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'The Honeymooners' actor Joyce Randolph dies at 99

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'The Honeymooners' actor Joyce Randolph dies at 99

Joyce Randolph, who played Trixie on the TV series The Honeymooners, on Nov. 24, 1990, in New York. Randolph has died at age 99.

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Joyce Randolph, who played Trixie on the TV series The Honeymooners, on Nov. 24, 1990, in New York. Randolph has died at age 99.

Richard Drew/AP

NEW YORK — Joyce Randolph, a veteran stage and television actress whose role as the savvy Trixie Norton on The Honeymooners provided the perfect foil to her dimwitted TV husband, has died. She was 99.

Randolph died of natural causes Saturday night at her home on the Upper West Side of Manhattan, her son Randolph Charles told The Associated Press Sunday.

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She was the last surviving main character of the beloved comedy from television’s golden age of the 1950s.

The Honeymooners was an affectionate look at Brooklyn tenement life, based in part on star Jackie Gleason’s childhood. Gleason played the blustering bus driver Ralph Kramden. Audrey Meadows was his wisecracking, strong-willed wife Alice, and Art Carney the cheerful sewer worker Ed Norton. Alice and Trixie often found themselves commiserating over their husbands’ various follies and mishaps, whether unknowingly marketing dogfood as a popular snack or trying in vain to resist a rent hike, or freezing in the winter as their heat is shut off.

Randolph would later cite a handful of favorite episodes, including one in which Ed is sleepwalking.

“And Carney calls out, ‘Thelma?!’ He never knew his wife’s real name,” she later told the Television Academy Foundation.

Originating in 1950 as a recurring skit on Gleason’s variety show, Cavalcade of Stars, The Honeymooners still ranks among the all-time favorites of television comedy. The show grew in popularity after Gleason switched networks with The Jackie Gleason Show. Later, for one season in 1955-56, it became a full-fledged series.

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Those 39 episodes became a staple of syndicated programming aired all over the country and beyond.

In an interview with The New York Times in January 2007, Randolph said she received no compensation in residuals for those 39 episodes. She said she finally began getting royalties with the discovery of “lost” episodes from the variety hours.

After five years as a member of Gleason’s on-the-air repertory company, Randolph virtually retired, opting to focus full-time on marriage and motherhood.

“I didn’t miss a thing by not working all the time,” she said. “I didn’t want a nanny raising (my) wonderful son.”

But decades after leaving the show, Randolph still had many admirers and received dozens of letters a week. She was a regular into her 80s at the downstairs bar at Sardi’s, where she liked to sip her favorite White Cadillac concoction — Dewar’s and milk — and chat with patrons who recognized her from a portrait of the sitcom’s four characters over the bar.

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Randolph said the show’s impact on television viewers didn’t dawn on her until the early 1980s.

“One year while (my son) was in college at Yale, he came home and said, ‘Did you know that guys and girls come up to me and ask, ‘Is your mom really Trixie?’ ” she told The San Antonio Express in 2000. “I guess he hadn’t paid much attention before then.”

Earlier, she had lamented that playing Trixie limited her career.

“For years after that role, directors would say: ‘No, we can’t use her. She’s too well-known as Trixie,’” Randolph told the Orlando Sentinel in 1993.

Gleason died in 1987 at age 71, followed by Meadows in 1996 and Carney in 2003. Gleason had revived The Honeymooners in the 1960s, with Jane Kean as Trixie.

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Randolph was born Joyce Sirola in Detroit in 1924, and was around 19 when she joined a road company of Stage Door. From there she went to New York and performed in a number of Broadway shows.

In the late 1940s and early 1950s, she was seen often on TV, appearing with such stars as Eddie Cantor, Dean Martin and Jerry Lewis, Danny Thomas and Fred Allen.

Randolph met Gleason for the first time when she did a Clorets commercial on Cavalcade of Stars, and The Great One took a liking to her; she didn’t even have an agent at the time.

Randolph spent her retirement going to Broadway openings and fundraisers, being active with the U.S.O. and visiting other favorite Manhattan haunts, among them Angus, Chez Josephine and the Lambs Club.

Her husband, Richard Lincoln, a wealthy marketing executive who died in 1997, served as president at the Lambs, a theatrical club, and she reigned as “first lady.” They had one son, Charles.

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Lifestyle

Sunday Puzzle: Five plus two, two plus five

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Sunday Puzzle: Five plus two, two plus five

Sunday Puzzle

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Sunday Puzzle

On-air challenge

I’m going to give you two five-letter words. Add the same two letters at the end of the first one and the start of the second one, in each case to complete a familiar seven-letter word.

Ex. Later Ready –> LATERAL/ALREADY

1. Habit Tempt

2. Laten Press

3. Blank Ching

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4. Since Venue

5. Shack Groom

6. Surge Stage

Last week’s challenge

Last week’s challenge came from Rawson Sheinberg. of Plymouth, Mich. Think of a U.S. city with a two-word name. Add a letter to the first word, without rearranging letters, to name a country. Then, without adding a letter, rearrange the letters of the second word to name another country. What places are these?

