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These films took home top awards at Sundance — plus seven our critic loved

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These films took home top awards at Sundance — plus seven our critic loved

Miles Gutierrez-Riley, John Slattery, Ben Wang, Ken Marino, and Zoey Deutch in Gail Daughtry and the Celebrity Sex Pass, from director David Wain.

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Sundance Institute

2026 was an especially notable year for the Sundance Film Festival: it was the first without its legendary founder Robert Redford, who died last year, and it was the last to be held in Park City, Utah. Beginning next year, the fest will relocate to Boulder, Colo. for the foreseeable future.

As Sundance said goodbye to its home of over 40 years and honored Redford’s legacy, protests continued in Minnesota and across the country due to the escalated presence of Immigration and Customs Enforcement. Alex Pretti was killed by federal agents on day three of Sundance, and at least one protest against ICE took place in Park City afterward. A man was arrested for assaulting Florida Congressman Maxwell Frost at a Sundance party; on social media, Frost said the man yelled racist slurs and said President Trump was going to deport Frost.

And in the middle of it all: movies. Sundance awards were announced on Friday; Josephine, director Beth de Araújo’s intense family drama, won the U.S. Dramatic Grand Jury Prize (more on that below), and Nuisance Bear, Gabriela Osio Vanden and Jack Weisman’s film set in Churchill, Manitoba, the “Polar Bear Capital of the World,” won the U.S. Documentary Grand Jury Prize. (You can see the full list of winners here.)

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I was on the ground for the first few days of the fest and then caught up with more films at home during the virtual portion. Here are a few of my favorites.

Once Upon a Time in Harlem

Aaron Douglas, Jean Blackwell Hutson, Nathan Huggins, Richard Bruce Nugent, Eubie Blake and Irvin C. Miller in Once Upon A Time In Harlem.

Aaron Douglas, Jean Blackwell Hutson, Nathan Huggins, Richard Bruce Nugent, Eubie Blake and Irvin C. Miller in Once Upon A Time In Harlem.

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William Greaves Productions/Sundance Institute

Hands down, the best film I saw is simultaneously old and new: In 1972, groundbreaking filmmaker William Greaves convened an intellectual gathering of the living dignitaries of the Harlem Renaissance at the palatial home of Duke Ellington. The project remained unfinished until now; it’s finally been restored and completed by Greaves’ son David, who served as a cameraman all those years ago. (William died in 2014.) What was captured is a priceless, crucial, and riveting piece of history — notable figures like actor Leigh Whipper, journalist Gerri Major, visual artist Aaron Douglas, and activist Richard B. Moore engaging in vivid anecdotes and passionate debates about that cultural movement and how it should be remembered. The excavation of such history feels nothing short of monumental.

Josephine

Gemma Chan, Mason Reeves and Channing Tatum appear in Josephine

Gemma Chan, Mason Reeves and Channing Tatum in Josephine from director Beth de Araújo.

Greta Zozula/Sundance Institute


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The buzziest film out of Sundance is probably Beth de Araújo’s sophomore feature starring Channing Tatum and Gemma Chan as the parents of Josephine (Mason Reeves), an 8-year-old girl who witnesses a horrific crime in San Francisco’s Golden Gate Park. And for good reason; while I have critiques of some of de Araújo’s filmmaking choices, she’s crafted a tense and mostly affecting drama with a very strong performance from Reeves, who carries much of the film’s emotional weight.

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Gail Daughtry and the Celebrity Sex Pass

Some movies at the fest were exceptionally horny this year; two projects involving Olivia Wilde, The Invite and I Want Your Sex, were all about the pleasures and frictions of sexual expression. But the raunchy offering that worked best for me was David Wain’s silly and delightful tale of small-town hairdresser Gail Daughtry (Zoey Deutch), who sets out to even the scoreboard after her fiancé unexpectedly winds up using his celebrity “hall pass.” In her quest to track down and sleep with her celebrity crush, she picks up some new friends along the way, Wizard of Oz-style, including a paparazzi photographer (co-writer Ken Marino) and an overconfident, low-level employee at Creative Artists Agency (Ben Wang, the movie’s secret weapon). Jokes about Los Angeles and the cult of celebrity fly fast and free and fun cameos abound; look out for many of Wain’s frequent collaborators.

