Lifestyle
Truth, forgiveness: 'Swept Away' is a theatrical vessel for Avett Bros' music
With songs by The Avett Brothers, Swept Away is inspired by the true story of an 19th century shipwreck in which seamen resorted to cannibalism to survive.
Julieta Cervantes/Arena Stage
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Julieta Cervantes/Arena Stage
With songs by The Avett Brothers, Swept Away is inspired by the true story of an 19th century shipwreck in which seamen resorted to cannibalism to survive.
Julieta Cervantes/Arena Stage
The musical Swept Away, set to songs by The Avett Brothers, received rave reviews when it premiered at Berkeley Repertory Theatre in early 2022. Now showing at Arena Stage in D.C., it’s garnering the same kind of attention.
And with a cast and crew behind the production that have collectively won nine Tony Awards, there’s hope the musical will head to Broadway.
Starring Tony Award winner John Gallagher, Jr., Adrian Blake Enscoe and Tony nominated actor Stark Sands, Swept Away premiered at the Berkeley Repertory Theatre.
Berkeley Rep
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From a book to an album to the stage
In the early 2000s, Scott Avett’s dad recommended he read Neil Hanson’s The Custom of the Sea, a true story about a shipwreck off the coast of Africa in 1884. Avett, who grew up in Concord, N.C., says his dad “loves non-fiction survival stories and so this was one of those those books.”
Hanson recounts the horrific experiences of four men adrift in a dinghy for 19 days in the burning sun in the middle of the ocean on the verge of starvation. In life or death situations, the “custom of the sea” permitted sacrificing one to save the rest.
Stark Sands (L) and Adrian Blake Enscoe play brothers in Swept Away, a new musical featuring songs by the Avett Brothers.
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Julieta Cervantes/Arena Stage
Stark Sands (L) and Adrian Blake Enscoe play brothers in Swept Away, a new musical featuring songs by the Avett Brothers.
Julieta Cervantes/Arena Stage
As Hanson explains, Captain Tom Dudley made the decision to kill the weakest among them. When they were finally rescued, he told the truth and then stood trial for murder. Dudley’s “misfortune was that the British government were determined to outlaw the custom of the sea and his honesty gave them their chance, and they bent and even broke the law to do so,” says Hanson in an email.
Scott Avett says he was moved by the captain’s honesty, even though it meant confessing to a heinous act, “Because at the end…although the truth was the right thing, it was going to be a cause of suffering.”
More than a decade after The Avett Brothers’ 2004 album Mignonette was released, they got a call proposing to turn it into a musical. “It made perfect sense because I visualize these things as whole stories,” Avett says.
There are some key differences between the story of the Mignonette and the musical. Among other things, the whaling ship sinks off the coast of New Bedford, Mass. The character who first proposes killing an ailing crew member is called simply the “Mate.”
Unlike Captain Dudley, the Mate doesn’t believe in God and admits he’s lead a life of sin. He sings The Avett Brothers’ song “Satan Pulls The Strings.” By contrast, the character Big Brother is deeply religious and sings the only song the Avetts wrote specifically for the show, “Lord Lay Your Hand On My Shoulder.”
‘Swept Away’ built from pieces of The Avett Brothers’ overall catalogue
In Swept Away, the Mate, played by Tony winning actor John Gallagher, Jr., is haunted by the sins of his past.
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In Swept Away, the Mate, played by Tony winning actor John Gallagher, Jr., is haunted by the sins of his past.
Julieta Cervantes/Arena Stage
John Logan, whose credits include the movies Skyfall and Gladiator and winning a Tony Award for Red, was brought in to craft the story out of The Avett Brothers’ songs. He was thrilled to tackle big themes like redemption and forgiveness, and says: “I hope Swept Away says to the audience, ‘What would you do if you were one of these four men in this lifeboat after 21 days?’”
Logan knew some of The Avett Brothers’ music but says he now pored over their entire catalogue.
“I was just struck by the poetry of their lyrics, by the intensity of the music, and by the way they could explore different characters through songs and that’s what musicals do,” he recounts. “I went to them and I said, ‘Look, can you give me permission to use any of your songs? And if you don’t like how I’m using them, we’ll discuss it. And they said, ‘Great.’”
“No Hard Feelings” is one of the songs included in the musical Swept Away.
The Avett Brothers
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Actor and singer Adrian Blake Enscoe plays Little Brother in Swept Away. He’s also in the indie-folk-pop-americana group Bandits On The Run. He says The Avett Brothers’ catalogue is “incredible for this tale of morality and mortality, wrestling with darkness and light and faith and what is my meaning.”
When Scott Avett first saw the production on stage, “I thought, ‘These guys can sing way better than me,’” he laughs. “They have more control than I’ll ever have and I think it’s beautiful.”
‘Nothing that is human is alien to me’
In Swept Away, the Mate is haunted by his sins. Actor and singer Stark Sands, who plays Big Brother, believes the musical’s themes of reckoning with the truth and seeking forgiveness continue to plague humanity.
