Minneapolis, MN
U.K. rocker Frank Turner returns to Minneapolis after working a shift at Electric Fetus
Leading into this month’s release of his new album, “Undefeated,” Frank Turner did what he’s always done: worked his British tail off.
The anthemic punk strummer pulled off another in a series of daredevil-ish gig marathons in early May, like the time he performed in all 50 of the United States in 50 days. This time, he did 15 different U.K. cities in 24 hours, setting a Guinness World Record.
“Nightmarish and fun,” quipped Turner, who performs in Minneapolis again Saturday at the Uptown Theater — one show only.
“The 24 hours part was fun. The 36 hours afterward was tough. I got home and just sort of sat there dazed with no idea what was going on.”
The 42-year-old rocker — whose latest single is titled “Girl From the Record Shop” — also went to work supporting independent record shops last month by flying all the way to Middle America to man a shift at Minneapolis’ own Electric Fetus. He really came to work, too, according to staff there.
“He was up for whatever we threw at him,” raved the Fetus’ marketing manager Dawn Novak, who said Turner stayed 8 a.m. to 3 p.m. wrapping records, filling endcaps, signing LPs and posters and treating shoppers to an unannounced busker set.
“We’d hire him back in a minute.”
Talking via Zoom last week on the day his U.S. tour behind “Undefeated” kicked off in Harrisburg, Pa., Turner said he went to such great lengths (literally!) for reasons both altruistically punk and shrewdly commercial. Few musicians have balanced the DIY/indie spirit with the corporate world as effectively as Turner has in recent years.
“Yes, these were stunts to promote my record,” Turner bluntly conceded.
“At the same time, I made a point of investing a lot of time and diverting about half of my record budget to supporting independent venues and running it through independent record companies. So I also see that as a valuable use of my time and resources.”
Turner and his band, the Sleeping Souls — who are out with him again this tour — recorded “Undefeated” coming out of the pandemic lull and following a period of both personal and professional contentment for the singer.
On the personal front, he got married, a big event he said should impact his music in at least one discernible way.
“That part of my life is settled and done and I’m very happy, and that gives me a certain strength and a creative freedom in that I don’t need to write any more [expletive] breakup songs,” he said, citing his fan-loved 2013 album “Tape Deck Heart.”
“I have some fans who want me to write nothing but breakup songs because of that album. While I appreciate that, it really is just one topic. I’m ready to tackle more topics.”
On the career front, his 2022 album “FTHC” — the title stood for “Frank Turner Hard Core” — became his first record to top the U.K. charts.
“It just was nice to have the pressure taken off, because I’d had several No. 2′s and it was like, ‘This is getting annoying now,’” he recalled with a smirk.
On the other hand, he admitted, “The second I got the phone call from my manager saying we’d gotten No. 1, I immediately heard my 15-year-old self in my brain saying, ‘You [expletive] sellout.’ When I was a kid, my self-definition was I didn’t know or care who was on the charts.”
“Undefeated” wrestles with conversations like that with his younger self, pondering how far he’s gone in his career. In the U2-ish “Ceasefire,” for instance, Turner sings: “I know I’m not everything that you had hoped and imagined that I would be / But I did my best / And I have seen things that you don’t even know that you’ve never seen.”
Other songs, including the opener “Do One” and humorously titled “Never Mind the Back Problems,” reflect on Turner’s punk-rock roots and whether he’s stayed true to them. “Maybe punk’s a promise that was never fully kept,” Turner sings in the latter track. “Johnny Rotten’s been selling butter on telly while England slept.”
Recounting a recent conversation with his British folk-punk mentor Billy Bragg, Turner said, “Punk has changed but it hasn’t died.
“One of the differences we came up with between his experiences with punk and mine is that in the ’70s punk really did have the ambitions of being important and changing youth culture per se, an ambition to affect the world. My experience is that it was consciously outsider/underground art. It didn’t expect or desire any regard from the mainstream. That’s not to say there wasn’t any ambition, but we were content to be not for everybody.’”
