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Removed during protests, Louisville's statue of King Louis XVI is still in limbo

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Removed during protests, Louisville's statue of King Louis XVI is still in limbo

Louisville’s statue of French King Louis XVI was removed after it was vandalized during protests in 2020. The 200 year-old monument was a gift from Louisville’s sister city of Montpellier, France.

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Louisville’s statue of French King Louis XVI was removed after it was vandalized during protests in 2020. The 200 year-old monument was a gift from Louisville’s sister city of Montpellier, France.

Stephanie Wolf/Louisville Public Media

Local leaders in Louisville, Ky. are trying to figure out what to do with a statue of its namesake, King Louis XVI of France, nearly four years after it was moved into storage.

The 200-year-old statue was damaged during protests over the police killing of Breonna Taylor in 2020. Protests broke out across the country that summer, forcing local governments to address long-standing racial disparities and police misconduct. It also caused them to rethink controversial monuments.

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Jessica Bennett Kincaid, Louisville’s public art administrator, said the city has no plans to put King Louis back on display, for now.

“I think I think that some might assume that we’re sort of stalling, but we just don’t have an obvious solution at this point,” she said.

How we got here

On May 28, 2020, protesters gathered in front of Louisville Metro Hall after the city released the gut-wrenching 911 calls from Taylor’s boyfriend and neighbors after the shooting.

As the demonstration swelled, one man got up onto the plinth where a 9-ton marble statue of King Louis XVI had stood since the 1960’s. Then the man, and Louis’ marble hand, fell into the crowd.

The statue remained on display throughout the summer, handless and covered in graffiti. The city eventually took it down, citing public safety concerns.

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Protesters spray painted and broke a hand off Louisville’s King Louis XVI statue in May 2020. Officials removed the monument in September that year.

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Protesters spray painted and broke a hand off Louisville’s King Louis XVI statue in May 2020. Officials removed the monument in September that year.

Ryan Van Velzer/Louisville Public Media

An analysis by three conservation firms found damage dating back much further than 2020. The statue — commissioned by King Louis XVI’s daughter after his execution during the French revolution — was moved multiple times after it was first displayed in 1830.

“The stone material has veining in it and some of those veins can release over time,” Kincaid explained. “The more you move such a heavy object, the more likely it is to have those veins release.”

Montpellier, France gifted the statue to its sister city Louisville in 1966. Since then, Kincaid said the freeze-thaw cycle of the Ohio River Valley hasn’t been kind to the monarch’s likeness.

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“If something is a porous material, water and moisture can seep into it and, of course, when it freezes, it expands,” she said.

Kincaid said part of the reason the statue to Louisville’s namesake hasn’t been put back on display is the price tag. Repairs have been estimated at around $200,000.

But, like other communities across the country, the city has also spent the last three years grappling with what their public art represents.

A survey conducted by Louisville in 2022 found 40% of respondents didn’t think the 18th Century monarch represents their values. Some of them noted Louis’ connection to colonialism and resistance to democracy at home.

Some who want the statue restored, like Republican Metro Councilman Kevin Kramer, said it symbolizes what the city’s founders believed: that France’s support was instrumental to the American Revolution.

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“If it hadn’t been for the French willingness to be involved in this, if it hadn’t been for the distraction [they created], I don’t know how you overlook the significance of that,” Kramer said.

Ninety percent of the people who responded to the city’s survey agreed with Kramer, saying they want the statue put back on display. But they differed on what that would look like.

“Same spot but minus his head. For historical accuracy,” one person responded. Others said the damage and graffiti should stay, as a symbol of the 2020 protests.

Lessons from near and far

Many of the conservators contracted by the city initially declined to do any preservation work until officials conducted a comprehensive public engagement process. That’s because in 2020, the American Institute of Conservation put out a position paper urging cities and preservationists to think more critically about what it called “contested monuments.”

Katherine Ridgway, a conservator at the Virginia Department of Historic Resources, was one of the authors of that paper. She said the goal was to lay out a process for how cities can work with communities when deciding what to do with controversial statues.

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She said leaving monuments graffitied and damaged, as some survey respondents in Louisville suggested, can be the right decision for some cities.

“The goal with this was to make a definition between vandalism that is for damage’s sake, and the idea that there is graffiti and vandalism that has to do with social justice movements,” Ridgway said. “That is absolutely part of our history now.”

A handful of Confederate statues in Richmond, Va. were removed in 2020. One such statue, which depicts Confederate President Jefferson Davis, is on display at a local history museum dented and covered in graffiti, the same condition as when it was toppled.

