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'This Great Hemisphere' tackles racism, classism, and political power struggles

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'This Great Hemisphere' tackles racism, classism, and political power struggles

Mateo Askaripour’s sophomore novel This Great Hemisphere is a sprawling speculative-fiction narrative that tackles racism, classism, and the perpetual power struggle of politics. But it also delivers a heartwarming story about a young woman learning to navigate the world.

Sweetmint is a young invisible woman living somewhat separated from the rest of her community in the relative calm of Forest Twenty-Six. She has done everything well in her life, and now finds herself about to interview for an apprenticeship with Croger Tenmase, known as “The Chief Architect” — and the Northwestern Hemisphere’s savior and leading inventor. When she gets the apprenticeship, her life changes.

Unfortunately the change is short-lived, as Sweetmint’s beloved older brother, who mysteriously vanished a few years ago, is rumored to not only be alive but he’s also suspected of killing the Chief Executive of the Northwestern Hemisphere. With authorities looking for her brother, Sweetmint must use her intellect to find him first. Meanwhile, the hemisphere’s elections are right around the corner, and those involved are willing to go to any lengths to acquire the power they crave.

This Great Hemisphere is a complex, expansive novel packed with too many elements to discuss here. Askaripour possesses a powerful imagination, and it is in full display. Besides the stark differences between the “Invisibles” and the DPs — the “Dominant Population” — the author delivers strange worlds and technology, bizarre rituals, and lush descriptions of places, things, and events. More importantly, Askaripour uses the Invisibles and DPs to explore otherness and racism in interesting ways. That the narrative will be about these topics is clear early on, when the prologue that sets up the story — which takes place in New York City in 2028 before the story jumps to the year 2529 – with a white woman harassing a Black homeless woman who is pregnant “to save a Poor Black Child™ from its Neglectful Black Mother™.” For the rest of the narrative, those who are invisible are second-class citizens — they don’t have the same jobs and opportunities and are called things like “vizzers” by the DPs. Besides the social critique on the surface, Askaripour shows that hatred and misunderstanding, along with the slurs that usually accompany those things, are so deeply engrained into society that even getting close to extinction doesn’t make people good to each other.

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While This Great Hemisphere is rich, multilayered, and contains some dazzling passages, the narrative is not without flaws. Perhaps the biggest one is the way the author dedicates pages upon pages to things like painting rituals and politics but never really goes deeper into things like languages, the big changes the world has gone through, or how the invisible people came to be. This novel is, in part, an interesting blend of speculative elements that go from science fiction to fantasy. This means that the worldbuilding has to be there, and when it comes to that, Askaripour certainly delivers. However, the story is also a twisty political thriller with elements of crime and mystery — and those genres demand a faster, tighter pace, which the novel never delivers.

The sophomore curse is not an issue for Askaripour. Sweetmint is a memorable character, the world the author created for this novel is impressive, and the social critique is doled out in a way that it accomplishes what it sets out to do without ever becoming preachy or overpowering the rest of the elements that make up the narrative. Also, some of the things the author brings to the page are unique and show he paid a lot of attention not only to detail but also to the inner landscape of his characters. For example, the rumoya, “the life force flowing through all Invisibles, unique to each of them, influencing thought, feeling, and action” is so important that it emerges as another character in the novel, a ubiquitous presence that sometimes acts like a soul and sometimes like a sixth sense or an inner voice. Small details like that, which are sprinkled throughout the story, show Askaripour is a voice to watch.

This Great Hemisphere is large in many ways, which is good, but it’s clear that some of the important details that held this world together were lost somewhere between Askaripour’s gifted imagination and the page. The novel is sometimes touching, sometimes wildly engaging, and sometimes slightly disjointed and sluggish, which makes for an interesting reading experience in which some passages grab you and won’t let go and others make you want to quickly power through just to get to whatever is next. Despite these flaws, the strength of the novel and the clarity of its messages make it a recommendable read, especially for those who enjoy complex worldbuilding.

Gabino Iglesias is an author, book reviewer and professor living in Austin, Texas. Find him on X, formerly Twitter, at @Gabino_Iglesias.

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John Cena wanted to step away from the WWE ring before he became ‘too slow for the show’ : Wild Card with Rachel Martin

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John Cena wanted to step away from the WWE ring before he became ‘too slow for the show’ : Wild Card with Rachel Martin

A note from Wild Card host Rachel Martin: First a confession: I have never watched a WWE match in its entirety. Don’t get me wrong, I appreciate the athleticism and the performance, it’s just not my thing. But there is something about John Cena I’ve never been able to shake.

Yes, he is a wrestling legend, but he has built a career as an entertainer that transcends the ring. The first time I saw him lead a cast was the 2019 family movie “Playing with Fire” and his rapport with kids in that film didn’t seem like acting at all. The man contains multitudes!

He co-stars with Eric Andre in his newest film, “Little Brother.”

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Great movies you may have missed : Pop Culture Happy Hour

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Great movies you may have missed : Pop Culture Happy Hour

Xie Miao and Yang Enyou in The Furious.

Norachai Kajchapanont/Lionsgate


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Norachai Kajchapanont/Lionsgate

There have been some fantastic movies released this year, and we know you can’t see them all. So we’re recommending four recent movies we missed that you should add to your watchlist: The Furious, Tuner, She’s The He, and Heresy.

If you need a few more fun film recommendations, check out these episodes: 

Fun movies you may have missed

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Our favorite movies on Tubi

We debate the best movies to watch on an airplane

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A judge says the Kennedy Center must update him on its plans — and address that tarp

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A judge says the Kennedy Center must update him on its plans — and address that tarp

A tarp covers the facade of the John F. Kennedy Memorial Center for the Performing Arts in Washington, D.C., on June 13. A federal judge has asked the arts complex’s leadership to explain the purpose of the tarp and the surrounding scaffolding.

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On Wednesday, the federal judge overseeing the Kennedy Center lawsuit ordered the center to give him a status report on the center’s operation and programming within the next few weeks. Judge Christopher R. Cooper also said that the Kennedy Center must explain the purpose and status of the tarp and scaffolding that have been placed over the front of the arts complex, where until recently both President Trump and President John F. Kennedy’s names were both displayed.

In a directive issued last Tuesday, Judge Cooper had given Kennedy Center administrators three days to update him on the arts complex’s immediate plans regarding construction, programming and public access. Trump, who now serves as the center’s chairman, had announced July 5 as the date the venue would close for major renovations.

Last Friday, on Cooper’s due date, lawyers for the Kennedy Center filed a request asking for an extension. In that filing, Matt Floca, who was promoted as the center’s president and CEO in March, said that the Kennedy Center’s current management intends to present its board with “an array of options” for trustees to vote on at their next meeting on an unspecified date in mid-July.

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According to Floca, the options are a complete closure for extensive renovations; a partial closure “enabling some continued public access and limited programming” while some renovations are undertaken; and “a highly limited series of phased closures to address only the center’s most serious infrastructure needs while scheduling and maintaining a full slate of programming.”

In his newest order, Cooper denied Floca’s request for an extension. And he mandated that the center file a status report within seven days of the center’s July board meeting or by July 31, whichever date is earliest. He also ruled that the report must “indicate the purpose for and status of the tarp and scaffolding,” which were erected by workers over the center’s front signage in the early morning hours of June 13.

When asked for comment Wednesday, the Kennedy Center pointed back to the documents its legal team submitted to the court.

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