everyday life — each needs to be massaged and manifest in ways we might understand, if not act upon.
In “Skies of Blur,” the poet takes his turn putting his hand to the plow of translation, making our world make at least a few percentage points more sense. Burrell, a longtime professor at Lincoln University in Jefferson City, will continue this act of translation live when he reads from “Skies of Blur” at Skylark Bookshop Tuesday.
How the poet learns to listen — and models listening for us
Burrell reinforces this mission in the book’s second poem “Doing My Best to Listen.” Here, beneath the carbon-copy shelter of a gas station, he tunes his antennae to “a dozen voices calling—coyotes frenzied beneath a moon / they couldn’t see for the clouds.”
These are not simply wild, wordless voices, Burrell comes to understand, but sound and wonder, a fulfillment of the atmosphere around him, just one way of relaying “a message in transit to me my whole life.”
These messages, of what should and shouldn’t be, of simple glories and the stretch into oneness, face unsound barriers. The strangeness of the American dream labors to stop, or at least strain, them. Under his “American Umbrella,” Burrell slips into the guise of a cross-eyed dreamer who sees better than most.
“I spin plates every moment of my life. / I see nothing but yard sale pianos with songs inside them. / I have what they call a can-do attitude,” the poet writes in opening lines that, again, both wink and lament through the white spaces.
By poem’s end, in light of our national reliance on the almighty gun, the narrator’s plates crash, their umbrella ruptures.
Stories we can’t personally approach slow our understanding — until we tell them to each other, as Burrell’s narrator does in “Death and the King of Rock ‘N’ Roll.” Following the voluminous fill, then fade of an Elvis radio song, he shares the King’s life with his daughter, noticing how absences near and far call out in antiphon:
After Elvis has filled our car with a song,
my youngest daughter asks if he’s still
alive. “No, baby,” I say. “He died the year
Grandma had me.” In the rearview mirror
her faint flinch at the mention of mom.
Subtraction. I sense the math fill her mind.
Another domestic scene unspools through “In a World Gone Mad,” exhibiting the noise of our lives, and the need to listen between the lines.
“October in Missouri, / and I wake up to mass murder out west, / my daughter humming ‘Yer So Bad’ / while spoon-plinking the well of her / white bowl of Cheerios,” Burrell writes.
Poems of memories and messages
As we commit ourselves to translate, and to listen, messages break the noise — and conspicuous silences — in sundry, surprising ways.
Memories collide, then convey their kindnesses, through “the little symphonies from childhood synesthesia” (“Do Not Drive Into Smoke”); distant friends broadcast fragments of speech across “opposite ends / of quiet woods” (“Hailing Old Ghosts from My Silo on the Moon”); and, when everything fails, we keep sitting down to silent pianos, straining our ears for hushed voices, making music until the music comes back (“Unable to Sing”).
Words and their meanings come together, links in an imperfect, exquisite chain; they articulate our blessed smallness in a world of social-media dopamine and ancient weather (“Life in the Gush of Boats”); set us in motion to reconcile all our tenses (“Midlife”); bring our definitions of prayer and belonging into sad relief, so we might see ourselves as we are (“I Was Old When I Left Home”).
And, in one of the book’s late, great poems, we learn the power of exhausting the language for glorious synonyms. “Never Say Love In a Poem” captures the poet at work, trying to evade conventional sincerity and stumbling into something better.
“Listen: The small of her back / is drift, her mouth supermax,” Burrell writes.
And, in two of his finest poems, Burrell pays staggering tribute to his fellow translators, offering hope that we will keep at this work, keep breaking through.
Perhaps my favorite poem of the young year, “This is That Song by Alex Chilton (‘Thirteen’)” honors too-good-for-this-world troubadour Elliott Smith, tracing the passage of sound and “Arizona silence” from a 1997 live show to where the rock bard felt safest.
He closes his eyes. He’s back in Portland,
alone in bed, headphones on, and the birch-
white limbs inside him tremble and bend
from the weight of something cold and falling.
Five lines, “Postlude/Grace” ends the collection and begins something else entirely as the poet hands a guitar and his “indistinct” music to his daughter, whose “miraculous fingers / move down the neck like a surgeon closing a wound / that’s lain open too long.”
These words picture what we are always doing for one another. Here, Burrell writes out his translations, then passes them down to us that we might keep going, keep healing wounds borne alone and shared with others.