Filipiñana

Rafael Manuel’s feature debut is an incisive, slow-burning satire of capitalism and powerful men with far too much hubris — basically, a story for our times. It’s set almost entirely on a country club in the Philippines, where the shy and observant Isabel (Jorrybell Agoto) works as a tee girl and crosses paths with the club’s president Dr. Palanca (Teroy Guzman). Manuel’s visual eye is quirky and astute, with gorgeous shots of the pristine golf grounds and other amenities serving as the backdrop for far more sinister happenings.

Frank & Louis

Kingsley Ben-Adir and Rob Morgan in Frank & Louis, directed by Petra Biondina Volpe.

Kingsley Ben-Adir and Rob Morgan in Frank & Louis, directed by Petra Biondina Volpe.

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Prison dramas are tough to pull off without veering too heavily into stereotypes and trauma porn, but director Petra Biondina Volpe and co-writer Esther Bernstorff find a unique and profound way in here. Kingsley Ben-Adir plays Frank, who’s serving a life sentence but is coming up for parole. He takes a job caring for other inmates who are experiencing cognitive decline, and is assigned to the prickly and unpredictable Louis (Rob Morgan). The premise is familiar, but the execution is refreshing; the script frankly interrogates the thorny concept of punishment and redemption, and the excellent Ben-Adir and Morgan find humanity within their morally fraught characters.

Carousel

Rachel Lambert’s latest plays like a loving throwback to the intimate, adult romantic melodramas that were in abundant supply before the 2000s. Chris Pine (giving serious Robert Redford in The Way We Were energy) and Jenny Slate play former childhood friends and one-time romantic partners who reconnect after many years and attempt to make it work again. The chemistry between these two is off the charts, whether they’re tentatively yet tenderly falling into an embrace or arguing about each other’s flaws.

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The Gallerist

Your mileage may vary with Cathy Yan’s artworld farce, but I had a great time with this, in which Natalie Portman plays a struggling gallery owner who attempts to sell a dead body “disguised” as part of a sculpture, during Art Basel Miami. The ensemble is stacked — Jenna Ortega, Catherine Zeta-Jones, Da’Vine Joy Randolph, and Sterling K. Brown, just for starters — and they all seem to be having a blast. Layer in some commentary about art, commerce, and influencer culture (the increasingly ever-present Charli XCX also has a small role here), and there’s plenty here to take in.

Lifestyle

‘Scream 7’ takes a weak stab at continuing the franchise : Pop Culture Happy Hour

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‘Scream 7’ takes a weak stab at continuing the franchise : Pop Culture Happy Hour

Neve Campbell in Scream 7.

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The OG Scream Queen Neve Campbell returns. Scream 7 re-centers the franchise back on Sidney Prescott. She has a new life, a family, and lots of baggage. You know the drill: Someone dressing up as the masked slasher Ghostface comes for her, her family and friends. There’s lots of stabbing and murder and so many red herrings it’s practically a smorgasbord.

Follow Pop Culture Happy Hour on Letterboxd at letterboxd.com/nprpopculture

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Smoke a joint and get deep with flowers at this guided floral design workshop in DTLA

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Smoke a joint and get deep with flowers at this guided floral design workshop in DTLA

Abriana Vicioso is the host of the Flower Hour, which takes place monthly.

(Jennifer McCord / For The Times)

Each flower carries a personal history. For Abriana Vicioso, the calla lily was her parents’ wedding flower — a symbol of her mother’s beauty. “She had this big, beautiful white calla lily in her hair,” Vicioso says. “I love my parents. They’re the reason I’m here. I’ll never forget where I came from.”

The Flower Hour begins with Vicioso announcing, with a warm smile: “Today is about touching grass.” The florist-by-trade gestures behind her to hundreds of flowers contained in buckets — blue thistles, ivory anemones and calla lilies painted silver — all twisted and unfurling into the air. “Tonight is going to be so sweet and intimate,” Vicioso says, eyeing the beautiful chaos at her feet. A grin buds across her face.

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Moments before the workshop, participants sit at candlelit tables exchanging horoscopes and comparing their favorite flowers. A mention of the illustrious bird-of-paradise flower elicits coos and awe from the women. Izamar Vazquez, who is from Jalisco, Mexico, reveals her fondness for roses, which make her feel connected to her Mexican roots.

