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Nikki Glaser’s Monologue and Other Moments From the 2025 Globes

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Nikki Glaser’s Monologue and Other Moments From the 2025 Globes

The bar wasn’t set very high for the Golden Globes on Sunday night. After last year’s host, Jo Koy, memorably bombed, the emcee this year, Nikki Glaser, could hardly do worse. But she wasn’t content to merely do better. After workshopping her opening monologue in dozens of club appearances over the holidays, she killed when it counted, cracking up the stars on hand at the Beverly Hilton in Beverly Hills, Calif., and winning over viewers on social media. The rest of the night went more or less smoothly, with a mix of expected and surprise winners. But it wouldn’t be an awards ceremony if there weren’t some truly off-kilter moments. Here are the highs and lows as we saw them.

When Glaser began putting together her Golden Globes monologue in early December, she told her writing staff, “Don’t be scared to be weird.”

You saw evidence of this in her stellar monologue on Sunday, which included the kind of hard punchlines she is known for, including a good insult of Paramount+ and a joke about the effect of Sean Combs’s arrest on the after-party. But there was also an impression of Adam Sandler pronouncing Timothée Chalamet’s name that was just pure silliness — Sandler even joined in. Glaser doesn’t usually do impressions, but she committed and it went over really well, adding to the celebratory, fun tone to kick the night off.

If there was a joke that crushed in every test run, it was probably when she mentioned a few nominees: “‘Wicked,’ ‘Queer,’ ‘Nightbitch,’” then added “Not just things Ben Affleck yells after sex.” On Sunday, it killed again. — Jason Zinoman

Glaser’s night started on the red carpet with a billowing strapless gold ball gown. For her first onstage appearance, she changed into a sequined silver sleeveless gown. By 8:30, she was on her third dress of the night. An hour into the ceremony, she was on Dress No. 5 (a sequined pink sleeveless stunner). By the end of the night, she had donned what seemed like 47 more. All that was missing? We’d have loved to see a dupe of Demi Moore’s viral yellow “Substance” coat. — Sarah Bahr

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Thus far, it’s been an excitingly unpredictable awards season, and though the Globes certainly gave a lot of hardware to already-strong contenders like “Emilia Pérez” and “The Brutalist,” it still feels like a wide open field. In the acting races, unexpected wins for the likes of Demi Moore, Fernanda Torres and Sebastian Stan produced some of the most heartfelt speeches of the night and made already competitive Oscar categories even harder to predict. And a total shutout of “Anora,” which went into Sunday flying high, means that little is decided this season, a fun development after several years in which the ultimate Oscar winners seemed a foregone conclusion long before the Globes weighed in. — Kyle Buchanan

Given that Hollywood awards shows celebrate the art of playing a role, perhaps it shouldn’t have been a big surprise that the dominant trend of the 2025 Globes red carpet was … retro role-playing. Ariana Grande did her best Audrey Hepburn impression in 1966 Givenchy couture; Selena Gomez channeled Jackie Kennedy in ice-blue Prada and a stylized bob; and Nicole Kidman and Margaret Qualley sported enormous Catherine Deneuve bouffants — all in a sea of mostly traditional tuxedos.

You can call it a return to classicism, or a retreat to the past, or the legacy of Joan Rivers, who instilled the fear of mockery in celebrities everywhere. But by the time Elle Fanning and Monica Barbaro had arrived in their newfangled Balmain and Dior versions of oldfangled 1950s ball gowns, it was hard not to wish that the stylists and designers working behind the scenes would start facing forward rather than back, and convince their clients to take a few more (unscripted) risks. — Vanessa Friedman

Read more about the red carpet looks.

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While the Globes have no direct bearing on Oscar nominations, academy members are surely paying attention, and Demi Moore, who won for “The Substance,” may have landed herself a spot in the best actress category with her rousing speech. Both poignant and relatable, Moore spoke movingly about her career struggles over more than 30 years, including being told she was a “popcorn actress.” She added that she had received the “bonkers” script for “The Substance” when she was at a low point in her career, thinking she was done.

