Lifestyle
The world's largest wildlife crossing is finally standing. Here is what's coming next
• The Wallis Annenberg Wildlife Crossing now spans the 101 Freeway in Agoura Hills, but weather issues have pushed completion to sometime in 2026.
• Builders plan to cover the crossing with “engineered” soil inoculated with local microbes early next year so more than 5,000 native shrubs and wildflowers can be planted.
• But the crossing won’t be connected to the mainland until Stage 2, when many tons of earth must be moved to create a safe elevated passage over one of the state’s busiest freeways.
It doesn’t take a hawk eye to recognize that the Wallis Annenberg Wildlife Crossing over the 101 Freeway in Agoura Hills is not your normal Caltrans project.
For one thing, there’s the color. Most Caltrans structures are the light gray of natural concrete. But to reduce reflectivity and help the crossing blend in more with the surrounding land, the new crossing’s 27 million pounds of concrete have been colored a shade dubbed “dusty mocha” by the project’s lead designer, Robert Rock, a landscape architect for Chicago-based Rock Design Associates.
The official name, however, is Federal Standard Color 595-33105, a hue “inspired,” Rock said, by the soil around the crossing that will eventually provide wildlife safe passage between the Santa Monica Mountains to the south and the Simi Hills and Santa Susana Mountains to the north when the project is completed.
For the record:
9:23 a.m. Oct. 29, 2024An earlier version of this story incorrectly reported that Robert Rock works for Living Habitats. He now has his own firm, Rock Design Associates. It also incorrectly reported that Katherine Pakradouni was the founder of the project’s nursery. She was the former manager.
When the project began in 2022, the end date was projected to be late 2025, but severe rain and heat the past two years caused delays that have pushed completion to sometime in 2026, said Rock. Weather extremes can wreak havoc on construction projects, especially when they involve so much concrete, he added.
Concrete molds for new signage on the Wallis Annenberg Wildlife Crossing.
(Brian van der Brug / Los Angeles Times)
Nonetheless, there’s been plenty of progress. The crossing now spans the 101, and up on the deck — 21 feet and 8 inches above the freeway — there’s a marked difference from the noise on the ground, where the traffic is so loud it’s hard to have a shouted conversation (unless all you’re saying is “What?!”).
On Oct. 16, Caltrans senior bridge engineer Darwin Vargas led a group to the top of the structure, promising serenity once we stepped on the deck. He was right. At the top, the deck looks like a moonscape, and the roar of rushing cars and trucks was barely discernible, thanks to the thick, 12-foot-tall sound walls on either side of the structure, which is slightly wider than an American football field and about three-quarters its length.
Landscape designer Robert Rock looks down from the temporary stairs leading to the deck on the south side of the Wallis Annenberg Wildlife Crossing. The area where the stairs are now will be filled in with soil, covering a tunnel over Agoura Road to create a gradual slope off the crossing to the Santa Monica Mountains.
(Brian van der Brug / Los Angeles Times)
On that day, workers were using power tools (and even those sounds were muffled) to smooth the sides and surface of the concrete deck, preparing it for the next steps — waterproofing the concrete and covering it with heavy rubber sheets about 2 inches thick. After that will come a “giant mattress of gravel” 12 inches deep, Rock said, laced with perforated pipes to collect runoff and direct it into Liberty Canyon Creek.
It’s hard to tell as you’re driving underneath, but the crossing is slightly slanted, about two feet lower on the north end than the south to help drain off any moisture, because the last thing you want on a concrete structure is a lot of standing water.
This space will be off-limits to humans once the crossing is completed, with locked gates to keep people out and discreet fencing to guide wildlife away from nearby homes into the wild hills beyond. The crossing is designed to feel like an extension of the hills and valleys in the area to re-create the seamless corridor that existed before the noisy, busy freeway made passage so dangerous.
Senior bridge engineer Darwin Vargas pauses on the maintenance walkway on the east edge of the wildlife crossing, with one of the 12-foot-tall soundproofing walls to the right. The area between the walkway and sound wall will be planted; the wildlife will cross in the wide expanse on the other side of the wall.
(Brian van der Brug / Los Angeles Times)
Once the gravel is in place, the builders will add about 6,000 cubic yards of “engineered soil” to the structure, Rock said. It’s a sandy loam mixed with lightweight volcanic aggregate to provide the volume and moisture needed to support plant life while reducing the weight on the structure and allowing for easy drainage.
