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San Vicente Bungalows Is Coming to NYC’s West Village

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San Vicente Bungalows Is Coming to NYC’s West Village

There was no image of Lady Gaga at 3 a.m., hanging near the wall with various members of Arcade Fire and Eddie Vedder. No images of Kevin Costner, single and ready to mingle by the bar. No images of Cher and Lauryn Hill over at the banquettes of the softly lit dining room. The owners of San Vicente West Village had made sure that no paparazzi could be found inside last Friday, despite the fact that some of the biggest names in music and Hollywood had come for a party after the Saturday Night Live 50th-anniversary concert at Radio City Music Hall.

Had any of those images been beamed across the internet, it might have built a sense that the first event at SVB, which officially opens in March, was a rager for the ages.

Perhaps that is the point: You had to be there.

Among New Yorkers who flock to power and crave exclusivity, the upcoming opening of Los Angeles’s best private club is being greeted with a sense of urgency that is second only to the future of democracy.

“Everyone in fashion has been talking about this club, whether to join, how to get on the list,” said Kendall Werts, a founder of the Jeffries, an agency at the intersection of branding and celebrity.

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San Vicente West Village is the brainchild of Jeff Klein, a businessman with a long track record in hospitality, who opened San Vicente Bungalows Los Angeles in 2018.

In the 1990s, Mr. Klein bet that hotels would be to that decade what nightclubs had been to the 1980s.

In 2004, Mr. Klein spent $18 million to buy the dilapidated Sunset Tower Hotel in Los Angeles. It went on to become the town’s premier canteen for moguls and movie stars (think: Jennifer Aniston, Jeff Bezos, George Clooney) and, for several years, it was the site of Vanity Fair’s famous Oscars party.

Mr. Klein also teamed up with the magazine’s former editor, Graydon Carter, on the Monkey Bar, a restaurant in Midtown Manhattan.

But the real follow-up to the Sunset Tower was the San Vicente Bungalows, a members-only club that changed how celebrities could socialize.

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A cynic might say the idea was to create a safe space for the town’s best-known and best-connected people, one where they could gawk at and hit on one another without having those moments memorialized in a bad iPhone picture taken by a tourist. (The club requires all guests to cover their phone cameras with stickers for the duration of their stay.) The challenges associated with navigating Los Angeles’s sprawl also worked in the club’s favor. With fewer ways to run into people, they settled into picking one.

Dues ran around $4,000, not including initiation fees that ranged from $3,000 to $15,000, depending on age. Among those who joined were Jennifer Lopez, Lady Gaga, Rihanna and Tom Ford.

“When I’m in L.A., if I’m not eating at home, I’m at San Vicente. Before that, I was at Tower Bar,” Mr. Ford said by phone last week. “It’s like I’m at home. They know my favorite table and what I like. My Coca-Cola arrives before I ask for it. You feel Jeff’s presence in every way.”

After the coronavirus pandemic, an idea began to gnaw at Mr. Klein: Might he be able to bottle the magic in Los Angeles and bring it back to the city he’d left behind?

In short order, he decided to test his luck at the Jane Hotel, a red brick West Village landmark along the West Side Highway.

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The blowback and intrigue from New Yorkers began as soon as the first invitations to join were extended. A select group of current members were instructed to invite their friends or people who they thought should be members. In emails, those new insiders were given the rare opportunity to join without the formal review process that most members were subjected to. The membership is being vetted by Gabe Doppelt, a British magazine editor who cut her teeth as the assistant to Anna Wintour and Tina Brown. After going on to be the editor of Mademoiselle, she oversaw Hollywood coverage at W magazine and The Daily Beast.

People who did not get invites were angry about not being invited. People who did get invites were angry about the fees, especially the older ones and some of the most creative ones who were not high-net-worth individuals. Prospective invitees were asked to upload their drivers licenses so that their age-adjusted fees could be determined. No one liked that.

It so happens that San Vicente’s annual fees are in the same ballpark as those of other New York City private social clubs, such as Casa Cipriani and Chez Margaux. They’re considerably cheaper than the Core Club’s.

A fair amount of debate began about whether the city had enough juice left to create a lasting clubhouse full of people who were both creative enough and financially solvent enough to pay for membership. Power in New York City is often cultural as much as it is capital.

