Lifestyle
Steve Lawrence, singer and half of popular stage duo Steve & Eydie, dies at 88
Singer Steve Lawrence (left) and his wife Eydie Gorme arrive at a black-tie gala honoring Frank Sinatra in Las Vegas on May 30, 1998. Lawrence died Wednesday at age 88.
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Singer Steve Lawrence (left) and his wife Eydie Gorme arrive at a black-tie gala honoring Frank Sinatra in Las Vegas on May 30, 1998. Lawrence died Wednesday at age 88.
Lennox McLendon/AP
NEW YORK — Steve Lawrence, a singer and top stage act who as a solo performer and in tandem with his wife Eydie Gorme kept Tin Pan Alley alive during the rock era, died Thursday. He was 88.
Lawrence, whose hits included “Go Away Little Girl,” died from complications due to Alzheimer’s disease, said Susan DuBow, a spokesperson for the family.
Lawrence and Gorme — or Steve & Eydie — were known for their frequent appearances on talk shows, in night clubs and on the stages of Las Vegas. The duo took inspiration from George Gershwin, Cole Porter, Jerome Kern and other songwriters.
Soon after Elvis Presley and other rock music pioneers began to dominate radio and records, Lawrence and his wife were approached about changing their style.
“We had a chance to get in on the ground floor of rock ‘n’ roll,” he recalled in a 1989 interview. “It was 1957 and everything was changing, but I wanted to be Sinatra, not Rick Nelson.
“Our audience knows we’re not going to load up on heavy metal or set fire to the drummer — although on some nights we’ve talked about it,” he joked.
Although Lawrence and Gorme were best known as a team, both also had huge solo hits just months apart in the early 1960s.
Dionne Warwick, a longtime friend, said in a statement that Lawrence was “resting with comfort in the arms of the Heavenly Father. My heartfelt condolences go out.”
Lawrence scored first in 1962 with the achingly romantic ballad “Go Away Little Girl,” written by the Brill Building songwriting team of Gerry Goffin and Carole King. Gorme matched his success the following year with “Blame It on the Bossa Nova,” a bouncy tune about a dance craze of the time that was written by Brill hitmakers Barry Mann and Cynthia Weil.
By the 1970s, Lawrence and his wife were a top draw in Las Vegas casinos and nightclubs across the country. They also appeared regularly on television, making specials and guesting on various shows.
In the 1980s, when Vegas cut down on headline acts and nightclubs became scarcer, the pair switched to auditoriums and drew large audiences.
“People come with a general idea of what they’re going to get with us,” Lawrence said in 1989. “It’s like a product. They buy a certain cereal and they know what to expect from that package.”
A career that spanned TV, Broadway and nightclubs
Lawrence launched his professional singing career at age 15. After two failed auditions for “Arthur Godfrey’s Talent Scouts” TV show, he was accepted on the third try, going on to win the competition and the prize of appearing on Godfrey’s popular daytime radio show for a week.
King Records, impressed by the teenager’s strong, two-octave voice, signed him to a contract. His first record, “Poinciana,” sold more than 100,000 copies, and his high school allowed him to skip classes to promote it with out-of-town singing dates.
After several guest appearances on Steve Allen’s television show, Lawrence was hired as a regular. When the program became NBC’s “Tonight” in 1954, he went with it, singing and exchanging quips with Allen. The series set the pattern for the long-running “The Tonight Show.”
“I think Steve Allen was the biggest thing that happened to me,” said Lawrence, who stayed with the show’s host for five years, honing his comedic skills and attracting a wide audience with his singing. “Every night I was called upon to do something different. In its own way it was better than vaudeville.”
Early in the series’ run, a young singer named Eydie Gorme joined the cast. After singing together for four years, she and Lawrence were married in 1957.
Until Gorme’s death, in 2013, they remained popular, whether working together in concert or making separate TV appearances.
His reasoning: “If we did television together all the time, why should anyone go see us in a club?”
He appeared in such shows as “CSI: Crime Scene Investigation,” “Gilmore Girls,” “Diagnosis Murder” and “The Nanny.”
He and his wife did star together in “The Steve Lawrence-Eydie Gorme Show” in 1958 and Lawrence had his own series, “The Steve Lawrence Show,” in 1965.
