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‘God has a sense of humor:’ Allison Melangton’s first grandbaby’s due on Indy 500 race day

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‘God has a sense of humor:’ Allison Melangton’s first grandbaby’s due on Indy 500 race day


INDIANAPOLIS — Allison Melangton knew immediately something was awry. There she was standing in the kitchen learning she’d be a grandmother for the first time, staring at her only son Cameron and his wife Taylor as they revealed the joyful news.

But something didn’t seem so joyful. Taylor was saying the words, “We’re pregnant,” but she and Cameron weren’t effusive or giddy. They seemed cautious.

“Is everything OK with the baby?” Melangton asked. “What? What is going on?”

Taylor finally spit it out. “We’re due on race day.”

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Race day. As in May 26, 2024, the day of the Indianapolis 500. To any other family, even diehard race fans, a first grandbaby due on that date could be taken in stride.

But for Melangton, senior vice president of Penske Entertainment, which owns IndyCar and the Indianapolis Motor Speedway, race day is the only square on the calendar circled in bold red. The only day she cannot be anywhere other than IMS.

“Well, God has a sense of humor,” Melangton said. “Really any other day than race day, which is 364 days of the year, any other day works. It’s the one day. That one day.”

And so today, 100 days out from the greatest spectacle in racing, Melangton is hoping her first grandbaby does what most babies do and does not arrive on its due date. But if it does? Well, Melangton has been thinking about that a lot.

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“I need to be here race day for sure to get everything going,” she said. “If it’s in the middle of the race, I can leave. If it’s right after the race, I’ll have to get a helicopter.” Traffic would be horrific.

The wheels are spinning inside Melangton’s head as she stood overlooking the track inside the pagoda last week, considering the drive from West 16th Street to Ascension St. Vincent hospital in Carmel.

“It’s going to work out,” Melangton finally says. “That’s how I feel about it. It’s going to work out.”

The rumor about no pants? It’s true

To understand just why her grandchild’s due date is such a big deal for Melangton, people have to understand how seriously she takes her job at Penske and any other job she has held — from being the president of Indiana Sports Corp. to president of Indy’s Super Bowl Host Committee to associate producer for gymnastics with NBC Sports to working at just about every major sporting event that has ever made its way to the city.

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Which brings us to the prime example of just how seriously Melangton takes her job. It was 1996 and the Olympic swimming trials were being held at the IUPUI Natatorium. Cameron was three years old and Melangton was senior vice president of Indiana Sports Corp.

“I was working more than full time. I’d been traveling a ton and those swimmers are nuts, right?” Melangton said. “They start warming up at 5 a.m. and they cool down after races until midnight.”

It was the ninth day of the 10-day event and Melangton said she had gotten three hours of sleep for nine nights straight. She left the natatorium, got home at 2 a.m., threw her shorts and event polo in the washer and went to bed ready for the final 10th day.

She woke up at the crack of dawn, less than three hours later, and threw her clothes into the dryer. She had two athletes she was picking up at a hotel to take to a television station for an interview at 5:45 a.m. Melangton took a shower, then started doing her hair and makeup.

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When she went to get her clothes out of the dryer, the waistband on her shorts was still wet, so she put on the polo, finished her hair and makeup, put on her shoes, put on her fanny pack and left the house.

Melangton drove all the way to the hotel downtown and walked inside the lobby of the Marriott. She didn’t notice any particular cool breeze. it was hot. It was July. And she had on cotton briefs.

“When I walked in, the bellman came walking very briskly over to me and said, ‘Ma’am, are you OK?’” Melangton said. “I thought to myself, ‘Yeah, I look bad. I’m a little tired, but I’m good.’ And he said, ‘Are you sure?’”

Melangton will never forget what happened next. That bellman’s eyes started at her forehead and slowly made their way down her body and stopped at her waist.

“And I followed his eyes and looked down,” she said, “and I was standing in the lobby in my underwear.”

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Melangton rushed out of the hotel and promptly drove home, calling on backup to get her athletes to the station.