The title of “Undefeated” and song of the same name, Turner noted, is a nod to the fact that he’s achieved long-term success in his music career while mostly doing things his way.
“I like that the word doesn’t necessarily imply you’re the world champion and have knocked everybody over,” he explained. “It just means you haven’t been knocked over and are still in the game.
“That’s how I feel as an artist. I’m not the biggest artist in the world, but I’m still going.”
Here’s more of what Turner had to say in last week’s interview:
On the Electric Fetus, where he has also performed over the years: “It’s a great store, and a good example of what a record store can be in the 2020s: It’s really a community hub, a bit of a guiding force and, of course, just a great place to buy records.”
On his many other Minnesota gigs and connections: “One of my favorite ones we ever did was the Lowertown Music Fest in St. Paul in 2010. That was the first time I encountered Koo Koo. They were playing right before me. As they walked on stage, I thought, ‘I’m gonna [expletive] hate this band.’ But by the end of the set I was texting my booking agent saying, ‘We need to take this band on tour.’
“And then I have fond memories of playing the Triple Rock. I was fortunate enough to catch some of that era and make friends with Erik and the D4 guys [club owner Erik Funk and his band Dillinger Four]. I’m slightly afraid to contact those guys when I’m in town and have stuff to do because chaos follows.”
On whether punk is alive and well: “I’m fiercely optimistic about punk rock at this point. Last summer, I did a lot of punk festivals in Europe, and it was immediately apparent to me there’s this new generation of punk bands that have little or nothing to do with my generation. Bands like Mannequin Pussy, Lambrini Girls, Gen & the Degenerates, the Meffs, the OBGMs. My favorite is NOBRO from Canada, absolutely brilliant. They’re everything I want a punk band to be: angry, funny, tight, energetic, effusive. And maybe best of all, it felt like their music wasn’t at all aimed for me.”
Frank Turner & the Sleeping Souls
When: 6:30 p.m. Sat.
With: Amigo the Devil, Micah Schnabel.
Where: Uptown Theater, 2900 Hennepin Av. S., Mpls.
Tickets: $50-$82, all ages, ticketmaster.com.
Minneapolis, MN
‘Threads of Us’ explores how Minnesota immigrants hold onto home
What does it look like to carry your culture with you? When Minneapolis architect and photographer Patricia Mutebi posted a casting call on TikTok in December, she was looking for a way to map how immigrants and diaspora communities in Minnesota keep their heritage close.
She initially planned to photograph Twin Cities residents in their homes, but Operation Metro Surge, the federal immigration enforcement crackdown in Minnesota, forced her to reconsider the safety of her subjects.
“I didn’t think that people would feel comfortable letting a stranger into their home, trying to take pictures of them,” Mutebi said. “From January all through April, I photographed those who were comfortable coming into the downtown [Minneapolis] area.”
The result is “Threads of Us,” a portrait exhibit featuring 20 Hmong, Thai, Indian, African, Pakistani and Indigenous people who have built a life in the Twin Cities.
After seeing the exhibit, spend the rest of the weekend at the annual Taste of Minnesota, revisit soul music of the 1990s at the Dakota or watch Saturday’s World Cup matches at a street fair in Minneapolis.
Finding home in Minnesota
In “Threads of Us,” Mutebi asked each person she photographed the same question: What does home look like after you’ve left it behind?
“Each person I photographed taught me something new about perseverance and resilience,” Mutebi said. “They’ve come into a new place that doesn’t necessarily welcome them openly, but they’re choosing to show up as their authentic self regardless. Nothing could honestly beat that.”
Mutebi understands the feeling. She was born in Uganda, studied architecture in Kenya, and moved to Minnesota in 2019.
