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Walt Whitman, gay love and a posthumous novel
The cover of Song of Myself: A Novel by Arnie Kantrowitz
Tatiana Fernandez/Sentinel Voices
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Tatiana Fernandez/Sentinel Voices
Daniel Dell Blake doesn’t want to fit in. He wants the right to stand out.
But in a small fictional town of Elysium, New York, that’s a dangerous wish.
Blake is the main character in – Song of Myself: A Novel.
He was created four decades ago by a gay rights pioneer – Arnie Kantrowitz.
Now – nearly three years after Kantrowitz’s death – his partner has succeeded in finally getting the novel published.
On an overcast day in New York City’s West Village, Dr. Larry Mass shuffled across the polished concrete floor of the New York City AIDS Memorial.
He’s part of the Stonewall Generation — a cohort of LGBTQ activists who were energized by the Stonewall uprising in 1969.
Dr. Mass is a co-founder of the Gay Men’s Health Crisis and he wrote the first news report on AIDS.
At the memorial – he stopped at the end of an inscription etched into the floor.
“Failing to fetch me at first, keep encouraged,
Missing me one place, search another.,
I stop somewhere here, waiting for you,” Mass read.
Those are the final lines from Walt Whitman’s poem “Song of Myself,” which is included in his seminal poetry collection Leaves of Grass.
For Mass, Whitman, the poet, is fundamentally entwined with memories of his partner.
“No matter what horror or tragedy you’ve gone through, no matter what pain, no matter what color you are, no matter what religion. He embodies that. He will always be there,” as Mass began to weep.
Dr. Larry Mass reflects on his partner Arnie Kantrowitz’s legacy at New York City’s AIDS Memorial.
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Ryan Benk/NPR
Sitting near the memorial’s fountain, he explained why Whitman’s words have long been so important to many queer people.
“Society does not acknowledge these people in any way, shape or form,” he said. “They have no idea even who they are. And here’s this poetic voice of humanity who keeps saying again and again ‘I am your voice. I am your spirit. I am the grass on which you stand.’”
Mass’s partner – Arnie Kantrowitz – was not only a scholar of Walt Whitman – he considered him part of his life and soul.
That closeness informs Kantrowitz’ novel, “Song of Myself” – and the journey of its protagonist, Daniel Dell Blake.
In the book, a knowing teacher gifts young Daniel a copy of Leaves of Grass, and Daniel carries that collection of poetry along with him – from the home of his tyrannically religious father, to New York City and his first love, to a World War II POW camp, and then back to the U.S., where Daniel is jailed for sodomy.
The character’s experiences mirror the history of gay life in the 20th century.
At a book launch event last month in New York City’s LGBT Community Center, friends and fellow activists talked as much about Arnie Kantrowitz’s life and legacy as the fictional adventure he wrote.
John Adrian took one of Kantrowitz’s gay literature classes at the College of Staten Island in the 1990s.
“He was so open and honest about who he was and I thought ‘he’s awfully bold,’” Adrian said.
Adrian added that the scholar and gay rights activist taught him to be unapologetic.
That characteristic was on full display in a 1973 appearance on Jack Paar Tonite, when Kantrowitz turned a homophobic barb back on the late night host, winning laughs from the crowd and even getting a chuckle from Paar himself.
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It’s that cleverly charismatic version of Arnie Kantrowitz that the gay activist wrote into his own novel, imagining a meet-up with the adult Daniel Dell Blake at a rally.
Kantrowitz co-founded the organization now known as GLAAD – and was recognized in the 1970’s for his autobiography “Under the Rainbow: Growing up Gay.”
But as he got older, he wasn’t as widely known as others in his circle.
Judith Stellboum, who taught literature at State Island College with Kantrowitz, said the man she worked with just didn’t care about publicity.
“He never was pretentious. If you didn’t know about his book he never would say ‘I’m Arnie Kantrowitz and I wrote the first book about … ‘ You know, he didn’t have an ego like that,” she said.
Kantrowitz started writing his Song of Myself in the 1980s – and an editor’s note says that since it’s being published posthumously, the decision was made to only copy edit the story. It also acknowledges that the novel is a product of its time, and could have used sensitivity readers to review some of his characters.
Still, the novel is empathetic and funny and fiercely defensive of all marginalized people – something Kantrowitz was always known for.
Back at the AIDS Memorial, Dr. Larry Mass remembered when his partner gave up on publishing his novel.
“Arnie’s heart was broken that it didn’t find a home in this first go-around, but that happens. It was also happening during the height of AIDS and he didn’t want to bother people,” Mass recalled.
Kantrowitz just thought there were probably more important stories to tell at the time, but Mass thought then – as he does now — that his partner’s words are timeless.
Mass hopes that, just like how Daniel Dell Blake finds himself in Walt Whitman’s words in Song of Myself, maybe some other fellow traveler might some day find themselves in the words of Arnie Kantrowitz.
Lifestyle
‘How to Rule the World’ explores education and power at Stanford University
Students walk on the Stanford University campus on March 14, 2019, in Stanford, Calif.
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Ben Margot/AP
When Theo Baker arrived at Stanford University a few years ago, he joined the student newspaper, following the path of his journalist parents, Peter Baker, a White House correspondent for The New York Times, and Susan Glasser, a writer for The New Yorker.
Through his reporting as a student journalist, he eventually broke a story about manipulated data in Stanford President Marc Tessier-Lavigne’s neuroscience research that helped lead to the university president’s resignation.
Theo Baker’s book, How to Rule the World: An Education in Power at Stanford University was released May 19. In it, Baker describes Stanford as a place where proximity to Silicon Valley gives rise to a parallel system of influence, recruitment and money, with investors looking to identify promising students almost as soon as they arrive on campus.
He told Morning Edition host Steve Inskeep there was “a sort of Stanford inside Stanford,” where elite students are drawn into an “alternate reality” of excess and access to cut corners.
In the interview, he discusses how Stanford is not just a university but also a pipeline where status and power can matter as much as ideas.
We reached out to Stanford University for comment and have not heard back.
Listen to the interview by clicking play on the blue box above.
Lifestyle
OTB Takes Full Control of Viktor & Rolf
Lifestyle
How having zero points in tennis — or ‘love’ — came to sound so sweet
The scoreboard shows the results of the women’s singles final match between Iga Swiatek of Poland and Amanda Anisimova of the U.S. at the Wimbledon Tennis Championships in London, Saturday, July 12, 2025.
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Kirsty Wigglesworth/AP
Fifteen points in tennis? Nice. Thirty, 40 — even better. Advantage — that sounds good. “Love” — that also must be great, right? Well, not quite.
As the French Open rolls on and Serena Williams has announced her return to the sport, maybe you’ve been paying a little more attention to tennis. The sport’s scoring system is notably distinct, and can sometimes be hard to grasp for newcomers. But even tennis aficionados might not know why, or how, “love” became the unmistakable callout for zero points. For this installment of NPR’s Word of the Week, we’re exploring how a word that signifies trailing behind got such a sweet name.
“Love” comes from the heart — or an egg?
It’s hard to pinpoint when the first tennis ball went over the net. Tennis is a derivative of lots of other sports, such as “jeu de paume,” a handball game played in France, said JT Buzanga, the collections manager at the International Tennis Hall of Fame museum.

