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‘This outfit isn’t flattering’ 5 Common style gripes and how to fix them

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‘This outfit isn’t flattering’ 5 Common style gripes and how to fix them

When you get dressed for the day and look at yourself in the mirror, is self-criticism the outfit that always seems to fit best?

Los Angeles-based stylist Sophie Strauss, a self-described “stylist for regular people,” wants to change that. She helps her clients find clothes that make them feel confident, comfortable and stylish. One step to getting there is to reframe how they talk about their clothes in relation to their bodies, she says.

People often assume that it’s their fault that their clothes don’t look good on them, says Strauss. But that’s not true. “You’re not failing the shirt. The shirt is failing you.”

So if you find yourself engaging in negative self-talk in the dressing room, take a moment to flip the narrative around, says Strauss. Here are positive and constructive ways to tackle common style complaints.

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“I have nothing to wear!”

A woman reviews and organizes all of the clothes from her closet into folded piles on her bed.

To start your fashion refresh, take inventory of the clothes you own and identify what makes you feel good.

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People often say this when they feel stuck or bored with their style, says Strauss. But instead of immediately buying a new outfit, look at this as an opportunity to reexamine your wardrobe.

Try on all the clothes in your closet to identify pieces that make you feel good — or simply forgot about, like that sparkly 80s number in the back of your closet. You might be surprised by just how much you have to work with.

Then get creative. Tuck, tie, cuff, roll, belt, layer, cinch. Try wearing a maxi skirt as a dress, then belting it around your waistline. Style your button-down shirts as a layering piece. Strauss says people forget all the ways you can alter clothing to play with its look and feel.

“This outfit isn’t flattering”

Photograph of a woman trying on clothes in a store dressing room. She is photographed from behind as she looks at her outfit in the mirror.

If you don’t think an outfit looks “flattering” on you, don’t blame your body, blame the clothing. That can help you find pieces that make you feel more comfortable.

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Comments like “this isn’t flattering” or “this outfit isn’t doing me any favors” are usually code that your clothing isn’t slimming or age-appropriate, says Strauss. And that puts the fault on your body, not the clothing.

So put that onus back on the outfit. Start by saying, “I don’t like this.” Then, unpack why that might be — and get specific. Is the neckline choking you? Is the fabric too itchy? You may realize your outfit isn’t “doing you any favors” because the garment is tight or the material is uncomfortable. And maybe that means swapping out that garment for something you do like.

“I could never pull off that look”

A woman in a white jumpsuit with a pink hair ribbon and pink sunglasses walks through a crosswalk in New York City.

If you’re worried about taking a fashion risk, take baby steps. Practice wearing garments you love (but are nervous about) to low-stakes locales, like the grocery store.

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A woman is walking down the street in an all-white getup. You think to yourself, dang, I wish I could pull off the monochrome look.

Anyone can take fashion risks. It just takes confidence, and that’s something you can build, says Strauss. Find low-stakes opportunities to wear a garment you love but feel nervous about. Rock that glittery new top at the grocery store or that groovy pink wig at your favorite cafe. The more you practice wearing it out, the less scary it’ll feel.

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“My outfit isn’t unique enough”

Personal style is about exercising agency, not about being the most uniquely dressed person at the grocery store.

Personal style is about being intentional, not about being the most interesting looking person on the street.

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“There seems to be this misconception that personal style is a race to be the most unique person on the street,” says Strauss.

But personal style is about making the right choices for yourself. If you feel most comfortable running errands in a T-shirt and jeans, you’re doing it right. If you want to wear a feather-trimmed hot pink blazer to feel like the special person you are on your birthday, that’s OK too.

“Help! I feel like this doesn’t match”

A woman takes a photo of a woolen poncho and a necklace on a mannequin.

There is no rule book on personal style. If it looks good to you, it doesn’t matter if it “matches.”

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Strauss says clients will often come to her looking for concrete guidelines on how to dress. Do these shoes match with this outfit? Am I supposed to wear a belt with these pants?

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If you feel any kind of pressure about the right and wrong ways to dress, that’s not style — that’s marketing, says Strauss. Personal style doesn’t have a rule book.

“Style is the expression of your preferences and personality through your clothes,” she says. That means no one else but you can decide if the shoes match your outfit or if your pants need a belt – so rock what feels good to you.

This episode of Life Kit was produced by Clare Marie Schneider. The digital story was edited by Malaka Gharib. The visual producer is Beck Harlan.

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‘How to Rule the World’ explores education and power at Stanford University

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‘How to Rule the World’ explores education and power at Stanford University

Students walk on the Stanford University campus on March 14, 2019, in Stanford, Calif.

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When Theo Baker arrived at Stanford University a few years ago, he joined the student newspaper, following the path of his journalist parents, Peter Baker, a White House correspondent for The New York Times, and Susan Glasser, a writer for The New Yorker.