“Does real fabulousness even take place in public anymore? Isn’t it behind closed doors in other people’s homes?” said Jon Reinish, a well-connected political consultant who received an invitation to the club last month and had not yet joined. “I just don’t know that it exists in Manhattan anymore the way it did during the days of Michael’s the Grill Room and Mortimer’s, and it’s very hard to reverse-engineer it any kind of lasting way.”

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But for every person sniping, another was joining. Also helping ensure success: Mr. Klein’s unique popularity, according to Kevin Huvane, who, as the co-chairman of Creative Artists Agency, helps guide the careers of many San Vicente regulars, among them Ms. Aniston, Demi Moore and Jennifer Lopez. “People underestimate good will,” he said, before going on to liken Mr. Klein to Joe Allen, the impresario whose restaurants in the theater district established him as a king of Broadway.

The night after the star-studded S.N.L. party, Mr. Werts of the Jeffries was among roughly a thousand people who attended a hard-hat party celebrating the club’s upcoming opening.

Others in the crowd included the power literary agent David Kuhn, the television mogul Darren Starr, the actress Zooey Deschanel and the political pundit Molly Jong-Fast.

A magazine editor who earlier in the week had complained to me about having wasted several thousand dollars to join (largely because of FOMO) was now grousing about the long line for the coat check.

Even Mr. Klein appeared a little embarrassed by the size of the crowd. A few feet away, he talked to Soon-Yi Previn, the wife of Woody Allen.

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“It’s a good thing Woody didn’t come,” Mr. Klein said. “It’s too crowded.”

Officially, Mr. Klein was not participating with this piece. Last December, he gave an interview to The New York Times in connection with the opening of a San Vicente outpost in Santa Monica, Calif. After its publication, Jay-Z asked him why on earth he’d cooperated with it. After all, a central promise of the club is privacy for its members. (Some have been suspended for uploading pictures to Instagram.)

And Mr. Klein had to concede that Jay-Z had a point.

Still, he also knew that in a town of journalists, nothing about the weekend was going to be totally off the record. And with opening costs in the $130 million range, he was not going to be able to make that back without some press. (“Oof, that’s a lot of money,” said Mr. Huvane, when told the number.)

So Mr. Klein did not exactly shoo me away as he greeted Risa Heller, a crisis manager whose clients have included Jeff Zucker and Anthony Weiner.

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Waiters marched around the space serving crispy shrimp satays and cappuccino-flavored macaroons.

Ms. Jong-Fast and Ms. Deschanel went upstairs to see the movie theater, then checked out a few of the guest suites, where the hardwood floors had an amber hue and the bed linens were airy and white.

“This would be a great place to cheat on your spouse,” said Ms. Jong-Fast, stopping for a minute to admire a pumpkin-colored sofa with a Hudson County vibe. “Although maybe that’s more Casa Cipriani.”

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Senate Democrats are investigating the Kennedy Center for ‘cronyism, corruption’

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Senate Democrats are investigating the Kennedy Center for ‘cronyism, corruption’

Leadership of the Kennedy Center is being investigated by Democrats.

The John F. Kennedy Center for the Performing Arts/KC1CT2746


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The John F. Kennedy Center for the Performing Arts/KC1CT2746

The ranking Democrat on the U.S. Senate Committee on Environment and Public Works, which oversees public buildings, is investigating leadership at the John F. Kennedy Center for the Performing Arts for what he says are “millions in lost revenue, luxury spending, and preferential treatment for Trump allies.”

The committee’s ranking member Sen. Sheldon Whitehouse (D-R.I.) sent a letter outlining the claims to Kennedy Center president, Richard Grenell. Grenell denied the allegations in a letter that was posted to the Kennedy Center’s social media.

The Kennedy Center’s building is maintained by the federal government, though its programming and staff are supported by a combination of private and federal funds.

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Whitehouse’s letter, plus documentation obtained by Democrats on the Senate committee, are posted on its website. The documents appear to show that non-arts groups are getting significant discounts on rental fees at the Kennedy Center. There is a copy of a contract with FIFA that shows the international soccer organization will not pay the usual $5 million in rental fees when it takes over the center for three weeks in order to announce next year’s World Cup draw, as first reported by The Washington Post.

Senate Democrats obtained copies of contracts given to Grenell’s friends and associates, worth tens of thousands of dollars.