“I have friends here who have families that know how to cook Kenyan food, and whenever I go visit them, there’s a smell that just hits me, and I’m taken back to a time when I was an undergrad,” she said. “In the first house that I bought, I have this gallery wall that shows the journey I’ve traveled. It has art from Kenya, from Uganda, and pictures of friends and family. That’s the most treasured thing I have.”
She also draws inspiration from architects like Burkinabé-German designer Diébédo Francis Kéré, whose work centers on Indigenous materials and community-led design across Africa.
He “didn’t try to bring the Western world with him,” Mutebi said. “He was designing for the culture — where it sat, and using the materials they have to help people understand that we have these resources already.”
For “Threads of Us,” participants arrived in traditional clothing — from Hmong vests and Ethiopian habesha dresses to Ghanaian kente cloth and Pakistani shalwar kameez. They brought meaningful objects, including wedding garments, family heirlooms, Oromo beadwork, Somali incense burners and Ethiopian coffee ceremony sets. Each item served as a tangible bridge to their families and homelands.
“I found people who have photographed cultures in the most beautiful way and have captured joy without trying to modernize the culture,” Mutebi said. “I want to photograph people where they’re at and how they move through life without trying to change them one way or another.”
Threads of Us, now on view at The Residency by Modern Day Me in Minneapolis, is Mutebi’s first exhibit — but she’s already thinking about what comes next. She was recently selected for the cohort of the Little Africa residency program, where she will partner with local African-descent business owners to tell their stories through photography.
“Unless you’re Indigenous, you came from somewhere,” Mutebi said. “I want people to take the time to think about what it means to them and how they can show up in the places they are now.”
Date: Friday, July 3 through Friday, July 17.
Time: 10 a.m. to 5 p.m. Monday through Friday
Location: The Residency by Modern Day Me, 401 N. 1st Ave., Minneapolis
Cost: Free
For more information: Visit patriciamutebi.studio/portfolio/threadsofus

Taste of Minnesota
Spend your Fourth of July weekend at the Taste of Minnesota, where 18 local musicians and more than 100 food vendors will take over downtown Minneapolis for the annual two-day festival.
The main stage will feature grunge-pop band Gully Boys, hip-hop artist Nur-D, singer-songwriter Dessa, and DJ Sophia Eris. The North Star Stage will spotlight emerging acts, including Frankie Torres, Adam David Bohanan, and Solana and the Sunsets.
Date: Friday, July 3 and Saturday, July 4
Time: 4 to 10 p.m. on Friday. Noon to 10 p.m. on Saturday
Location: At the intersection of Nicollet Mall and Washington Avenue
Cost: Free. RSVP here.
For more information: Visit tasteofmn.com
A night of ’90s soul
If music from the 1995 film “Waiting to Exhale” still has a place on your playlist, head to the Dakota this Friday for the Ladies of Soul tribute show.
Local singers Solorah, Ashley Commodore and Monique Blakey will perform the soundtrack from start to finish, revisiting songs by Whitney Houston, Toni Braxton, Mary J. Blige, Brandy and Aretha Franklin.

World Cup watch party
Catch the knockout rounds between Canada and Morocco and Paraguay and France at the World Cup Street Fair in Minneapolis this Saturday.
Utepils Brewing will show both games on large indoor and outdoor screens, while the street fair will feature food trucks, art vendors, mini soccer games and DJ sets between kickoffs.
Minneapolis, MN
Local historian tells Minnesota’s patriotism through soldier letters
As we approach America’s 250th birthday, patriotism is running high. Minnesota has a long history with a deep sense of patriotism. In the 1860s as the county was divided over slavery, young Minnesota men stepped up and volunteered to defend and fight for the principles the United States was established on. Local author and historian Hampton Smith tells the stories of patriotism through letters written by soldiers. FOX 9’s Randy Meier has more.