A statue of Confederate States President Jefferson Davis lies on the street after protesters pulled it down in Richmond, Virginia, on June 10, 2020.

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A statue of Confederate States President Jefferson Davis lies on the street after protesters pulled it down in Richmond, Virginia, on June 10, 2020.

Parker Michels-Boyce/AFP via Getty Images

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Just a three hour drive from Louisville, in Columbus, Ohio, residents and city officials have spent the last three years debating a statue to their own namesake: explorer Christopher Columbus.

Like Louisville, Columbus removed its monument from the front of city hall in 2020. But the city recently received a grant from the Mellon Foundation to explore what contextualizing the statue might look like.

Jennifer Fening, deputy director of the city’s department of development, said they’ve hired a Native-American-led design firm to help tell a more nuanced story about Columbus, the historical figure, and Columbus, the community.

“We hope to design a space where the statute can be used to tell the stories of people who haven’t felt seen and celebrated in our city, and to articulate who we are as a community today, in light of our namesake,” Fening said.

Protesters hold their fists in the air at the base of the Christopher Columbus Statue at Columbus City Hall during a protest organized against police brutality and the Columbus statue on June 27, 2020.

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Protesters hold their fists in the air at the base of the Christopher Columbus Statue at Columbus City Hall during a protest organized against police brutality and the Columbus statue on June 27, 2020.

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Columbus will hold multiple public meetings in the coming year that will center the communities with the biggest stake in the conversation: Italian-American and Native-American residents.

Indigenous activist Shelly Corbin was part of a previous advisory committee on the Columbus statue. Corbin, a member of the Cheyenne River Sioux Tribe, said she thinks the Reimagining Columbus project could help the city find consensus not just on the statue, but on other important issues.

“If we can ultimately be successful with this movement, how much more engagement and really creating a community-centered Columbus could that do, in terms of shifting narratives, in terms of building bridges?” she said.

The City of Columbus has set aside $3.5 million for the project, including $1.5 million for the creation of new public artworks.

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Where does Louisville go from here?

The King Louis statue’s future is less clear in Louisville. Efforts to find a new home where residents and visitors could admire the centuries old sculpture, are at a standstill.

Conservation firms have advised the city that the statue not be placed outdoors again for fear of further damage by the elements.

Kincaid, Louisville’s public art administrator, said the city recently reached out to local museums to talk about taking King Louis on loan, but so far there’s been little interest. She said most just don’t have a place to display a 9-ton statue.

“It can’t just be put into any building,” she said. “There would have to be structural support, reinforcement of floors, having an access point large enough to get the sculpture through the door.”

For now, city officials say they’ve exhausted all options.

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Kincaid said discussions have moved on to what should take King Louis’s place outside city hall and, perhaps more importantly, how permanent this new piece should be.

“Most public art programs are a little cautious to turn around and replace these statues with something else very permanent while we’re still navigating that conversation that precipitated the removal of all these monuments in the first place,” Kincaid said.

City officials hope to find a new namesake, of sorts – something that can represent the community and its values in the present day.

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Lifestyle

‘Scream 7’ takes a weak stab at continuing the franchise : Pop Culture Happy Hour

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‘Scream 7’ takes a weak stab at continuing the franchise : Pop Culture Happy Hour

Neve Campbell in Scream 7.

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The OG Scream Queen Neve Campbell returns. Scream 7 re-centers the franchise back on Sidney Prescott. She has a new life, a family, and lots of baggage. You know the drill: Someone dressing up as the masked slasher Ghostface comes for her, her family and friends. There’s lots of stabbing and murder and so many red herrings it’s practically a smorgasbord.

Follow Pop Culture Happy Hour on Letterboxd at letterboxd.com/nprpopculture

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Smoke a joint and get deep with flowers at this guided floral design workshop in DTLA

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Smoke a joint and get deep with flowers at this guided floral design workshop in DTLA

Abriana Vicioso is the host of the Flower Hour, which takes place monthly.

(Jennifer McCord / For The Times)

Each flower carries a personal history. For Abriana Vicioso, the calla lily was her parents’ wedding flower — a symbol of her mother’s beauty. “She had this big, beautiful white calla lily in her hair,” Vicioso says. “I love my parents. They’re the reason I’m here. I’ll never forget where I came from.”

The Flower Hour begins with Vicioso announcing, with a warm smile: “Today is about touching grass.” The florist-by-trade gestures behind her to hundreds of flowers contained in buckets — blue thistles, ivory anemones and calla lilies painted silver — all twisted and unfurling into the air. “Tonight is going to be so sweet and intimate,” Vicioso says, eyeing the beautiful chaos at her feet. A grin buds across her face.