“I travel with pants in my car now and I always tell her to have extra pants,” Melangton said, pointing to Taylor.

Race day and the days leading up to the Indy 500, after all, are one of Taylor’s busiest times of the year, too.

A sudden interest in the 500 Festival Princess program

Taylor is the events and communications manager at Visit Indy, a nonprofit that serves as the official sales and marketing arm for Indianapolis and the Indiana Convention Center. She spends race day and the days leading up to the event with clients.

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She hosts them, wines and dines them and showcases the city to them in hopes they will bring their event here, too.

It’s a dream job for Taylor, who grew up on the south side of Indy and went to Roncalli. She was an avid race fan long before she met the Melangtons because her mother, Kim Wong, is an even bigger race fan.

Wong spends all her PTO days at the track and from the time Taylor was tiny, she has been sitting with her mom inside the magical raceway of IMS.

One year, when she was just a little girl, Taylor went to the 500 Festival parade and saw the princesses. “I’m going to be a princess one day,” she said to Kim. While she was in college at Ball State that dream came true and who was assigned to be her program mentor? Melangton, of course.

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Before Taylor came into the picture, Cameron had shown zero interest in the 500 Festival Princess program. But suddenly, he was going to its events. He was going even when Melangton couldn’t be there.

One night, after Taylor stood up and gave her pitch on why she should be the queen, talking about running the Mini Marathon, nothing too deep, Melangton got a text from Cameron. “Our princess this year is amazing,” he wrote. “She did the best job of anybody.”

Eventually, when it was appropriate and Melangton wasn’t mentoring Taylor any longer, Cameron asked her out. And from there, the two’s love story began.

And it began to become ever more intertwined with IMS.

‘August? That’s safe, right?’

They didn’t mean to get married on qualification day. When Cameron proposed to Taylor in 2019 in Maine on a rock by a lake where he and his grandfather used to fish, they set a date of Aug. 15, 2020.

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“August? That’s safe right?” Melangton said, laughing. “The only weekend there was nothing going on at the track.”

The couple sent out invitations, booked everything for their August wedding and then COVID hit.

“Then the whole race was moved. Everything moved. I’m like, ‘Are you kidding me?’” Melangton said. “There’s like two days a year I can’t be at a wedding, and this is one of them.”

But Roger Penske and Mark Miles agreed. This was a day Melangton could be at a wedding, her son’s wedding. Miles took over her duties and showed up for the wedding after qualifications were finished.

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And now, their baby is due on race day.

Of course, the worry about the due date isn’t really that serious. The entire family, both sides, are ecstatic for the impending birth. The baby will be the first grandchild on both sides of the family.

“Everybody’s over the moon,” said Taylor.

But the due date has brought with it a lot of jokes and suggestions. Many have told Cameron, a financial investment analyst, and Taylor they should go to the race and have the baby at the IMS medical center. Others have said whenever the baby is born, its middle name should be the name of the winning driver.

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Others are predicting that because Takuma Sato won the Indy 500 in 2017, when Cameron and Taylor met, and again in 2020, when they were married, that he will definitely be the winner of the 2024 race.

“I like that it’s a full circle moment in our story. It’s fitting,” said Taylor. “We were definitely like, ‘Oh crap,’ but also we just think it’s amazing.”

Follow IndyStar sports reporter Dana Benbow on X: @DanaBenbow. Reach her via email: dbenbow@indystar.com





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Indianapolis, IN

Outages leave 100,000 Hoosiers without power after Wednesday storms

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Outages leave 100,000 Hoosiers without power after Wednesday storms


INDIANAPOLIS (WISH) — Hoosiers across the state are waking up without electricity Thursday morning.

As of 6 a.m., there were just over 117,000 people statewide without power, according to poweroutages.us.

In addition to homes and businesses, power outages are also affecting traffic lights. If the lights at an intersection are out or flashing red, treat it as a four-way stop.