In his letter to Grenell, Whitehouse said these and other actions show a “profound disregard” for leadership’s “fiduciary responsibility.”

Allegations of financial mismanagement come at a time of declining audiences, artist cancellations, layoffs and resignations at the Kennedy Center.

An analysis by The Washington Post found that ticket sales at the Kennedy Center have taken a nosedive; on average, 43% of tickets have not been sold since early September. On the same day as the Post‘s reporting, Grenell announced the center had raised “a record-breaking” $58 million from donors and sponsors in 30 days “with more on the horizon.”

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In his response to Whitehouse, Grenell wrote that he is “concerned about your careless attacks on me and my team” and that the Senator’s letter is “filled with partisan attacks and false accusations.” Grenell denied Whitehouse’s claims and alleged financial mismanagement by the center’s previous leadership, including “a bloated staff” and “deferred maintenance” that “was quite literally making the building fall apart.” President Trump’s One Big Beautiful Bill Act includes $257 million for repairs, maintenance and restoration of the Kennedy Center.

Addressing the claim that FIFA will be using the center for free, instead of paying a $5 million rental fee to the Kennedy Center, Grenell said the international soccer organization has “given us several million dollars, in addition to paying all of the expenses for this event in lieu of a rental fee.…A simple rental fee would not have been enough to cover the magnitude of the event.”

Grenell has slammed previous Kennedy Center leadership a number of times. In this week’s letter to Whitehouse, he wrote that “for the first time in decades, we have a balanced budget at the Kennedy Center.” In May he told the Kennedy Center board the “deferred maintenance of the Kennedy Center is criminal.”

Former Kennedy Center president Deborah Rutter and board chair David Rubenstein rejected Grenell’s characterization of their work. Rutter wrote, “Perhaps those now in charge are facing significant financial gaps and are seeking to attribute them to past management.”

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In a statement to NPR from May, Rubenstein said, “financial reports were reviewed and approved by the Kennedy Center’s audit committee and full board as well as a major accounting firm.” That audit committee included board members appointed by Trump during his first term, including U.S. Attorney General Pam Bondi. At the time, she was a special advisor to Trump and worked on his defense team during his Senate impeachment trial.

Whitehouse is requesting the Kennedy Center supply him with “documents and information about the Center’s financial management practices, expenditures, donors, and contracts under Grenell’s leadership by December 4, 2025.”

This story was edited by Jennifer Vanasco.

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L.A. Affairs: Los Angeles chewed me up and spit me out. Did my husband really want us to move there?

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L.A. Affairs: Los Angeles chewed me up and spit me out. Did my husband really want us to move there?

In the fall of 2019, my husband sat me down in our Hudson Valley kitchen, which overlooked our old birch. “I think I need to move back to Los Angeles,” he said.

I had just turned 50, and we’d been married for one year. I looked at him as if he’d suggested Mars.

“I know,” he said. “But I don’t think there’s enough work here.”

He had just finished directing a documentary. He wanted to return to the city where he had lived and worked in the industry for 17 years to see if he could drum up old connections for new work.

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Was this a test? I remained silent while my mind reeled.

L.A. was never a place in which I imagined myself thriving. I first moved there after college to pursue acting and live with my mogul-wannabe boyfriend. We broke up within a month, and my life became a California cliche: I joined a cult-like spiritual practice with a glamorous Indian guru.

Although I found chanting and meditation to be very healing, after a year the relentless sunshine grated on my depressive nature and I moved back to my hometown of New York City, where I tried to hide my California woo-woo beneath a wardrobe of black.

When I’d return to L.A. to visit, my insecurities lined up like the palm trees on Hollywood Boulevard. After two days, I’d start eyeing my mushy backside with disdain in restaurant windows. My thick, curly hair made me temperature hot, while everyone around me was slim, tanned and sexy hot. I’d replay the time an agent told me to come back after I’d lost 15 pounds and how my troupe of college friends all got industry jobs and appeared to be thriving in the Hollywood ethos that felt so empty to me.

Moving back to L.A. as a middle-aged married woman felt like reconnecting with an ex with whom things ended badly. Had enough time passed that it could work? Or would all of our “issues” with each other return?

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Back in my kitchen, my eyes fixated on the birch, its yellow-brown leaves clinging to its large, twisted frame. Its unique beauty drew me to the house that I’d bought years before my husband and I met. The pros and cons of life in our rural town flashed before me: my hard-won friends, the long, frigid winters, the affordability and the reliable rhythms of a seasonal life. I had lived most of my time here as a single person. Now I was a middle-aged part of a pair. Maybe it was time to compromise.

