Minneapolis, MN
Ramstad: It’s not easy building affordable apartments in the Twin Cities. These developers got it done.
Willy Boulay and Mike Hudson have a grand vision for building affordable apartments for people with below-median incomes that are as nice as market-rate properties.
Their first buildings, one in Minneapolis that opened in May and another about to open in St. Paul, live up to their plans. Both have fitness centers, balconies on most units, roof decks, solar arrays, EV chargers, community rooms, even indoor playgrounds they tested themselves.
“The slide will support guys over 30,” Boulay said as he and Hudson took me through Canvas, their 161-unit project in northeast Minneapolis. It gets its name from all the original paintings purchased from neighborhood artists to fill halls and other common areas.
The seven-story building cost $71 million and is open to renters of all ages who make 60% of average market income, a level sometimes known as workforce housing. Hennepin County and the city of Minneapolis provided subsidies in the form of tax-exempt bonds and tax credits that will discount rents for 40 years. It’s a typical form of financing for affordable housing to help cover the difference between it and market-rate homes.
As of last week, Canvas had just two vacancies. Well, plus one big one on the ground floor.
To get the project approved, their firm, Broadway Street Development, had to comply with the desires of City Council members for buildings in a so-called “production” district, designated to create employment-focused developments.
As a result, the ground floor was built with 18-foot ceilings and about half of it, around 23,000 square feet, was set aside for commercial use. Perhaps a microbrewery with a taproom will lease it, or a commercial production studio, or a small industrial business that isn’t too disruptive to the hundreds of residents above.
Boulay and Hudson are confident they will get the space filled. They noted, however, that projects coming after them haven’t required as much space set aside. Which leads me to remind readers that, when my now-retired colleague Neal St. Anthony wrote about Canvas as construction was getting underway two years ago, he focused on the years of work Boulay, Hudson and partner Sterling Black of LS Black Constructors had already put in to get it financed.
Minneapolis, MN
Family of Minneapolis brothers killed by cousin says their deaths were preventable:
A Minneapolis family is struggling to make sense of a tragedy that has left them heartbroken.
Family tells WCCO 14-year-old Xavier Barnett and 23-year-old Akwame Stewart were killed Monday.
The brothers were very different, but equally loved. Barnett was a good student and athlete. Stewart was a painter, creative and thoughtful. Two brothers, loved and full of promise, gone.
Police say the accused shooter is their cousin, 23-year-old Eddie Duncan.
Court records show Duncan was released on bail Monday on charges of fleeing law enforcement and possession of a gun modified with an “auto sear switch.”
Court records also show Duncan was ordered to undergo a psychological evaluation, but not until next month, on March 24.
Deasia Freeman, Barnett and Stewart’s sister, says this loss could have been prevented.
“They all failed us. We got two innocent lives gone for no reason. Didn’t do nothing to nobody,” Freeman said.
Family members say the system and Duncan’s family let them down.
Freeman says Duncan’s family saw the warning signs and still bailed him out
“If you knew this man was thinking like this, y’all should have kept him in there and he should not even have bail,” she said.
The Hennepin County Attorney’s Office says they noted Duncan was a public safety risk and asked for a high bail, much higher than a typical request.
“In Minnesota, there is a constitutional right to bail, and the bail amount is set by the Court. Our office noted a public safety risk with Mr. Duncan and asked the judge to set bail at $70,000, or $35,000 with conditions; both of which are higher than we would typically request in this scenario. The judge set bail in that amount. Mr. Duncan posted $35,000 bail with conditions of release, as is allowed under the Minnesota Constitution, and was released from custody. Our thoughts are with all those impacted by yesterday’s violence. This was a terrible tragedy for this family and our community,” a spokesperson for the Hennepin County Attorney’s Office said.
For Freeman and her family, the hardest part isn’t just the legal process but living each day without their brothers.
Even in the heartbreak, she says the memories of the good days, the laughter and love they shared will carry them through.
