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The Stars Come Out for George Clooney’s ‘Good Night, and Good Luck’ Opening

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The Stars Come Out for George Clooney’s ‘Good Night, and Good Luck’ Opening

In the wake of President Trump unleashing a new series of tariffs that sent markets into a steep decline, a group of stars shoved into the Winter Garden Theater in Midtown Manhattan to see a play that lionizes the press, takes aim at right-wing politicians, and features actors talking about how they wake up in the morning unable to recognize the world around them.

Rachel Maddow and Lawrence O’Donnell of MSNBC were on the right side of the theater, a few rows behind Gayle King of CBS. Uma Thurman and Kylie Minogue hovered nearby.

Even Jennifer Lopez was in the house, though that was not much of a surprise. The co-writer and star of the play she was about to see was George Clooney, who appeared alongside Ms. Lopez in the 1998 Steven Soderbergh caper “Out of Sight.”

The play, “Good Night, and Good Luck,” is an adaptation of the 2005 film that Mr. Clooney directed and that takes place in the 1950s during the height of the red scare.

It tells the story of Edward R. Murrow, the crusading CBS anchorman who used his platform to help bring about the downfall of Senator Joseph R. McCarthy and end a government campaign against suspected American communists.

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Mr. Clooney’s own political leanings are well known. A leading fund-raiser for the Democratic Party, he made news during the last election by writing a guest essay for The New York Times declaring it time for President Joseph R. Biden Jr. to stand down and pass the baton.

In the run-up to the premiere of the play, Mr. Clooney gave an interview to CBS News in which he discussed the essential role journalism plays in a functioning democracy and expressed his concern over the way billionaire businessmen who own media outlets like The Washington Post and The Los Angeles Times have seemed, in his estimation, to be cozying up to Mr. Trump.

When Mr. Trump learned of Mr. Clooney’s comments, he wrote on his social networking site, Truth Social, “Why would the now highly discredited 60 Minutes be doing a total ‘puff piece’ on George Clooney, a second rate movie ‘star,’ and failed political pundit.”

Mr. Clooney’s star power still seemed to shine on Thursday as he received a great deal of support from people like Graydon Carter, the editor of Airmail and a frequent critic of Mr. Trump who famously has referred to him as a “short-fingered vulgarian.”

Also there to show support was Richard Kind, a comedian and actor who appeared with Mr. Clooney in a failed television pilot in the 1980s. After Mr. Clooney struck it big with “E.R.,” Mr. Kind was one of several friends who received $1 million from Mr. Clooney simply because.

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“He’s the greatest guy,” Mr. Kind said, adding that he would be open to receiving some more money. “In New York it goes like that. I’ve got three kids in private school.“

The lights went down and a singer delivered a rendition of Nat King Cole’s “When I Fall In Love.” Mr. Clooney took the stage in a dark suit. His salt and pepper hair was dyed a shade of brown that he has said his kids “laugh at” nonstop.

Then, he delivered a monologue imploring people to “recognize that media, in the main, is being used to distract, delude, amuse and insulate us.”

And for the next 90 minutes, parallels piled up between what Mr. Murrow went through in the 1950s and what journalists are going through today.

Here was Mr. Clooney, as Mr. Murrow, getting deflated by an actor portraying Bill Paley, the former head of CBS.

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In the audience was the ABC anchor George Stephanopoulos, whose network recently paid Mr. Trump $15 million to bring an end to a defamation suit he filed against the network after Mr. Stephanopoulos said on air that Mr. Trump had been found liable in a civil case for rape, when he’d actually been found liable for sexual abuse.

It was heavy stuff, but most in the crowd seemed to exit the theater happy and ready to let loose at the after-party, at the New York Public Library.

In the lobby, which doubled as the main event space, Anna Wintour, the global chief content officer of Condé Nast, marched up to Lorne Michaels, the creator of “Saturday Night Live” and thanked him for his R.S.V.P. to the Met Gala.

“I’m so happy you’re coming,” she said, adding to a nearby reporter that it was going to be “his first time.”

As waiters passed out lobster rolls and mini-burgers, Ms. Lopez wafted over to Mr. Clooney, gave him a peck on the cheek and declared his performance in the play to be “wonderful” and “amazing.” (“You know that was me yelling for you?” she said.)

