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You’ve seen these portraits around L.A. Why are they now in the desert?

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This story is a part of Picture subject 8, “Abandoned,” a supercharged expertise of turning into and religious renewal. Benefit from the journey! (Wink, wink.) See the complete bundle right here.

The desert I’ve skilled since transferring to Southern California from Chicago practically 30 years in the past, as each a manifestation of house and an expression of time, belies expectations and by no means fails to disclose itself as an expanse of colliding dichotomies. Its terrain stretches out, boundaries show flimsy, that which seems barren bears fruit. The moon rises equally underfoot because it does on the horizon, and right here inevitably succumbs to there. Past any terrestrial prism by way of which one can observe a seemingly limitless place, the desert’s consciousness, I think, stays extra within the cosmos than with the fleeting views of people transferring by way of it. Once I do discover myself within the desert, whether or not arriving there as a vacation spot to the east or north, or coming back from it towards a distinct huge ocean within the West, my most elementary questions are given house to breathe. “The place am I?”

“Desert Totem (West Adams, California)” in entrance of the Golden State Mutual Life Insurance coverage constructing designed in 1949 by Paul Williams. The constructing was the headquarters of the biggest Black-owned enterprise west of the Mississippi (as of 1945), providing complete life insurance coverage insurance policies to the Black neighborhood that had till then been excluded not solely from honest housing, however from the wealth-building monetary devices such insurance policies represented. The constructing additionally as soon as housed the corporate’s unimaginable assortment of artwork by Black American artists, many from Los Angeles.

(Glen Wilson / For The Instances)

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A blurred car passes by "Desert Totem (West Adams, California)" and the Golden State Mutual Life Insurance building.

The foyer of the Golden State Mutual Life Insurance coverage constructing nonetheless prominently options murals, commissioned by the corporate, depicting the contributions of pioneering Black residents in California.

(Glen Wilson / For The Instances)

If the desert displays an endlessly evolving constellation of questions — a calling — my piece “Desert Totem” kinds an ongoing response, a type of private, cosmic echolocation that performs in my inventive work. It’s composed of portraits I made at completely different moments — of a person named Elijah and of an ideal horned owl — which are woven into the mesh of chain-link gates I’ve salvaged over years from properties (now gone, in my very own neighborhood, however reactivated in my work). Each portraits replicate outward and inward (on the reverse).

I met Elijah years in the past. We had been each fishing within the desert — him actually, me metaphorically as I whisked alongside the desert freeway, with Parliament-Funkadelic’s “Mothership Connection” blaring in my automotive. I had requested the cosmos a query about presence versus absence within the desert, and Elijah quickly confirmed up, fishing alongside a roadside irrigation ditch, as if to say, “You might be right here!” At a distinct time, I used to be as soon as compelled to present a burial to an ideal horned owl on the base of a saguaro the place the Sonoran and the Mojave deserts blur collectively. Years later, I had a chance to satisfy one of many owl’s dwelling descendants up shut. Each photos journey with me, in my thoughts’s eye, together with the work I do. And simply as I proceed to maneuver “Desert Totem” from one context to a different, questions round presence versus absence, arrival versus departure, settling versus migrating and erasure versus fairness, will linger, provoke and hopefully weave connections.

Portraits of a great horned owl and a person at an entrance to the eastbound 10 freeway.

“Desert Totem” positioned at considered one of a number of freeway on-ramps the place drivers and pedestrians would possibly catch glimpses the work set amidst different signage. Artist Glen Wilson says, “Just like the freeway indicators, that are a ubiquitous a part of Southern California’s visible vernacular, I think about the gates a part of the language of the urbanscape and fleeting collective reminiscence. I wished them to each mix with and disrupt the expectations of areas characterised by the motion of departure and merger.”

(Glen Wilson / For The Instances)

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"Desert Totem (Lancaster, California)" in a field of yellowed grass.

“Desert Totem (Lancaster, California)” sits the place twenty fifth Avenue East dead-ends into the Mojave Desert. The expansion of communities like Lancaster and Palmdale, an hour and a half north of downtown Los Angeles, the place the perimeters of L.A. County mix into the desert itself, are part of the story about financial pressures, affordability, fairness and the locations the place communities could reconstitute themselves.

(Glen Wilson / For The Instances)

Two youths on bikes next to "Desert Totem (Lancaster, California)"

These younger bikers circled again to the spot the place I used to be putting in “Desert Totem (Lancaster, California).” We talked artwork, dwelling in Lancaster, bike upkeep and a lacking gasoline cap. They blessed the totem with a pose and a gaze into the setting desert solar earlier than tearing off after it.