Vicioso hosts her flower-themed wellness workshop near the iconic Original Los Angeles Flower Market in downtown L.A. In January, the first Flower Hour event sold out, prompting her to make it a monthly series. Vicioso describes the event as a “three-part journey” where participants are invited to drink herbal tea, smoke rose-petal-rolled cannabis joints and create a floral arrangement. “The guide is to connect with the medicine of flowers,” Vicioso says.

Rose petal joints, tea and flower arranging are all part of The Flower Hour event's offerings.
Herbal tea is part of the event's offerings.
Floral arranging is the main activity.

Rose petal joints, tea and flower arranging are all part of The Flower Hour event’s offerings.

The event is hosted at the Art Club, a membership-based co-working space. “The Flower Hour is really beautiful. Everyone gets to explore their creativity while meeting new people,” says Lindsay Williams, the co-owner of the Art Club.

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The idea for Flower Hour came to Vicioso during a conversation with her mother. “We joke all the time that flowers were destined to make their way into my life,” she says. She works as a florist and models on the side, even appearing in the pages of Vogue. Vicioso grew up in a Caribbean household, where flowers and offerings were part of daily life. “In my culture and religion, a lot of my family practices — an Afro-Caribbean religion — we build altars.”

Like many cultures, flowers carry sentimental value in her religion. “I’m Caribbean, so a lot of my family practices a Yoruba religion, which comes from Africa. In the Caribbean, it’s well known as Santería.”

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After a difficult year and a breakup, Vicioso wanted to marry her love of flowers with community building. Because Vicioso uses cannabis medicinally, the workshop naturally includes a smoking component. “My family has smoked cannabis for a lot of reasons for a long time. It’s a really healing plant,” she explains.

In the workshop, even the cannabis gets the floral treatment. Vicioso presents her rose-petal-wrapped joints on a silver platter at each table. She rolled each by hand. “If you’ve never smoked a rose-petal-rolled joint, the difference with this is it’s going to have roses that have a slight tobacco effect,” she announces.

During the workshop, Vicioso stresses the importance of buying cannabis from local vendors. The cannabis provided was purchased from a Northern Californian vendor. The wellness workshop aims to reclaim the healing ritual of smoking cannabis. “This is a plant that has been commercialized,” Vicioso says. “There’s a lot of Black and Brown people who are in jail for this plant.”

The resulting workshop is what Vicioso describes as “an immersive wellness experience that is the intersection of wellness, creativity, community and an appreciation of flowers.” The workshop serves as a reminder to enjoy Earth’s innate beauty in the form of flowers — including cannabis. “It’s this gift that the universe gave us for free and that I have this deep connection with,” Vicioso says.

Conversation cards to generate discussion among participants (left). The workshop serves as a "third space" for Angelenos to engage in tactile creativity and community building outside of traditional nightlife settings.
LOS ANGELES, CA -- FEBRUARY 22, 2026: Participants smoke marijuana during The Flower Hour, a floral design workshop + floral smoke sesh at The ArtClub in downtown. Photographed on Sunday, February 22, 2026. (Jennifer McCord / For The Times)
LOS ANGELES, CA -- FEBRUARY 22, 2026: The Flower Hour is a floral design workshop + floral smoke sesh at The ArtClub in downtown. Photographed on Sunday, February 22, 2026. (Jennifer McCord / For The Times)

Conversation cards to generate discussion among participants (top, letf). The workshop serves as a “third space” for Angelenos to engage in tactile creativity and community building outside of traditional nightlife settings.

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After enjoying lavender chamomile tea and smoking a joint, Vicioso introduces the flowers to the group before inviting them to pick their own. She emphasizes each flower’s personality traits, describing green dianthus as a “Dr. Seuss” plant. Then, there are calla lilies with their “main character moment.” It gets personal. “Start thinking of a flower in your life that you can discover,” she says. “If you’re feeling like you need inspiration, you can always remember that these flowers have stories.”

Vicioso infuses wisdom into her instruction on floral arrangements: There are no mistakes. Let the flowers tell you where they want to go, she urges. Intuition will be your guide — the wilder, the better.

“Hecho in Mexico” reads a sticker on a bunch of green stems. “Like me,” says Vazquez with a laugh. “They’re all doing their own thing. Like a family,” she says later, arranging stems.

