Lifestyle
The hootin'-hollerin' allure of Knott's Berry Farm's summer staple Ghost Town Alive!
“Have you ever pickpocketed?”
No, I have not. At Knott’s Berry Farm, it was suggested I give it a try.
Thieving, the man gushed, is freeing, and, by it’s very nature, comes with a reward — or spoils. But I was in the presence of an unreliable narrator, for I was leading “Honest” Cody Sullivan to theme park prison, that is, a single cell in the middle of the Knott’s historic old West-themed Ghost Town. Sullivan’s recent crime? Stealing a judge’s gavel.
I have never worked for a sheriff’s department, either, but at Knott’s annual summertime offering Ghost Town Alive! one can roleplay just about whoever they want. As long as it’s silly.
On a recent visit, I started my day as a mail courier, which led to me meeting an elixir specialist, where we wondered about a cure to “duck pox,” but before any fictional diseases were tackled I was conspiring with a local hotelier, imagining ways to conceal a mice problem. This transpired in less than an hour, as narratives in Ghost Town Alive! come quick and spiral into lunacy. You may encounter someone who is quacking — the aforementioned duck pox — or be pulled aside and handed a sack of play money, a stolen good one Ghost Town “resident” was hoping could be used to win the affections of another.
Come ready to contribute. But if you don’t, participation will find you. I was standing idly when approached to arrest Sullivan, portrayed by actor Josh Williams.
In the Ghost Town Alive! experience, Josh Williams, left, performs as “Honest” Cody Sullivan and Evan Battle plays Deputy Chester Davenport.
There is nothing at any theme park quite like Ghost Town Alive! Part live action role-playing game and part work of improvisational theater, Ghost Town Alive! brings with it daily storylines, including multiple editions of a newspaper, and a cadre of wacky characters. A Knott’s staple since 2016 — Ghost Town Alive! has its roots and influences in Disneyland’s beloved but fleeting Legends of Frontierland — the experience has matured into one of the most unique and creative theme park offerings in Southern California.
The key to its long-term success? Ghost Town Alive! understands the heart and soul of what makes a great theme park experience: It’s the people, and our ability to connect and play with them.
“People’s lives are deeply impacted by the work that we do here,” says actor Rachel Roman, who plays postmaster Shelly Melson. Before Roman broke character to chat, her Melson had been gossiping about her coworker, Buttons, noting the latter had been littering. Apparently Buttons had been dropping, well, buttons, throughout the fictional town of Calico.
Annabelle Pancake, 11, right, of Anaheim, plays a Calico Gazette reporter interviewing a postal worker, played by Rachel Roman.
A participant holds the Calico Gazette daily newspaper.
A sign welcomes visitors to Calico’s Founder’s Day.
“There’s a range of guests, and ones that you will cherish, like this little kid who comes in,” Roman says. “She’s my little best friend. We each get our own little besties. Her parents just go on about how she won’t stop talking about Shelly. She’s so sweet and fun to play with. I was on the other side of this as a kid. I grew up going to theme parks with my dad and was that passholder kid who all the performers knew.”
Ghost Town Alive! treats the theme park as a stage, allowing guests to become actors. It’s a nod to the roots of Knott’s, when the park lacked thrill rides and specialized in Wild West stagecraft. A song-and-dance-style revue runs concurrently with Ghost Town Alive!, all of it lending Calico a lived-in, heavily populated feel. Rovin Jay, show director, says the park employs 45 actors for the performances.
This summer, I got my name printed in the Calico Gazette, learned about misguided experiments that inspired theme park trickery — one involved electricity, a potato and resulted in a late afternoon explosion — and was a jury member in the case of a stolen 100 pound catfish. I was sworn in as a resident of Calico, took a journalistic oath for the town’s newspaper — I promised to tell the truth, except “when gossip will do” — and earned my first Calico wooden coin. “You can’t spend it on much, but it’s priceless in sentimental value,” I was told.
Another day I walked into Ghost Town and was asked, almost immediately, if I wanted a bucket of water dumped on me (I did not). I also took part in a plot to use melted cheese to free a prisoner. It made sense in the moment. Theories in Ghost Town Alive! need not be plausible. This is a space where imagination is not just off the leash, but untamed.
“It’s the thing we used to do when we were 6 or 7 and in the playground,” Jay says. “Friends come up and you just create. We’re able to do that here on a daily basis.”
Rachel Hanson, left, performs as Thelma Kinkade and Josh Williams performs as “Honest” Cody Sullivan in front of Goldie’s Hotel.