Area Power Outages

Below are the number of people without electricity, sorted by provider. These numbers were last updated at 5:25 a.m.

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  • AES Indiana: 27,000+
  • Anderson Light and Power: 13,379
  • CenterPoint Energy: 11,438
  • Duke Energy (statewide): 41,108
    • Carmel area: 3,000+
    • Westfield area: 2,000+
    • Danville: 1,000+
    • Fortville: 1,000+
    • Lapel: 1,000+
  • Indiana Michigan Power: 9,000+
  • Jackson County REMC: 2,800+
  • NIPSCO: 3,000+

There is no estimated time for when all repairs will be complete.

Click here to report an outage to AES Indiana.

Click here to report an outage to Duke Energy.



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Indianapolis, IN

Alivio Medical Center offers comprehensive care for diverse patient population

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Alivio Medical Center offers comprehensive care for diverse patient population


INDIANAPOLIS (WISH) — The operators of an all-in-one medical facility have made it their mission to serve patients of all backgrounds with care tailored to their needs.

Alivio Medical Center, which has two Indianapolis locations and others in Columbus and Lafayette, serves as a primary and urgent care facility, but also offers mental health services, a dental clinic, immigration exams, physical therapy, diabetes management and more.

Dr. Alfredo Lopez, neurologist and founder of Alivio, said, “We want to be empathic. We want to make sure our patients can connect with our providers, and they feel that’s their doctor not only for themselves but for their families for many years.”

Keeping the clinic low-cost is crucial, Lopez says, but also providing extra services that may be outside of the box is important, too.

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Lopez said, “Our patients told us, ‘Well, doctor, if I’m diabetic and I have problems with my feet, can I have the best possible shoes?’ So, we offer that. We offer other specialties like women’s care, neurology, migraines and seizures, and things like that. We also have a board-certified plastic surgeon and hand surgeon since a lot our patients do a lot of labor.”

Language barriers don’t stand in the way of getting quality care either as the medical center serves many patients who are new to the United States. “We have a lot of Latino patients, and all of our staff is bilingual at least in English and Spanish, but we have a few that also speak Creole and French.”

Lopez says the private company wants everyone to feel welcome regardless of their immigration or insurance status because a lack of follow-ups due to costs can have a negative effect on overall health.

“We charge for our services but we work with our patients. We want to make sure it’s affordable. We do follow-up consultations that are very reasonable to make sure they can follow up,” the doctor said.

With the population of Indianapolis becoming more diverse, the operators of the medical center hope their model of care can serve as an example for other health care providers across Indiana.

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Reimagined Indianapolis Motor Speedway Museum Reopens To The Public

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Reimagined Indianapolis Motor Speedway Museum Reopens To The Public


The celebrated history of the Indianapolis Motor Speedway and the Indianapolis 500 is on display in an impressive, reimagined and renovated Indianapolis Motor Speedway Museum.

On Monday, March 31, the Indianapolis Motor Speedway Museum announced the completion of its $60.5 million, 17-month renovations – it’s first significant renovation in 40 years. After a few private viewings for benefactors and other VIPs, the famed Museum reopens to the public on Wednesday, April 2.

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A ribbon-cutting ceremony is schedule for 10:30 a.m. Eastern Time on April 2 and will feature special speakers IMS Museum President Joe Hale and Indianapolis Motor Speedway owner Roger Penske.

Other speakers include Indiana Governor Mike Braun, Indianapolis Mayor Joe Hogsett, Mayor, Chuck Jones, IMS Museum Board Chair and Robert Dyson, IMS Museum Chair Emeritus.

The Museum had been closed to the public since November 2023 while undergoing a comprehensive transformation of its space and experiences.

About the only thing that resembles the Museum that opened in the infield of the Indianapolis Motor Speedway in 1976 is the outer shell of the building. Everything else has been completely rebuilt and reimagined, connecting the incredible history of the world’s most famous and historic race to a boundless future.