(Glen Wilson / For The Instances)

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The sun sets behind "Desert Totem."

Misplaced in translation, discovered within the desert … the solar needs its closing phrase within the Mojave, till the moon rises to talk.

(Glen Wilson / For The Instances)

Glen Wilson’s (born 1969, Columbus, Ohio, lives and works in Los Angeles) multidisciplinary follow is comprised of images, sculpture, filmmaking, set up and assemblage. Upsetting questions round voice, visibility and cartography, Wilson’s works counsel fluid narratives of place, diaspora, cultural heritage and the intersections of particular person and communal id. Wilson has proven most not too long ago at Frieze London and in group exhibitions on the Getty Middle and the California African American Museum. Wilson obtained a B.A. from Yale College and an MFA from the College of California San Diego and is represented by Numerous Small Fires gallery (Los Angeles/Seoul).

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Can't stop the (classical) music : It's Been a Minute

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Can't stop the (classical) music : It's Been a Minute

Johann Sebastian Bach and Nina Simone

Hulton Archive/Getty Images,


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Hulton Archive/Getty Images,


Johann Sebastian Bach and Nina Simone

Hulton Archive/Getty Images,

It’s Black Music month! This week, Host Brittany Luse invites Howard University professor and trombonist Myles Blakemore to talk about how classical music influenced some of our favorite musicians. They look at how the counterpoint technique of Johann Sebastian Bach may have inspired Nina Simone, and how a love of Genuine can turn into a career in classical music.

Want to be featured on IBAM? Record a voice memo responding to Brittany’s question at the end of the episode and send it to ibam@npr.org.

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This episode was produced by Corey Antonio Rose. It was edited by Jessica Placzek and Sara Sarasohn. Engineering support came from Patrick Murray. We had factchecking help from Ayda Pourrasad. Our executive producer is Veralyn Williams. Our VP of programming is Yolanda Sangweni.

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Can this trendy ingredient in Erewhon's drink aisle really boost your mood or help your anxiety?

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Can this trendy ingredient in Erewhon's drink aisle really boost your mood or help your anxiety?

Licorice root, reishi mushrooms and vitamin B-6 are often among the ingredients listed in various adaptogenic drinks.

(Rebecca Peloquin / For The Times)

It’s not enough for a drink just to taste good anymore. Most specialty grocery or liquor stores now offer colorful cans and bottles that advertise so-called adaptogens, ingredients that beverage companies claim can help you manage stress, enhance creativity and sharpen focus. With packaging printed with bright colors and trendy fonts, these drinks are designed to pop on the shelves and on your social media feed — a subtle health flex for the aesthetically conscious and sober-inclined.

You can find them in trendy superettes around the city. Silver Lake’s Soft Spirits’ adaptogenic section includes a Spritz Italiano from L.A.-based De Soi (founded by Katy Perry and Morgan McLachlan), a concoction containing Reishi mushroom, which the company claims is “a stress soothing, brain boosting botanical often referred to as ‘the herb of immortality.’” At Bristol Farms across the city, you can pick up Bonbuz, a blood red tonic that promises to “heighten your senses and transport you to a deeper mind-body experience” with ingredients like pyridoxine-HCL (a vitamin-b6), ginger root and rhodiola rosea. Or you can grab a hemp-infused chili margarita by Aplos at the Dream Hotel in Hollywood that says it can “elevate mood, stimulate brain function and boost energy.” In Erewhon, you can’t throw a gluten-free turmeric chicken tender without hitting a canned beverage touting its adaptogenic qualities.

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Bonbuz Bittersweet Citron, a non-alcoholic spirit with citrus, ginger and gentian.

Bonbuz Bittersweet Citron, a non-alcoholic spirit with citrus, ginger and gentian.

(Rebecca Peloquin / For The Times)

But the appeal for consumers goes beyond smart marketing and playful design. The adaptogenic drink market is booming, as research shows that young people are less and less interested in alcohol and seek healthy alternatives. (Gen-Z drink 20% less than millennials, which is perhaps why Anheuser-Busch InBev projects one-fifth of their sales to be from non- and low-alcohol beers by 2025). The global market for these beverages is set to reach $1.2282 billion by 2024, with the projected valuation increasing to $2.4168 billion in 10 years.

A TikTok video from last fall that highlights different types of adaptogenic drinks has been viewed over 1.2 million times. In the comments, viewers ask where they can buy them and share their experiences.