But at 62, Moore has had a reversal of fortune and the stars in the room cheered her on, some even giving her a standing ovation. Thinking of “those moments when we don’t think we’re smart enough, or pretty enough, or skinny enough, or successful enough, or basically just not enough,” Moore said, a woman told her, “Just put down the measuring stick.” — Nicole Sperling

Many Golden Globe nominees have been to the Beverly Hilton before. And although the Globes are now a more serious operation than they once were, actors still treat wins with varying levels of reverence. That made Tadanobu Asano’s acceptance speech for “Shogun” stand out. It was his first win, on his first nomination, and it showed. “Maybe you don’t know me,” he began. “I’m an actor from Japan. My name is Tadanobu Asano. Wow!” His peers stood and cheered him on. And as he grinned and clutched his award, he added: “This is a very big present for me!” He sure seemed like he meant it. — Matt Stevens

The award for “cinematic and box office achievement” debuted in 2024, and this year it was, unsurprisingly, given to “Wicked.” The official criteria is that it is the “most acclaimed, highest-earning and/or most viewed” feature, which basically describes every nominated film. But it also must have made $150 million worldwide, with at least $100 million domestically, which is pretty much the dictionary definition of a blockbuster. (“Wicked” finished 2024 with well over $680 million worldwide.)

This is a weird award to give out, and its presenter Vin Diesel made it even weirder by contrasting, in his preamble, his own “Fast and Furious” series and the work of Steven Spielberg (who invented the summer blockbuster with “Jaws” in 1975). But it’s also just a tad participation trophy-ish to hand out a golden statue to celebrate a movie making bank at the box office, no matter how fun the movie is. To quote Don Draper: “That’s what the money’s for.” — Alissa Wilkinson

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Amid an onslaught of commercials for weight loss injections and various pharmaceutical creams, pills, drops and supplements, Nikki Glaser took some of the usual potshots at Hollywood’s penchant for plastic surgery. “I love where you put your cheekbones!” she riffed to the audience in her opening monologue.

But unlike other hosts, she acknowledged that she had been getting her tweaks on, too. Claiming, with air quotes, that she had started healthy habits like “drinking more water,” she said: “I love how meditating removes your eyelids” — aka the common tuck known as an upper bleph. “I learned nothing from ‘The Substance,’” she added.

That that movie, a feminist body horror tale, won Demi Moore her first Globe for playing an aging star who finds a grotesque way to youthify herself, only added to the evening’s hall of mirrors. — Melena Ryzik

Hey, did you know that Mindy Kaling was named after the TV show “Mork & Mindy?” Or that Zoe Saldaña’s go-to karaoke song is “Piece of My Heart”? The Golden Globes went all “Pop-Up Video” during the telecast, sharing these “facts” about winners and presenters via onscreen text. At first, the addition seemed semi-clever, but it all became too much when the announcer shared more facts on top of the ones we had to read. Even if you’re celebrity-obsessed, this turned out to be T.M.I. — Mekado Murphy

I found the trivia at the Golden Globes to be refreshingly weird. Awards season fun-facts can feel so canned: who spent time with who to prepare for a role, when was the last big win for a nominee. T.M.I. or not, my night was greatly improved by learning that Demi Moore is an avid doll collector with a separate residence to house her more than 2,000 vintage dolls. — Annie Aguiar

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The Globes are a notoriously boozy affair, but after “Hacks” won for best television comedy, Paul W. Downs, a co-creator of the series, warned against giving his star a celebratory drink. The show is currently in production on its fourth season, and a 6 a.m. call time awaited the cast and crew the next morning.

