Lifestyle
Painful sex? Broken vaginas? This underground zine normalizes the taboo
One night as she was lying in bed, Becky Feldman wondered, “Do I remember how to have sex?”
It had been at least a decade since the L.A.-based writer and performer tried to have intercourse. She had avoided it throughout her 20s for a few reasons: 1) She thought dating or being in a heterosexual relationship meant that she had to have penetrative sex, which wasn’t an option for her because it was too painful. 2) Several doctors had brushed off her pain, telling her that she just needed to relax. (After years of being misdiagnosed, she learned that she had a condition known as vulvodynia (a general term for chronic pain around the vulva). 3) All of the above weighed heavily on her self-esteem and confidence.
When Feldman turned 30, she realized that she didn’t want to spend the rest of her life closing herself off from intimacy and pleasure. That’s when she decided to take the advice of her sex therapist and connect with a high-class male escort, she said.
The night didn’t turn out exactly as she’d hoped. She and the guy made out but didn’t have sex. Her takeaway from the experience? For the first time, she was able to confidently tell a potential sex partner about her condition. Not only did he believe her, he tried to understand her pain unlike her previous partners or her doctors.
This is just one of the intimate stories featured in Opening Up, a zine created by grassroots organization Tight Lipped, which advocates for people with chronic vulvovaginal and pelvic pain. The 80-page zine, which was first published in 2020, is filled with art illustrations, Q&A interviews, handwritten letters and poems from people living with conditions including vulvodynia, vestibulodynia (a form of vulvodynia and a general term for pain in the vestibule), pelvic-floor dysfunction (when the pelvic floor muscles function abnormally) and vulvar lichen sclerosus (a skin condition that primarily affects the genital skin).
The cover of Tight Lipped’s zine Opening Up.
(Kelly Fry)
Up to 28% of women deal with these physical conditions, which affect people’s daily lives when it comes activities such as having sex, using tampons and wearing pants, according to a 2013 study published in the American Journal of Obstetrics & Gynecology that polled nearly 20,000 women. (This study doesn’t appear to be inclusive of all gender identities.)
Because these medical issues aren’t required study in most residency programs, including those for gynecologists, many patients are misdiagnosed or aren’t given a diagnosis at all from their doctor. Also, for some people, the shame and embarrassment related to having one of these conditions keeps them from seeking treatment altogether.
“It was the scariest thing I think I’ve ever done — ever,” Feldman said about sharing her story in the zine. She learned about Tight Lipped via its podcast and responded to a submissions call-out to contribute to the zine. But “I’m happy that people are able to feel seen and heard through this,” said Feldman, who also talks about her medical condition through her solo comedy show, “Tight: A Night of Painfully Sexy Stories” which she’s performed in small theaters around L.A.
“I think so many people just relate to it,” she said.
That was Noa Fleischacker’s hope when she and other members of the Tight Lipped community decided to create Opening Up. Since her younger years, Fleischacker, Tight Lipped’s founder and executive director, has struggled to use tampons. She also couldn’t complete pap smear exams and she found penetrative sex to be painful. She was eventually diagnosed with pelvic-floor dysfunction.
Shortly after, she launched the Tight Lipped podcast, which allows her to talk about how these conditions affect people’s relationships, gender and sexual identities, and their overall daily lives. She also formed the patient-led organization for people with similar conditions. In November 2019, she hosted a weekend-long workshop in New York for people with vulvovaginal and pelvic pain. She said hearing people’s stories inspired the zine.
“I saw what happens when you put people in a room, and they hear each other say the same things that they’ve only thought to themselves,” said Fleischacker, a former political organizer in Chicago. “So it felt like: ‘OK, we have to find a way of creating something that not just makes people feel less alone but makes people understand the kind of bigger and political story about their pain and the medical experiences that they’re having.’”
Tight Lipped used donations to make the Opening Up zine. Since publishing Opening Up, the organization has distributed more than 750 print copies of the zine to individuals and doctor’s offices. (It sells for a suggested donation of $30. A free digital version allows people to listen to the contributors read their stories.)
Opening Up features entries from more than 50 contributors of various ages and backgrounds who come from L.A., San Francisco, Seattle, Chicago, Brooklyn and Indianapolis as well Australia, Canada, France, the U.K. and Germany.