“I love these drinks,” one user writes. “I have horrible anxiety and some of them calm me and make me feel warm and fuzzy lol.”

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Though adaptogenic drinks are relatively new to Western consumers, the term “adaptogen” has been around since 1947, when it was coined by the Soviet scientist Nikolai Lazarev who was searching for stimulating substances during the Cold War.

“Adaptogens are made from herbs, roots, and other plant materials that may help our bodies deal with and manage stress or restore homeostasis after stressful situations,” said Dana Ellis Hunnes, a senior clinical dietitian at UCLA Medical Center and assistant professor at UCLA Fielding School of Public Health, in an email. “Some of these stressors can be physical (a small burn), physiological (burnout from work and the toll that takes on our bodies) or psychological (emotional stress).”

Examples of common adaptogens are ingredients like rhodiola (a root promoted to increase stamina), ashwagandha (a shrub promoted to reduce stress and fatigue), licorice and reishi mushrooms, which have been used as traditional Chinese and Ayurvedic medicines for centuries.

Today, those same ingredients are showing up in adaptogenic supplements and beverages, but their medical value is debated. In the Food and Drug Administration’s book, adaptogens are categorized as supplements and thus not regulated the same way drugs are. For that reason, it’s hard for medical experts to make blanket statements about their efficiency or even their safety.

Licorice root, reishi mushrooms and vitamin B-6 are often among the ingredients listed in various adaptogenic drinks.

Licorice root, reishi mushrooms and vitamin B-6 are often among the ingredients listed in various adaptogenic drinks.

(Rebecca Peloquin / For The Times)

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“It’s unknown whether the dose that most people can buy of adaptogens on the market are high enough to produce a medicinal effect,” Ellis said. ”So, what you think you’re buying, may not actually contain as much [or may sometimes contain more] than you think.”

Depending on the person, some adaptogens may even cause nausea and stomach problems. (Those who are taking specific medications, pregnant or breastfeeding should first seek guidance from their healthcare provider before consuming them.) Clarity about adaptogens’ efficacy is further muddled due to the fact that most research on these ingredients comes from animal or in-vitro studies that Nicholas B. Tiller, a senior researcher at the Institute of Respiratory Medicine & Exercise Physiology, noted in an email “are not necessarily applicable to the real world.”

“The few human studies [on adaptogens] are largely disappointing,” he said. “It’s going to require a lot more high-quality evidence before these herbs and other natural products are extensively incorporated into medical practice.”

But do most adaptogenic drink consumers see their consumption of these beverages as explicitly medicinal, or are they simply weighing their options and picking something less altering than a beer and more novel than a seltzer?

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“When we initially opened our doors [in 2021], a lot of customers asked ‘what’s the point?’ and had a difficult time wrapping their heads around why anyone would want a cocktail without alcohol,” said Jillian Barkley, Soft Spirits Founder & CEO, in an email. She found these beverages — although harder to acquire back then — hugely helpful when she stopped drinking five years ago.

Aplos Arise, a non-alcoholic spirit infused with adaptogens.
De Soi, a non-alcoholic aperitif made with natural adaptogens. De Soi is a company co-founded by Katy Perry and Morgan McLachlan.

Aplos Arise, a non-alcoholic spirit infused with adaptogens. De Soi, a non-alcoholic aperitif made with natural adaptogens. De Soi is a company co-founded by Katy Perry and Morgan McLachlan. (Rebecca Peloquin/For The Times)

“Shopping at Erewhon and buying Kin makes you a part of a certain in-crowd, and people are seeking belonging.”

— Nikita Walia, brand strategist

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“For those folks, the possibility of a physical effect tends to be enticing,” she said. “‘So you’re telling me I can drink this nightcap and it will help me feel relaxed, but I won’t be intoxicated?’ Yep!”

Nikita Walia, brand strategist and founder and CEO of BLANK, thinks the popularity of adaptogenic beverages will only gain more steam with consumers as our culture puts a higher premium on health and wellness.

“Having a beverage that is a social tonic, well-branded and aesthetically pleasing as a stand-in for alcohol is a perfect substitute,” Walia said in an email. She adds that many of these drinks are expensive and seen as luxury items only adds to their appeal.

“Shopping at Erewhon and buying Kin makes you a part of a certain in-crowd, and people are seeking belonging.”

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In other words, whether adaptogenic drinks can actually elevate your mood might not matter — as long as they can elevate your social status.