“So if Jean Smart asks you for a shot, please do not give it to her, OK?” Downs said. “Kate Winslet, I’m looking at you, wherever you are. Give her water.” The camera cut to Winslet, who shook a finger at Downs. Downs relinquished, “Just a little shot. Maybe one.” — Esther Zuckerman

Elton John reacted like a proud parent when he announced that Trent Reznor and Atticus Ross had won best original score for “Challengers,” yelping with utter, seemingly genuine delight. He was a good stand-in for those of us in the audience who were thrilled to see a win for that thumping, propulsive music. When Reznor and Ross took the stage, John could be seen grinning eagerly behind them, as if he had just won himself. — Kellina Moore

For an ostensibly glamorous ceremony, the show itself looked terrible onscreen. Presenters were filmed awfully close up, giving everything a harsh and casual vibe. The swirling camera work during some of the acceptance speeches felt like the red carpet slo-mo booth had broken out of its enclosure. And presenters did not face the entire theater, but rather turned directly to a camera off to one side. Seth Rogen called it out, saying “It’s inelegant. It’s strange. This whole half of the room can see my bald spot. I would have filled that in. I said no, but I regret that now.” — Margaret Lyons

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‘School of Rock’ Cast Reunites for Caitlin Hale and Angelo Massagli’s Wedding

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‘School of Rock’ Cast Reunites for Caitlin Hale and Angelo Massagli’s Wedding

Angelo Massagli and Caitlin Hale met as co-workers. They were 10 years old.

The pair, former child actors, were both cast in the 2003 film “School of Rock” in which Jack Black plays a substitute teacher who creates a rock band out of his classroom of musically gifted elementary-aged prep schoolers. Ms. Hale’s character was a braided pigtail-wearing backup singer named Marta. Mr. Massagli played Frankie, who was part of the band’s peewee security detail.

Mr. Massagli recalled being spontaneously asked to sing at his audition for the film in New York City. He was nervous to perform after Ms. Hale, who had just impressed the production team with her voice, including a rendition of “Everything’s Coming Up Roses” in which she changed the lyrics to be about the film’s director.

“I was like, ‘wow, that girl’s really, really, really something else,’” Mr. Massagli said. He performed the only song he knew the words to at the time: “Crazy Train” by Ozzy Osbourne.

A year later, the pair and the other children cast in the film spent several months shooting the movie in New York. The group bonded quickly, Ms. Hale said, attending real school on set and having meals at Benihana. Mr. Black, the film’s adult star, would eat lunch with the group and play games between scenes. Their moms, often present on set, also became close during this time.

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Back then, there was not even a hint of a youthful crush between them, the couple said. After the film’s release, the cast stayed in touch through a long-running group chat.

Eventually, Mr. Massagli and Ms. Hale both left show business to pursue other careers.

Ms. Hale, now 33, has a bachelor’s degree in journalism and public relations from Arizona State University. Mr. Massagli, 32, graduated from Northeastern University, majoring in English. After completing their undergraduate studies, both Mr. Massagli and Ms. Hale pursued further degrees, coincidentally both finding their way to schools in Florida, where they reconnected in 2018.

At the time, Mr. Massagli was a law student at the University of Miami. Ms. Hale was completing a bachelor’s of science and a master’s degree in health leadership at Nova Southeastern University in Fort Lauderdale. (Both eventually graduated from their respective programs. Mr. Massagli is now a lawyer for TikTok where he works as music product counsel. Ms. Hale is an Ob/Gyn sonographer.)

After realizing their proximity, the pair got lunch and caught up. They even sent a selfie to their moms.

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“We thought that was kind of it,” Mr. Massagli said. “But we just kept grabbing dinners and going out for the weekends. We were like, ‘something’s brewing here.’”

On an early date, Ms. Hale recalled going to the bathroom and returning to the restaurant table to find Mr. Massagli had ordered coconut cake for dessert, a flavor she’d previously mentioned was one of her favorites. She appreciated his close listening, she said.

Their relationship moved quickly, the years spent as childhood friends offering a strong foundation.

“Even though it wasn’t romantic, that familiarity we had and our families had when we were younger, really cut through some of those early relationship hurdles,” Mr. Massagli said.

“I knew very early,” Ms. Hale said. “I actually said to one of my close friends, I remember being in an Uber on the way down to Miami one weekend and we were going out and I was like, ‘I think I’m gonna marry this guy.’”

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The first time Mr. Massagli told Ms. Hale he loved her his exact words were, “I think I love you.”