“OK,” I said, surprising myself. “It will be our adventure.”

We decided to give it six months. My writing and consulting work was portable, and there was something right about the idea of my husband and me creating a new life together. Although he is nine years my elder, his infectious, childlike enthusiasm about making dreams come true was rubbing off on me. We just didn’t count on the world shutting down a month after we moved in the winter of 2020.

At first, L.A. was a terrific place for the shutdown, because we could walk each day in the beautiful sunshine, which I no longer minded one bit, to a stunning view of the coast. Our weekly trips to the grocery store included a traffic-free drive up PCH to a less-crowded supermarket, the ocean sparkling on our left. As my East Coast friends complained in Zoom squares about the cold, we got to hike and take lunch breaks on the Malibu cliffs. Soon we noticed Angelenos gathering with their friends in their backyards for cookouts.

Still, it was a pandemic. Even with the daily walks, my body rebelled from so much sitting. My hips froze, and I limped around our small apartment like Al Pacino playing Richard the III. Our dog, raised in a country house, barked like a banshee at every door closing in the apartment complex, driving us and our neighbors insane. Then, my husband’s mother died alone in a nursing home on the other side of the country. Grief hung over our lives like a marine layer obscuring the view of Catalina. I entered menopause, and my new brain fog only added to the haze. Some adventure.

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We found new ways to cope. We bought used bikes on Facebook Marketplace and started biking everywhere. One day, as I arrived breathless at the top of a Mar Vista crest, I saw the ocean behind me and the snow-capped mountains in the distance. The view managed to take whatever breath I had left away. Despite the doom, I felt elated.

In late summer, we drove back east to check on our family and house, which had been rented by some city folk. But we no longer fit. The Hudson Valley charm was dampened by the sensation of wading through 95-degree humid soup. The clothes and books in our old garage didn’t feel like ours anymore, and I felt a strange desire to just give them away. The light and rhythms of L.A. had seduced me.

When we returned, things started to fall into place. We got vaccines. We met in the courtyard with neighbors — the ones who didn’t hate our dog. We figured out how to sell our property back east and finance one in L.A. (for our dog). We made great friends with our new neighbors, one of whom is an actor and not in the least bit flaky. And then, at the farmers market, a friendly vendor was talking to another regular about their aches and pains.

“She’s too young to understand,” he interrupted himself to nod at me. “You’ve got years to go before you reach this point.”

I was 54. It appeared the “coastal ex” and I were indeed having a rapprochement.

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These days, I notice fuchsia bursts of bougainvillea instead of my mushy backside. But L.A. has also brought disappointment, financial hardship and the necessity to face hard truths. DOGE (or the White House’s Department of Government Efficiency) slashed the budgets of organizations I work with in my consulting business. And because of COVID-19 and changes in the industry, my husband, the one gung ho about moving back, ended up being the one to struggle. He is in the midst of a brave and grueling career pivot.

It is still our adventure. In midlife, with the right partner and the self-acceptance that getting older brings, I no longer feel the city is stacked against me. We hold on to each other in this complex phase of life and in this vibrant, complex town. And when things feel hopeless, we step outside our door and watch the golden light stream through our old California elm.

The author is a writer and leadership consultant with bylines in HuffPost, Oldster, Longreads, Brevity and more. Her debut memoir, “This Incredible Longing: Finding My Self in a Near-Cult Experience,” will be published by Heliotrope Books in February.

L.A. Affairs chronicles the search for romantic love in all its glorious expressions in the L.A. area, and we want to hear your true story. We pay $400 for a published essay. Email LAAffairs@latimes.com. You can find submission guidelines here. You can find past columns here.

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Thanksgiving 2025 Hot Takes

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Thanksgiving 2025 Hot Takes

The mashed potatoes might be lukewarm once they hit the table, but the opinions shared on and about Thanksgiving are never short of piping hot. We asked the people most moved by the holiday — recipe developers, food writers, chefs and other tastemakers — for their most enlightened and provocative takes, whether on the familial faux pas or the dishes that make the meal. Pick your sides below, and at your own feast while you’re at it. (The following takes have been edited and condensed.)

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