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Bruce Springsteen, Tom Morello Rock Against ICE: On the Scene in Minneapolis

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Bruce Springsteen, Tom Morello Rock Against ICE: On the Scene in Minneapolis


Before a musician played a single note at First Avenue, the iconic venue in the heart of Minneapolis, seemingly every voice in the room on Friday afternoon was chanting the words “fuck ICE.” This was a Tom Morello concert, but even more than music, everyone was unified under the show’s banner: “a concert of solidarity & resistance to defend Minnesota.” This was a prelude to a larger protest just blocks away and a benefit for the families of Renee Good and Alex Pretti. Everyone was already plenty fired up, so naturally, they came unglued when Morello revealed that his surprise guest was none other than Bruce Springsteen.

Two days after the release of his protest song “Streets of Minneapolis,” which very specifically references the killings of Good and Pretti by federal immigration agents under the Trump administration, Springsteen stood alone in the venue that Prince made famous. When the screaming fans finally got quiet, he discussed the song’s rapid creation and release before playing it for the first time in public. 

“So I write this song, and I recorded it the next day, and I sent it to Tom Morello,” he said. “Now I know Tom is an excitable man. I say, ‘Tom, what do you think? It’s kind of soapbox-y.’ And he says, ‘Bruce, nuance is wonderful, but sometimes, you have to kick them in the teeth.” He dedicated his performance to ”the people of Minneapolis, the people of Minnesota, and the people of our good country of the United States of America.” 

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Springsteen’s solo acoustic performance of the song was understated compared to the production heard on the studio version, but back-up singers or a full band would’ve gotten in the way of the essential truth of the moment. Arguably the biggest rock star on the face of the planet made a surprise appearance in an occupied and embattled city, and here he was singing the names of their murdered neighbors — about the blood on the ice-covered pavement. Amid a vacuum in leadership at the highest level, here was the Boss pointing a finger directly at the responsible parties. This was certainly solidarity, and when he sang the words “Alex Pretti and Renee Good,” the crowd cheered emphatically. As the song wound down, cheers gave way to a chant spurred on by Springsteen himself: “ICE out now!”

It was an unbelievably generous moment that certainly defined the afternoon, but Morello and his band returned to the stage to rev up the power once again after that. Springsteen and his sometime bandmate traded verses and massive guitar solos on 1995’s “The Ghost of Tom Joad,” a song the pair have performed together numerous times. Morello lifted and inverted his guitar mid-solo to reveal the words “arrest the president” while Bruce beamed and laughed next to him. Every single person in the room seemed to be on the same page. 

All the musicians who’d graced the stage earlier returned for a closer of John Lennon’s “Power to the People,” but not before Morello proclaimed that we’d all experienced the greatest brunch-hour concert in history. Springsteen, Morello, and the rest stood smiling onstage as the house speakers blasted “Let’s Go Crazy.” 

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Jesse Roberson for Rolling Stone

It was an afternoon hinged entirely on the topics of protest and resistance. Morello’s own set featured union anthems and Woody Guthrie classics, and more importantly, fiery rhetoric. “Brothers and sisters, thank you for welcoming us to the battle of Minneapolis,” he opened. “Minneapolis is an inspiration to the entire nation. You have heroically stood up against ICE, stood up against Trump, stood up against this terrible rising tide of state terror. You have stood up for your neighbors and for yourselves and for democracy and for justice. Ain’t nobody comin’ to save us except us, and brothers and sisters, you are showing the way.” 

With a mention of the capital-R Revolution who made the room famous, Morello turned the mic stand around and urged the crowd to scream along to “Killing in the Name.” Prior to the special guest reveal at the end, this was the most ecstatic moment — a room of people screaming “fuck you, I won’t do what you tell me.” With all respect to the group performance of “This Land Is Your Land,” Al Di Meola’s solo acoustic shredding, and Rise Against’s cover of Neil Young’s “Rockin’ in the Free World,” Morello’s greatest gift to this crowd was an outlet for their deeply understandable rage. 