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Moments before the workshop, participants sit at candlelit tables exchanging horoscopes and comparing their favorite flowers. A mention of the illustrious bird-of-paradise flower elicits coos and awe from the women. Izamar Vazquez, who is from Jalisco, Mexico, reveals her fondness for roses, which make her feel connected to her Mexican roots.

Vicioso hosts her flower-themed wellness workshop near the iconic Original Los Angeles Flower Market in downtown L.A. In January, the first Flower Hour event sold out, prompting her to make it a monthly series. Vicioso describes the event as a “three-part journey” where participants are invited to drink herbal tea, smoke rose-petal-rolled cannabis joints and create a floral arrangement. “The guide is to connect with the medicine of flowers,” Vicioso says.

Rose petal joints, tea and flower arranging are all part of The Flower Hour event's offerings.
Herbal tea is part of the event's offerings.
Floral arranging is the main activity.

Rose petal joints, tea and flower arranging are all part of The Flower Hour event’s offerings.

The event is hosted at the Art Club, a membership-based co-working space. “The Flower Hour is really beautiful. Everyone gets to explore their creativity while meeting new people,” says Lindsay Williams, the co-owner of the Art Club.

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The idea for Flower Hour came to Vicioso during a conversation with her mother. “We joke all the time that flowers were destined to make their way into my life,” she says. She works as a florist and models on the side, even appearing in the pages of Vogue. Vicioso grew up in a Caribbean household, where flowers and offerings were part of daily life. “In my culture and religion, a lot of my family practices — an Afro-Caribbean religion — we build altars.”

Like many cultures, flowers carry sentimental value in her religion. “I’m Caribbean, so a lot of my family practices a Yoruba religion, which comes from Africa. In the Caribbean, it’s well known as Santería.”

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After a difficult year and a breakup, Vicioso wanted to marry her love of flowers with community building. Because Vicioso uses cannabis medicinally, the workshop naturally includes a smoking component. “My family has smoked cannabis for a lot of reasons for a long time. It’s a really healing plant,” she explains.

In the workshop, even the cannabis gets the floral treatment. Vicioso presents her rose-petal-wrapped joints on a silver platter at each table. She rolled each by hand. “If you’ve never smoked a rose-petal-rolled joint, the difference with this is it’s going to have roses that have a slight tobacco effect,” she announces.

During the workshop, Vicioso stresses the importance of buying cannabis from local vendors. The cannabis provided was purchased from a Northern Californian vendor. The wellness workshop aims to reclaim the healing ritual of smoking cannabis. “This is a plant that has been commercialized,” Vicioso says. “There’s a lot of Black and Brown people who are in jail for this plant.”

The resulting workshop is what Vicioso describes as “an immersive wellness experience that is the intersection of wellness, creativity, community and an appreciation of flowers.” The workshop serves as a reminder to enjoy Earth’s innate beauty in the form of flowers — including cannabis. “It’s this gift that the universe gave us for free and that I have this deep connection with,” Vicioso says.

Conversation cards to generate discussion among participants (left). The workshop serves as a "third space" for Angelenos to engage in tactile creativity and community building outside of traditional nightlife settings.
LOS ANGELES, CA -- FEBRUARY 22, 2026: Participants smoke marijuana during The Flower Hour, a floral design workshop + floral smoke sesh at The ArtClub in downtown. Photographed on Sunday, February 22, 2026. (Jennifer McCord / For The Times)
LOS ANGELES, CA -- FEBRUARY 22, 2026: The Flower Hour is a floral design workshop + floral smoke sesh at The ArtClub in downtown. Photographed on Sunday, February 22, 2026. (Jennifer McCord / For The Times)

Conversation cards to generate discussion among participants (top, letf). The workshop serves as a “third space” for Angelenos to engage in tactile creativity and community building outside of traditional nightlife settings.

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After enjoying lavender chamomile tea and smoking a joint, Vicioso introduces the flowers to the group before inviting them to pick their own. She emphasizes each flower’s personality traits, describing green dianthus as a “Dr. Seuss” plant. Then, there are calla lilies with their “main character moment.” It gets personal. “Start thinking of a flower in your life that you can discover,” she says. “If you’re feeling like you need inspiration, you can always remember that these flowers have stories.”

Vicioso infuses wisdom into her instruction on floral arrangements: There are no mistakes. Let the flowers tell you where they want to go, she urges. Intuition will be your guide — the wilder, the better.