When the Museum reopens to the public on April 2, visitors will experience 40,000 square feet of additional space housing new immersive and dynamic experiences, including:

• Seven permanent and three rotating galleries.

• The lower level, an area previously restricted to only select tours.

• A new mezzanine dedicated to displaying non-vehicle artifacts, including:

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ο A race suit from current IndyCar driver, and reigning champion, Alex Palou

ο The NASCAR Brickyard 400 trophy

ο A piece of the SAFER barrier to highlight safety innovations at the Speedway

• The “Starting Line Experience”, placing guests in an immersive video space showcasing the pageantry leading up to the start of the “500”.

• State-of-the art racing simulators allowing guests to try to qualify for the Indianapolis 500.

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• A “pit stop challenge” for guests to learn the tools and equipment of the racing trade.

The new exhibits and experiences will bring to life the Museum’s vision to create a global destination that provides interactive, immersive and diverse Indianapolis 500 storytelling and educational experiences that can be enjoyed by guests of all ages.

“I’m thrilled to welcome guests back to the Indianapolis Motor Speedway Museum after a massive renovation that finished on time and under budget. With the support of our campaign from Lilly Endowment Inc., the John H Holliday Family, Penske Foundation, Dyson Foundation, The Heritage Group and countless others, we have made the IMS Museum a cultural destination celebrating the Indianapolis Motor Speedway and Indianapolis 500,” said Joe Hale, IMS Museum President.

In the past, an impressive collection of race cars, mainly the winning cars from previous Indianapolis 500s, were on display in a static environment. When it opened in 1975, it was state of the art, but over the past 40 years, Museums have been redesigned and reimagined to help give the visitors a more interactive experience.

To achieve that, the Indianapolis Motor Speedway Museum includes various galleries, each with a different theme.

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The Heritage Group Gasoline Alley Gallery

This exhibit allows visitors to literally stroll through history in The Heritage Group Gasoline Alley Gallery. The gallery features seven garages, representing different eras of the Indianapolis Motor Speedway, that highlight the stories of each time-period through cars, decor, and immersive audio and visual elements.

Corresponding cases are on the opposite side featuring several artifacts on view for the first time, including the original 1909 Articles of Incorporation for the Indianapolis Motor Speedway Company and the bucket hat Janet Guthrie wore in 1978 when she finished ninth in the Indianapolis 500, generously donated by Guthrie.

Starting Line Experience

The Starting Line Experience helps guests in what it feels like to be at the starting line of the Indianapolis 500 by experiencing Race Day traditions with a seamless blend of cutting-edge technology, imagery, and show cars of the front-row drivers of the most recent “500”.

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A seven-minute video will play on an 80-foot by 20-foot LED-screen that begins with the cannon firing and concludes with the green flag at the start of the race.

When the “Drivers, start your engines” command is given in the video, the show cars will roar to life.

The John H Holliday Family Indianapolis 500 Winners Gallery

This gallery is featured on both levels of the Museum. The John H Holliday Family Indianapolis 500 Winners Gallery celebrates the winning cars that have shaped Indianapolis Motor Speedway history. From the 1911 Marmon Wasp to Dan Wheldon’s 2011 William Rast Dallara, the cars are now displayed on platforms with improved lighting and signage, including hydraulic platforms along the wall at a 45-degree angle to allow people to look inside the driver seats.

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The Borg-Warner Trophy is the focal point in the center of the space, with an updated display worthy of holding one of the most unique trophies in sports.

“Having had the cherished opportunity to create the images of Indianapolis 500 winning drivers for the Borg-Warner Trophy since 1990, I am deeply honored and grateful to see my work displayed in the beautifully renovated IMS Museum,” said sculptor William Behrends, who has crafted the face of each Indianapolis 500 winner since 1990.

Also recognized in a special display case is the work of Julie Harman Vance, a florist from Yorktown, Indiana that makes the winner’s wreath for BorgWarner.

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“I am honored to be part of the new Indianapolis Motor Speedway Museum BorgWarner display,” Harman Vance said. “The fact that my years of making the winners wreath has become an amazing Hoosier tradition has brought me an enormous sense of pride and accomplishment.”