Some of these events happen everyday, but each afternoon — Ghost Town Alive! runs on select days through Sept. 2 from 10 a.m. to 4:30 p.m. — is also full of off-the-cuff narratives. Perhaps you’ll be asked to act in a moving-picture show, participate in a mustache contest, take a drawing class, help a gang rob a bank or inspire a bashful Calico resident to ask a lady to the afternoon hoedown. Guests, Roman says, “get very invested in our love lives.”
To describe the appeal of the show, Jay asks me to visualize a stereotypical theme park advertisement — say of a known character holding the hand of a young child.
“It’s a promise that you are going to have an unique and personal interaction with a character,” Jay says. “We’re able to deliver that, and we’re able to deliver that organically. It’s so funny to me how often we’ll have guests come in and say, ‘When is the show going to start?’ Meanwhile, the bank is getting robbed. These are characters you learn to exist with. You’re seen automatically. The moment you step into Ghost Town Alive!, it’s, ‘Hi! It’s nice to see you.’”
To make a theme park feel personal is no easy feat. In fact, designers have long been trying to solve this problem, be it creating interactive attractions that feel responsive to the guest, or short-lived experiments such as the Star Wars: Galactic Starcruiser, colloquially known as the Star Wars hotel.
The antecedent to Ghost Town Alive!, Disney’s Legends of Frontierland (both shared some of the same creative team), lasted a few months. And prior to the opening of Star Wars: Galaxy’s Edge at Disneyland in 2019, Disney creatives talked heavily of a land filled with actors and live shows, a reality that has never fully materialized.
Justyn High performs as Marybelle Starling. John Guirguis performs as Jackknife Blacksmith. Visitors talk to Evan Battle, center, who plays Deputy Chester Davenport.
“I’ve gone through Galaxy’s Edge several times, and have often wondered what it would take to people that town,” Jay says. “It would be five or 10 times as many people on the roster. Daily, you’d have to have a couple hundred people just to make it feel alive and organic. There’s so many nooks and crannies there. We just have a couple streets that were part of our original design. The scalability is a challenge.”
And to guests, it’s an investment that’s worth it.
Janey Ellis, 36, of Anaheim, is a Ghost Town Alive! regular. Ellis recently made the Calico Gazette with a tale of a fence that sprouted legs and walked off its property. Ellis comes to Knott’s to experience that sort of “B-plot chaos.” “I’m here to see what you can create out of nothing,” she says.
“I think this is the future of theme park entertainment,” Ellis says. “This is so unique and personal. You’re able to drive something for hours on end. This is a real-life video game, or a real-life [‘Dungeons & Dragons’] game.”
And a reminder that one not need the latest technology. Sometimes a playground, a bit of imagination and the joy of performance will do. Just be careful who you pickpocket.
From left: Noah Wyle plays Dr. Michael “Robby” Robinavitch, the senior attending physician, and Fiona Dourif plays Dr. Cassie McKay, a third-year resident, in a fictional Pittsburgh emergency department in the HBO Max series The Pitt.
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The first five minutes of the new season of The Pitt instantly capture the state of medicine in the mid-2020s: a hectic emergency department waiting room; a sign warning that aggressive behavior will not be tolerated; a memorial plaque for victims of a mass shooting; and a patient with large Ziploc bags filled to the brink with various supplements and homeopathic remedies.
Scenes from the new installment feel almost too recognizable to many doctors.
The return of the critically acclaimed medical drama streaming on HBO Max offers viewers a surprisingly realistic view of how doctors practice medicine in an age of political division, institutional mistrust and the corporatization of health care.
Each season covers one day in the kinetic, understaffed emergency department of a fictional Pittsburgh hospital, with each episode spanning a single hour of a 15-hour shift. That means there’s no time for romantic plots or far-fetched storylines that typically dominate medical dramas.
Instead, the fast-paced show takes viewers into the real world of the ER, complete with a firehose of medical jargon and the day-to-day struggles of those on the frontlines of the American health care system. It’s a microcosm of medicine — and of a fragmented United States.
Many doctors and health professionals praised season one of the series, and ER docs even invited the show’s star Noah Wyle to their annual conference in September.
So what do doctors think of the new season? As a medical student myself, I appreciated the dig at the “July effect” — the long-held belief that the quality of care decreases in July when newbie doctors start residency — rebranded “first week in July syndrome” by one of the characters.
That insider wink sets the tone for a season that Dr. Alok Patel, a pediatrician at Stanford Medicine Children’s Health, says is on point. Patel, who co-hosts the show’s companion podcast, watched the first nine episodes of the new installment and spoke to NPR about his first impressions.
