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Walt Whitman, gay love and a posthumous novel

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Walt Whitman, gay love and a posthumous novel

The cover of Song of Myself: A Novel by Arnie Kantrowitz

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Daniel Dell Blake doesn’t want to fit in. He wants the right to stand out.

But in a small fictional town of Elysium, New York, that’s a dangerous wish.

Blake is the main character in – Song of Myself: A Novel.

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He was created four decades ago by a gay rights pioneer – Arnie Kantrowitz.

Now – nearly three years after Kantrowitz’s death – his partner has succeeded in finally getting the novel published.

On an overcast day in New York City’s West Village, Dr. Larry Mass shuffled across the polished concrete floor of the New York City AIDS Memorial.

He’s part of the Stonewall Generation — a cohort of LGBTQ activists who were energized by the Stonewall uprising in 1969.

Dr. Mass is a co-founder of the Gay Men’s Health Crisis and he wrote the first news report on AIDS.

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At the memorial – he stopped at the end of an inscription etched into the floor.

“Failing to fetch me at first, keep encouraged,

Missing me one place, search another.,

I stop somewhere here, waiting for you,” Mass read.

Those are the final lines from Walt Whitman’s poem “Song of Myself,” which is included in his seminal poetry collection Leaves of Grass.

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For Mass, Whitman, the poet, is fundamentally entwined with memories of his partner.

“No matter what horror or tragedy you’ve gone through, no matter what pain, no matter what color you are, no matter what religion. He embodies that. He will always be there,” as Mass began to weep.

Dr. Larry Mass reflects on his partner Arnie Kantrowitz’s legacy at New York City’s AIDS Memorial.

Dr. Larry Mass reflects on his partner Arnie Kantrowitz’s legacy at New York City’s AIDS Memorial.

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Sitting near the memorial’s fountain, he explained why Whitman’s words have long been so important to many queer people.

“Society does not acknowledge these people in any way, shape or form,” he said. “They have no idea even who they are. And here’s this poetic voice of humanity who keeps saying again and again ‘I am your voice. I am your spirit. I am the grass on which you stand.’”

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Mass’s partner – Arnie Kantrowitz – was not only a scholar of Walt Whitman – he considered him part of his life and soul.

That closeness informs Kantrowitz’ novel, “Song of Myself” – and the journey of its protagonist, Daniel Dell Blake.

In the book, a knowing teacher gifts young Daniel a copy of Leaves of Grass, and Daniel carries that collection of poetry along with him – from the home of his tyrannically religious father, to New York City and his first love, to a World War II POW camp, and then back to the U.S., where Daniel is jailed for sodomy.

The character’s experiences mirror the history of gay life in the 20th century.

At a book launch event last month in New York City’s LGBT Community Center, friends and fellow activists talked as much about Arnie Kantrowitz’s life and legacy as the fictional adventure he wrote.

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John Adrian took one of Kantrowitz’s gay literature classes at the College of Staten Island in the 1990s.

“He was so open and honest about who he was and I thought ‘he’s awfully bold,’” Adrian said.

Adrian added that the scholar and gay rights activist taught him to be unapologetic.

That characteristic was on full display in a 1973 appearance on Jack Paar Tonite, when Kantrowitz turned a homophobic barb back on the late night host, winning laughs from the crowd and even getting a chuckle from Paar himself.

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It’s that cleverly charismatic version of Arnie Kantrowitz that the gay activist wrote into his own novel, imagining a meet-up with the adult Daniel Dell Blake at a rally.

Kantrowitz co-founded the organization now known as GLAAD – and was recognized in the 1970’s for his autobiography “Under the Rainbow: Growing up Gay.”

But as he got older, he wasn’t as widely known as others in his circle.

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Judith Stellboum, who taught literature at State Island College with Kantrowitz, said the man she worked with just didn’t care about publicity.

“He never was pretentious. If you didn’t know about his book he never would say ‘I’m Arnie Kantrowitz and I wrote the first book about … ‘ You know, he didn’t have an ego like that,” she said.

Kantrowitz started writing his Song of Myself in the 1980s – and an editor’s note says that since it’s being published posthumously, the decision was made to only copy edit the story. It also acknowledges that the novel is a product of its time, and could have used sensitivity readers to review some of his characters.

Still, the novel is empathetic and funny and fiercely defensive of all marginalized people – something Kantrowitz was always known for.

Back at the AIDS Memorial, Dr. Larry Mass remembered when his partner gave up on publishing his novel.

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“Arnie’s heart was broken that it didn’t find a home in this first go-around, but that happens. It was also happening during the height of AIDS and he didn’t want to bother people,” Mass recalled.

Kantrowitz just thought there were probably more important stories to tell at the time, but Mass thought then – as he does now — that his partner’s words are timeless.

