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The enduring story for Underground Railroad Quilts

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The enduring story for Underground Railroad Quilts

Melanie Dantzler, president of the African American Quilt Circle of Durham, N.C. and past vice president Teena Crawshaw, stand in front of the quilt “Recalling Slavery Days” at QuiltCon 2024.

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Melanie Dantzler, president of the African American Quilt Circle of Durham, N.C. and past vice president Teena Crawshaw, stand in front of the quilt “Recalling Slavery Days” at QuiltCon 2024.

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As a hobby, quilting is often about remembering loved ones. Today almost a million Americans make some kind of quilt, including replica Revolutionary War quilts, and, increasingly Underground Railroad Quilts. One of those was on display at QuiltCon in Raleigh, N.C. The annual conference is held by the Modern Quilt Guild and this year drew 12,000 visitors.

Quilter Cyntia Kelly’s “Recalling Slavery Days” was on display at the booth run by the African American Quilt Circle of Durham. “A lot of these blocks were from the Underground Railroad quilt, and she just put her own colors and her own spin on the blocks,” explained Quilt Circle President Melanie Dantzler.

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Some blocks have been in use for centuries. Dantzler pointed out a couple of traditional blocks incorporated into this quilt, including Jacob’s Ladder and Flying Geese.

The Underground Railroad quilt is a story about a set of quilt blocks that could have helped enslaved people escape during slavery. The idea took off 25 years ago with the book, “Hidden in Plain View: A Secret Story of Quilts and the Underground Railroad,” by Jacqueline Tobin and Raymond Dobard, a journalist and art historian duo.

Sandra Daniel stands before an Underground Railroad Quilt Code quilt hanging in her store, Country Barn Quilt Co.

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Sandra Daniel stands before an Underground Railroad Quilt Code quilt hanging in her store, Country Barn Quilt Co.

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Sandra Daniel, an African American quilter and the owner of Country Barn Quilt Company in Augusta, Ga., is a huge fan. “I think it’s a great read. I kinda read it in one night,” she said.

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For the book Tobin interviewed Ozella Williams, a South Carolina quilter who descended from enslaved people. Williams recalled an oral history shared by her grandmother that explained enslaved people made quilt blocks with coded meanings to help guide escapees to freedom.

“And those blocks actually gave slaves directions on how and when to leave and which route to take. It started out with the monkey wrench block,” Daniel explained.

The monkey wrench quilt block is said to be the first block to appear, indicating enslaved people should get ready to escape.

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The monkey wrench quilt block is said to be the first block to appear, indicating enslaved people should get ready to escape.

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The monkey wrench is a symbol for a freed African American blacksmith who could travel between plantations, according to the book. When he gave word that the time was right for people to attempt escape, a quilt with the monkey wrench block would be hung outside. It communicated that would-be escapees should gather supplies and get ready. When the next block, a wagon wheel, appeared, enslaved people would know that safe transportation was on its way. The book explains as many as 12 quilts were made for the route.

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The wagon wheel quilt block indicated that a safe wagon or cart was on its way.

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The wagon wheel quilt block indicated that a safe wagon or cart was on its way.

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Published in 1999, the book became popular and controversial early on. Tobin and Dobard’s book told the story of one woman’s unrecorded narrative and added other information about quilts of that era and the lives of the enslaved. Museums in Missouri, Florida, and Michigan have held shows featuring “authentic” quilt code quilts. Libraries in California, Louisiana and Georgia have held lectures and displays about the quilt’s use. There are even math and history lesson plans using the quilt codes. But there’s a tear in the narrative.

“There is no evidence of it at all,” according to Tracy Vaughn-Manley, a Black Studies Professor at Northwestern University. She studies Black quilting. She said there’s evidence that enslaved people made utilitarian quilts from old clothing and scraps of fabric given to them by their enslavers. “Based on my research, and the research of highly regarded slave historians, There has been no evidence: No letters, no notes, nothing that would signify that quilts were used as codes.”

In fact, the history of quilts and slavery conditions contradict this code story. That’s according to quilt historian Laurel Horton. But she’s also a folklorist. As a narrative, she recognizes the cultural significance of the codes. “It’s appealing to Black people because it gives them the idea of agency, that your ancestors had some way of dealing with their situation,” she said. It’s the story of the underdog, the hero’s narrative. She said it’s appealing to white people, too. “Because if Black people could find ways to escape right out under the noses of their enslavers then [slavery] couldn’t have been all that bad.”

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Horton says folk narratives like this are tools for meaning, and the quilt code does just that for quilters like quilt store owner Sandra Daniel. “We all have something we try to hold onto. A lot of the history of African Americans has been erased. What else can you tell me? You can’t tell me my history because it was taken from me,” she said.

Daniel and other quilters know the story may not entirely match reality. But some of the code blocks did appear in quilts made in the 1850s, before slavery’s end. They believe that the quilt block narrative demonstrates the creativity and fortitude of their ancestors.

Lifestyle

Sunday Puzzle: Five plus two, two plus five

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Sunday Puzzle: Five plus two, two plus five

Sunday Puzzle

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Sunday Puzzle

On-air challenge

I’m going to give you two five-letter words. Add the same two letters at the end of the first one and the start of the second one, in each case to complete a familiar seven-letter word.