That quantity of soil is enough to cover three-quarters of an American football field in about 2.5 feet of soil, he said, but on the crossing, the “ground” will be higher in some places than others, contoured to mimic the dips and dents one might find on nearby hills.
The engineered soil will also be inoculated with mycorrhizal fungi spores collected within five miles of the crossing, the same spores added to the soils growing the 5,000-plus hyper-local native shrubs and wildflowers that will be planted on the crossing. The plants are considered “hyper-local” because they are grown from seeds that were collected within a five-mile radius of the structure, Rock said.
Soil scientist Ted Hartsig at the special nursery growing native plants for the Wallis Annenberg Wildlife Crossing.
(Brian van der Brug / Los Angeles Times)
“We’ve got to have the right microbes in order for these locally sourced seeds to flourish,” said Ted Hartsig, a soil scientist for the engineering company Olsson, one of many contractors working on the crossing.
If all this sounds a little fiddly, well, just understand that it’s tough to mimic Mother Nature. Success is in the details, and there are more than a 100 people led by Rock trying to ensure that every detail is done correctly.
After all the soil is in place, they plan to start planting early next spring, Rock said. The project has two nursery sites now: a seed bank near Paramount Ranch and the main nursery off Las Virgenes Road in Calabasas, where thousands of seeds have been planted in tiny flats and then repotted to grow large enough to be planted.
Jewlya Samaniego and Jose Campos, co-managers of the Wallis Annenberg Wildlife Crossing, prune one-gallon containers of white sage slated for planting on the crossing next year.
(Brian van der Brug / Los Angeles Times)
Those seeds were collected in 2022 by the nursery’s former manager, Katherine Pakradouni, who has since moved on to another position. The people who helped her set up the nursery, Jewlya Samaniego and Jose Campos, now run the site together and put in so many long hours that some people have questioned whether they live there. They don’t, Samaniego said laughing, but there are time it feels that way, especially during the heavy rains last winter and the scorching heat this summer.
Native plants don’t need much water once they’re established in the ground, but growing in little pots that dry out quickly, that’s another matter, Campos said. During the highest heat, they had to water the plants twice a day to keep them alive, and they finally created a shaded area to protect tender seedlings from the heat.
Most of the plants growing at the nursery will be planted on the structure next year: native shrubs such as white sage, California fuchsia, California buckwheat, sagebrush, purple sage, black sage, toyon and laurel sumac, along with a variety of native grasses.
The hope is that the plants will be robust enough — thanks to the beneficial microbes — to crowd out the black mustard and other invasive plants growing nearby, Rock said. Once established, the plants shouldn’t need much water, but the crossing will have an irrigation system installed that can be activated to wet down the crossing in the event of a wildfire.
Stage 2 involves creating a tunnel over Agoura Road to the south to create a gradual slope that will allow animals to wander off the crossing into the Santa Monica Mountains. To the north, a deep gash in the hill will also be filled with soil, to create a sloping entry from the Simi Hills onto the crossing.
Soil scientist Ted Hartsig holds a handful of soil teeming with beneficial mycorrhizal fungi that will be used to inoculate the wildlife crossing growing media.
(Brian van der Brug / Los Angeles Times)
Those areas will have similar plantings along with native oaks and other native trees, which can’t be planted on the crossing because their roots run too deep, Rock said.
The nursery is growing those plants from seed too. The plants have been moved to the growing area called the “seed bank” near Paramount Ranch, he said. The goal is to collect seeds from them until they’re ready to be moved to their permanent homes on the shoulders that link the crossing to the hills, which likely won’t be until 2026.
Rock said they’re doing the planting in stages so the plants on the crossing have a year to get established before wildlife can reach them. Otherwise, the young plants could be nibbled to death by hungry travelers.
The design work for Stage 2 is nearly completed, Rock said, but it will likely take a good part of 2025 to get the tunnel over Agoura Road completed.
A view of traffic on the 101 Freeway, looking west, from the top of the Wallis Annenberg Wildlife Crossing. Once the work is completed, the 12-foot-tall sound wall will obscure the sight and sounds of the freeway from animals crossing between the Santa Monica Mountains and the Simi Hills.
(Brian van der Brug / Los Angeles Times)
Then there will be lots of earth to move. Much will come from the north side of the crossing, where fill dirt was deposited from the 101 expansion in the 1950s and 1960s, said Rock.