He also made stage appearances without Gorme, including a starring role in a 1962 summer stock version of “Pal Joey.” He made it to Broadway in 1964 — and earned a Tony Award nomination — in the musical “What Makes Sammy Run?” based on Budd Schulberg’s classic novel about a New York hustler who claws his way to the top of the entertainment world.
Critics praised Lawrence but gave the play bad reviews. Still, it turned a profit, and insiders attributed its success to his performance.
Lawrence also had a few character roles in movies, most notably “Stand Up and Be Counted,” “Blues Brothers 2000,” “The Lonely Guy” and “The Yards.”
Native-born New Yorkers, Lawrence and Gorme lived in a Manhattan apartment during their early years together. When the center of TV entertainment shifted to Hollywood, they moved to Beverly Hills.
Born Sidney Liebowitz in New York City’s borough of Brooklyn, Lawrence was the son of a Jewish cantor who worked as a house painter. He began singing in his father’s synagogue choir at 8, moving on to bars and clubs by his mid-teens. He took his name from the first names of two nephews.
He and Gorme had two sons, David, a composer, and Michael. Long troubled with heart problems, Michael died of heart failure in 1986 at age 23.
“My dad was an inspiration to so many people,” his son David said in a statement. “But, to me, he was just this charming, handsome, hysterically funny guy who sang a lot. Sometimes alone and sometimes with his insanely talented wife. I am so lucky to have had him as a father and so proud to be his son.”
Jessie Buckley has been nominated for an Academy Award for best actress for her portrayal of William Shakespeare’s wife in Hamnet.
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Kate Green/Getty Images
Actor Jessie Buckley says she’s always been drawn to the “shadowy bits” of her characters — aspects that are disobedient, or “too much.” Perhaps that’s what led her to play Agnes, the wife of William Shakespeare, in Hamnet.
Buckley says the film, which is based on Maggie O’Farrell’s 2020 novel, offered a chance to counter a common narrative about the playwright’s wife: that she “had kept him back from his genius,” Buckley says.
But, she adds, “What Maggie O’Farrell so brilliantly did, not just with Agnes and Shakespeare’s wife, but also with Hamnet, their son, was to bring these people … and give them status beside this great man. … [And] give the full landscape of what it is to be a woman.”
The film is nominated for eight Academy Awards, including best actress for Buckley. In it, she plays a woman deeply connected to nature, who faces conflicts in her marriage, as well as the death of their son Hamnet.
Buckley found out she was pregnant a week after the film wrapped. She’s since given birth to her first child, a daughter.
“The thing that this story offered me, that brought me into this next chapter of my life as a mother was tenderness,” she says. “A mother’s tenderness is ferocious. To love, to birth is no joke. To be born is no joke. And the minute something’s born into the world, you’re always in the precipice of life and death. That’s our path. … I wanted to be a mother so much that that overrode the thought of being afraid of it.”
Jessie Buckley stars as Agnes and Joe Alwyn plays her brother Bartholomew in Hamnet.
Courtesy of Focus Features/Courtesy of Focus Features
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Interview highlights
On filming the scene where she howls in grief when her son dies
I didn’t know that that was going to happen or come out, it wasn’t in the script. I think really [director] Chloé [Zhao] asked all of us to dare to be as present as possible. Of course, leading up to it, you’re aware this scene is coming, but that scene doesn’t stand on its own. By the time I’d met that scene, I had developed such a deep bond with Jacobi Jupe, who plays Hamnet, and [co-stars] Paul [Mescal] and Emily Watson, and all the children and we really were a family. And Jacobi Jupe who plays Hamnet is such an incredible little actor and an incredible soul, and we really were a team. …
The death of a child is unfathomable. I don’t know where it begins and ends. Out of utter respect, I tried to touch an imaginary truth of it in our story as best I could, but there’s no way to define that kind of grief. I’m sure it’s different for so many people. And in that moment, all I had was my imagination but also this relationship that was right in front of me with this little boy and that’s what came out of that.