(Julianna Brion / For The Times)
In Opening Up, there’s an entry from a 78-year-old woman, who wrote about how vulvodynia affected her marriage. Another entry tells the story of a woman who added her conditions — vulvodynia and pelvic-floor pain — to her dating app profiles to inform potential suitors. Some of the entries are anonymous, and content warnings appear on stories that discuss sensitive topics such as sexual assault.
For Kevinn Poree, 37, of New Orleans, reading the zine brought her comfort.
“I felt like, ‘Oh my God, I understand where you’re coming from,’” said Poree, who discovered Tight Lipped on social media after she was diagnosed with vaginismus and later provoked vestibulodynia (vestibule pain that occurs with pressure). “Even if you don’t necessarily have the same condition or the same symptoms, it was just so shocking and alarming that most of us have gone through the exact same experiences with providers and with stigma and dealing with friends and family and partners.”
“It was just very cathartic,” said Poree, who has since become a community member of Tight Lipped.
It took nearly a decade and about a dozen doctors for Keena Batti, 33, of Los Angeles, to receive a diagnosis for vulvar lichen sclerosus, pelvic-floor dysfunction and hormonally mediated vestibulodynia (which causes urinary urgency and frequency as well as pain during urination and penetration). She developed the latter condition from taking birth control, she said. After reading Opening Up, she asked her pelvic-floor therapist and gynecologist if they could display the zines in their L.A. offices. They happily obliged.
After a series of unpleasant and embarrassing doctor’s visits, Batti said she wonders if having the zine sooner could’ve helped her prove to others that her “experience is not uncommon.”
“I think it’s really powerful as a patient to see a tangible example of your own experience in print,” said Batti, one of the team leaders for Tight Lipped’s L.A. chapter. (The organization has chapters in San Diego, New Haven, Conn., and New York. Additional chapters in the U.S. are expected to open this year.)
“So hopefully as we continue to distribute it, we can catch more of those people who are feeling isolated,” Batti said.
Dr. Rachel Rubin, a board-certified urologist and sexual medicine specialist, said she has seen the effect of having the zine available in her office has had on her Washington, D.C.-area patients.
“It’s really powerful and important,” said Rubin, one of a handful of physicians with training in sexual medicine for all genders, about the zine. (She completed her fellowship with Dr. Irwin Goldstein in San Diego.)
“We can’t know what questions need to be answered if we’re not talking to people who actually have the questions,” said Rubin, who’s also the chair of Tight Lipped’s medical advisory board of 14 health-care providers. “So it’s a no-brainer to work with [Tight Lipped] because the more the patient advocates and doctors that can work together, the more change that we’ll see faster.”
In 2022, Tight Lipped launched a campaign for OB-GYN residency programs to include vulvovaginal and pelvic pain curriculum. The organization’s first major win was at Yale School of Medicine, which will offer this area of study as an elective for residents, according to Dr. Yonghee Cho, an assistant professor of obstetrics, gynecology and reproductive sciences at the school.
Fleischacker said Tight Lipped is hoping to work with Cedars-Sinai Medical Center and USC on future curriculum.
Sarah Ponce, 25, initially planned to become a primary-care physician when she enrolled in medical school at USC in 2021. But after she was diagnosed with acquired neuroproliferative vestibulodynia (pain that begins as a severe allergic reaction to a topical medication or is stemmed from a severe yeast infection), she realized that she was most passionate about urology.
“I’ve experienced the health inequities and disparities that come with being a female with pain and I know a bunch of other patients who have too,” said Ponce, a third-year medical student at USC. She added that she wants to change that.
As a Tight Lipped organizer, she’s assisting with the group’s campaign at her school. She also has helped host free pelvic health workshops at Los Angeles General Medical Center.
Tight Lipped also wants to make change on a federal level. When President Biden announced the first White House initiative on women’s health in November, the organization sent a letter with signatures from more than 800 patients, medical students and healthcare experts to call for chronic vulvovaginal and pelvic pain to be included as a priority area of focus.
All of this gives Ponce, Feldman, Poree and others hope.
In the zine’s foreword, the creators make it clear that Opening Up isn’t just for people who are coping with these conditions. Rather they encourage people to share the publication with everyone they know including their romantic partners, doctors, high-school sex education teachers, family and friends.