“You think?!” Ms. Hale exclaimed in pseudo-exasperation.

Later that year, Mr. Massagli offered up his home as a short-term stay to help Ms. Hale cut down on the commutes between her home in Fort Lauderdale and a residency program in Miami. He was going out of town for a week and gave her a key and permission “to crash.” By the time he returned, she had moved in.

The couple moved to Brooklyn in 2019 and got engaged in June 2023 at the Metropolitan Museum of Art. Mr. Massagli proposed in front of the Temple of Dendur, the light-filled gallery featured in the film “When Harry Met Sally…” Dinner at Nino’s, an Upper East Side Italian restaurant, and champagne at the Carlyle followed. Upon hearing the news via FaceTime, Mr. Massagli’s mother burst into tears.

For their wedding, the couple knew they wanted to “go all out,” Ms. Hale said. On Jan. 4, they celebrated their wedding at Park Château Estate & Gardens, a Versailles-like wedding venue in East Brunswick, N.J. (They had previously made things legal on Aug. 30 at Brooklyn Borough Hall. Waldo Ramirez, a staff member of the City Clerk’s Office, officiated.)

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Ms. Hale started her day at 8:30 a.m. getting glammed up for the evening celebration. Ms. Massagli had a more leisurely morning, including a massage.

The couple, who now live in Long Branch, N.J., had read private vows to each other the night before the main event. Ms. Hale’s father, Gary Hale, officiated a brief ceremony before the party began.

Binge more Vows columns here and read all our wedding, relationship and divorce coverage here.

Guests were then whisked into cocktail hour where they sipped the couple’s signature drinks: a Bellini for her and a dirty martini with blue cheese olives for him. The venue was decorated with exclusively white flowers and, per Ms. Hale’s vision, many, many white candles.

For the reception, Ms. Hale changed into a pair of custom-made rhinestone-studded, thigh-high Berta boots that peeked out of the slit of her strapless gown.

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“Once I saw those boots, I was like, I need to do whatever I can to make sure to have those,” she said. “The dress can follow.”

The couple entered the reception to “Through the Wire” by Kanye West, which transitioned into Chaka Khan’s “Through the Fire” for their first dance. They asked their D.J. to play songs that felt like “if Studio 54 never closed,” Mr. Massagli said. A live saxophone player roamed the party riffing over the piped-in music.

During “Edge of Seventeen” by Stevie Nicks, the duo danced with their castmates from “School of Rock,” a nod to a bar scene from the film. Nine cast members were there, as well as more than a dozen of the actors’ parents and siblings. (Jack Black politely declined, citing an ongoing film project, but “was so nice and generous with his words and definitely commemorated it privately,” Ms. Hale said.)

Not wanting to throw off the party vibe, at one point Ms. Hale and Mr. Massagli stepped away for a private cake cutting where they fed each other “delicate, small bites,” Ms. Hale said, laughing.

Ms. Hale recalled another moment on the dance floor with her fellow former “School of Rock” backup singers as a “time capsule moment.”

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“We were just dancing together to some old-school disco and then there was some sort of ad lib in the song and we all just hit it,” she said. “We looked at each other and we’re like, ‘That just happened. We still got it.’”


When Jan. 4, 2025

Where Park Château Estates and Gardens, East Brunswick, N.J.

The Family Stone Both the bride and groom wore sentimental rings. Mr. Massagli’s wedding band was passed down from his grandfather. “He’s big Ang, I’m little Ang,” Mr. Massagli said. Ms. Hale’s oval diamond engagement ring was a repurposed ring from her mother.

Late Night Snacks In addition to a three-tiered wedding cake — each tier was a different flavor — guests were served cannoli on the dance floor. When the night ended, guests walked out past a food truck handing out McDonald’s.

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Constantly anxious? Ease your mind by asking yourself this one question

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Constantly anxious? Ease your mind by asking yourself this one question

Bestselling author Martha Beck has tried many things over her 62 years of life to quell the anxiety that’s been her constant companion since childhood.