Burrell will read at 6:30 p.m. Tuesday; learn more about the evening at https://www.skylarkbookshop.com/new-events.
Aarik Danielsen is the features and culture editor for the Tribune. Contact him at adanielsen@columbiatribune.com or by calling 573-815-1731. He’s on Twitter/X @aarikdanielsen.
The Missouri Lottery offers several draw games for those aiming to win big.
Here’s a look at May 8, 2026, results for each game:
Winning Mega Millions numbers from May 8 drawing
37-47-49-51-58, Mega Ball: 16
Check Mega Millions payouts and previous drawings here.
Winning Pick 3 numbers from May 8 drawing
Midday: 4-6-2
Midday Wild: 6
Evening: 1-3-0
Evening Wild: 6
Check Pick 3 payouts and previous drawings here.
Winning Pick 4 numbers from May 8 drawing
Midday: 1-1-1-9
Midday Wild: 3
Evening: 8-8-9-9
Evening Wild: 8
Check Pick 4 payouts and previous drawings here.
Winning Cash Pop numbers from May 8 drawing
Early Bird: 13
Morning: 11
Matinee: 15
Prime Time: 07
Night Owl: 13
Check Cash Pop payouts and previous drawings here.
Winning Show Me Cash numbers from May 8 drawing
02-18-20-23-36
Check Show Me Cash payouts and previous drawings here.
Feeling lucky? Explore the latest lottery news & results
Are you a winner? Here’s how to claim your lottery prize
All Missouri Lottery retailers can redeem prizes up to $600. For prizes over $600, winners have the option to submit their claim by mail or in person at one of Missouri Lottery’s regional offices, by appointment only.
To claim by mail, complete a Missouri Lottery winner claim form, sign your winning ticket, and include a copy of your government-issued photo ID along with a completed IRS Form W-9. Ensure your name, address, telephone number and signature are on the back of your ticket. Claims should be mailed to:
Ticket Redemption
Missouri Lottery
P.O. Box 7777
Jefferson City, MO 65102-7777
For in-person claims, visit the Missouri Lottery Headquarters in Jefferson City or one of the regional offices in Kansas City, Springfield or St. Louis. Be sure to call ahead to verify hours and check if an appointment is required.
For additional instructions or to download the claim form, visit the Missouri Lottery prize claim page.
When are the Missouri Lottery drawings held?
- Powerball: 9:59 p.m. Monday, Wednesday and Saturday.
- Mega Millions: 10 p.m. Tuesday and Friday.
- Pick 3: 12:45 p.m. (Midday) and 8:59 p.m. (Evening) daily.
- Pick 4: 12:45 p.m. (Midday) and 8:59 p.m. (Evening) daily.
- Cash4Life: 8 p.m. daily.
- Cash Pop: 8 a.m. (Early Bird), 11 a.m. (Late Morning), 3 p.m. (Matinee), 7 p.m. (Prime Time) and 11 p.m. (Night Owl) daily.
- Show Me Cash: 8:59 p.m. daily.
- Lotto: 8:59 p.m. Wednesday and Saturday.
- Powerball Double Play: 9:59 p.m. Monday, Wednesday and Saturday.
This results page was generated automatically using information from TinBu and a template written and reviewed by a Missouri editor. You can send feedback using this form.
A Jackson County judge on Friday denied Missouri Attorney General Catherine Hanaway’s attempt to immediately stop Kansas City-based CBD American Shaman and several affiliated companies from selling kratom products.
The motion for a temporary restraining order, which was filed alongside the Missouri Department of Health and Senior Services, took particular aim at the more potent 7-OH products, which Hanaway argues are “hazardous opioids” banned by state and federal law.
Jackson County Circuit Judge Charles McKenzie’s ruling Friday stated there are “competing affidavits” from experts on both sides of the argument, following a hearing on the motion earlier this week.
“The court cannot find, based on the oral argument of the parties, the respective competing affidavits presented and the pleadings, whether the plaintiff is likely to succeed on the merits at this juncture in the proceedings in order for the court to grant relief in the form of a temporary restraining order,” McKenzie’s order states.
Hanaway’s argument was backed by sworn statements from an undercover narcotics officer with the highway patrol who said 7-OH is being used to cut fentanyl and a woman whose brother died from a kratom overdose. Her office also submitted a FDA report that points to 7-OH as “a potent opioid that poses an emerging public health threat” and state health data showing synthetic 7-OH was involved in at least 197 Missouri deaths.