“Hecho in Mexico” reads a sticker on a bunch of green stems. “Like me,” says Vazquez with a laugh. “They’re all doing their own thing. Like a family,” she says later, arranging stems.

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The Flower Hour participants and Vicioso, center, chat as they build their own floral arrangements.

The Flower Hour participants and Vicioso, center, chat as they build their own floral arrangements at the sold-out event.

Two participants — Vazquez and Rebeca Alvarado — are friends who run a floral design company together called Izza Rose. Like Vicioso, the friends have a connection to flowers through their Latin American culture. They met Vicioso in the floral industry and were overjoyed to discover her workshop.

“This is a great way to connect with other people,” says Vazquez.

Alvarado agrees, adding: “You’re getting to know people outside of going to bars. You can connect in different ways when there’s an activity.”

Vazquez uses flowers to stay connected to her Mexican heritage, adding that she prefers to support Mexican vendors. In recent months, the downtown L.A. flower market has struggled to recover from ongoing ICE raids. “Some are scared to come back,” says Vazquez.

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Hand-rolled cannabis joints wrapped in rose petals are presented on a silver platter at The ArtClub (top, right). The Flower Hour aims to reclaim the healing rituals of cannabis and flowers.
LOS ANGELES, CA -- FEBRUARY 22, 2026: The Flower Hour is a floral design workshop + floral smoke sesh at The ArtClub in downtown. Photographed on Sunday, February 22, 2026. (Jennifer McCord / For The Times)
LOS ANGELES, CA -- FEBRUARY 22, 2026: The Flower Hour is a floral design workshop + floral smoke sesh at The ArtClub in downtown. Photographed on Sunday, February 22, 2026. (Jennifer McCord / For The Times)

Hand-rolled cannabis joints wrapped in rose petals are presented on a silver platter at The ArtClub (top, right). The Flower Hour aims to reclaim the healing rituals of cannabis and flowers.

Another participant, Barbara Rios, was attracted to the workshop for stress relief. “You can hang out with your friends, but it’s nice to do things with your hands,” she says. “I work a stressful job, and it’s nice to have that third space that we’re all craving.”

On this February night, the participants were predominantly women, save for one man. In the future, Vicioso hopes that more men learn to engage with flowers. “There’s a statistic about men receiving flowers for the first time at their funerals, and I think we have changed that,” she says.

To conclude the workshop, Vicioso encourages participants to build lasting friendships and incorporate flower arranging into their daily practice — even if it’s just with a small, inexpensive bouquet.

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“Get some flowers together, go to the park, hang out with each other and hang out with me,” she says. Participants leave with flower arrangements in hand. In the darkness of the night air, it briefly looks as though the women carry silver calla lilies that are blooming from their palms.

A finished floral arrangement.

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‘Wait Wait’ for February 28. 2026: Live in Bloomington with Lilly King!

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‘Wait Wait’ for February 28. 2026: Live in Bloomington with Lilly King!

An underwater view shows US’ Lilly King competing in a heat of the women’s 200m breaststroke swimming event during the Paris 2024 Olympic Games at the Paris La Defense Arena in Nanterre, west of Paris, on July 31, 2024. (Photo by François-Xavier MARIT / AFP) (Photo by FRANCOIS-XAVIER MARIT/AFP via Getty Images)

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This week’s show was recorded in Bloomington, Indiana with host Peter Sagal, judge and scorekeeper Bill Kurtis, Not My Job guest Lilly King and panelists Alonzo Bodden, Josh Gondelman, and Faith Salie. Click the audio link above to hear the whole show.

Who’s Bill This Time

State of the Union is Hot; The Tribal Council Convenes Again; A Glow Up In the Doll Aisle

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Panel Questions

The Toot Tracker

Bluff The Listener

Our panelists tell three stories about a travel hack in the news, only one of which is true.

Not My Job: Olympic Swimmer Lilly King answers our questions about Lil’ Kings

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Olympic Swimmer Lilly King plays our game called, “Lilly King meet these Lil’ Kings” Three questions about short kings.

Panel Questions

Cleaning Out The Cabinet; Bedtime Stacking

Limericks

Bill Kurtis reads three news-related limericks: Getting Cozy With Cross Country Skiing; Pickleball’s New Competition; Bees Get Freaky

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Lightning Fill In The Blank

All the news we couldn’t fit anywhere else

Predictions

Our panelists predict, after American Girls, what’ll be the next toy to get an update.

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