Minneapolis, MN
MN Street Style: Minneapolis People’s Pride 2026 – Racket
This month’s column comes to you from the People’s Pride event at Powderhorn Park, where the temperature wasn’t the only thing that was hot. I spoke with five Pridegoers about personal style evolution, where they find inspiration, and what the Twin Cities is doing right about fashion.
Ana Evenson
How would you describe your personal style?
Thrifty and funky.
Where do you find style inspiration?
Pinterest, TikTok, friends, random people.
Where do you like to shop?
The Goodwill bins, Depop—I’m on Depop a lot—and garage sales.
What are the Twin Cities doing right in the style scene?
The creativity and people who think outside of the box. I will see stuff I haven’t seen on social media anywhere, so I think it’s really cool that people come up with their own stuff.
Has your style changed over the years? How?
Yes! I used to live in rural Wisconsin, where I was one of the only queer women there. I think that [lately] I have been more open about expressing my sexuality and gender and experimenting not only dressing hyper-feminine but masculine in some ways, too. I think that’s how it’s changed.
What’s your go-to outfit when you feel like you have nothing to wear?
I think my comfort outfits are the ones I share with my partner. We have collective baggy sweaters that we both use, so I think those.
How do you dress up an outfit?
I love pins, so popping some pins on. I’ve been really into ties so I’ll wear a tie over a T-shirt. Also accessories, like rings, necklaces, putting things in my hair and stuff like that.
Tell me about your outfit today.
My partner and I have a collection of bandanas. We have pretty much every color in the rainbow, so I like to color coordinate a lot for monochrome moments. The shirt is from Etsy. The [shorts] are from Depop. I just got them because they’re kind of in style and thought they were cute. Rings are mostly thrifted, like this amethyst one which is my birthstone. I got one from a local queer market too. Glasses are from EyeBuyDirect; they have a lot of really great frames there. Socks are from my parents. And the shoes are also from Depop, I think. They have little butterflies on them which I thought was really cute.
What style trends do you really like or dislike right now?
I feel like I will hate certain things but then I will see certain people wearing them and go, ‘Never mind, it’s just me that can’t work it.’
What advice do you have for dressing without fear?
I had anxiety picking my outfit out today. But you go to the place and there’s someone else that’s going to be dressing as cool as you or cooler than you. So it’s like, no one is going to remember what you wore the next day unless you want them to. I would just say to go for that. There have been outfits I’ve worn in the past that I would probably never wear today, but I’m glad I tried it because it made me more comfortable to wear something else in the future.
Gillian Mueller, James E-T, Aya Lee
How would you describe your personal style?
E-T: Recently it’s been fruity cowboy.
Lee: A somewhat hardcore eclectic but fun springtime girl.
Mueller: I would say kind of a softer eclectic, movement based.
Where do you find style inspiration?
Lee: Pinterest is always your friend. I think a lot of the time just going shopping and looking at everything helps. I shop a lot and I try on a lot of things, all the time. I love finding and figuring out outfits for specific events. That helps me curate a theme in my mind and figure out what is going to be the most dynamic for the environment, like what’s worth moving in but also what’s exciting and fun.
E-T: I love my phone; I’m on her all the time. Instagram and me are really tight and I see a lot of workwear, vintage clothes. If I have the energy I’ll go through a Goodwill and dig through it all. I like Japanese designers and designs, too, like Issey Miyake.
Mueller: I’m shopping constantly, but I think for me a lot of it is just internal. I like to just see how it would look on me. But I’m also always looking at every outfit around me like, ‘Oh, I haven’t thought about putting that together!’
What are the Twin Cities doing right in the style scene?
Lee: I think queer people like to have fun with their fashion here. I have loved finding ways to be naked and not be naked at the same time. In Minneapolis, where we are actively making the most of the summertime, a lot of our events have this heavy emphasis on showing out with a visual aspect of our outfits. And it’s hot as fuck, which we don’t experience a lot. So I think it’s fun to experiment with what it means to wear clothes that are interesting but also not wearing clothes at all.