Mass hopes that, just like how Daniel Dell Blake finds himself in Walt Whitman’s words in Song of Myself, maybe some other fellow traveler might some day find themselves in the words of Arnie Kantrowitz.

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‘The Invite’ is a marriage comedy with sex and heart

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‘The Invite’ is a marriage comedy with sex and heart
What happens when a simple dinner party goes off the rails? That’s the premise of The Invite, a very good new comedy directed by Olivia Wilde. Wilde also stars alongside Seth Rogen as a couple who invite their neighbors over for a meal, played by Penelope Cruz and Edward Norton. And it’s a heck of a dinner party, full of frank talk about sex and its complications.If you like slightly absurd relationship comedies, check out these episodes:’Mr. & Mrs. Smith’ is a stylish take on spy marriageIn Tina Fey’s ‘The Four Seasons,’ marriage is far from a vacationConnect with Pop Culture Happy Hour:Letterboxd / FacebookOur weekly newsletterSupport Pop Culture Happy Hour+
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L.A. Affairs: It’s hot when a man drives to me. But would this new guy make the trek from the Valley?

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L.A. Affairs: It’s hot when a man drives to me. But would this new guy make the trek from the Valley?

I met Dan on Hinge.

He lives in Woodland Hills, and I live in Venice. In Los Angeles, this is considered a long-distance relationship. In another city it might be nothing. Here, it’s a factor.

But I believe that with the right person, you can make anything work, so I stay open. I’m a native New Yorker, and if I were living in Brooklyn and a guy lived on the Upper West Side, that would be a 45-minute subway ride, which is truly nothing in New York. So with that same logic, I try to have flexibility with men in L.A.

When we started planning our first date, Dan suggested three options: a hike on mushrooms, a wine tasting or a walk on the beach.

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A hike on mushrooms is something I’d only do with someone I already trust, not someone I just met online. I don’t do first-date hikes because I don’t like feeling trapped if the guy’s a dud. So I chose the wine tasting.

Then I learned the wine tasting was in West Hills.

On a Friday night, driving there from Venice would be insane. So I said I didn’t want to meet there because of the traffic. He suggested Malibu. That was also not ideal on a Friday.

I was getting annoyed — this was a pink flag because in my dating world, the guy is supposed to come to the woman’s neighborhood in the early days. I’ve gone out with plenty of men from the Valley who effortlessly suggested they come to me. It’s not rare or impossible.

I suggested he come to the Westside. I didn’t specifically say Venice, and in hindsight, I probably should have. He landed on Brentwood, which was manageable for both of us. On our first date, we met at an Irish pub on Wilshire Boulevard. He was cuter and more interesting than I had expected, and with the Guinness flowing, we had fun.

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When I got home, he texted me: “Well, I like you 🙂 Less the tik tok and the lack of rock music in your life, but it’s not a deal breaker — there are other qualities 🙂 What are your thoughts?”

I noticed the slight negativity but was mostly dazzled that a man texted immediately after the date to say he liked me. In the modern dating economy, this felt rare.

The next day, both of our evening plans fell through, so we made a last-minute date. The wine tasting he originally suggested still sounded like fun, and although it meant me driving to the Valley, I was up for it now that we’d met.

We sipped flights at Malibu Wines & Beer Garden in its airy, romantic courtyard and played a flirty version of Truth or Dare. Halfway through, he dared me to kiss him.

We ended with sushi on Ventura Boulevard and a short make-out session in his car. He invited me to Thanksgiving at his uncle’s, which felt too soon, but also sweet.

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After the second date, he texted and said he had his kids that week and was also hosting an event on Thursday, so his only day to meet was Wednesday. I said great.

On Tuesday night, he checked if we were still on, and I said yes.

Then he texted: “I’m flexible on time but not on location. I have a big event on Thursday, hopefully you can come to me again.”

My stomach tightened. This again?

So I texted back: “I drove to you last time, which was a bit of an exception for me especially in the early days, but the wine tasting location sounded special. Usually guys come to my area. How about we switch it up this time?”

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He replied: “I appreciate the effort! Because of my event, I’d rather be close to a computer just if needed … Here is what i offer:
— I’ll come to your area anytime next week/end
— Lunch/dinner on me
I want to continue where we stopped last time 😉 No pressure of course, but let’s snuggle”

I responded: “Ok let’s meet next week. Snuggles sound nice … let’s see what happens …”

Then he wrote: “So I won’t see you tomorrow?”

I replied: “Unless you wanna come to me and bring your laptop along, let’s rain check until you have more flexibility.”

He said: “Dang, you are hard. I’ll let you know tomorrow around midday if it’s ok.”

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And then — surprise — he decided to come.

He drove to Venice for a 5 p.m. date. He said his ETA was 5 p.m., and it ended up being 5:25 p.m., typical 405 Freeway.