The gallery is located on two levels, with 17 winning “500” cars showcased on the main level and 12 on the lower level.

The Mezzanine

The Mezzanine, located above the Winners Gallery, focuses on the extensive artifacts in the Museum’s collection. This oval-shaped area, in honor of the Speedway’s iconic oval, allows more opportunities to tell the stories of IMS—from “500” traditions and fan experiences, to safety improvements and innovations in technology.

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There will be multiple interactive kiosks, including ones dedicated to the Indianapolis Motor Speedway Hall of Fame and a timeline of IMS’s history. This gallery also showcases the other motorsports the Speedway has hosted including stock cars, sports cars, motorcycles, and air racing.

Qualifying Zone

Through immersive hands-on activities like a pit stop challenge, driving simulators, a strategy challenge and more, guests can learn what it’s like to be a driver, strategist or pit crew member in the new Qualifying Zone.

This area of learning has something for guests of all ages—from a soft play area for the youngest fans to the dissected car display which goes into detail on the parts that make up an Indy Car.

Allen Whitehill Clowes Charitable Foundation Innovation Workshop

Adjacent to the Qualifying Zone is the Allen Whitehill Clowes Foundation Innovation Workshop, a classroom space for the new education department to offer STEAM (Science, Technology, Engineering, Arts, and Mathematics) hands-on experiences for K-12 students.

The classroom will be the home for field trips, summer camps, and presentations. Students will examine the concepts, challenges, and innovations that drive a successful racing team and participate in career exploration programs designed to promote job opportunities in the racing industry.

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The Penske Gallery

The Penske Gallery is an interactive experience that chronicles the history of Team Penske, its team members, and the driving force behind the team, Roger Penske. The gallery features historic race cars, legendary trophies, unique artifacts, and displays honoring some of the most iconic and accomplished drivers in racing history.

The Bobby Rahal Family Gallery (Featured Car Gallery)

The Bobby Rahal Family Gallery will host rotating featured exhibitions, with the theme changing every three to nine months. The lower-level gallery will open with a feature on “NASCAR at the Speedway”. Eight winning

Brickyard 400 cars will be showcased, including Jeff Gordon’s 1994 winner, Dale Earnhardt’s 1995 winner, and Jimmie Johnson’s 2006 winner.

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Best of the Best: The Four-Time Winners (The Chip Ganassi Gallery)

Only four drivers have achieved the prestige of being a four-time winner of the Indianapolis 500. This rotating gallery highlights those legends: A.J. Foyt, Al Unser, Rick Mears, and Helio Castroneves.

Each driver has one of their winning cars on display as well as a racing suit, helmet, and other relevant artifacts. This gallery will change every three to nine months and can be divided into two smaller modular exhibits to give the curatorial team flexibility and provide guests with a reason to visit time and time again.

Track Lounge

The Track Lounge serves as the conclusion to the Museum, offering guests the opportunity to book a tour of the track.

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While tours will depart from the lounge, it’s not just a place to board a bus—this space includes an interactive 3-D track map where guests can visually see the evolution of the Indianapolis Motor Speedway from 1909 to present day, a photo car for souvenir pictures, and the “In the Race” video experience, where guests can see footage from the “500” projected on the walls as they walk down the hallway. A grab-and-go food and beverage stand for guests to fuel up completes the lounge.

New IMS Museum Features Accessibility Enhancements

One of the cornerstones of the renovation was ensuring accessibility so all guests felt included. New features include a wheelchair-friendly racing simulator controlled fully by the steering wheel instead of the pedals and a wellness room designed for anybody that needs a quiet, private space, from nursing mothers to those with sensory sensitivities.

The Museum is also working with Kulture City to become Sensory Inclusive™. Sensory bags can be checked out at the Welcome Center and include soundproof headphones, fidget toys, and glasses to reduce light.

Signage around the building will indicate “headphone areas” for those with sensitivities to noise.