The Harvard-trained sociologist experimented with therapy, medication, self-compassion practices and many, many hours of meditation.

Then, as collective worry spiked during the COVID-19 pandemic, Beck dug into scientific research on anxiety as she was teaching an online course on creativity, and it led to a thrilling discovery: anxiety and creativity have an inverse relationship. Turn one on and the other turns off.

“It was really one of those aha moments,” Beck, who is also Oprah Winfrey’s go-to life coach, said in an interview. “And I just walked around my room going, ‘I don’t have to be anxious anymore. I know how to shut it down.’”

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Shelf Help is a wellness column where we interview researchers, thinkers and writers about their latest books — all with the aim of learning how to live a more complete life.

Even people who don’t consider themselves creative can tap into this inherent capacity of the human brain to step away from worry and live with more connection and joy, Beck says in her new book, “Beyond Anxiety: Curiosity, Creativity, and Finding Your Life’s Purpose” (Penguin Random House).

Beck spoke to The Times about how to identify anxiety’s lies, engage the creative side of our brain and why our worries are linked to the structure of our economy.

This interview has been condensed and edited for clarity.

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How did you come to realize the relationship between creativity and anxiety?

I started using a technique that’s in the book that I call KIST (kind internal self-talk). It’s a form of Tibetan loving-kindness meditation for the self. I started to silently repeat to myself, “May you be happy. May you be well. May you feel safe. May you be protected.” And like a drought condition with a little trickle of water coming in, I focused on that trickle of water where there was no anxiety.

Martha Beck, author of "Beyond Anxiety"

Martha Beck, author of “Beyond Anxiety”

(Photo by Rowan Mangan)

Then I found out that just by using kind self-talk, I could get a client to feel calm in five minutes if they learn to focus their minds on wishing themselves well. Then I added the creativity piece. You start with kindness. Be kind to yourself, as kind as you know how to be to anyone. Come back to kindness and your anxiety will come down to calm. But then, because we live in a world that is basically an externalized structure of the anxiety inside our brains, the moment we’re in touch with the world we get spun into anxiety again, unless we have a really hard anchor into something else. The something else is creativity.

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So, kindness gets us to peace, and then instead of saying, “What can I do now?” ask yourself, “What can I make now?” That shift takes you into curiosity and into the part of the brain that connects things together and solves mystery — you’re in creativity. And that opens you up, where anxiety closes you down and crunches you.

“Instead of saying, ‘What can I do now?’ ask yourself, ‘What can I make now?’ That shift takes you into curiosity and into the part of the brain that connects things together and solves mystery — you’re in creativity.”

— Martha Beck, author of “Beyond Anxiety.”

You say that “anxiety always lies.” How can we know it’s anxiety lying?

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Fear is a natural response to something threatening in the environment. If you see something scary — someone pulls a gun on you or there’s a bear — you’ll have a jolt of very, very clear, high energy that will say, “Do this.” It’s a very dramatic thing, and we don’t need it very often.

But we’re anxious all the time, because anxiety is not about what’s here. It’s about what we think could be somewhere, someday, maybe. So there’s no limit to it. There’s no rest from it, because it’s not real. Anything that we’re afraid of that isn’t happening now is a self-deception. It’s an innocent lie, but it’s still saying, “You should be afraid.” And if there’s nothing to be afraid of and you’re telling yourself, “I should be afraid,” it’s not the truth of your circumstance. It’s not real. That’s why anxiety always lies.

Your insights in this book were informed by the work of neuroanatomist Jill Bolte Taylor, who says the brain’s right hemisphere is home to creativity, compassion and peace, while the analytical, linear left hemisphere is where anxiety lives. The right hemisphere sounds way better, so why wouldn’t we be there all the time?

One of the problems is that the right hemisphere doesn’t track time. We live in a world that requires scheduling and the measurement of time, where people are anxious, where everything is monetary eventually. We’re all engaged in this monetary pursuit, which is the core of our society, and that’s fundamentally anxiety-driven.

