Lifestyle
This 71-year-old pole dancer defies expectations — and gravity — in age-obsessed L.A.
Dressed in 7-inch neon heels and translucent yellow bell-bottoms, Mary Serritella was defying gravity and expectations on a recent Wednesday night at Hollywood’s Bourbon Room.
Spinning gracefully around a silver pole to disco medley, she contorted her body into a series of improbable positions with even more improbable names like “The Chopstick,” “The Jade Split” and “The Black Sun split” — a showstopper in which she gripped the pole between her belly and thigh and hung upside down holding a foot with each hand.
It was a dazzling display of flexibility and sensual athleticism and the crowd loved it. But when Serritella, who performs under the name Mary Caryl, revealed after the September performance that she had just celebrated her 71st birthday, the room exploded. A young woman in the front row pumped her fist in the air. Another made a bow, reminiscent of the “we’re not worthy” bit from “Wayne’s World.”
“You never lose it if you never let it go,” Serritella told the audience. “And five years ago I had a hip replacement. I’m a bionic woman!”
The crowd roared again.
Christina Calph, who booked Serritella to perform that evening at the Comedy Pole Show she hosts, said Serritella is an inspiration.
“I see her and I think, ‘Oh my God, I can be beautiful for the rest of my life,” Calph said.
In a city where de-aging procedures can be as routine as tooth cleanings, Serritella’s pole dancing prowess serves as an embodied reminder that getting older doesn’t have to mean forfeiting beauty, sexuality, strength or the activities you love.
Serritella still wears high heels, performs in bikinis and posts videos of herself on Instagram. She works out at least five times a week to maintain the upper body strength and flexibility required to climb a pole and bend, twist and coil herself into positions that seem impossible for most women several decades her junior.
Serritella at the sewing machine in her home in Northridge. She often sews her own pole dancing costumes.
(Marcus Ubungen / Los Angeles Times)
She still deals with certain inconveniences of age — arthritis makes gripping the pole difficult and there was that hip replacement.
“When I wake up in the morning I’m a little stiffer than I used to be, and early on I sprained a knee,” she said. “But it’s like that old serenity prayer: Accept the things you can’t change, and change the things you can.”
Serritella, who lives in Northridge, started pole dancing in 2010 when she was 57, the same year the youngest of her three children graduated from college. A friend from the fundraising committee at her kids’ school mentioned that she’d started taking pole dancing classes at a gym. On a whim, Serritella asked if she could come. She was only able to learn a few moves before the gym disbanded the class, but she was hooked.
“I wasn’t good. I couldn’t climb the pole. I couldn’t do anything,” she said. “But I wanted to.”
Serritella stretches at home. She exercises at least five times a week to maintain the upper body strength and flexibility required to climb a pole.
(Marcus Ubungen / Los Angeles Times)
She found other studios to train at including the Vertitude L.A. in Canoga Park and Choreography House in North Hollywood (now closed), sometimes sticking around for three lessons in a single evening.
“Both of them had incredible owners and instructors and they would bring in other incredible instructors from around the world, so I feel like I had the best training,” she said.
Modern pole dancing originated in strip clubs in the 1950s but became more mainstream in the past few decades as gyms and boutique studios that taught the activity sprung up around the country. Since 2009, the International Pole Sports Federation and other organizations, have pushed to get pole dancing included in the Olympics. (In short, they are on an uphill climb).
As pole dancing has grown more popular as an exercise and sport, a variety of styles have emerged. Some performers emphasize athleticism and aerial tricks, others storytelling and emotional resonance. Raw sexuality remains a pillar in many routines. Serritella embraced them all.
“I remember taking a class with a parole officer who was teaching all these trashy moves on the pole and the chair,” she said. “I was like, ‘OK this is me at 57 years old and I’m learning all this fun stuff.’”
Serritella has won many awards for pole dancing over the years.
(Marcus Ubungen / Los Angeles Times)
In 2011, she entered her first pole dance competition in the 40-and-over masters category just three months after she started taking classes. The organizers of the competition, the Pole Sport Organization, called her on a Tuesday to ask if she would compete the coming Saturday. It was a ridiculous deadline, but she had a costume in mind and had been working on a routine, so she said yes.
“I was like, ‘Am I crazy?’” she said. “But it’s always been my personality to do things and not be afraid.”
Her first solo performance was at a showcase put on by the Vertitude. She dressed up as Mrs. Claus and danced to “Santa Baby.” More recently, in 2023 she took first place in her division at Pole Art Italy, an international competition for a country “dancin’ and romancin’” themed performance to a medley of “These Boots Are Made for Walking,” “I Only Date Cowboys” and “Lady.” She wore pink cowboy boots, a beaded pink cowboy hat, a tie-front sports bra and denim pole shorts.