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A few feet away, a reporter asked Rande Gerber, Mr. Clooney’s close friend and business partner on the tequila brand Casamigos, whether staging the show on Broadway might be a curtain raiser for Mr. Clooney to one day run for office.

“I think a lot of people wish he would,” Mr. Gerber said. “But I have no knowledge he is.”

Asked directly if he would consider the option, Mr. Clooney gave a shake of the head, flashed his best People’s Sexiest Man Alive smile and said he was “so much happier” doing things like “Good Night, and Good Luck.”

Further, he said, “it’s fun to pick fights,” especially with a guy like Mr. Trump, who he thinks is doing so much to “tank” the economy.

Then, Mr. Clooney flashed another smile, declared himself to be “more optimistic” about the future of the Democratic Party than many of his friends, and headed off to say hello to several more of them.

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Hungarian filmmaker Béla Tarr — known for bleak, existential movies — has died

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Hungarian filmmaker Béla Tarr — known for bleak, existential movies — has died

Hungarian director Béla Tarr at the Berlin International Film Festival in 2011.

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Béla Tarr, the Hungarian arthouse director best known for his bleak, existential and challenging films, including Sátántangó and Werckmeister Harmonies, has died at the age of 70. The Hungarian Filmmakers’ Association shared a statement on Tuesday announcing Tarr’s passing after a serious illness, but did not specify further details.

Tarr was born in communist-era Hungary in 1955 and made his filmmaking debut in 1979 with Family Nest, the first of nine feature films that would culminate in his 2011 film The Turin Horse. Damnation, released in 1988 at the Berlin International Film Festival, was his first film to draw global acclaim, and launched Tarr from a little-known director of social dramas to a fixture on the international film festival circuit.

Tarr’s reputation for films tinged with misery and hard-heartedness, distinguished by black-and-white cinematography and unusually long sequences, only grew throughout the 1990s and 2000s, particularly after his 1994 film Sátántangó. The epic drama, following a Hungarian village facing the fallout of communism, is best known for its length, clocking in at seven-and-a-half hours.

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Based on the novel by Hungarian writer László Krasznahorkai, who won the Nobel Prize in Literature last year and frequently collaborated with Tarr, the film became a touchstone for the “slow cinema” movement, with Tarr joining the ranks of directors such as Andrei Tarkovsky, Chantal Akerman and Theo Angelopoulos. Writer and critic Susan Sontag hailed Sátántangó as “devastating, enthralling for every minute of its seven hours.”

Tarr’s next breakthrough came in 2000 with his film Werckmeister Harmonies, the first of three movies co-directed by his partner, the editor Ágnes Hranitzky. Another loose adaptation of a Krasznahorkai novel, the film depicts the strange arrival of a circus in a small town in Hungary. With only 39 shots making up the film’s two-and-a-half-hour runtime, Tarr’s penchant for long takes was on full display.

Like Sátántangó, it was a major success with both critics and the arthouse crowd. Both films popularized Tarr’s style and drew the admiration of independent directors such as Jim Jarmusch and Gus Van Sant, the latter of which cited Tarr as a direct influence on his films: “They get so much closer to the real rhythms of life that it is like seeing the birth of a new cinema. He is one of the few genuinely visionary filmmakers.”

The actress Tilda Swinton is another admirer of Tarr’s, and starred in the filmmaker’s 2007 film The Man from London. At the premiere, Tarr announced that his next film would be his last. That 2011 film, The Turin Horse, was typically bleak but with an apocalyptic twist, following a man and his daughter as they face the end of the world. The film won the Grand Jury Prize at the Berlin International Film Festival.

After the release of The Turin Horse, Tarr opened an international film program in 2013 called film.factory as part of the Sarajevo Film Academy. He led and taught in the school for four years, inviting various filmmakers and actors to teach workshops and mentor students, including Swinton, Van Sant, Jarmusch, Juliette Binoche and Gael García Bernal.

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In the last years of his life, he worked on a number of artistic projects, including an exhibition at a film museum in Amsterdam. He remained politically outspoken throughout his life, condemning the rise of nationalism and criticizing the government of Hungarian leader Viktor Orbán.

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Epic stretch of SoCal rainfall muddies roads, spurs beach advisories. When will it end?