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4 crime and suspense novels make for hot summer reading

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4 crime and suspense novels make for hot summer reading

Maureen Corrigan picks four crime and suspense novels for the summer.

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There’s something about the shadowy moral recesses of crime and suspense fiction that makes those genres especially appealing as temperatures soar.

Ash Dark As Night

Ash Dark As Night

Penguin Random House


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Ash Dark as Night, by Gary Phillips

I’m beginning my recommendations with two distinctive novels that appeared this spring. Gary Phillips introduced the character of LA crime photographer and occasional private eye Harry Ingram in the 2022 novel, One-Shot Harry. The second novel of this evocative historical series is called Ash Dark as Night and it opens in August 1965 during the Watts riots. Harry, who’s one of two African American freelancers covering the riots, has looped his trademark Speed Graphic camera around his neck and headed into the streets.

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We’re told that Harry’s situation is, of course, riskier than that of his white counterparts: “[M]aybe one of these fellas might well get a brick upside their head from a participant, but were less likely to be jacked-up by the law. Ingram realized either side might turn on him.” Indeed, when Harry captures the death of an unarmed Black activist at the hands of the LAPD, the photo makes him famous, as well as a target.

This novel is steeped in period details like snap-brim hats and ragtop Chevy Bel Air convertibles, along with walk-ons by real life figures like pioneering African American TV journalist Louis E. Lomax. But it’s Harry’s clear-eyed take on the fallen world around him that makes this series so powerful.

Blessed Water

Blessed Water

Zando

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Blessed Water, by Margot Douaihy

You might think a mystery about an inked-up lesbian Punk musician-turned-nun is a little far-fetched; but New Orleans, the setting of the Sister Holiday series, is the city of far-fetched phenomenon, both sacred and profane. Margot Douaihy’s second book in this queer cozy series is called Blessed Water and it finds the 34-year-old Sister Holiday up to her neck in murky flood waters and priests with secrets. Douaihy’s writing style — pure hard-boiled Patti Smith — contains all the contradictions that torment Sister Holiday in her bumpy journey of faith. Here she is in the Prologue recalling how she survived swallowing a glass rosary bead:

After my prayers for clarity, for forgiveness, for a cigarette, … deep inside the wet cave of my body was an unmistakable tickle. …

The bead fought my stomach acid for hours, leaching its blessing or poison or unmet wish. Anything hidden always finds a way to escape, no matter its careful sealing.

Amen to that, Sister Holiday.

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The Expat

The Expat

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The Expat, by Hansen Shi

The main character in Hansen Shi’s excellent debut spy novel is an alienated young man named Michael Wang. He’s a first generation Chinese American a few years out of Princeton who’s hit the bamboo ceiling at General Motors in San Francisco, where he’s been working on technology for self-driving cars. Enter a femme fatale named Vivian who flatters Michael into believing that his brilliance will be recognized by her enigmatic boss in China. Once Michael settles into life in Beijing, however, he realizes he’s been tapped, not as a prodigy, but a patsy. The Expat wraps up too abruptly, but it’s also true that I wanted this moody espionage tale to go on longer.

The God of the Woods

The God of the Woods

Riverhead Books

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The God of the Woods, by Liz Moore

Liz Moore’s extraordinary new literary suspense novel reminds me of Donna Tartt’s 1992 debut, The Secret History. There are superficial similarities: Both are thick intricate novels featuring young people isolated in enclosed worlds — in Tartt’s story, a Vermont college campus; in Moore’s, a summer camp in New York’s Adirondack mountains. But, the vital connection for me was a reading experience where I was so thoroughly submerged in a rich fictional world, that for hours I barely came up for air.

There’s a touch of Gothic excess about The God of the Woods, beginning with the premise that not one, but two children from the wealthy Van Laar family disappear from Camp Emerson in the Adirondacks 14 years apart. Moore’s story jumps around in time, chiefly from the 1950s into the ’70s and features a host of characters from different social classes — campers, counselors, townspeople and local police — and the Van Laars themselves.

The precision of Moore’s writing never flags. Consider this reflection by Tracy, a 12-year-old camper who recalls that: “Her father once told her casually that she was built like a plum on toothpicks, and the phrase was at once so cruel and so poetic that it clicked into place around her like a harness.”

Moore’s previous book, Long Bright River, was a superb social novel about the opioid crisis in Philadelphia; The God of the Woods is something weirder and stranger and unforgettable.

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Happy summer reading wherever your tastes take you.

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