“Burlesque and comedy are my favorite styles,” she said. “Some dancers really love dramatic music. That’s not me.”
Serritella has maintained her flexibility through competitive pole dancing.
(Marcus Ubungen / Los Angeles Times)
Her family has mostly been supportive of her dancing. Tony, her husband of 33 years, recalled that his wife hosted a local public access television show called “Images With Mary Caryl” in the ‘90s and in 2012 appeared on “Alt for Norge,” a reality television show that brings Americans of Norwegian ancestry to Norway to compete in cultural challenges.
“Nothing she does surprises me,” he said.
As for her kids, Serritella said her daughter loved it when she started pole dancing, but it took her sons longer to come around.
“I think they were shocked that I had this fun side to me,” she said. Still, her middle son and his wife were in the audience when she performed at the Bourbon Room.
“I’ve learned to roll with it,” he said.
Among her younger pole dancing friends, Serritella is a hero. Teresa Fischer, a teacher at Luscious Maven, the North Hollywood studio where Serritella dances now, described her as “a legend in the industry.” Stephanie Pozos, another friend from the studio, said you can’t take your eyes off her.
“She has incredible flow, and she really knows how to show off what she’s good at and play to her strengths,” Pozos said.
Angelina Medina, who started pole dancing 2½ years ago, said Serritella’s style is a lot like her personality: bubbly and entrancing.
“I love that she’s defying society’s narrative,” she said. “I just turned 33 and society tells us as women that life is over after 30. It’s really not.”
Serritella has a background in beauty. She sells makeup out of her home, designs and sells a line of pole dancing clothes, and worked as an image consultant, helping women with their hair, makeup and wardrobes. When her friends and clients ask her for beauty tips, she’s happy to oblige.
Serritella performs in front of a live audience during the Comedy Pole Show at the Bourbon Room in Hollywood in September.
(Gina Ferazzi / Los Angeles Times)
“My two big ones are drink water and keep moving to help you flush out everything you take in,” she said. “A lot of times you see people who are my age and they are puffy eyed and they have bloat. That’s what it is — lack of water, lack of mobility.”
Other tips include wear foundation every day to lock your moisturizer in and protect your skin from the elements. Eat healthy, but don’t worry about being perfect. And indulgence is an important part of life, whether it’s a new lipstick, a slice of birthday cake, or coffee with a friend.
It’s all helpful, (and I did start putting collagen in my coffee after she told me she’s been doing it for 10 years), but Serritella’s real super power is her ability to buck society’s ingrained fear of aging and live the life she wants.
“So often through the years women would say things to me like, ‘I can’t wear heels anymore’ or whatever it was, and I would put a psychological bubble around myself,” she said. “I just didn’t want to absorb that ‘I can’t’ attitude.”
It might take more work than it once did for an older woman to feel beautiful and strong, but that doesn’t mean it’s not possible, she said. If there’s something you want to do, try it.
“We say our children are our future, and that’s true, but we’re they’re future too,” she said.
Serritella backstage before performing during the Comedy Pole Show at the Bourbon Room in September.
(Gina Ferazzi / Los Angeles Times)
Back at the Bourbon Room, Serritella crept into the audience after her performance, looking less like a bombshell and more like a hot mom in jeans and a gray tank top. She was still wearing her 7-inch heels. She couldn’t find her tennis shoes in the green room. When the lights went down and the next act came on, she dropped to her hands and knees and crawled through the crowd to her seat. She didn’t want to disturb anyone’s view.
The next performer was a comic named Annie Lederman who is three decades Serritella’s junior. She stepped up onstage and surveyed the crowd.
“I have to follow Mary?” she said, despondent.
The audience laughed in sympathy.
Lifestyle
‘The Invite’ is a marriage comedy with sex and heart
Lifestyle
L.A. Affairs: It’s hot when a man drives to me. But would this new guy make the trek from the Valley?
I met Dan on Hinge.
He lives in Woodland Hills, and I live in Venice. In Los Angeles, this is considered a long-distance relationship. In another city it might be nothing. Here, it’s a factor.
But I believe that with the right person, you can make anything work, so I stay open. I’m a native New Yorker, and if I were living in Brooklyn and a guy lived on the Upper West Side, that would be a 45-minute subway ride, which is truly nothing in New York. So with that same logic, I try to have flexibility with men in L.A.