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Epic stretch of SoCal rainfall muddies roads, spurs beach advisories. When will it end?

California’s wet winter continued Sunday, with the heaviest rain occurring into the evening, and more precipitation forecast for Monday before tapering off on Tuesday, according to the National Weather Service.

A flood advisory was in effect for most of Los Angeles County until 10 p.m.

Los Angeles and Ventura counties’ coastal and valley regions could receive roughly half an inch to an inch more rain, with mountain areas getting one to two additional inches Sunday, officials said. The next two days will be lighter, said Robbie Munroe, a meteorologist at the weather service office in Oxnard.

Rains in Southern California have broken records this season, with some areas approaching average rain totals for an entire season. As of Sunday morning, the region had seen nearly 14 inches of rain since Oct. 1, more than three times the average of 4 inches for this time of year. An average rain season, which goes from July 1 to June 30, is 14.25 inches, officials said.

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“There’s the potential that we’ll already meet our average rainfall for the entire 12-month period by later today if we end up getting half an inch or more of rain,” Munroe added.

The wet weather prompted multiple road closures over the weekend, including a 3.6-mile stretch of Topanga Canyon Boulevard between Pacific Coast Highway and Grand View Drive as well as State Route 33 between Fairview Road and Lockwood Valley Road in the Los Padres National Forest. The California Department of Transportation also closed all lanes along State Route 2 from 3.3 miles east of Newcomb’s Ranch to State Route 138 in Angeles National Forest.

Los Angeles County Department of Public Health officials say beachgoers should stay out of the water to avoid the higher bacteria levels brought on by rain.

After storms, especially near discharging storm drains, creeks and rivers, the water can be contaminated with E. coli, trash, chemicals and other public health hazards.

The advisory, which will be in effect until at least 4 p.m. Monday, could be extended if the rain continues.

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In Ventura County on Sunday, the 101 Freeway was reopened after lanes were closed due to flooding Saturday. But there was at least one spinout as well as a vehicle stuck in mud on the highway Sunday, according to the National Weather Service. The freeway was also closed Saturday in Santa Barbara County in both directions near Goleta due to debris flows but reopened Sunday, according to Caltrans.

Santa Barbara Airport reopened and all commercial flights and fixed-wing aircraft were cleared for normal operations Sunday morning. The airport had shut down and grounded all flights Saturday due to flooded runways.

In Orange County early Sunday afternoon, firefighters rescued a man clinging to a section of a tunnel in cold, fast-moving water in a storm channel at Bolsa Avenue and Goldenwest Street in Westminster, according to fire officials.

A swift-water rescue team deployed a helicopter, lowered inflated firehoses and positioned an aerial ladder to allow responders to secure the man and bring him to safety before transporting him to a hospital for evaluation.

Heavy rains continued to batter Southern California mountain areas. Wrightwood in San Bernardino County — slammed recently with mud and debris — was closed Sunday except to residents as heavy equipment was brought in to clear mud and debris from roadways, the news-gathering organization OnScene reported.

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After canceling live racing on New Year’s Eve and New Year’s Day due to heavy showers, Santa Anita Park also called off events Saturday and Sunday.

After several atmospheric river systems have come through, familiar conditions are set to return to the region later this week.

“We’ll get a good break from the rain and it’ll let things dry out a little bit, and we may even be looking at Santa Ana conditions as we head into next weekend,” Munroe said. The weather will likely be “mostly sunny” and breezy in the valleys and mountains.

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‘Stranger Things’ is over, but did they get the ending right? : Pop Culture Happy Hour

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‘Stranger Things’ is over, but did they get the ending right? : Pop Culture Happy Hour

Millie Bobby Brown in the final season of Stranger Things.

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After five seasons and almost ten years, the saga of Netflix’s Stranger Things has reached its end. In a two-hour finale, we found out what happened to our heroes (including Millie Bobby Brown and Finn Wolfhard) when they set out to battle the forces of evil. The final season had new faces and new revelations, along with moments of friendship and conflict among the folks we’ve known and loved since the night Will Byers (Noah Schnapp) first disappeared. But did it stick the landing?

To access bonus episodes and sponsor-free listening for Pop Culture Happy Hour, subscribe to Pop Culture Happy Hour+ at plus.npr.org/happy.

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