“I heard the Trump administration has claimed that outside agitators have come to Minneapolis to stir up trouble,” Morello said between songs, eliciting boos from the audience. “I would like to confirm that we are those outside agitators, and we’re gonna stir up a shit-ton of trouble.” The show wrapped up just after 2 p.m., and later, Morello walked out into the streets to join the protest. Well before any of the musicians grabbed their coats and made it out of the building, though, one audience member called out to the crowd that was freezing outside First Avenue to follow him and protest. A horde of people followed that dude’s lead — concrete evidence that the tenets of resistance didn’t fall on deaf ears.

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Tom Morello set list:

“Killing in the Name”
“Soldier in the Army of Love”
“Hold the Line”
“One Man Revolution”
“Keep Going”
Instrumental medley
“Like a Stone”
“This Land is Your Land” (with Rise Against, Al Di Meola, and Ike Reilly)

Bruce Springsteen set list:

“Streets of Minneapolis””The Ghost of Tom Joad” (with Tom Morello)
“Power to the People” (with Tom Morello, Rise Against, Al Di Meola, and Ike Reilly)



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Minneapolis, MN

Fan behind Anthony Edwards’ orange bracelet has beaten cancer

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Fan behind Anthony Edwards’ orange bracelet has beaten cancer


The story behind Anthony Edwards wearing a bright orange bracelet since last season has received a positive development, after Timberwolves fans learned Luca Wright has beaten leukemia.

Anthony Edwards, Luca Wright connection

What we know:

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Last January, the 6-year-old Minnesotan met “Ant” for the first time following a game against the Detroit Pistons, proclaiming him to be his favorite player, and asking him to wear a bracelet that symbolizes leukemia awareness, resilience and support for those affected. During the interaction, the fan had created a sign with a to-do list: “1. Beat Cancer. 2. Be The Next MJ.”

Leukemia is a type of cancer that spreads throughout the bloodstream, infecting bone marrow and a person’s lymphatic system by rapid production of abnormal white blood cells that can’t fight infection.

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Since then, the Wolves’ MVP has worn a bracelet that proclaims, “Love Like Luca” on it for every game he has played, vowing to wear it “until he hangs up his sneakers.”

Ant has gone on to explain how the gesture connected with him given that he lost both his mother, Yvette, and grandmother, Shirley, to cancer when he was 14 years old. The No. 5 jersey he wears currently is a tribute to them both.

Luca bracelet latest

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Dig deeper:

More than a year later, Wolves fans have received the update they hoped for – now 7-year-old Luca has beaten his cancer.

What’s next:

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Ant has since responded to the news with his own social media video, calling it “God’s gift” and saying, “Let’s do this Luca.”

No word yet on whether he intends to keep wearing the bracelet, though he’s previously said he has a stash of replacements near the team bench should one ever be broken.

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The Source: Information provided by the Minnesota Timberwolves public relations department.

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Family of Minneapolis brothers killed by cousin says their deaths were preventable:

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Family of Minneapolis brothers killed by cousin says their deaths were preventable:


A Minneapolis family is struggling to make sense of a tragedy that has left them heartbroken. 

Family tells WCCO 14-year-old Xavier Barnett and 23-year-old Akwame Stewart were killed Monday.

The brothers were very different, but equally loved. Barnett was a good student and athlete. Stewart was a painter, creative and thoughtful. Two brothers, loved and full of promise, gone. 

Police say the accused shooter is their cousin, 23-year-old Eddie Duncan.

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Court records show Duncan was released on bail Monday on charges of fleeing law enforcement and possession of a gun modified with an “auto sear switch.”

Court records also show Duncan was ordered to undergo a psychological evaluation, but not until next month, on March 24.

Deasia Freeman, Barnett and Stewart’s sister, says this loss could have been prevented. 

“They all failed us. We got two innocent lives gone for no reason. Didn’t do nothing to nobody,” Freeman said.

Family members say the system and Duncan’s family let them down.