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The Flower Hour participants and Vicioso, center, chat as they build their own floral arrangements.

The Flower Hour participants and Vicioso, center, chat as they build their own floral arrangements at the sold-out event.

Two participants — Vazquez and Rebeca Alvarado — are friends who run a floral design company together called Izza Rose. Like Vicioso, the friends have a connection to flowers through their Latin American culture. They met Vicioso in the floral industry and were overjoyed to discover her workshop.

“This is a great way to connect with other people,” says Vazquez.

Alvarado agrees, adding: “You’re getting to know people outside of going to bars. You can connect in different ways when there’s an activity.”

Vazquez uses flowers to stay connected to her Mexican heritage, adding that she prefers to support Mexican vendors. In recent months, the downtown L.A. flower market has struggled to recover from ongoing ICE raids. “Some are scared to come back,” says Vazquez.

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Hand-rolled cannabis joints wrapped in rose petals are presented on a silver platter at The ArtClub (top, right). The Flower Hour aims to reclaim the healing rituals of cannabis and flowers.
LOS ANGELES, CA -- FEBRUARY 22, 2026: The Flower Hour is a floral design workshop + floral smoke sesh at The ArtClub in downtown. Photographed on Sunday, February 22, 2026. (Jennifer McCord / For The Times)
LOS ANGELES, CA -- FEBRUARY 22, 2026: The Flower Hour is a floral design workshop + floral smoke sesh at The ArtClub in downtown. Photographed on Sunday, February 22, 2026. (Jennifer McCord / For The Times)

Hand-rolled cannabis joints wrapped in rose petals are presented on a silver platter at The ArtClub (top, right). The Flower Hour aims to reclaim the healing rituals of cannabis and flowers.

Another participant, Barbara Rios, was attracted to the workshop for stress relief. “You can hang out with your friends, but it’s nice to do things with your hands,” she says. “I work a stressful job, and it’s nice to have that third space that we’re all craving.”

On this February night, the participants were predominantly women, save for one man. In the future, Vicioso hopes that more men learn to engage with flowers. “There’s a statistic about men receiving flowers for the first time at their funerals, and I think we have changed that,” she says.

To conclude the workshop, Vicioso encourages participants to build lasting friendships and incorporate flower arranging into their daily practice — even if it’s just with a small, inexpensive bouquet.

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“Get some flowers together, go to the park, hang out with each other and hang out with me,” she says. Participants leave with flower arrangements in hand. In the darkness of the night air, it briefly looks as though the women carry silver calla lilies that are blooming from their palms.

A finished floral arrangement.

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‘Wait Wait’ for February 28. 2026: Live in Bloomington with Lilly King!

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‘Wait Wait’ for February 28. 2026: Live in Bloomington with Lilly King!

An underwater view shows US’ Lilly King competing in a heat of the women’s 200m breaststroke swimming event during the Paris 2024 Olympic Games at the Paris La Defense Arena in Nanterre, west of Paris, on July 31, 2024. (Photo by François-Xavier MARIT / AFP) (Photo by FRANCOIS-XAVIER MARIT/AFP via Getty Images)

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This week’s show was recorded in Bloomington, Indiana with host Peter Sagal, judge and scorekeeper Bill Kurtis, Not My Job guest Lilly King and panelists Alonzo Bodden, Josh Gondelman, and Faith Salie. Click the audio link above to hear the whole show.

Who’s Bill This Time

State of the Union is Hot; The Tribal Council Convenes Again; A Glow Up In the Doll Aisle

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Panel Questions

The Toot Tracker

Bluff The Listener

Our panelists tell three stories about a travel hack in the news, only one of which is true.

Not My Job: Olympic Swimmer Lilly King answers our questions about Lil’ Kings

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Olympic Swimmer Lilly King plays our game called, “Lilly King meet these Lil’ Kings” Three questions about short kings.

Panel Questions

Cleaning Out The Cabinet; Bedtime Stacking

Limericks

Bill Kurtis reads three news-related limericks: Getting Cozy With Cross Country Skiing; Pickleball’s New Competition; Bees Get Freaky

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Lightning Fill In The Blank

All the news we couldn’t fit anywhere else

Predictions

Our panelists predict, after American Girls, what’ll be the next toy to get an update.

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