The Stories Behind The Spectacle Capital Campaign Funds Reimagining of Museum

In 2023, the IMS Museum launched an $89 million capital campaign, The Stories Behind the Spectacle, to fund the Museum’s transformation.

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Of that $89 million, $64 was earmarked for the complete transformation of the interior of the Museum building. The Museum has surpassed its phase one goal, having raised $69 million to date. With the Museum renovation completed at less than initially estimated, the remaining funds are now a part of the second phase of the campaign, which includes a new off-site restoration facility.

Community Programs And Benefits Now Offered By The IMS Museum

As a public, non-profit organization separate from the Indianapolis Motor Speedway, the IMS Museum admission revenue helps cover operating costs, provide students nationwide with free or reduced educational programming, and allows the IMS Museum to offer a variety of community programs and benefits, including Access Pass, free Community Days, Blue Star Program for active military and others.

Special Events Mark The Grand Reopening Of The IMS Museum

On April 1, IMS Museum members and donors received an exclusive preview of the new space at an invitation-only event. Then on Wednesday, April 2, the IMS Museum will celebrate with community leaders, donors and members with a special ribbon-cutting ceremony followed by the official reopening of the Museum.

The Indianapolis Motor Speedway Museum represents more than a century of motorsports history and is driven by its mission to celebrate and preserve the history behind the Indianapolis Motor Speedway and the Indianapolis 500.

Since 1956 when the IMS Museum first opened in the old ticket office building outside Turn 1, it has brought to life the innovation, thrill, and cultural significance of motor racing at the Indianapolis Motor Speedway.

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What began with only 12 cars on display has become one of the world’s premier collections of racing automobiles and artifacts – with more than 55,000 artifacts and over 150 vehicles.

More Facts On The Indianapolis Motor Speedway Museum

• Established in 1956

• Current building opened in 1976

• 501(c)3 not-for-profit organization, separate from the Indianapolis Motor Speedway

• 40,000 square feet of exhibit space added with the renovation

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• 55,000+ artifacts in the Museum collection

• 150+ vehicles in the Museum collection

• 140,000+ visitors annually

• 1,500 square foot STEAM classroom

• Final cost of the renovation came in at $60.5 million—under budget, and on time.

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o $64 million was earmarked from the capital campaign for the renovation

Fun Facts

• There are 33 lights in the entryway rotunda, representing the 33 drivers in the Indianapolis 500.

• The green paint in the Gasoline Alley Gallery was matched to the original green used in the actual Gasoline Alley.

• The banking in the Indianapolis 500 Winners Gallery on the lower level matches the banking of the four turns on the IMS oval: 9 degrees, 12 minutes (9.2°)

• The cutout in the Mezzanine that overlooks the Indianapolis 500 Winners Gallery is designed to resemble the IMS oval.

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• The simulator steering wheels were modeled after Scott Dixon’s steering wheel.

• The dissected car in the Qualifying Zone was completely assembled by the Museum’s restoration team over a three-month period with real parts donated from teams and manufacturers. It weighs roughly 1,000 pounds.

• Real IMS “Yellow Shirt” staff were used in the video telling guests to “wait” before the Starting Line Experience.

• Shiel Sexton installed more than 14,200 linear feet of new piping—a little more than the track length.

• Excluding Museum staff, more than 180 team members from architects to fabricators to construction staff brought this project together over 164,000 work hours.

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Renovation Timeline

February 2023: Project kickoff. Shiel Sexton, Schmidt Associates, and JRA are chosen as construction, architecture, and design firms.

July 2023: The IMS Museum’s $89 million capital campaign, The Stories Behind the Spectacle, launches with 51 percent of funds raised, including a $20 million grant from The Lilly Endowment.

September 2023: The Museum’s historic collection of 150+ vintage automobiles are moved from the basement into storage.

November 2023: The IMS Museum closes to the public for a 17-month reimagining and comprehensive renovation.

February 2024: Demolition of the interior is completed.