The shoulders will have to be filled in slowly, a little at a time on each side, said Vargas. Too much soil on one side could destabilize the structure, causing it to topple, he said, “which would be really, really sad.”
Once the fill soil is in place, the builders will add a final layer of top soil, a rich mix that was dredged from the bottom of Malibu Lake 70 years ago and has been resting near Paramount Ranch ever since, teeming with the beneficial microbes so important to this project’s success.
All that won’t happen for another year at least. On Oct. 16, the only animals on the structure were human, but high above, circling in the brilliant blue sky, a hawk was keeping tabs.
Lifestyle
‘Scream 7’ takes a weak stab at continuing the franchise : Pop Culture Happy Hour
Neve Campbell in Scream 7.
Paramount Pictures
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Paramount Pictures
The OG Scream Queen Neve Campbell returns. Scream 7 re-centers the franchise back on Sidney Prescott. She has a new life, a family, and lots of baggage. You know the drill: Someone dressing up as the masked slasher Ghostface comes for her, her family and friends. There’s lots of stabbing and murder and so many red herrings it’s practically a smorgasbord.
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Lifestyle
Smoke a joint and get deep with flowers at this guided floral design workshop in DTLA
Abriana Vicioso is the host of the Flower Hour, which takes place monthly.
(Jennifer McCord / For The Times)
Each flower carries a personal history. For Abriana Vicioso, the calla lily was her parents’ wedding flower — a symbol of her mother’s beauty. “She had this big, beautiful white calla lily in her hair,” Vicioso says. “I love my parents. They’re the reason I’m here. I’ll never forget where I came from.”
The Flower Hour begins with Vicioso announcing, with a warm smile: “Today is about touching grass.” The florist-by-trade gestures behind her to hundreds of flowers contained in buckets — blue thistles, ivory anemones and calla lilies painted silver — all twisted and unfurling into the air. “Tonight is going to be so sweet and intimate,” Vicioso says, eyeing the beautiful chaos at her feet. A grin buds across her face.
Moments before the workshop, participants sit at candlelit tables exchanging horoscopes and comparing their favorite flowers. A mention of the illustrious bird-of-paradise flower elicits coos and awe from the women. Izamar Vazquez, who is from Jalisco, Mexico, reveals her fondness for roses, which make her feel connected to her Mexican roots.
Vicioso hosts her flower-themed wellness workshop near the iconic Original Los Angeles Flower Market in downtown L.A. In January, the first Flower Hour event sold out, prompting her to make it a monthly series. Vicioso describes the event as a “three-part journey” where participants are invited to drink herbal tea, smoke rose-petal-rolled cannabis joints and create a floral arrangement. “The guide is to connect with the medicine of flowers,” Vicioso says.
Rose petal joints, tea and flower arranging are all part of The Flower Hour event’s offerings.
The event is hosted at the Art Club, a membership-based co-working space. “The Flower Hour is really beautiful. Everyone gets to explore their creativity while meeting new people,” says Lindsay Williams, the co-owner of the Art Club.
The idea for Flower Hour came to Vicioso during a conversation with her mother. “We joke all the time that flowers were destined to make their way into my life,” she says. She works as a florist and models on the side, even appearing in the pages of Vogue. Vicioso grew up in a Caribbean household, where flowers and offerings were part of daily life. “In my culture and religion, a lot of my family practices — an Afro-Caribbean religion — we build altars.”
Like many cultures, flowers carry sentimental value in her religion. “I’m Caribbean, so a lot of my family practices a Yoruba religion, which comes from Africa. In the Caribbean, it’s well known as Santería.”
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After a difficult year and a breakup, Vicioso wanted to marry her love of flowers with community building. Because Vicioso uses cannabis medicinally, the workshop naturally includes a smoking component. “My family has smoked cannabis for a lot of reasons for a long time. It’s a really healing plant,” she explains.
In the workshop, even the cannabis gets the floral treatment. Vicioso presents her rose-petal-wrapped joints on a silver platter at each table. She rolled each by hand. “If you’ve never smoked a rose-petal-rolled joint, the difference with this is it’s going to have roses that have a slight tobacco effect,” she announces.
During the workshop, Vicioso stresses the importance of buying cannabis from local vendors. The cannabis provided was purchased from a Northern Californian vendor. The wellness workshop aims to reclaim the healing ritual of smoking cannabis. “This is a plant that has been commercialized,” Vicioso says. “There’s a lot of Black and Brown people who are in jail for this plant.”