American Shaman submitted statements of its own from five toxicology and addiction experts, who largely said there wasn’t enough evidence to show that 7-OH and kratom posed a public health risk. One who researched narcotics said she had never heard of 7-OH being used to cut fentanyl.
Company owner Vince Sanders’ statement detailed how he came up with the idea to create 7-OH products, which now has an “enormous” demand particularly among people who need pain management.
Sanders could not be reached for comment about the ruling Friday.
McKenzie denied a temporary restraining order “without prejudice,” meaning that he would like to see more evidence.
“It is because of this finding that the court determines it necessary to hold an additional hearing,” he wrote, “where it can consider the parties respective positions with the potential of testimonial evidence and other properly introduced evidence, all as more fully developed by the parties, in order to further analyze these issues.”
The judge will consider “other injunctive relief sought in the pleadings at a future hearing to consider the issues,” the order states.
Hanaway filed a similar lawsuit Thursday against Relax Relief Rejuvenate Trading LLC, and its owners Dustin Robinson and Ajaykumar Patel.
The group received a warning letter from the FDA for producing 7-OH products last year similar to one received by Shaman Botanicals.
“This is another step in our ongoing crackdown on kratom manufacturers who flout the law and try to justify endangering Missourians in the name of profit,” Hanaway said in a press release Thursday. “Our mission is to safeguard Missourians from unregulated and addictive substances, and we will continue to pursue every legal tool available to protect public health and safety.”
This story was originally published by the Missouri Independent.
The Missouri Lottery offers several draw games for those aiming to win big.
Here’s a look at May 7, 2026, results for each game:
Winning Pick 3 numbers from May 7 drawing
Midday: 7-3-5
Midday Wild: 7
Evening: 4-7-4
Evening Wild: 3
Check Pick 3 payouts and previous drawings here.
Winning Pick 4 numbers from May 7 drawing
Midday: 7-0-4-4
Midday Wild: 3
Evening: 4-3-4-7
Evening Wild: 4
Check Pick 4 payouts and previous drawings here.
Winning Cash Pop numbers from May 7 drawing
Early Bird: 14
Morning: 13
Matinee: 01
Prime Time: 03
Night Owl: 11
Check Cash Pop payouts and previous drawings here.
Winning Show Me Cash numbers from May 7 drawing
01-08-24-28-34
Check Show Me Cash payouts and previous drawings here.
Feeling lucky? Explore the latest lottery news & results
Are you a winner? Here’s how to claim your lottery prize
All Missouri Lottery retailers can redeem prizes up to $600. For prizes over $600, winners have the option to submit their claim by mail or in person at one of Missouri Lottery’s regional offices, by appointment only.
To claim by mail, complete a Missouri Lottery winner claim form, sign your winning ticket, and include a copy of your government-issued photo ID along with a completed IRS Form W-9. Ensure your name, address, telephone number and signature are on the back of your ticket. Claims should be mailed to:
Ticket Redemption
Missouri Lottery
P.O. Box 7777
Jefferson City, MO 65102-7777
For in-person claims, visit the Missouri Lottery Headquarters in Jefferson City or one of the regional offices in Kansas City, Springfield or St. Louis. Be sure to call ahead to verify hours and check if an appointment is required.
For additional instructions or to download the claim form, visit the Missouri Lottery prize claim page.
When are the Missouri Lottery drawings held?
- Powerball: 9:59 p.m. Monday, Wednesday and Saturday.
- Mega Millions: 10 p.m. Tuesday and Friday.
- Pick 3: 12:45 p.m. (Midday) and 8:59 p.m. (Evening) daily.
- Pick 4: 12:45 p.m. (Midday) and 8:59 p.m. (Evening) daily.
- Cash4Life: 8 p.m. daily.
- Cash Pop: 8 a.m. (Early Bird), 11 a.m. (Late Morning), 3 p.m. (Matinee), 7 p.m. (Prime Time) and 11 p.m. (Night Owl) daily.
- Show Me Cash: 8:59 p.m. daily.
- Lotto: 8:59 p.m. Wednesday and Saturday.
- Powerball Double Play: 9:59 p.m. Monday, Wednesday and Saturday.
This results page was generated automatically using information from TinBu and a template written and reviewed by a Missouri editor. You can send feedback using this form.
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