Stark Sands (L) and Adrian Blake Enscoe perform “Murder In The City,” one of The Avett Brothers’ songs in the musical is “Murder In The City.”
Berkeley Rep
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“I think that right now we’re living at a time when there are some people who don’t want to face the past,” Sands says. “They don’t want to acknowledge the sort of awful things that we have done as a race, as a nation… This man that we are following in the story, the Mate, he’s done some horrible things that he admits to over the course of the play and all we’re asking him to do is just say them out loud.”
For John Logan, Swept Away is about having empathy for all, including “those who have sinned.” Over his computer are the words: “Nothing that is human is alien to me,” a translation of a famous quote that is linked to the Roman playwright Terence but has been used by the philosopher Seneca and others subsequently.
“So when I look at the actions of the Mate in this story, I say he’s a human being just like I am, and I’m capable of the same exaltation, the same joy, the same degradation, and the same violence, because nothing that is human is alien to me,” he says.
This story was edited for broadcast and digital by Meghan Collins Sullivan and produced for radio by Isabella Gomez-Sarmiento.
Lifestyle
Nearly half of Americans surveyed don’t know what America 250 commemorates
People visit the Liberty Bell on the eve of Independence Day in Philadelphia on July 3, 2025. The crack in this symbol of U.S. freedom echoes the paradox between national pride and civic ignorance revealed in a new national poll.
Juan Mabromata/AFP/Getty Images
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Juan Mabromata/AFP/Getty Images
A new national poll reveals a striking paradox in public sentiment ahead of America’s 250th anniversary: a disconnect between Americans’ strong patriotic pride and their lack of civic knowledge.
According to a survey from the libertarian Cato Institute think tank of more than 2,000 U.S. adults conducted in late June, 86% of respondents said they are grateful to be American and 70% believe the nation’s founding principles remain relevant.
However, nearly half of Americans (46%) don’t know that America’s 250th anniversary commemorates the adoption of the Declaration of Independence.
This civic ignorance extends to basic governance: Nearly 60% do not know the main purpose of the U.S. Constitution is to limit government power, and do not know why the colonies declared independence from Great Britain.
Furthermore, the report highlights deep anxieties about the future of American liberty.
The majority of those surveyed believe the country has strayed from its founding principles, and more than half fear the U.S. could cease to be a free country within the next 50 years, citing corruption and the abuse of power as primary threats. The majority of both Republicans and Democrats share these fears.
The concerns are especially pronounced among Gen Z respondents, who exhibited both the lowest levels of civic knowledge and the least favorable views of the nation’s founders. The majority of Gen Z failed to cite the adoption of the Declaration of Independence as the source of the 250th anniversary.
“The lack of civic knowledge is a great disaster,” said Coe Professor of History and American Studies and Professor of Political Science Emeritus at Stanford University Jack Rakove. “Any democratic system of government to succeed requires having an informed electorate.”
The Pulitzer Prize-winning authority on the drafting of the Constitution and the Declaration of Independence blamed the problem on the fragmented media landscape and schools prioritizing STEM subjects over civics and history.
“Our educational system is highly decentralized. So the idea that you could have one clean, neat, sweeping educational reform that will cope with the problem is hard,” Rakove said. “And of course, and we do live in this disaggregated information environment where people pick the sources they like. If you assume that a Democratic society depends upon well-rounded deliberation of being exposed to the views of other people, the information environment itself is not conducive to the underlying foundation of Democratic debate.”
Lifestyle
L.A. Affairs: He wanted L.A. I wanted New York. A panic attack changed everything
Unpacking my third suitcase in our new West Hollywood home, a sharp pain shot through my chest. I felt dizzy and short of breath before sprawling out on our mattress, which was still covered in plastic.
“What’s wrong?” David asked.
An hour later, on a gurney in the emergency room at Cedars-Sinai, I waited to be admitted overnight. What a great start to our new life — back in L.A. after seven years in New York City — David sleeping alone at our apartment while I was to keep close to the paddles and operating room in case what had just happened was a heart attack.
I was 33, practicing yoga and exercising almost daily. A few months earlier, my New York doctor noticed I had high blood pressure, and I was feeling terrible, so something clearly was going on. Was an artery blocked? Nope, the tests revealed; physically, I was fine. What had happened was a panic attack.
“Your health will be better in L.A.,” David had promised before returning to L.A.
Now I took no pleasure in his being wrong.
After growing up in Temple City (hardly L.A.), I went on a high school trip to the Big Apple and knew it was where I needed to be.
Exactly five years later, the time to escape California arrived after a miserable breakup from a three-year relationship with a guy that I hid entirely from my family. I was desperate and depressed, down 15 pounds from not eating much, my diet consisting largely of cigarettes and red wine. At the Archstone, my Studio City apartment, I did ecstasy alone on a Wednesday. One has to take a good look at himself when he’s in his bedroom, by himself, rolling, and so I decided it was time to start over in New York.
