Lifestyle
You can take the suspense: Get cozy with a new mystery or thriller
Whether you’ve got a fireplace or a Yule log video, nothing warms you up like sitting with a good mystery or thriller by the fire. Grab a blanket and dive into one of these gripping tales recommended by NPR staff and book critics. Sleuthing for more? You can find all our heart-pounding reads in Books We Love, our annual year-end book guide.
Anita de Monte Laughs Last by Xochitl Gonzalez
The perils of a woman’s success exceeding her partner’s is a perennial obsession of culture. The message: When one star rises, another falters. And if a wife’s star eclipses her husband’s, trouble follows. In Xochitl Gonzalez’s engrossing art world drama, Anita de Monte Laughs Last, relationships are complicated by such power imbalances. The title character is the wife of a famous artist and a forgotten Latina painter whose death was either a tragic accident or a gross act of violence. Raquel Toro is a first-generation college student of Puerto Rican descent at Brown University who’s navigating her own treacherous waters and becomes obsessed with de Monte. Through their experiences, the book explores questions of race, class and privilege in the rarified environs of art and the Ivy League. — Carole V. Bell, culture critic and media and politics researcher
Do What Godmother Says by L.S. Stratton
Do What Godmother Says by L.S. Stratton is a fantastic addition to the collection of works set during and celebrating the artistic environment of the Harlem Renaissance. This captivating dual-timeline Gothic thriller follows a modern writer who discovers a family heirloom painting by a Harlem Renaissance artist, linking her family to a mysterious past. The novel explores the complex and often deteriorating relationships between patrons and artists during this significant cultural movement. I thoroughly enjoyed this historical fiction, as it skillfully reveals the intricacies of creative ownership, particularly in the context of race and wealth. — Keishel Williams, book critic
The God of the Woods by Liz Moore
Early one morning in 1975, a summer camp counselor finds an empty bunk – a 13-year-old camper has vanished. As the search begins along the banks of a lake in the Adirondacks, this 500-page drama unfolds – and it is worth every page! Liz Moore’s storytelling captures such an authentic picture of youth, young friendship and family secrets. There are thoughtful, well-developed characters, unexpected revelations, a history of a serial killer recently escaped, captivating storylines, shocking connections and surprising answers to every single mystery along the way. The God of the Woods has become a personal favorite of the year! — Lori Lizarraga, host, Code Switch
The Kamogawa Food Detectives by Hisashi Kashiwai, translated by Jesse Kirkwood
Do you have a favorite dish whose scents and tastes evoke cherished memories but whose recipe is elusive? Then perhaps you want to wend your way through the back streets of Kyoto to find Nagare and Kolishi Kamogawa – the retired police detective and his daughter, proprietors of the Kamagowa Diner and Kamogawa Detective Agency – who promise to “find your food.” The duo’s careful interviews and investigations mixed with the meticulous melding of ingredients aim to unlock the past and possibly open the future to satisfy clients who savor these special dishes, whether a steaming bowl of udon or beef stew. Delicious and delectable. Save room! You may want to order a second serving; this is the first in a series about the food detectives by Japanese dentist Hisashi Kashiwai.— Maryfran Tyler, executive director, Distribution Strategy
Little Rot by Akwaeke Emezi
In this twisty, poetic roller-coaster ride of a novel, a bitter breakup precipitates a harrowing descent into darkness for a wealthy young Nigerian man, his pious, long-suffering ex-girlfriend and their friends. Aima and Kalu met as ex-pats in Houston and returned home for his business and to build a life together. They’d been happy abroad, but the move shook loose something important. Back home they revert to destructive patterns. It’s complex, but at the core, love lies and dies in this fictional, decadent yet riveting, money-loving city of “New Lagos.” If you want a book that grabs onto your brain and shakes it, I highly recommend Akwaeke Emezi’s genre-defying Little Rot. It gutted and enthralled me in equal measure. — Carole V. Bell, culture critic and media and politics researcher
Nightwatching by Tracy Sierra
Nightwatching begins with a scene straight out of a nightmare: A woman is at home with two sleeping children when she hears the footsteps of an intruder on the stairs. The story that follows is by turns suspenseful, uncomfortable and enraging. Tracy Sierra skillfully uses the home invasion to explore the terrifying responsibility of motherhood and to expose the pure horror of being a woman in a society that does not always choose to believe women. — Julie Rogers, historian and curator, Research, Archives and Data Strategy
Pony Confidential by Christina Lynch