Book cover for "Beyond Anxiety: Curiosity, Creativity, and Finding Your Life's Purpose," by Martha Beck

Book cover for “Beyond Anxiety: Curiosity, Creativity, and Finding Your Life’s Purpose,” by Martha Beck

(Penguin Random House)

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Is this why you say we need a new economic system to support more right-brained living? What might that look like?

We’re looking at an economy where familiar structures are collapsing. Our model is a rigid pyramid of wealth and power, with the very rich at the top, all the way down to the poor at the bottom. That is culture. Culture is very left brain. An alternative to that is nature. Everything in nature exists in ecosystems. All living things require space; energy, like sunlight; and water, which is the basis of all life on this planet; and ecosystems will emerge. If you doubt it, don’t clean your fridge for a month and then look inside there and see what’s evolved.

People can create economic ecosystems around themselves. The energy is actually desire: you have a natural desire to fulfill your destiny. The water is your creativity: this is what is needed to give shape to your destiny, to take the next step forward, so you start to make things. And then the space is our time. The idea is to give enough time to identify your real desires and to create whatever happens, and I believe it’s like not cleaning your fridge for a few weeks: a system of value begins to emerge in your life and then it starts to spread.

There’s never been a more important time than now to stop anchoring yourself in structures that are collapsing and start investigating your inherent curiosity. If you can give yourself that space and the kindness to be quiet and start to think, “What can I make?” it gets very interesting.

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TAKEAWAYS

from “Beyond Anxiety”

What about people who insist they’re not creative?

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When NASA tested adults to see how many creative geniuses they could find to hire, they found that 2% of adults rate as creative geniuses. Someone then thought to test 4- and 5-year-olds and found that 98% of them were creative geniuses. So somewhere along the way, our creative genius gets throttled. If you can be creative the way a 4- or 5-year-old is, it’s pure fun. There’s no judgment.

So you have to bring the kindness factor in over and over. I have a friend who puts together jigsaw puzzles and it calms her and soothes her. That’s her way of doing art. If you cook, by taste especially, you’re doing art. If you plant a garden, you’re doing art. If you throw a dinner party, you’re creating something. You make a sandwich, you’re creating. Every one of us human beings is unbelievably constantly creative.

A lot of people don’t feel creative because they’re physically and emotionally exhausted. The recipe for your life should be this: rest until you feel like playing, then play until you feel like resting, and then repeat.

Woman  leaping from some dark stones to a large colorful stone

In the book, you write, “choose to focus on what makes life enjoyable and meaningful.” Sounds like a no-brainer, but why is this so hard to do?

Because the anxious brain says you’ll be safer if you’re always afraid. There’s nothing wrong now, but there will be, so you better stay scared. If you stay scared, you’ll be more productive. But every test they do on creative problem-solving shows that when you’re scared, you can’t do it. It’s just the lie of anxiety speaking through the whole society, and we all agree, “Yes, we should be very worried.” In a society where everything has to be monetized and attention is at a premium, scaring someone will get their attention.

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So many people are anxious because their lives are full of demands: work, relationships, family. How do we foster a right-brained approach in that atmosphere?

When you’re in a lot of anxiety, it becomes unbearable. That’s how I found my way through all that meditation to the epiphany. And in situations of turmoil and distress and chaos, there’s more motivation to seek that.

The thing I love about kind internal self-talk is that as you start to bring a little kindness into the equation, you then start to become like one of my favorite Persian poets, Hafiz. Part of this poem he wrote goes: “Troubled? Then stay with me for I am not.” Immediately, the kindness that you give yourself begins to go out to other people. And that makes every interpersonal interaction calmer, more mutually affirming. It takes you into the creativity spiral. It doesn’t just make it calm. It makes it creative. It makes it generative. And if there’s a practical problem to be solved, you don’t want to be in a panic. Any practical problem, any interpersonal problem, any personal problem is made better when we abandon our anxiety, find our kindness and move into what we can make. And then we get so involved with living that way that we transcend anxiety altogether, and we don’t have to go back.