To me, as a medical student, the first few scenes of the new season are pretty striking, and they resemble what modern-day emergency medicine looks and sounds like. From your point of view, how accurate is it?
I’ll say off the bat, when it comes to capturing the full essence of practicing health care — the highs, the lows and the frustrations — The Pitt is by far the most medically accurate show that I think has ever been created. And I’m not the only one to share that opinion. I hear that a lot from my colleagues.
OK, but is every shift really that chaotic?
I mean, obviously, it’s television. And I know a lot of ER doctors who watch the show and are like, “Hey, it’s really good, but not every shift is that crazy.” I’m like, “Come on, relax. It’s TV. You’ve got to take a little bit of liberties.”
As in its last season, The Pitt sheds light on the real — sometimes boring — bureaucratic burdens doctors deal with that often get in the way of good medicine. How does that resonate with real doctors?
There are so many topics that affect patient care that are not glorified. And so The Pitt did this really artful job of inserting these topics with the right characters and the right relatable scenarios. I don’t want to give anything away, but there’s a pretty relatable issue in season two with medical bills.
Right. Insurance seems to take center stage at times this season — almost as a character itself — which seems apt for this moment when many Americans are facing a sharp rise in costs. But these mundane — yet heartbreaking — moments don’t usually make their way into medical dramas, right?
I guarantee when people see this, they’re going to nod their head because they know someone who has been affected by a huge hospital bill.
If you’re going to tell a story about an emergency department that is being led by these compassionate health care workers doing everything they can for patients, you’ve got to make sure you insert all of health care into it.
As the characters juggle multiple patients each hour, a familiar motif returns: medical providers grappling with some heavy burdens outside of work.
Yeah, the reality is that if you’re working a busy shift and you have things happening in your personal life, the line between personal life and professional life gets blurred and people have moments.
The Pitt highlights that and it shows that doctors are real people. Nurses are actual human beings. And sometimes things happen, and it spills out into the workplace. It’s time we take a step back and not only recognize it, but also appreciate what people are dealing with.
2025 was another tough year for doctors. Many had to continue to battle misinformation while simultaneously practicing medicine. How does medical misinformation fit into season two?
I wouldn’t say it’s just mistrust of medicine. I mean that theme definitely shows up in The Pitt, but people are also just confused. They don’t know where to get their information from. They don’t know who to trust. They don’t know what the right decision is.
There’s one specific scene in season two that, again, no spoilers here, but involves somebody getting their information from social media. And that again is a very real theme.
In recent years, physical and verbal abuse of healthcare workers has risen, fueling mental health struggles among providers. The Pitt was praised for diving into this reality. Does it return this season?
The new season of The Pitt still has some of that tension between patients and health care professionals — and sometimes it’s completely projected or misdirected. People are frustrated, they get pissed off when they can’t see a doctor in time and they may act out.
The characters who get physically attacked in The Pitt just brush it off. That whole concept of having to suppress this aggression and then the frustration that there’s not enough protection for health care workers, that’s a very real issue.
A new attending physician, Dr. Baran Al-Hashimi, joins the cast this season. Sepideh Moafi plays her, and she works closely with the veteran attending physician, Dr. Michael “Robby” Robinavitch, played by Noah Wyle. What are your — and Robby’s — first impressions of her?
Right off the bat in the first episode, people get to meet this brilliant firecracker. Dr. Al-Hashimi, versus Dr. Robby, almost represents two generations of attending physicians. They’re almost on two sides of this coin, and there’s a little bit of clashing.
Sepideh Moafi, fourth from left, as Dr. Baran Al-Hashimi, the new attending physician, huddles with her team around a patient in a fictional Pittsburgh teaching hospital in the HBO Max series The Pitt.
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Part of that clash is her clear-eyed take on artificial intelligence and its role in medicine. And she thinks AI can help doctors document what’s happening with patients — also called charting — right?
Yep, Dr. Al-Hashimi is an advocate for AI tools in the ER because, I swear to God, they make health care workers’ lives more efficient. They make things such as charting faster, which is a theme that shows up in season two.
But then Dr. Robby gives a very interesting rebuttal to the widespread use of AI. The worry is that if we put AI tools everywhere, then all of a sudden, the financial arm of health care would say, “Cool, now you can double how many patients you see. We will not give you any more resources, but with these AI tools, you can generate more money for the system.”