When we started planning our first date, Dan suggested three options: a hike on mushrooms, a wine tasting or a walk on the beach.
A hike on mushrooms is something I’d only do with someone I already trust, not someone I just met online. I don’t do first-date hikes because I don’t like feeling trapped if the guy’s a dud. So I chose the wine tasting.
Then I learned the wine tasting was in West Hills.
On a Friday night, driving there from Venice would be insane. So I said I didn’t want to meet there because of the traffic. He suggested Malibu. That was also not ideal on a Friday.
I was getting annoyed — this was a pink flag because in my dating world, the guy is supposed to come to the woman’s neighborhood in the early days. I’ve gone out with plenty of men from the Valley who effortlessly suggested they come to me. It’s not rare or impossible.
I suggested he come to the Westside. I didn’t specifically say Venice, and in hindsight, I probably should have. He landed on Brentwood, which was manageable for both of us. On our first date, we met at an Irish pub on Wilshire Boulevard. He was cuter and more interesting than I had expected, and with the Guinness flowing, we had fun.
When I got home, he texted me: “Well, I like you 🙂 Less the tik tok and the lack of rock music in your life, but it’s not a deal breaker — there are other qualities 🙂 What are your thoughts?”
I noticed the slight negativity but was mostly dazzled that a man texted immediately after the date to say he liked me. In the modern dating economy, this felt rare.
The next day, both of our evening plans fell through, so we made a last-minute date. The wine tasting he originally suggested still sounded like fun, and although it meant me driving to the Valley, I was up for it now that we’d met.
We sipped flights at Malibu Wines & Beer Garden in its airy, romantic courtyard and played a flirty version of Truth or Dare. Halfway through, he dared me to kiss him.
We ended with sushi on Ventura Boulevard and a short make-out session in his car. He invited me to Thanksgiving at his uncle’s, which felt too soon, but also sweet.
After the second date, he texted and said he had his kids that week and was also hosting an event on Thursday, so his only day to meet was Wednesday. I said great.
On Tuesday night, he checked if we were still on, and I said yes.
Then he texted: “I’m flexible on time but not on location. I have a big event on Thursday, hopefully you can come to me again.”
My stomach tightened. This again?
So I texted back: “I drove to you last time, which was a bit of an exception for me especially in the early days, but the wine tasting location sounded special. Usually guys come to my area. How about we switch it up this time?”
He replied: “I appreciate the effort! Because of my event, I’d rather be close to a computer just if needed … Here is what i offer:
— I’ll come to your area anytime next week/end
— Lunch/dinner on me
I want to continue where we stopped last time 😉 No pressure of course, but let’s snuggle”
I responded: “Ok let’s meet next week. Snuggles sound nice … let’s see what happens …”
Then he wrote: “So I won’t see you tomorrow?”
I replied: “Unless you wanna come to me and bring your laptop along, let’s rain check until you have more flexibility.”
He said: “Dang, you are hard. I’ll let you know tomorrow around midday if it’s ok.”
And then — surprise — he decided to come.
He drove to Venice for a 5 p.m. date. He said his ETA was 5 p.m., and it ended up being 5:25 p.m., typical 405 Freeway.
When he showed up, he was in a cranky mood. On our way to KazuNori in Marina del Rey, I thanked him for picking me up and told him I think it’s hot when the guy comes to the girl.
“You’re just saying that because you want me to come to you more,” he said, not playfully, but aggressively.
That was basically the end for me. But there I was, in his car, heading to dinner. So I stayed pleasant and tried to make the best of it.
I shared that in the early stages of dating, I find it’s good etiquette for the guy to come to the woman’s neighborhood. He immediately disagreed and started ranting about how dating rules are ridiculous and how they swing in women’s favor. He resented paying for dates and declared he wasn’t looking to “sponsor a woman’s life.”
“If women want equality and equal rights,” he said, “then it should apply all across the board, including dating, and the man shouldn’t have to pay.”
I said women don’t actually have equal rights because we get paid less than men and often receive lower salaries than men in the same position.
I tried to change the subject and reset the mood, but he insisted we keep hashing it out.
I tried to explain masculine/feminine dynamics: providing and protecting, giving and receiving.
“What does the man get out of this arrangement?” he asked.
It was like watching someone’s personality warp into Mr. Hyde. Then he brought up another point: He’s a single dad of two kids, so he gets tired; and because I don’t have kids, that should factor into who drives where.
At this point, I was barely engaging and focused on eating my hand rolls, and I couldn’t wait to get home.