On what inspired her to pursue singing growing up
I grew up around a lot of music. My mom is a harpist and a singer and my dad has always been passionate about music, so it was always something in our house and always something that was encouraged. … Early on, I have very strong memories of seeing and hearing my mom sing in church and this quite intense mercurial conversation that would happen between her, the story and the people that would listen to her. And at the end of it, something had been cracked between them and these strangers would come up with tears in their eyes. And I guess I saw the power of storytelling through my mom’s singing at a very young age, and that was definitely something that made me think I want to do that.
On her first big break performing as a teen on the BBC singing competition I’d Do Anything — and being criticized by judges about her physical appearance
I was raw. I hadn’t trained. I had a lot to learn and to grow in. I was only 17. I think there was part of their criticism which I think was destructive and unfair when it became about my awkwardness, or they would say I was masculine and send me to kind of a femininity school. … They sent me to [the musical production of] Chicago to put heels on and a leotard and learn how to walk in high heels, which was pretty humiliating, to be honest, and I’m sad about that because I think I was discovering myself as a young woman in the world and wasn’t fully formed. … I was different. I was wild, I had a lot of feeling inside me. I could hardly keep my hands beside myself and I think to kind of criticize a body of a young woman at that time and to make her feel conscious of that was lazy and, I think, boring.
On filming parts of the 2026 film The Bride! while pregnant
I really loved working when I was pregnant. I thought it was a pretty wild experience, especially because I was playing Mary Shelley and I was talking about [this] monstrosity, and here I was with two heartbeats inside me. Becoming a mom and being pregnant did something, I think, for me. My experience of it, it’s so real that it really focuses [me to be] allergic to fake or to disconnection.
Since my daughter has come and I know what that connection is and the real feeling of being in a relationship with somebody … as an actress, it’s very exciting to recognize that in yourself and really take ownership of yourself.
I’m excited to go back and work on this other side of becoming a mother in so many ways, because I’ve shed 10 layers of skin by loving more and experiencing life in such a new way with my daughter. I’m also scared to work again because it’s hard to be a mother and to work. That’s like a constant tug because I love what I do and I’m passionate and I want to continue to grow and learn and fill those spaces that are yet to be filled — and also be a mother. And I think every mother can recognize that tug.
On the possibility of bringing her daughter to travel with her as she works
I haven’t filmed for nearly a year and I cannot wait. I’m hungry to create again. And my daughter will come with me. She’s seven months, so at the moment she can travel with us and it’s a beautiful life. And she meets all these amazing people and I have a feeling that she loves life and that’s a great thing to see in a child. And I hope that’s something that I’ve imparted to her in the short time that she’s been on this earth is that life is beautiful and great and complex and alive and there’s no part of you that needs to be less in your life. You might have to work it out, but it’s worth it.
Lauren Krenzel and Susan Nyakundi produced and edited this interview for broadcast. Bridget Bentz, Molly Seavy-Nesper and Beth Novey adapted it for the web.
Bruce Campbell
I’m Battling Cancer
Published
Bruce Campbell has revealed he has cancer, but says it’s a type that’s treatable, though not curable.
“The Evil Dead” actor shared the news Monday in a message to fans, writing, “Hi folks, these days, when someone is having a health issue, it’s referred to as an ‘opportunity,’ so let’s go with that — I’m having one of those.” He continued, “It’s also called a type of cancer that’s ‘treatable’ not ‘curable.’ I apologize if that’s a shock — it was to me too.”
Campbell said he wouldn’t go into further detail about his diagnosis, but explained his work schedule will be changing. “Appearances and cons and work in general need to take back seat to treatment,” he wrote, adding he plans to focus on getting “as well as I possibly can over the summer.”
As a result, Campbell says he has to cancel several convention appearances this summer, noting, “Treatment needs and professional obligations don’t always go hand-in-hand.”
He says his plan is to tour this fall in support of his new film, “Ernie & Emma,” which he stars in and directs.
Ending on a determined note, Campbell told fans, “I am a tough old son-of-a-bitch … and I expect to be around a while.”
Neve Campbell in Scream 7.
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Paramount Pictures
The OG Scream Queen Neve Campbell returns. Scream 7 re-centers the franchise back on Sidney Prescott. She has a new life, a family, and lots of baggage. You know the drill: Someone dressing up as the masked slasher Ghostface comes for her, her family and friends. There’s lots of stabbing and murder and so many red herrings it’s practically a smorgasbord.
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