The new installment also continues to touch on the growing corporatization of medicine. In season one we saw how Dr. Robby and his staff were being pushed to see more patients.
Yes, it really helps the audience understand the kind of stressors that people are dealing with while they’re just trying to take care of patients.
In the first season, when Dr. Robby kind of had that back and forth with the hospital administrator, doctors were immediately won over because that is such a big point of frustration — such a massive barrier.
There are so many more themes explored this season. What else should viewers look forward to?
I’m really excited for viewers to dive into the character development. It’s so reflective of how it really goes in residency. So much happens between your first year and second year of residency — not only in terms of your medical skill, but also in terms of your development as a person.
I think what’s also really fascinating is that The Pitt has life lessons buried in every episode. Sometimes you catch it immediately, sometimes it’s at the end, sometimes you catch it when you watch it again.
But it represents so much of humanity because humanity doesn’t get put on hold when you get sick — you just go to the hospital with your full self. And so every episode — every patient scenario — there is a lesson to learn.
Michal Ruprecht is a Stanford Global Health Media Fellow and a fourth-year medical student.
Two fiction books about good friends coming from different circumstances. Two biographies of people whose influence on American culture is, arguably, still underrated. One Liza Minnelli memoir. These are just a handful of books coming out in the first few months of 2026 that we’ve got our eye on.
Fiction
Autobiography of Cotton, by Cristina Rivera Garza, Feb. 3
Garza, who won a Pulitzer in 2024 for memoir/autobiography, actually first published Autobiography of Cotton back in 2020, but it’s only now getting an English translation. The book blends fiction with the author’s own familial history to tell the story of cotton cultivation along the U.S.-Mexico border.
Crux, by Gabriel Tallent, Jan. 20
Tallent’s last novel, My Absolute Darling, was a harrowing coming of age story about a teenage girl surviving her abusive survivalist father. But it did find pockets of beauty in the outdoors. Tallent’s follow up looks to be similarly awestruck by nature. It’s about two young friends, separated by class and opportunity, but bound together by a love of rock climbing.
Half His Age, by Jennette McCurdy, Jan. 20
The former iCarly actress’ bracing and brutally honest memoir, I’m Glad My Mom Died, was a huge hit. It spent weeks on bestseller’s lists, and is being adapted into a series for Apple TV+. Now McCurdy’s set to come out with her fiction debut, about a teenage girl who falls for her high school creative writing teacher.
Kin, by Tayari Jones, Feb. 24
Similarly to Crux, Kin also follows two friends across the years as options and opportunities pull them apart. The friends at the center of this book are two women who grew up without moms. Jones’ last novel, 2018’s An American Marriage, was a huge hit with critics.
Seasons of Glass & Iron: Stories, by Amal El-Mohtar, March 24
El-Mohtar is an acclaimed science-fiction writer, and this book is a collection of previously published short stories and poetry. Many of the works here have been honored by the big science-fiction/fantasy awards, including the titular story, which is a feminist re-telling of two fairy tales.
Nonfiction
A Hymn to Life: Shame Has to Change Sides, by Gisèle Pelicot, Feb. 17
Pelicot’s story of rape and sexual assault – and her decision to wave anonymity in the trial – turned her into a galvanizing figure for women across the world. Her writing her own story of everything that happened is also a call to action for others to do the same.
Cosmic Music: The Life, Art, and Transcendence of Alice Coltrane, by Andy Beta, March 3
For decades, the life and work of Alice Coltrane has lived in the shadow of her husband, John Coltrane. This deeply researched biography hopes to properly contextualize her as one of the most visionary and influential musicians of her time.
Football, by Chuck Klosterman, Jan. 20
One of our great essaysists and (over?) thinkers turns his sights onto one of the last bits of monoculture we’ve got. But in one of the pieces in this collection, Klosterman wonders, how long until football is no longer the summation of American culture? But until that time comes, there’s plenty to dig into from gambling to debates over the true goat.
Kids, Wait Till You Hear This! by Liza Minnelli, with Michael Feinstein, March 20
Minnelli told People that previous attempts at telling her story “didn’t get it right,” so she’s doing it herself. This new memoir promises to get into her childhood, her marriages, and her struggles with substance abuse.
Tom Paine’s War: The Words that Rallied a Nation and the Founder of Our Time, by Jack Kelly, Jan. 6
If you haven’t heard, it’s a big birthday year for America. And it’s a birthday that might not have happened if not for the words of Thomas Paine. This new book from historian Jack Kelly makes the argument that Paine’s words are just as important and relevant to us today.
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