On the other side of the country, I thought it was normal to hook up with a new guy every third night. Which I suppose, for a gay man who’d spent the first 27 years of his life denying his sexuality to a family he feared wouldn’t understand, it was. My self-esteem was in the gutter, though you wouldn’t have known it from the outside.
After a three-digit number of hookups on Grindr, I met David, a guy who lived on the same Manhattan corner as I did. We did what people do on Grindr and hooked up a couple of times.
But one morning, we bumped into each other on 9th Avenue. I left our short chat feeling uplifted by how smiley and polite he was in daylight and while we were sober. That night, we went on our first date, and the rest is history. But I hid what I assumed wouldn’t be well-received.
“Let’s move back to L.A.,” he said after four years of life together in New York.
“I’m really not ready,” I said. I loved living in New York and never, ever expected to leave. He understood, but he wanted to return to “the coast.” I knew that in a healthy relationship, it couldn’t be just what I wanted. So eventually, we packed up and moved to an apartment on North Flores Street in West Hollywood.
And now, I was in the hospital.
After having to cancel the welcome home party our L.A. friends had planned for us, and being released from Cedars, my life fell apart. But being the one who kept everything together, I kept it together better than most would, at least in the presence of others.
I’m fine, I told myself, but I worried my heart was broken, and there was something medically wrong with it. To heal it, I’d need to accept truths that I didn’t want to.
Growing up was devastatingly hard for me. Being gay and misunderstood, with the unacknowledged pain of it kept inside, was quite literally eating me alive. Being back in L.A. meant being near my past. I told my mom I was gay before leaving for New York. She said she still loved and accepted me, but to this day, the struggle has never been discussed or acknowledged. I knew I was a disappointment to my family.
I went to Westwood what felt like 70 times, and after visiting a bunch of UCLA’s specialists, I found myself in the office of a neurosurgeon who took one look at me and said, “You don’t belong here. What you’re suffering from is plain old anxiety, and you’re going to have to work with your therapist on this.”
“I have been,” I said, “and it’s not helping.” But before I finished, he had walked out the door.
Before long, the panic attacks got so bad, I could hardly drive. David chauffeured me, under the palm trees and bright sun, around as much as his schedule allowed, and when he couldn’t, I made the best of it, lugging my laptop with me for the hour-long trek to yoga-teacher training at Equinox in the South Bay, using that extra time in the back of an Uber to write.
For almost my entire adult life, I’d been in therapy, but it was couples therapy with David where I felt supported enough to admit, first to myself, that I’d been terrified of being fully myself. I was afraid he’d leave me if he saw the real me. Secretly I had been keeping a lifetime of pain bottled up inside because of fear — I didn’t want to risk losing him by being too emotional or having too many feelings.
Three months after that therapy session, the pandemic arrived, and being together 100% of the time for the next year, I let him in fully. He didn’t run — instead, he proposed.
It’s been eight years since that neurologist, and six since I’ve been able to fully drive again. And here in L.A., in a city characterized by its distance, I have, with David, built a close chosen family that supports and fully understands me.
Now, I feel “at home” at our Spanish-style Hancock Park house, the one we bought because we wanted to start a family of our own, only after L.A. allowed me to heal and live peacefully, and now, anxiety free.
Had David not dragged me back, I wouldn’t have learned what I did about myself, my story of origin and living a life that’s so beautiful and that’s so true to me.
And certainly, we wouldn’t be bringing our baby daughter, Lucy, named after Lucille Ball (who’s more Hollywood?), home in mid-July by way of surrogacy.
The author is a writer and coach who helps established business owners build lives that feel as good as they look. He lives in Hancock Park. He’s on Instagram: @iammattgerlach.
L.A. Affairs chronicles the search for romantic love in all its glorious expressions in the L.A. area, and we want to hear your true story. We pay $400 for a published essay. Email LAAffairs@latimes.com. You can find submission guidelines here. You can find past columns here.
Lifestyle
To be or not to be a parent : It’s Been a Minute
Could you see your life just as easily with children as without?
What if you’re not cut out for parenthood? What if you grow lonely in your old age? Or what if you have a loving partner, but you disagree on this choice? Deciding between parenthood and a child-free life requires clarity about your fears and deepest desires — no easy task. This episode, psychotherapist and author of the book, The Baby Decision, Merle Bombardieri, helps us get clear. She discusses minimizing regret, normalizing feeling ‘stuck’ and why waiting to have a baby at 38 may be best.
Want more about the decision to have kids?
Many women don’t want kids. And for good reason.
Why are people freaking out about the birth rate?
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Additional support for this episode came from Alexis Williams. It was edited by Neena Pathak. Our Supervising Producer is Cher Vincent. Our Executive Producer is Barton Girdwood. Our VP of Programming is Yolanda Sangweni.
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