“It’s going to take more than just all the patients,” Poree said. “I think that the more the general public knows about these conditions, the easier it is for people to talk about them and get directed to the help that they need.”
Lifestyle
Richard Pryor’s daughter studies the N-word — a word he used, then disavowed
Comedian Richard Pryor performs on stage at the Los Angeles Hollywood Bowl on Sept. 19, 1977.
Lennox McLendon/Associated Press
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Lennox McLendon/Associated Press
Historian Elizabeth Stordeur Pryor has spent much of her career tracing the N-word through slavery, Jim Crow, the civil rights movement and hip-hop. But what she didn’t tell her audiences was that her father, Richard Pryor, was the comedian who put the word at the center of American comedy in the 1970s.
“I was a scholar of the N-word — and so was he,” Pryor says of her father.
As the child of a white mother and a Black father, Pryor describes her own relationship to the N-word as a “super complicated” one. She remembers teaching a college class in which one of her white students used the word while quoting Blazing Saddles — a film her father co-wrote. Pryor froze: She had vowed never to use the word in her classroom, but suddenly there it was.

“I [was] just kind of like like a deer in the headlights,” Pryor says. “I was really worried about the Black students. … Something I had never considered when I thought about teaching is what happens when the racism that we study and we teach comes in? … How do I work through that in the moment?”
Pryor’s new book, Something We Said: Richard Pryor, A Notorious Word, and Me, is part memoir and part history of one of the most divisive words in the English language. Late in his career, after spending time in Kenya, Richard Pryor vowed never to use the word again.
“One of the things I admire about that moment when he disavows the word is he said, ‘This is for me. I’m not telling you what to do,’” she says. “There is a piece [of him] where he understood that the word had a function in Black culture. He does talk about, though, as an artist, losing control of what the word was doing.”
Interview highlights
On her father’s use of the N-word
[In] one of the first meaningful conversations I ever had with [my dad] as a little girl, he told me, “Don’t let nobody ever call you that.” And then he used it, and then his friends used it. …
I think it’s really important to emphasize that when I’m saying that he used the word that it was in the subversive way, that it was the language of protest, and that he was building on a Black tradition of protest, that Black people had used this word kind of as a slap in the face to white racism. You know, “We know how to take our punches and our knocks, and we’re not afraid of this thing that you’re trying to demean us as.” And so bringing that use, the way that Black people perceived of the N-word, onto stage was really powerful in the 1970s.
On talking about the N-word with her college students
Teaching the word is still incredibly difficult. I have to say, the conversations are always hard, but I feel like it’s important because my students walk away knowing that this is not a conversation, like I said, about free speech. It’s really about how how we interact, how we want to bring as many people as we can to the table. And if we do that, that means that we’re going to be thinking about who we’re sitting at the table with and how things will impact them.
On meeting her dad for the first time when she was 6
We were in Newark, New Jersey, … and my mom is acting kind of … nervous. And we knocked on the door of a hotel room, and he opened in a towel. And I was like, this is my father. Like, not only do I get a father, but I get this guy. What? I just felt like I won. I loved him immediately. Instantly. His eyes were so warm, and he was so handsome. And I just fell head over heels. … I saw my face [in his face]. … He created a bridge immediately between us and invited me to cross over.
On vying for her father’s attention as a kid

I wanted to be smart enough and creative enough, and I would try to show off. I did theater. I did improv. He would come to my plays and come to my performances. [I] tried to get intellectual with him, like when I was in college. And I had a Black awakening and he basically, like, sent me some stuff so I could awake Blackly, I guess. … He sent me the documentary on Malcolm X that had been filmed, I think, in 1972. And then he sent me The Last Poets’ [song] … “N-words are Scared of Revolution,” to listen to. And I did. I felt like he was inviting me into a secret world, and I wanted to go there. …
At the end of his life, when he couldn’t speak anymore, I would go over and read from the narrative of Frederick Douglass to him, and I could see that he was feeling proud … of being read Frederick Douglass by me.
On Richard Pryor’s upbringing with a sex worker mother and the first laugh that changed everything.
Oh, my dad. He told me a story about being 5 years old and, I don’t know why, but he’s wearing a little cowboy suit, and he was in front of the house and all the people were there, his grandmother, all the sex workers, and his father and his uncle. And he slipped in dog poop and they just start cracking up. And so he got up and he made himself slip in it again, and they couldn’t stop laughing. And so he did it again and again. And it’s pretty painful to think of the lengths that he felt that he needed to go to get their adoration and attention.