Mueller: I love that there’s every single possible kind of person here so there’s so much going on all of the time. You can see every brand of outfit.
E-T: I feel like there’s so many different subcultures that thrive here that it’s hard to have a generalized through line between those and speak to Minneapolis’s style in a broader sense. But maybe one thing is there’s a lack of pretentiousness that lives here that is exciting. I would love to see more people wearing niche Japanese designers that I like. I love the punk scene here. In the Powderhorn area specifically, there’s a lot of people leaning into simplicity but also things that are worn, lived in, and have history to them.
Tell me about your outfit today.
E-T: Fruity cowboy is the vibe. A friend of mine works in a vintage shop and they have a lot of vintage polos and they cropped this one. I was really excited when I saw it and spent a little more than I would have liked on it. Then some Levi’s and boots.
Lee: Today I’m wearing my NikeSKIMS Rifts [shoes], some shorts I bought for a music festival last year–they’re very tiny–and this flowy piece that I’m pretty sure is a swimsuit coverup with a bikini top under it that I got from Turnstyle. I wanted to go for something that has some sort of edge to it but I’m also venturing out with colors for the summer. I usually wear black. I don’t usually do pink so I’m getting into making colors feel a little more edgy for me. When I wear things that aren’t dark, I feel out of place or not intimidating enough. So I substituted the dark colors for attaching chains to my top and having these drop down [lace straps] from my shorts and dark shoes. And the bag with some heavy hardware. I’m just trying to harden [the outfit] up a bit while still looking sweet.
Mueller: I feel like I’m on an opposite journey right now from a lot of color to adding more basics. I haven’t owned a pair of jean shorts in probably over five years, so we’re making a huge debut today. I will say it is too much fabric touching my skin, but I’m brave and I’m strong. I like basics, they’re fun. I’m not wearing all of my rings today but I think when the outfit is toned down it makes the jewelry pop more which is really fun.
Connor Myrick
How would you describe your personal style?
If I’m trying to choose an outfit or giving someone advice, I’ll be like, “What feels more playful or fun?” Sometimes I’ll go for a classic look for an event. I like a vest; I think they’re funky.
Where do you find style inspiration?
Pinterest is always a great one. People-watching at an event like this is a perfect [way to find inspiration]. You see art or you see something cool and it’s like, “I’m going to steal that.” I’ll tell all my friends that I saw someone else wearing that at a festival, but now this is my idea because I made my own piece.
Where do you like to shop?
I don’t shop as much anymore but clothing swaps, thrift sales, and community events are great. I generally have enough clothes that I can do something else with [a piece of clothing] so I have definitely reduced how much I shop.
What’s your go-to outfit when you feel like you have nothing to wear?
In the winter I’ll do a crewneck and a good pair of jeans. Having two pairs of jeans that you can rotate through never hurts. In summer it’s tank tops. Summer is hot, so it’s sun’s out guns out. I think in the winter it’s so focused on layering and nailing that so, in summer, it’s nice to counterbalance that and wear what I couldn’t wear in winter.
What are the Twin Cities doing right in the style scene?
Honestly, I think it’s pretty good. I see a lot of people with clothes that they have made their own, either ripping or embellishing in some ways. I think that is the most, or best, glimpse of someone’s personal style that we could ever see.
Tell me about your outfit today.
The Chaco [sandals] I got when I was a guide so I got them for free. These have been with me for a while; they’re great outdoors shoes. My shorts are from South Carolina years and years ago but they’ve traveled with me everywhere. They’re my go-to and my semi-cargo short. The vest is actually thrifted at a vintage shop in London on Notting Hill. It was in the back of this tall closet. I didn’t need new clothes, but when in Europe!
What advice do you have for someone who wants to dress true to their style but is hesitant?
Wear it around the house when you’re alone. That’s how I started wearing crop tops and tank tops in general. They started as my workout clothes, then my around the house clothes, which helped because I try to dress very comfortably.
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