Answer: Los Angeles –> Laos, Senegal

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Winner

Elaine Neel of Derby, Kansas.

This week’s challenge

Next weekend will be the 186th convention of the National Puzzler League, in Bloomington, Ind., which I’ll be attending as always. Two other people who will be there are Henri Picciotto and Joshua Kosman, who created this week’s challenge. Name two words that are opposites. They share a single letter. Remove that shared letter from each word, put a hyphen between the two starting words, and you’ll get a term you sometimes see in food ads. What are the two words?

If you know the answer to the challenge, submit it here by Thursday, July 9 at 3 p.m. ET. Listeners whose answers are selected win a chance to play the on-air puzzle. Important: include a phone number where we can reach you.

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But first, coffee: The drink that energized the American Revolution

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But first, coffee: The drink that energized the American Revolution

An illustration of the Boston Tea Party, when colonists dumped British East India Company tea into the harbor on Dec. 16, 1773. Some accounts say this marked a pivotal moment when Americans started loving coffee. But one historian says Americans were drinking lots of coffee before then.

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A consequential act of defiance secured tea’s place as perhaps the most iconic beverage of America’s colonial era.

The Boston Tea Party became an essential ingredient in the recipe for revolution in the following years.

But tea wasn’t the only hot beverage with a prominent role in America’s fight for independence.

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Coffee was an important part of American culture from the start. And coffeehouses were essential, too — serving as hubs for brewing ideas of independence.

As the United States celebrates 250 years, here’s what to know about America’s early history of coffee.

Colonists were drinking coffee long before the United States existed

Europeans brought coffee with them when they came to America.

“The first documented example of a mortar and pestle used to grind coffee beans was on the Mayflower” in 1620, says historian Michelle Craig McDonald, the author of Coffee Nation: How One Commodity Transformed the Early United States.

“The fact that coffee was present so early is not surprising if you think about it,” McDonald says. “A number of those who were on the Mayflower came to North America from Amsterdam, which was a major coffee trading center in Western Europe by the 17th century.”

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The first coffeehouse in the colonies opened in 1676 in Boston, a century before the U.S. declared independence, she says. Some taverns sold coffee even earlier.

The Boston Tea Party probably wasn’t the dramatic turning point toward coffee that some claim

On the night of Dec. 16, 1773, disgruntled colonists boarded three ships moored in Boston Harbor and threw overboard more than 92,000 pounds of tea owned by the British East India Company.

Tensions had been building between the Crown and the colonies over the previous decade, as Britain tried to levy taxes on its colonies to recoup war debts.

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You know the Mayflower. What about the White Lion? Here’s the story of ‘Two Ships’

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You know the Mayflower. What about the White Lion? Here’s the story of ‘Two Ships’

Just in time for a contentious 250th anniversary of the United States of America, historian David S. Reynolds’ latest book, Two Ships, helps us realize that any country that couldn’t agree on its own origin story is destined for divisive times.

Two Ships is about the complicated, conjoined legacy of the landings of the Mayflower, which carried the Pilgrims to Plymouth, Mass., in 1620, and the White Lion, which arrived in Jamestown a year earlier, bringing the first enslaved Africans to Virginia.

As Reynolds demonstrates, it’s not so much the facts of these two voyages, as it is the meanings ascribed to them, that made them such a powerful metaphor for two conflicting visions of American identity.

To simplify, the Mayflower’s passengers were separatist Puritans, dissenters to the reign of the English king, James I. As the United States developed, the Mayflower was credited with carrying the seeds of a radical democracy to the New World, one in which all men (in theory, at least) were equal before God.

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In contrast, the European settlers of Jamestown were Royalists, also known as Cavaliers. Loyal to the monarchy, they believed in a strict hierarchy.

But the meaning of the images of the two ships shifted depended on who was invoking them and when. Not surprisingly, the metaphor was deployed most vigorously during the Civil War. In abolitionist speeches and writings, the White Lion or the “Slave-Ship,” as it was commonly called, was condemned for infecting America with the “plague-spot” of slavery.

Reynolds says that Frederick Douglass resorted to the “two ships” metaphor frequently, while Lincoln avoided it, hoping to preserve a unified ship of state. Meanwhile, Southern descendants of Cavaliers invoked the Mayflower to emphasize the intolerance and “cruel, persecuting” character of the Puritans. In a comment that resonates for our own times, Reynolds says:

It didn’t matter to the South that … by the mid-nineteenth century, the North had become a kaleidoscope of religious denominations, …, few of which resembled the faith of the Plymouth colonists. Distortion is intrinsic to cultural memory, especially when amplified by sectional or political bias. For Southerners, the Mayflower had brought Puritanism, which had yielded fanatical movements like abolitionism, now a dire threat to the Union.

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