But tennis became a patented, official sport in 1874, said Steve Flink, a journalist whose tennis coverage got him inducted into the International Tennis Hall of Fame. It has retained its unique, mysterious scoring system ever since.
“By and large, the original system has held up almost entirely,” Flink said.
The use of “love” goes back to the late 18th century, said Jesse Sheidlower, a lexicographer. But it was used earlier than that in card games such as whist and bridge. Before the term made its way to tennis, the sport favored plain old “nothing,” or “nil,” he said.
Why love in the first place, though? Historians don’t really know for sure, but there are a few theories.
The French could have something to do with it. Some historians believe “love” derives from “l’oeuf,” which means “the egg” in French. Because eggs are shaped like zeros, terms such as “goose egg” and “duck’s egg” have been used in other contexts to mean zero, Sheidlower said.
It’s also possible English speakers mispronounced l’oeuf as “love.” But Sheidlower isn’t convinced that’s the answer.
“It’s the French equivalent of an English expression. But since that expression doesn’t appear in French, the French word wouldn’t have been used,” he said.
To be sure, France has had a lot of influence on tennis culture, Buzanga said. For example, “deuce” or a game tied at 40 points, comes from the French word for “two”: “deux.” But he prefers another prominent theory: that “love” comes from the idiom “for the love of the game.” Even if a player hasn’t scored, it doesn’t matter, because their heart is in it. It’s the theory Sheidlower said is the most plausible, because the idiom was used by the English before tennis was popularized.

Another variation of the “love of the game” theory is that the word could have come from the Dutch “lof,” or “honor” — or the Latin “amare,” meaning “to love,” Flink said.
But if tennis’ “love” doesn’t come from a French word, the theory at least has a French sensibility.
“I think the ‘for the love of the game’ is kind of romantic,” Buzanga said.
“Love” probably isn’t going anywhere
Tennis used to be a sport of leisure. The style of play has changed a lot over the years; players are more athletic and competitive, for instance, Flink said. But the rules of the sport are more steadfast, he said.
“There’s this incredible, enduring respect for tradition in tennis,” he said. “Changes are not made easily.”
There has been one major change in modern history: the tie-break. Matches can go on and on because players have to score two consecutive points to break a deuce, or by two games to break a tied set. But the onset of television meant matches would have to get shorter if the sport wanted to capture a larger audience, Flink said.

Change even came for “love.” An alternative sprouted up in the 1970s, and is still used today: “bagel,” named for its zero shape, Sheidlower said. Novices may say “zero,” and insiders will understand what they mean, but they “will needle them about it,” Flink said.
But “love” still prevails.
“People kind of like it,” Flink said. “It’s different. Why say zero when you can say love?”
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