The check came, and I happily split it, wanting nothing further from him.
In the car back to my place, he remarked: “It’s obvious we’re never gonna see each other again.”
Obvious, but did it need to be stated?
Then he showed me a Spotify playlist he’d made for me of his favorite electronic music, because he knows I like EDM.
“Oh, that’s sweet,” I said.
“Yeah, that’s how I show interest. Through things like this, not who drives to who,” he replied.
When I got out of the car, we wished each other luck, and I headed inside and shut the door.
Two hours later, he sent me the playlist. I’ve yet to listen to it.
It wasn’t the distance that ruined it. It was the resentment. I’m not looking for a man who feels burdened by the effort. I’m looking for a man who sees the value of courting a woman in the first place.
The author is a writer, comedian and former psychologist who lives in Venice. She is the creator of the new vertical series “Manfari.” She’s on Instagram: @solange_neue and @manfari.show.
L.A. Affairs chronicles the search for romantic love in all its glorious expressions in the L.A. area, and we want to hear your true story. We pay $400 for a published essay. Email LAAffairs@latimes.com. You can find submission guidelines here. You can find past columns here.
Lifestyle
Smithsonian chief emphasizes ‘accuracy and integrity’ after White House report
Lonnie Bunch III is the 14th Secretary of the Smithsonian. He’s pictured above in September 2017.
J. Scott Applewhite/AP
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J. Scott Applewhite/AP
In a memo addressed to staffers sent Tuesday, the secretary of the Smithsonian, Lonnie G. Bunch III, defended the institution after the White House issued a 162-page report that characterizes the National Museum of American History as a place which has become “subject to institutional capture by a radical, activist ideology that is fundamentally opposed to telling the noble, honest story of the great country we know and love.”
In his email, which NPR has obtained, Bunch wrote in part: “While there will always be room for improvement, this report is not a fair characterization of the work and totality of the National Museum of American History. At the Smithsonian, our work is driven by scholarship, accuracy and an uncompromising commitment to tell the fullness of America’s story. As public servants and the keepers of this institution, we are charged with helping a nation find understanding, hope and clarity and as part of that duty, we are dedicated to excellence, reflection and growth.”

He continued: “We remain focused on what grounds us: a steadfast commitment to scholarship, nonpartisanship, independence, accuracy and integrity. For nearly 180 years, the Smithsonian has worked alongside partners across government — from the White House to Congress to our governing Board of Regents — guided by our enduring mission to increase and diffuse knowledge. That purpose remains: to pursue knowledge with rigor and to serve the American public with clarity and care.”
The White House report was issued on July 4 by the Domestic Policy Council under the title “Saving America’s Story: How Ideological Capture at the Smithsonian Institution’s National Museum of American History Erases Our Heritage.”

The council faults the National Museum of American History on a multitude of fronts, saying it underemphasized the Founding Fathers and early colonial and Revolutionary history; was not sufficiently celebratory of the country’s 250th anniversary; and that it engaged in “anti-white,” “illegal alien” and transgender activism.
It also accuses the museum of trying to “indoctrinate” teachers and students through its exhibitions, programming and teaching resources.
In the report, the council also specifically criticizes museum director Anthea Hartig, who has led the National Museum of American History since 2019 and is concurrently the president of the Organization of American Historians, calling her “an activist advancing an ideological agenda contradictory to the museum’s founding purpose of fostering patriotism.”

The Trump administration has made the Smithsonian museums one of its primary targets in its efforts to reshape cultural narratives to align with its viewpoints. In August 2025, the White House requested a “comprehensive internal review” of eight Smithsonian museums, including the National Museum of American History, following an executive order issued by President Trump in March 2025 in which he called for the removal of “improper ideology” from the Smithsonian’s offerings.
According to the Smithsonian’s charter, all of its 21 museums, 14 education and research centers, and the National Zoo are meant to be run independently of the federal government. The Smithsonian is overseen by Bunch and a board of regents, which includes Vice President Vance, Supreme Court Chief Justice John Roberts and other members appointed by Congress.
In an interview with NBC’s Meet the Press on Sunday, Bunch spoke about the Smithsonian’s 250th anniversary special exhibition at the Smithsonian Castle, which is called “American Aspirations.”
He told NBC: “It’s really important for people to understand that America is much an ideal as it is a place, that it’s a series of aspirations that have really shaped who this country is. And so for me, what is so powerful is to say, ‘Let us honor the words of Thomas Jefferson and the founders, but let us use those to challenge us to be better.’”
Jennifer Vanasco edited this story.

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