Shelf Help is a wellness column where we interview researchers, thinkers and writers about their latest books — all with the aim of learning how to live a more complete life. Want to pitch us? Email alyssa.bereznak@latimes.com.

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How to quickly find something you lost: 10 clever and practical techniques

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How to quickly find something you lost: 10 clever and practical techniques

Finding missing items isn’t a matter of “looking harder.” There’s an art and a science to it.

Anastasia Sudinko/Getty Images


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Anastasia Sudinko/Getty Images

When I published my episode on how to find lost objects in November, people messaged me with all kinds of useful techniques to hunt down missing items.

So many of you told me to pray to St. Anthony, the patron saint of lost objects — a tip that my grandma has sworn by since I was a kid. Others had some very practical advice: Look in coat pockets, lay a flashlight on the floor (if you’ve lost a tiny object, the beam may cast a large shadow) and — here’s a good one — make sure you know what it looks like!

Here’s a roundup of advice from our audience on how to look for stuff — plus a few bonus tips from our experts. We hope this helps you quickly find whatever you’re searching for. These responses have been edited for length and clarity.

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For science-backed and expert-recommended techniques to find missing objects, listen to the podcast episode above, or read the original story here.

What to do if you’ve lost a wallet 

Look up your last credit card transaction, and then go to the place where you last spent the money and look around there. —Darryl Ellis, a private investigator and the head of A-1 Detective Agency in Illinois

Watch things fall as you drop them 

I have trained myself to watch things fall when I drop them. If you watch a small screw fall and see where it lands and bounces, you will have no trouble finding it. If you just look at the place where the screw was supposed to go and growl and curse, expect to have trouble finding it. —Gregory Vogt

Don’t ever put it in a “special place”

The worst possible thing to do is to place something of value in a “special place” that is “easy to remember” for “safekeeping.” Ha! Definitely not recommended. —Shan Crockett

Use a flashlight 

I find a flashlight to be a useful search aid, day or night. The beam forces me to focus on a limited area. It helps me see, instead of just looking. Held near the floor, it makes things shine.

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A girlfriend once lost her contact outdoors, in a driveway, with snow on the ground. I waited until after dark and then quickly found the contact in a snow pile at the edge of the street. —Art Clack 

Start cleaning

My mother taught me this tip: When you cannot find something, clean up and you will find it. I often find the item when I’m picking up something to put it back in its proper place. —Anne Chevalier

Check favorite hangout spots

Go to the places you hang out most and look there first. Do you have a favorite place you sit on the sofa? Look through the cushions and under and behind the sofa. Do you hang out on the patio? Look in between seats and chairs or on tables outdoors.

My youngest son is autistic and nonverbal. He wears glasses and sometimes comes up to me without them on his face. To look for them, I always go to his favorite places around my home. They might be in his bed, his sensory swing or the closet. I always end up finding them. —Naeemah Ford Goldson, executive director and founder, National Association of Black Professional Organizers

Make a mental note of something you’re likely to lose 

I make a mental note when I put something down — like my keys, glasses or phone — in a place I do not usually put it. It is akin to underlining or highlighting something in writing to help make it easier to remember. —Marc R. Inver

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Come back to it 

Take a break from looking for your missing object and relax or do something else. Without worrying and fussing, your brain will quietly surprise you with a stored memory that will suddenly pop into your consciousness and lead you to the missing object. —Gregory Vogt

Look carefully in the most obvious place

Look in the most likely place it should be. Most of the time, it’s there. You just overlooked it. —Kelly Connolly

Make sure you know what it looks like

Numerous times, my wife has sent me to get something in the basement, and I can’t find it at first because she told me the wrong color, container or location. Make sure you know the correct characteristics, or you may easily overlook what you are looking for. —John Heinen

The digital story was edited by Meghan Keane. The visual editor is Beck Harlan. We’d love to hear from you. Leave us a voicemail at 202-216-9823, or email us at LifeKit@npr.org.

Listen to Life Kit on Apple Podcasts and Spotify, and sign up for our newsletter. Follow us on Instagram: @nprlifekit.

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