The pony in this mystery is such a delightfully bitter misanthrope, “bent on revenge” and singularly devoted to finding the girl who cast him aside, condemning him to a life of spoiled, bratty kids. Turns out, she’s grown up and charged with murder: a death that happened years before, the last night she and her pony were together. Did she do it? Did the pony? Can he use his wits and resist peppermints long enough for all to be revealed? A kooky page-turner that took me back to every girl-and-her-horse book I ever read, but Misty of Chincoteague was nowhere near as spicy as this pony is! — Melissa Gray, senior producer, Weekend Edition
The Seventh Veil of Salome by Silvia Moreno-Garcia
Silvia Moreno-Garcia refuses to confine herself to one genre, and that’s great news for readers. Her latest is a historical novel set in Golden Age Hollywood; it follows Vera, a young Mexican actor who lands the role of Salome in a big-budget biblical epic, and Nancy, a racist striver who can’t stand the young newcomer. Moreno-Garcia perfectly captures the feel of 1950s movies with her expert pacing and snappy dialogue. If the thought of a Turner Classic Movies marathon puts a smile on your face, this one couldn’t be more up your alley. — Michael Schaub, book critic
A Talent for Murder by Peter Swanson
If you love crime fiction, author Peter Swanson never disappoints. Same goes for Lily Kintner, the protagonist he first introduced in The Kind Worth Killing. Lily plays a key role in this spine-tingler about a librarian who suspects her new husband might be capable of, well, to say more might spoil the way Swanson always manages to upend readers’ expectations. — Shannon Rhoades, senior editor, Weekend Edition
We Solve Murders by Richard Osman
Did I read this and then immediately read every book in the Thursday Murder Club series? Yes, I did, because Richard Osman’s mystery novels are so fun. In We Solve Murders, Osman introduces a new crime-fighting trio: Amy Wheeler is a bodyguard for billionaires, her father-in-law, Steve, is a semiretired London cop obsessed with his cat, and Rosie D’Antonio is a bestselling novelist of indeterminate age currently being threatened by a Russian oligarch. There is a supervillain and there are some murders, but that’s not going to stop our detectives from having a lot of laughs as they travel around the world – or from enjoying the amenities on Rosie’s private plane. While I’m sad that I have to wait until 2025 to read another Richard Osman mystery, I’m happy to have two series to look forward to. — Samantha Balaban, producer, Weekend Edition
This is just a fraction of the 350+ titles we included in Books We Love this year. Click here to check out this year’s titles, or browse nearly 4,000 books from the last 12 years.
Lifestyle
In ‘No Other Choice,’ a loyal worker gets the ax — and starts chopping
Lee Byung-hun stars in No Other Choice.
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In an old Kids in the Hall comedy sketch called “Crazy Love,” two bros throatily proclaim their “love of all women” and declare their incredulity that anyone could possibly take issue with it:
Bro 1: It is in our very makeup; we cannot change who we are!
Bro 2: No! To change would mean … (beat) … to make an effort.
I thought about that particular exchange a lot, watching Park Chan-wook’s latest movie, a niftily nasty piece of work called No Other Choice. The film isn’t about the toxic lecherousness of boy-men, the way that KITH sketch is. But it is very much about men, and that last bit: the annoyed astonishment of learning that you’re expected to change something about yourself that you consider essential, and the extreme lengths you’ll go to avoid doing that hard work.
Many critics have noted No Other Choice‘s satirical, up-the-minute universality, given that it involves a faceless company screwing over a hardworking, loyal employee. As the film opens, Man-su (Lee Byung-hun) has been working at a paper factory for 25 years; he’s got the perfect job, the perfect house, the perfect family — you see where this is going, right? (If you don’t, even after the end of the first scene, when Man-su calls his family over for a group hug while sighing, “I’ve got it all,” then I envy your blithe disinterest in how movies work. Never change, you beautiful blissful Pollyanna, you.)
He gets canned, and can’t seem to find another job in his beloved paper industry, despite going on a series of dehumanizing interviews. His resourceful wife Miri (Son Ye-jin) proves a hell of a lot more adaptable than he does, making practical changes to the family’s expenses to weather Man-su’s situation. But when foreclosure threatens, he resolves to eliminate the other candidates (Lee Sung-min, Cha Seung-won) for the job he wants at another paper factory — and, while he’s at it, maybe even the jerk (Park Hee-soon) to whom he’d be reporting.
So yes, No Other Choice is a scathing spoof of corporate culture. But the director’s true satirical eye is trained on the interpersonal — specifically the intractability of the male ego.
Again and again, the women in the film (both Son Ye-jin as Miri and the hilarious Yeom Hye-ran, who plays the wife of one of Man-su’s potential victims) entreat their husbands to think about doing something, anything else with their lives. But these men have come to equate their years of service with a pot-committed core identity as men and breadwinners; they cling to their old lives and seek only to claw their way back into them. Man-su, for example, unthinkingly channels the energy that he could devote to personal and professional growth into planning and executing a series of ludicrously sloppy murders.