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Freeman says Duncan’s family saw the warning signs and still bailed him out

“If you knew this man was thinking like this, y’all should have kept him in there and he should not even have bail,” she said. 

The Hennepin County Attorney’s Office says they noted Duncan was a public safety risk and asked for a high bail, much higher than a typical request. 

“In Minnesota, there is a constitutional right to bail, and the bail amount is set by the Court. Our office noted a public safety risk with Mr. Duncan and asked the judge to set bail at $70,000, or $35,000 with conditions; both of which are higher than we would typically request in this scenario. The judge set bail in that amount. Mr. Duncan posted $35,000 bail with conditions of release, as is allowed under the Minnesota Constitution, and was released from custody. Our thoughts are with all those impacted by yesterday’s violence. This was a terrible tragedy for this family and our community,” a spokesperson for the Hennepin County Attorney’s Office said.

For Freeman and her family, the hardest part isn’t just the legal process but living each day without their brothers. 

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Even in the heartbreak, she says the memories of the good days, the laughter and love they shared will carry them through.

“I wish I could get just one more phone call from them asking me where I’m at,” Freeman said as tears rolled down her face. 

Court records confirm Duncan left the scene of the crime and fled to nearby Brooklyn Center. There, a search warrant says Duncan “fired a gun at officers, striking two squads,” when police arrived. That’s when officers returned fire, shooting and killing him.

Three officers have been placed on critical incident leave as the Minnesota Bureau of Criminal Apprehension leads the investigation into Duncan’s fatal shooting.

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First-of-Its-Kind Photography Festival Comes to Minneapolis | Minnesota Monthly

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First-of-Its-Kind Photography Festival Comes to Minneapolis | Minnesota Monthly


MODE by Flickr

The Twin Cities has long been a hotbed of creative inspiration and artistic storytelling—from world-class cultural institutions to large-scale art and film festivals that propel emerging makers and creators into the spotlight. But, for the first time, local photographers are primed to receive a multi-day that is uniquely their own—geared toward all things visual, digital, and candid.  

Today, global photo-sharing platform Flickr announced the launch of MODE by Flickr, a three-day photography festival set to take place Sept. 18-20—right in the heart of Minneapolis. A first-of-its-kind event, the inaugural lineup will gather some of the biggest names inartvisual media, from Emmy-nominated director and National Geographic photographer Keith Ladzinski to renowned culinary photographer Penny De Los Santos, as well as sponsorship support from global media companies including Fujifilm, HOVERAir, and more.  

Whether attendees are coming to network, learn, or simply, admire, MODE will feature a variety of welcoming spaces designed to foster a dynamic exchange of creative energy. Expect immersive workshops led by industry legends, hands-on demonstrations, mind-expanding exhibitions, and special programming designed by Black Women Photographers’ Polly Irungu and Inside Out Project.  

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“MODE is photography in motion—alive, interactive, and deeply rooted in community,” said Ben MacAskill in a prepared statement, President and COO at SmugMug and Flickr. “For more than 20 years, Flickr has brought the world’s photographers together online. Now, we’re bringing that spirit away from devices and connecting in the real world with a festival built for creativity and the future of photography and visual arts.”  

Designed around seven thematic pillars, MODE aims to bring the full spectrum of photography to life—uniting world-shifting storytelling, emerging tools, business insights, motion-driven media, cultural diversity, analog processes, and environmental responsibility. These seven pillars will float through each diverse experience, from live portrait shoots, tech demos, and editing workshops to photojournalism panels, film screenings, and instant-film activations. 

Flickr’s choice of Minneapolis as its launchpad feels telling of an overarching alignment of values—the city a mirror for MODE’s core mission of celebrating creativity and community while prioritizing diversity, inclusion, and accessibility. To support this mission, the festival will be equipped with accessible venues, thoughtful sustainability measures, diverse programming, and a careful artist selection process that prioritizes representation and artistic vision.  

Tickets are available now, starting at $300 for Flickr Pro members, and between $330 and $660 for general admission and VIP passes. For more information on ticketing, and updated programming announcements, visit modefestival.com. 





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