When he showed up, he was in a cranky mood. On our way to KazuNori in Marina del Rey, I thanked him for picking me up and told him I think it’s hot when the guy comes to the girl.

“You’re just saying that because you want me to come to you more,” he said, not playfully, but aggressively.

That was basically the end for me. But there I was, in his car, heading to dinner. So I stayed pleasant and tried to make the best of it.

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I shared that in the early stages of dating, I find it’s good etiquette for the guy to come to the woman’s neighborhood. He immediately disagreed and started ranting about how dating rules are ridiculous and how they swing in women’s favor. He resented paying for dates and declared he wasn’t looking to “sponsor a woman’s life.”

“If women want equality and equal rights,” he said, “then it should apply all across the board, including dating, and the man shouldn’t have to pay.”

I said women don’t actually have equal rights because we get paid less than men and often receive lower salaries than men in the same position.

I tried to change the subject and reset the mood, but he insisted we keep hashing it out.

I tried to explain masculine/feminine dynamics: providing and protecting, giving and receiving.

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“What does the man get out of this arrangement?” he asked.

It was like watching someone’s personality warp into Mr. Hyde. Then he brought up another point: He’s a single dad of two kids, so he gets tired; and because I don’t have kids, that should factor into who drives where.

At this point, I was barely engaging and focused on eating my hand rolls, and I couldn’t wait to get home.

The check came, and I happily split it, wanting nothing further from him.

In the car back to my place, he remarked: “It’s obvious we’re never gonna see each other again.”

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Obvious, but did it need to be stated?

Then he showed me a Spotify playlist he’d made for me of his favorite electronic music, because he knows I like EDM.

“Oh, that’s sweet,” I said.

“Yeah, that’s how I show interest. Through things like this, not who drives to who,” he replied.

When I got out of the car, we wished each other luck, and I headed inside and shut the door.

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Two hours later, he sent me the playlist. I’ve yet to listen to it.

It wasn’t the distance that ruined it. It was the resentment. I’m not looking for a man who feels burdened by the effort. I’m looking for a man who sees the value of courting a woman in the first place.

The author is a writer, comedian and former psychologist who lives in Venice. She is the creator of the new vertical series “Manfari.” She’s on Instagram: @solange_neue and @manfari.show.

L.A. Affairs chronicles the search for romantic love in all its glorious expressions in the L.A. area, and we want to hear your true story. We pay $400 for a published essay. Email LAAffairs@latimes.com. You can find submission guidelines here. You can find past columns here.

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Smithsonian chief emphasizes ‘accuracy and integrity’ after White House report

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Smithsonian chief emphasizes ‘accuracy and integrity’ after White House report

Lonnie Bunch III is the 14th Secretary of the Smithsonian. He’s pictured above in September 2017.

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In a memo addressed to staffers sent Tuesday, the secretary of the Smithsonian, Lonnie G. Bunch III, defended the institution after the White House issued a 162-page report that characterizes the National Museum of American History as a place which has become “subject to institutional capture by a radical, activist ideology that is fundamentally opposed to telling the noble, honest story of the great country we know and love.”

In his email, which NPR has obtained, Bunch wrote in part: “While there will always be room for improvement, this report is not a fair characterization of the work and totality of the National Museum of American History. At the Smithsonian, our work is driven by scholarship, accuracy and an uncompromising commitment to tell the fullness of America’s story. As public servants and the keepers of this institution, we are charged with helping a nation find understanding, hope and clarity and as part of that duty, we are dedicated to excellence, reflection and growth.”

He continued: “We remain focused on what grounds us: a steadfast commitment to scholarship, nonpartisanship, independence, accuracy and integrity. For nearly 180 years, the Smithsonian has worked alongside partners across government — from the White House to Congress to our governing Board of Regents — guided by our enduring mission to increase and diffuse knowledge. That purpose remains: to pursue knowledge with rigor and to serve the American public with clarity and care.”

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The White House report was issued on July 4 by the Domestic Policy Council under the title “Saving America’s Story: How Ideological Capture at the Smithsonian Institution’s National Museum of American History Erases Our Heritage.”

The council faults the National Museum of American History on a multitude of fronts, saying it underemphasized the Founding Fathers and early colonial and Revolutionary history; was not sufficiently celebratory of the country’s 250th anniversary; and that it engaged in “anti-white,” “illegal alien” and transgender activism.

It also accuses the museum of trying to “indoctrinate” teachers and students through its exhibitions, programming and teaching resources.

In the report, the council also specifically criticizes museum director Anthea Hartig, who has led the National Museum of American History since 2019 and is concurrently the president of the Organization of American Historians, calling her “an activist advancing an ideological agenda contradictory to the museum’s founding purpose of fostering patriotism.”

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