It’s all satisfyingly pulpy stuff, loaded with showy, cinematic homages to old-school suspense cinematography and editing — cross-fades, reverse-angles and jump cuts that are deliberately and unapologetically Hitchcockian. That deliberateness turns out to be reassuring and crowd-pleasing; if you’re tired of tidy visual austerity, of films that look like TV, the lushness on display here will have you leaning back in your seat thinking, “This right here is cinema, goddammit.”
Narratively, the film is loaded with winking jokes and callbacks that reward repeat viewing. Count the number of times that various characters attempt to dodge personal responsibility by sprinkling the movie’s title into their dialogue. Wonder why one character invokes the peculiar image of a madwoman screaming in the woods and then, only a few scenes later, finds herself chasing someone through the woods, screaming. Marvel at Man-su’s family home, a beautifully ugly blend of traditional French-style architecture with lumpy Brutalist touches like exposed concrete balconies jutting out from every wall.
There’s a lot that’s charming about No Other Choice, which might seem an odd thing to note about such a blistering anti-capitalist screed. But the director is careful to remind us at all turns where the responsibility truly lies; say what you will about systemic economic pressure, the blood stays resolutely on Man-su’s hands (and face, and shirt, and pants, and shoes). The film repeatedly offers him the ability to opt out of the system, to abandon his resolve that he must return to the life he once knew, exactly as he knew it.
Man-su could do that, but he won’t, because to change would mean to make an effort — and ultimately men would rather embark upon a bloody murder spree than go to therapy.
Lifestyle
Austin airport to nearly double in size over next decade
AUSTIN, Texas – Austin-Bergstrom International Airport will nearly double in size over the next decade.
The airport currently has 34 gates. With the expansion projects, it will increase by another 32 gates.
What they’re saying:
Southwest, Delta, United, American, Alaska, FedEx, and UPS have signed 10-year use-and lease agreements, which outline how they operate at the airport, including with the expansion.
“This provides the financial foundation that will support our day-to-day operations and help us fund the expansion program that will reshape how millions of travelers experience AUS for decades to come,” Ghizlane Badawi, CEO of Austin-Bergstrom International Airport, said.
Concourse B, which is in the design phase, will have 26 gates, estimated to open in the 2030s. Southwest Airlines will be the main tenant with 18 gates, United Airlines will have five gates, and three gates will be for common use. There will be a tunnel that connects to Concourse B.
“If you give us the gates, we will bring the planes,” Adam Decaire, senior VP of Network Planning & Network Operations Control at Southwest Airlines said.
“As part of growing the airport, you see that it’s not just us that’s bragging about the success we’re having. It’s the airlines that want to use this airport, and they see advantage in their business model of being part of this airport, and that’s why they’re growing the number of gates they’re using,” Mayor Kirk Watson said.
Dig deeper:
The airport will also redevelop the existing Barbara Jordan Terminal, including the ticket counters, security checkpoints, and baggage claim. Concourse A will be home to Delta Air Lines with 15 gates. American Airlines will have nine gates, and Alaska Airlines will have one gate. There will be eight common-use gates.
“Delta is making a long-term investment in Austin-Bergstrom that will transform travel for years to come,” Holden Shannon, senior VP for Corporate Real Estate at Delta Air Lines said.
The airport will also build Concourse M — six additional gates to increase capacity as early as 2027. There will be a shuttle between that and the Barbara Jordan Terminal. Concourse M will help with capacity during phases of construction.
There will also be a new Arrivals and Departures Hall, with more concessions and amenities. They’re also working to bring rideshare pickup closer to the terminal.
City officials say these projects will bring more jobs.
The expansion is estimated to cost $5 billion — none of which comes from taxpayer dollars. This comes from airport revenue, possible proceeds, and FAA grants.
“We’re seeing airlines really step up to ensure they are sharing in the infrastructure costs at no cost to Austin taxpayers, and so we’re very excited about that as well,” Council Member Vanessa Fuentes (District 2) said.
The Source: Information from interviews conducted by FOX 7 Austin’s Angela Shen
Lifestyle
After years of avoiding the ER, Noah Wyle feels ‘right at home’ in ‘The Pitt’
Wyle, who spent 11 seasons on ER, returns to the hospital in The Pitt. Now in Season 2, the HBO series has earned praise for its depiction of the medical field. Originally broadcast April 21, 2025.
Hear The Original Interview
Television
After years of avoiding the ER, Noah Wyle feels ‘right at home’ in ‘The Pitt’
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