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April 2024: Exterior refresh of the IMS Museum building is completed.

April 2024: The new Mezzanine level is installed, and the skylight is removed from the old Atrium area.

November 2024: The Gasoline Alley Gallery theming and buildout begins.

December 2024: Installation of the Starting Line Screen begins.

January 2025: The dissected car, located in the Qualifying Zone, is the first vehicle to be moved into the Museum.

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February 2025: The Museum’s extensive collection of artifacts and vehicles are moved out of storage.

March 2025: Museum cars and artifacts are placed into their relevant exhibit spaces.

April 2025: The IMS Museum reopens to the public with 40,000 square feet of additional exhibit space.

Key Donors of The Stories Behind the Spectacle Capital Campaign

$5 Million And Above

John H Holliday Family, The Dyson Foundation, Lilly Endowment Inc., G. Marlyne Sexton, The Heritage Group, Penske Foundation.

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$1 Million – $4,999,999

Linda and Mike Curb, Robert R. Dyson, The Bobby Rahal Family, Allen Whitehill Clowes Charitable Foundation, Scott and Sandi Borchetta.

$500,000 – $999,999

Susan & David Roberts, A. Dano Davis, Hulman & Company Foundation, The Gordon Family, Thomas and Sharon Malloy.

$100,000 – $499,999

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Bill Simpson Foundation, Dorsey Foundation, Jenny and Bob Hillis, Mr. and Mrs. James H. Voyles Jr., Melissa A. Caito, The William Loadvine Family, Lynn and Preston Root, Shiel Sexton Company, Inc., Hubbard Family Foundation, French-Pheffer Family, The McGuire Family, Carol and Stephen Hatfield, Duncan and Renea Dayton, The MacAllister Family, R.B. Annis Educational Foundation, Anne and David Shane, Linda and Jeff Congdon, Shelly and Jim Shook, Team Penske, Schmidt Family Foundation, Schmidt Associates and the Wayne Schmidt Family, Miller-Eads

$50,000 – $99,999

Timothy J. Cindric Family, Josie George, Laura and Tony George, Thomas and Barbara Beeler, Cheryl and Thomas VanParis, Cheri and Mitch Daniels, Karen and Mike Long, Shiel Sexton Foundation, Inc., Judy and Jim Singleton, Sue and Mike Smith, Cindy and Doug Kizer, The Wurster Family, Michael Fux and Gloria Rubin, Lila and Steve Huse, RJE Interiors, Susan and Bill Tolbert, Xtrac, Ilmor Engineering, Inc., INDYCAR, Indianapolis Motor Speedway, Bruce R. McCaw Family Foundation, Dallara, Indy Racing Experience.

The Indianapolis-based Shiel Sexton Construction oversaw the construction phase of the revamped Museum.

“The Indianapolis Motor Speedway Museum started with a vision to transform an already iconic venue into an immersive experience that tells the stories of the Greatest Spectacle in Racing from the very beginning to present day,” said Mike Dilts, Chairman, Shiel Sexton Construction. “It was an honor for Shiel Sexton, along with our incredible design and trade partners, to bring these concepts to reality and maintain the rich history of the Indianapolis 500 and Indianapolis Motor Speedway for generations to come.”

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Indianapolis architecture firm Schmidt Associates handled the architectural process.

“The IMS Museum renovation is all about creating a more immersive, accessible, and engaging experience for Visitors,” said COO Kevin D. Shelley, AIA, LEED, AP of Schmidt Associates. “Through thoughtful updates, the space now better connects guests to the history of racing while incorporating modern design and sustainability for the future.”

JRA, part of RWS Global, handled the Design and Creative Development.

“It has been an immense privilege to conceptualize, design and develop the reimagined Indianapolis Motor Speedway Museum,” says Tony Schmidt, Director, Creative Design, RWS Global. “The new galleries, exhibitions and interactive displays are engaging, immersive and filled with artifacts and digital experiences that will exceed visitor expectations.”



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