Anna Bauman and Thea Chaloner produced and edited this interview for broadcast. Bridget Bentz, Molly Seavy-Nesper and Meghan Sullivan adapted it for the web.
Lifestyle
Hoover Dam, challenged by drought, now wears a U.S. flag the size of a football field
Nope, it’s not AI. It’s just a really big flag with bright lights, draped on Hoover Dam for the next several weeks.
As a display to mark the 250th anniversary of U.S. independence, the states of Nevada and Arizona and the federal Bureau of Reclamation teamed up to hang and illuminate an enormous American flag on the dam on Memorial Day.
The display, scheduled to be in place through July 4, is visible to anyone crossing between Arizona and Nevada on U.S. Route 93, which goes across the top of the dam. The flag is 150 feet tall and 300 feet long, spread on the south-facing side of the dam and lit by 550 LED lights (powered by dam-generated electricity).
A wider view of the illuminated U.S. flag at Hoover Dam.
(Michael Bittle)
It’s a spectacle that comes at a challenging moment for Hoover Dam, as experts warn that Lake Mead’s dwindling water levels could threaten the dam’s ability to generate hydropower. “Slap a flag on it, that’ll fix it,” suggested one of several Reddit commenters who were moved to snarkiness by the flag image.
The dam, a frequent day-trip destination from Las Vegas, stands 35 miles east of the Las Vegas Strip, about 295 miles northeast of Los Angeles. The site features a visitor center and overlook, and guided and self-guided tours.
Installation of the display involved dozens of riggers and two cranes. The flag, which is roughly the dimensions of a football field, has been previously used for celebrations at Indianapolis Colts and Las Vegas Raiders football games.
Within two days after it was hung, gusts of wind up to 50 mph prompted organizers to lower the flag last Wednesday as the National Weather Service declared a wind advisory for the area. Organizers raised the flag again late Friday.
Strong winds are not uncommon in the area. Organizers said weather “may periodically require the flag to be temporarily lowered.” Updates on the flag’s status can be found on the Hoover Dam Facebook page.
The Las Vegas Convention and Visitors Authority paid for the display. A spokeswoman said the cost, including flag, production, installation costs and six weeks of lighting, will be between $750,000 and $1 million.
The dam, a five-year construction job that was completed in 1936 during the depths of the Great Depression, is often hailed as one of the nation’s most impressive works of infrastructure. Though this is not the first time a flag has been draped on it, organizers have called the display “the most ambitious long-duration installation ever attempted at Hoover Dam.”
Lifestyle
Is your neighborhood riddled with dog poop? : It’s Been a Minute
Is dog poop a scourge in your area?
borisz/simplehappyart/Getty Images/Photo Illustration by NPR
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borisz/simplehappyart/Getty Images/Photo Illustration by NPR
Left-behind dog poop is annoying. But it’s also a sign of anti-sociality.
Spotting unidentified poop outside is an unfortunate and unavoidable part of being alive, but in some cities, there’s a scourge being left behind by some people’s four-legged friends. Manuela López-Restrepo, writer and producer at All Things Considered, couldn’t stop noticing it – and she wondered if it might be a sign of something deeper going on. Paired with dogs popping up in places they maybe shouldn’t be – she wondered: can dogs be a vector for anti-social behavior? And what would it look like for people – and their pets – to share space more harmoniously?
Manuela shares her reporting with Brittany and they get deeper into the story of the dookie.
For more episodes about culture and how we share public space, check out:
The Coldplay kiss cam & moral surveillance
Crime is down. Why don’t people feel safe?
In search of a safe place to cry…
Support Public Media. Join NPR Plus.
Follow Brittany on Instagram: @bmluse
For handpicked podcast recommendations every week, subscribe to NPR’s Pod Club newsletter at npr.org/podclub.
This episode was concepted and reported by Manuela López-Restrepo. It was produced by Liam McBain. It was edited by Neena Pathak. We had engineering support from David Greenburg. Our Supervising Producer is Cher Vincent. Our Executive Producer is Barton Girdwood. Our VP of Programming is Yolanda Sangweni.
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