Ex. Later Ready –> LATERAL/ALREADY

1. Habit Tempt

2. Laten Press

3. Blank Ching

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4. Since Venue

5. Shack Groom

6. Surge Stage

Last week’s challenge

Last week’s challenge came from Rawson Sheinberg. of Plymouth, Mich. Think of a U.S. city with a two-word name. Add a letter to the first word, without rearranging letters, to name a country. Then, without adding a letter, rearrange the letters of the second word to name another country. What places are these?

Answer: Los Angeles –> Laos, Senegal

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Winner

Elaine Neel of Derby, Kansas.

This week’s challenge

Next weekend will be the 186th convention of the National Puzzler League, in Bloomington, Ind., which I’ll be attending as always. Two other people who will be there are Henri Picciotto and Joshua Kosman, who created this week’s challenge. Name two words that are opposites. They share a single letter. Remove that shared letter from each word, put a hyphen between the two starting words, and you’ll get a term you sometimes see in food ads. What are the two words?

If you know the answer to the challenge, submit it here by Thursday, July 9 at 3 p.m. ET. Listeners whose answers are selected win a chance to play the on-air puzzle. Important: include a phone number where we can reach you.

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But first, coffee: The drink that energized the American Revolution

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But first, coffee: The drink that energized the American Revolution

An illustration of the Boston Tea Party, when colonists dumped British East India Company tea into the harbor on Dec. 16, 1773. Some accounts say this marked a pivotal moment when Americans started loving coffee. But one historian says Americans were drinking lots of coffee before then.

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A consequential act of defiance secured tea’s place as perhaps the most iconic beverage of America’s colonial era.

The Boston Tea Party became an essential ingredient in the recipe for revolution in the following years.

But tea wasn’t the only hot beverage with a prominent role in America’s fight for independence.

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Coffee was an important part of American culture from the start. And coffeehouses were essential, too — serving as hubs for brewing ideas of independence.

As the United States celebrates 250 years, here’s what to know about America’s early history of coffee.

Colonists were drinking coffee long before the United States existed

Europeans brought coffee with them when they came to America.

“The first documented example of a mortar and pestle used to grind coffee beans was on the Mayflower” in 1620, says historian Michelle Craig McDonald, the author of Coffee Nation: How One Commodity Transformed the Early United States.

“The fact that coffee was present so early is not surprising if you think about it,” McDonald says. “A number of those who were on the Mayflower came to North America from Amsterdam, which was a major coffee trading center in Western Europe by the 17th century.”

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The first coffeehouse in the colonies opened in 1676 in Boston, a century before the U.S. declared independence, she says. Some taverns sold coffee even earlier.

The Boston Tea Party probably wasn’t the dramatic turning point toward coffee that some claim

On the night of Dec. 16, 1773, disgruntled colonists boarded three ships moored in Boston Harbor and threw overboard more than 92,000 pounds of tea owned by the British East India Company.

Tensions had been building between the Crown and the colonies over the previous decade, as Britain tried to levy taxes on its colonies to recoup war debts.

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You know the Mayflower. What about the White Lion? Here’s the story of ‘Two Ships’

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You know the Mayflower. What about the White Lion? Here’s the story of ‘Two Ships’

Just in time for a contentious 250th anniversary of the United States of America, historian David S. Reynolds’ latest book, Two Ships, helps us realize that any country that couldn’t agree on its own origin story is destined for divisive times.

Two Ships is about the complicated, conjoined legacy of the landings of the Mayflower, which carried the Pilgrims to Plymouth, Mass., in 1620, and the White Lion, which arrived in Jamestown a year earlier, bringing the first enslaved Africans to Virginia.

As Reynolds demonstrates, it’s not so much the facts of these two voyages, as it is the meanings ascribed to them, that made them such a powerful metaphor for two conflicting visions of American identity.

To simplify, the Mayflower’s passengers were separatist Puritans, dissenters to the reign of the English king, James I. As the United States developed, the Mayflower was credited with carrying the seeds of a radical democracy to the New World, one in which all men (in theory, at least) were equal before God.

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In contrast, the European settlers of Jamestown were Royalists, also known as Cavaliers. Loyal to the monarchy, they believed in a strict hierarchy.

But the meaning of the images of the two ships shifted depended on who was invoking them and when. Not surprisingly, the metaphor was deployed most vigorously during the Civil War. In abolitionist speeches and writings, the White Lion or the “Slave-Ship,” as it was commonly called, was condemned for infecting America with the “plague-spot” of slavery.

Reynolds says that Frederick Douglass resorted to the “two ships” metaphor frequently, while Lincoln avoided it, hoping to preserve a unified ship of state. Meanwhile, Southern descendants of Cavaliers invoked the Mayflower to emphasize the intolerance and “cruel, persecuting” character of the Puritans. In a comment that resonates for our own times, Reynolds says:

It didn’t matter to the South that … by the mid-nineteenth century, the North had become a kaleidoscope of religious denominations, …, few of which resembled the faith of the Plymouth colonists. Distortion is intrinsic to cultural memory, especially when amplified by sectional or political bias. For Southerners, the Mayflower had brought Puritanism, which had yielded fanatical movements like abolitionism, now a dire threat to the Union.

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