Through his reporting as a student journalist, he eventually broke a story about manipulated data in Stanford President Marc Tessier-Lavigne’s neuroscience research that helped lead to the university president’s resignation.

Theo Baker’s book, How to Rule the World: An Education in Power at Stanford University was released May 19. In it, Baker describes Stanford as a place where proximity to Silicon Valley gives rise to a parallel system of influence, recruitment and money, with investors looking to identify promising students almost as soon as they arrive on campus.

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He told Morning Edition host Steve Inskeep there was “a sort of Stanford inside Stanford,” where elite students are drawn into an “alternate reality” of excess and access to cut corners.

In the interview, he discusses how Stanford is not just a university but also a pipeline where status and power can matter as much as ideas.

We reached out to Stanford University for comment and have not heard back.

Listen to the interview by clicking play on the blue box above.

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OTB Takes Full Control of Viktor & Rolf

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OTB Takes Full Control of Viktor & Rolf
The Italian fashion group behind Diesel and Maison Margiela is taking full ownership of the avant-garde haute couture house, acquiring the remaining 30 percent it didn’t already own. Founders Viktor Horsting and Rolf Snoeren remain creative directors.
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How having zero points in tennis — or ‘love’ — came to sound so sweet

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How having zero points in tennis — or ‘love’ — came to sound so sweet

The scoreboard shows the results of the women’s singles final match between Iga Swiatek of Poland and Amanda Anisimova of the U.S. at the Wimbledon Tennis Championships in London, Saturday, July 12, 2025.

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Fifteen points in tennis? Nice. Thirty, 40 — even better. Advantage — that sounds good. “Love” — that also must be great, right? Well, not quite.

As the French Open rolls on and Serena Williams has announced her return to the sport, maybe you’ve been paying a little more attention to tennis. The sport’s scoring system is notably distinct, and can sometimes be hard to grasp for newcomers. But even tennis aficionados might not know why, or how, “love” became the unmistakable callout for zero points. For this installment of NPR’s Word of the Week, we’re exploring how a word that signifies trailing behind got such a sweet name.

“Love” comes from the heart — or an egg?

It’s hard to pinpoint when the first tennis ball went over the net. Tennis is a derivative of lots of other sports, such as “jeu de paume,” a handball game played in France, said JT Buzanga, the collections manager at the International Tennis Hall of Fame museum.

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But tennis became a patented, official sport in 1874, said Steve Flink, a journalist whose tennis coverage got him inducted into the International Tennis Hall of Fame. It has retained its unique, mysterious scoring system ever since.

“By and large, the original system has held up almost entirely,” Flink said.

The use of “love” goes back to the late 18th century, said Jesse Sheidlower, a lexicographer. But it was used earlier than that in card games such as whist and bridge. Before the term made its way to tennis, the sport favored plain old “nothing,” or “nil,” he said.

Why love in the first place, though? Historians don’t really know for sure, but there are a few theories.

The French could have something to do with it. Some historians believe “love” derives from “l’oeuf,” which means “the egg” in French. Because eggs are shaped like zeros, terms such as “goose egg” and “duck’s egg” have been used in other contexts to mean zero, Sheidlower said.

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It’s also possible English speakers mispronounced l’oeuf as “love.” But Sheidlower isn’t convinced that’s the answer.

“It’s the French equivalent of an English expression. But since that expression doesn’t appear in French, the French word wouldn’t have been used,” he said.

To be sure, France has had a lot of influence on tennis culture, Buzanga said. For example, “deuce” or a game tied at 40 points, comes from the French word for “two”: “deux.” But he prefers another prominent theory: that “love” comes from the idiom “for the love of the game.” Even if a player hasn’t scored, it doesn’t matter, because their heart is in it. It’s the theory Sheidlower said is the most plausible, because the idiom was used by the English before tennis was popularized.

Another variation of the “love of the game” theory is that the word could have come from the Dutch “lof,” or “honor” — or the Latin “amare,” meaning “to love,” Flink said.

But if tennis’ “love” doesn’t come from a French word, the theory at least has a French sensibility.

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“I think the ‘for the love of the game’ is kind of romantic,” Buzanga said.

“Love” probably isn’t going anywhere

Tennis used to be a sport of leisure. The style of play has changed a lot over the years; players are more athletic and competitive, for instance, Flink said. But the rules of the sport are more steadfast, he said.

“There’s this incredible, enduring respect for tradition in tennis,” he said. “Changes are not made easily.”

There has been one major change in modern history: the tie-break. Matches can go on and on because players have to score two consecutive points to break a deuce, or by two games to break a tied set. But the onset of television meant matches would have to get shorter if the sport wanted to capture a larger audience, Flink said.

Change even came for “love.” An alternative sprouted up in the 1970s, and is still used today: “bagel,” named for its zero shape, Sheidlower said. Novices may say “zero,” and insiders will understand what they mean, but they “will needle them about it,” Flink said.

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But “love” still prevails.

“People kind of like it,” Flink said. “It’s different. Why say zero when you can say love?”

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