The resulting workshop is what Vicioso describes as “an immersive wellness experience that is the intersection of wellness, creativity, community and an appreciation of flowers.” The workshop serves as a reminder to enjoy Earth’s innate beauty in the form of flowers — including cannabis. “It’s this gift that the universe gave us for free and that I have this deep connection with,” Vicioso says.
Conversation cards to generate discussion among participants (top, letf). The workshop serves as a “third space” for Angelenos to engage in tactile creativity and community building outside of traditional nightlife settings.
After enjoying lavender chamomile tea and smoking a joint, Vicioso introduces the flowers to the group before inviting them to pick their own. She emphasizes each flower’s personality traits, describing green dianthus as a “Dr. Seuss” plant. Then, there are calla lilies with their “main character moment.” It gets personal. “Start thinking of a flower in your life that you can discover,” she says. “If you’re feeling like you need inspiration, you can always remember that these flowers have stories.”
Vicioso infuses wisdom into her instruction on floral arrangements: There are no mistakes. Let the flowers tell you where they want to go, she urges. Intuition will be your guide — the wilder, the better.
“Hecho in Mexico” reads a sticker on a bunch of green stems. “Like me,” says Vazquez with a laugh. “They’re all doing their own thing. Like a family,” she says later, arranging stems.
The Flower Hour participants and Vicioso, center, chat as they build their own floral arrangements at the sold-out event.
Two participants — Vazquez and Rebeca Alvarado — are friends who run a floral design company together called Izza Rose. Like Vicioso, the friends have a connection to flowers through their Latin American culture. They met Vicioso in the floral industry and were overjoyed to discover her workshop.
“This is a great way to connect with other people,” says Vazquez.
Alvarado agrees, adding: “You’re getting to know people outside of going to bars. You can connect in different ways when there’s an activity.”
Vazquez uses flowers to stay connected to her Mexican heritage, adding that she prefers to support Mexican vendors. In recent months, the downtown L.A. flower market has struggled to recover from ongoing ICE raids. “Some are scared to come back,” says Vazquez.
Hand-rolled cannabis joints wrapped in rose petals are presented on a silver platter at The ArtClub (top, right). The Flower Hour aims to reclaim the healing rituals of cannabis and flowers.
Another participant, Barbara Rios, was attracted to the workshop for stress relief. “You can hang out with your friends, but it’s nice to do things with your hands,” she says. “I work a stressful job, and it’s nice to have that third space that we’re all craving.”
On this February night, the participants were predominantly women, save for one man. In the future, Vicioso hopes that more men learn to engage with flowers. “There’s a statistic about men receiving flowers for the first time at their funerals, and I think we have changed that,” she says.
To conclude the workshop, Vicioso encourages participants to build lasting friendships and incorporate flower arranging into their daily practice — even if it’s just with a small, inexpensive bouquet.
“Get some flowers together, go to the park, hang out with each other and hang out with me,” she says. Participants leave with flower arrangements in hand. In the darkness of the night air, it briefly looks as though the women carry silver calla lilies that are blooming from their palms.
Lifestyle
‘Wait Wait’ for February 28. 2026: Live in Bloomington with Lilly King!
An underwater view shows US’ Lilly King competing in a heat of the women’s 200m breaststroke swimming event during the Paris 2024 Olympic Games at the Paris La Defense Arena in Nanterre, west of Paris, on July 31, 2024. (Photo by François-Xavier MARIT / AFP) (Photo by FRANCOIS-XAVIER MARIT/AFP via Getty Images)
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This week’s show was recorded in Bloomington, Indiana with host Peter Sagal, judge and scorekeeper Bill Kurtis, Not My Job guest Lilly King and panelists Alonzo Bodden, Josh Gondelman, and Faith Salie. Click the audio link above to hear the whole show.
Who’s Bill This Time
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Olympic Swimmer Lilly King plays our game called, “Lilly King meet these Lil’ Kings” Three questions about short kings.
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Limericks
Bill Kurtis reads three news-related limericks: Getting Cozy With Cross Country Skiing; Pickleball’s New Competition; Bees Get Freaky
Lightning Fill In The Blank
All the news we couldn’t fit anywhere else
Predictions
Our panelists predict, after American Girls, what’ll be the next toy to get an update.
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