“I wish I could get just one more phone call from them asking me where I’m at,” Freeman said as tears rolled down her face.
Court records confirm Duncan left the scene of the crime and fled to nearby Brooklyn Center. There, a search warrant says Duncan “fired a gun at officers, striking two squads,” when police arrived. That’s when officers returned fire, shooting and killing him.
Three officers have been placed on critical incident leave as the Minnesota Bureau of Criminal Apprehension leads the investigation into Duncan’s fatal shooting.
Minneapolis, MN
First-of-Its-Kind Photography Festival Comes to Minneapolis | Minnesota Monthly
MODE by Flickr
The Twin Cities has long been a hotbed of creative inspiration and artistic storytelling—from world-class cultural institutions to large-scale art and film festivals that propel emerging makers and creators into the spotlight. But, for the first time, local photographers are primed to receive a multi-day that is uniquely their own—geared toward all things visual, digital, and candid.
Today, global photo-sharing platform Flickr announced the launch of MODE by Flickr, a three-day photography festival set to take place Sept. 18-20—right in the heart of Minneapolis. A first-of-its-kind event, the inaugural lineup will gather some of the biggest names inartvisual media, from Emmy-nominated director and National Geographic photographer Keith Ladzinski to renowned culinary photographer Penny De Los Santos, as well as sponsorship support from global media companies including Fujifilm, HOVERAir, and more.
Whether attendees are coming to network, learn, or simply, admire, MODE will feature a variety of welcoming spaces designed to foster a dynamic exchange of creative energy. Expect immersive workshops led by industry legends, hands-on demonstrations, mind-expanding exhibitions, and special programming designed by Black Women Photographers’ Polly Irungu and Inside Out Project.
“MODE is photography in motion—alive, interactive, and deeply rooted in community,” said Ben MacAskill in a prepared statement, President and COO at SmugMug and Flickr. “For more than 20 years, Flickr has brought the world’s photographers together online. Now, we’re bringing that spirit away from devices and connecting in the real world with a festival built for creativity and the future of photography and visual arts.”
Designed around seven thematic pillars, MODE aims to bring the full spectrum of photography to life—uniting world-shifting storytelling, emerging tools, business insights, motion-driven media, cultural diversity, analog processes, and environmental responsibility. These seven pillars will float through each diverse experience, from live portrait shoots, tech demos, and editing workshops to photojournalism panels, film screenings, and instant-film activations.
Flickr’s choice of Minneapolis as its launchpad feels telling of an overarching alignment of values—the city a mirror for MODE’s core mission of celebrating creativity and community while prioritizing diversity, inclusion, and accessibility. To support this mission, the festival will be equipped with accessible venues, thoughtful sustainability measures, diverse programming, and a careful artist selection process that prioritizes representation and artistic vision.
Tickets are available now, starting at $300 for Flickr Pro members, and between $330 and $660 for general admission and VIP passes. For more information on ticketing, and updated programming announcements, visit modefestival.com.
Minneapolis, MN
LETTER: Minnesota and Minneapolis created the ICE mess
In response to Tom McDonough’s recent letter regarding ICE in Minneapolis and the impending doom that could be coming our way from operation “Metro Surge,” I offer a different perspective.
I was born, raised and lived in the great state of Minnesota for many years. Fortunately, I was raised outside of the metropolitan area in a very conservative, rural setting. It was far away from the Twin Cities cesspool that exists amongst the Land of 10,000 Lakes.
I travel home to see family and friends often. Prior to 2020, flying into Minneapolis and taking light rail was comfortable, easy, safe and convenient. However, after COVID, the George Floyd riots and now the Metro Surge fiasco, I will no longer feel safe in Minneapolis. I pretty much despise travelling to my home state any longer.
The state of Minnesota and the city of Minneapolis created this mess, and they now are trying to blame the U.S. government for it all. Venture outside of the Twin Cities area and you will find that most of the rural folks see it for what it is and are waiting for accountability and change. They don’t believe the hype, finger-pointing and misinformation from afar. Nor do I.
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