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Nikki Glaser’s Monologue and Other Moments From the 2025 Globes

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Nikki Glaser’s Monologue and Other Moments From the 2025 Globes

The bar wasn’t set very high for the Golden Globes on Sunday night. After last year’s host, Jo Koy, memorably bombed, the emcee this year, Nikki Glaser, could hardly do worse. But she wasn’t content to merely do better. After workshopping her opening monologue in dozens of club appearances over the holidays, she killed when it counted, cracking up the stars on hand at the Beverly Hilton in Beverly Hills, Calif., and winning over viewers on social media. The rest of the night went more or less smoothly, with a mix of expected and surprise winners. But it wouldn’t be an awards ceremony if there weren’t some truly off-kilter moments. Here are the highs and lows as we saw them.

When Glaser began putting together her Golden Globes monologue in early December, she told her writing staff, “Don’t be scared to be weird.”

You saw evidence of this in her stellar monologue on Sunday, which included the kind of hard punchlines she is known for, including a good insult of Paramount+ and a joke about the effect of Sean Combs’s arrest on the after-party. But there was also an impression of Adam Sandler pronouncing Timothée Chalamet’s name that was just pure silliness — Sandler even joined in. Glaser doesn’t usually do impressions, but she committed and it went over really well, adding to the celebratory, fun tone to kick the night off.

If there was a joke that crushed in every test run, it was probably when she mentioned a few nominees: “‘Wicked,’ ‘Queer,’ ‘Nightbitch,’” then added “Not just things Ben Affleck yells after sex.” On Sunday, it killed again. — Jason Zinoman

Glaser’s night started on the red carpet with a billowing strapless gold ball gown. For her first onstage appearance, she changed into a sequined silver sleeveless gown. By 8:30, she was on her third dress of the night. An hour into the ceremony, she was on Dress No. 5 (a sequined pink sleeveless stunner). By the end of the night, she had donned what seemed like 47 more. All that was missing? We’d have loved to see a dupe of Demi Moore’s viral yellow “Substance” coat. — Sarah Bahr

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Thus far, it’s been an excitingly unpredictable awards season, and though the Globes certainly gave a lot of hardware to already-strong contenders like “Emilia Pérez” and “The Brutalist,” it still feels like a wide open field. In the acting races, unexpected wins for the likes of Demi Moore, Fernanda Torres and Sebastian Stan produced some of the most heartfelt speeches of the night and made already competitive Oscar categories even harder to predict. And a total shutout of “Anora,” which went into Sunday flying high, means that little is decided this season, a fun development after several years in which the ultimate Oscar winners seemed a foregone conclusion long before the Globes weighed in. — Kyle Buchanan

Given that Hollywood awards shows celebrate the art of playing a role, perhaps it shouldn’t have been a big surprise that the dominant trend of the 2025 Globes red carpet was … retro role-playing. Ariana Grande did her best Audrey Hepburn impression in 1966 Givenchy couture; Selena Gomez channeled Jackie Kennedy in ice-blue Prada and a stylized bob; and Nicole Kidman and Margaret Qualley sported enormous Catherine Deneuve bouffants — all in a sea of mostly traditional tuxedos.

You can call it a return to classicism, or a retreat to the past, or the legacy of Joan Rivers, who instilled the fear of mockery in celebrities everywhere. But by the time Elle Fanning and Monica Barbaro had arrived in their newfangled Balmain and Dior versions of oldfangled 1950s ball gowns, it was hard not to wish that the stylists and designers working behind the scenes would start facing forward rather than back, and convince their clients to take a few more (unscripted) risks. — Vanessa Friedman

Read more about the red carpet looks.

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While the Globes have no direct bearing on Oscar nominations, academy members are surely paying attention, and Demi Moore, who won for “The Substance,” may have landed herself a spot in the best actress category with her rousing speech. Both poignant and relatable, Moore spoke movingly about her career struggles over more than 30 years, including being told she was a “popcorn actress.” She added that she had received the “bonkers” script for “The Substance” when she was at a low point in her career, thinking she was done.

But at 62, Moore has had a reversal of fortune and the stars in the room cheered her on, some even giving her a standing ovation. Thinking of “those moments when we don’t think we’re smart enough, or pretty enough, or skinny enough, or successful enough, or basically just not enough,” Moore said, a woman told her, “Just put down the measuring stick.” — Nicole Sperling

Many Golden Globe nominees have been to the Beverly Hilton before. And although the Globes are now a more serious operation than they once were, actors still treat wins with varying levels of reverence. That made Tadanobu Asano’s acceptance speech for “Shogun” stand out. It was his first win, on his first nomination, and it showed. “Maybe you don’t know me,” he began. “I’m an actor from Japan. My name is Tadanobu Asano. Wow!” His peers stood and cheered him on. And as he grinned and clutched his award, he added: “This is a very big present for me!” He sure seemed like he meant it. — Matt Stevens

The award for “cinematic and box office achievement” debuted in 2024, and this year it was, unsurprisingly, given to “Wicked.” The official criteria is that it is the “most acclaimed, highest-earning and/or most viewed” feature, which basically describes every nominated film. But it also must have made $150 million worldwide, with at least $100 million domestically, which is pretty much the dictionary definition of a blockbuster. (“Wicked” finished 2024 with well over $680 million worldwide.)

This is a weird award to give out, and its presenter Vin Diesel made it even weirder by contrasting, in his preamble, his own “Fast and Furious” series and the work of Steven Spielberg (who invented the summer blockbuster with “Jaws” in 1975). But it’s also just a tad participation trophy-ish to hand out a golden statue to celebrate a movie making bank at the box office, no matter how fun the movie is. To quote Don Draper: “That’s what the money’s for.” — Alissa Wilkinson

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Amid an onslaught of commercials for weight loss injections and various pharmaceutical creams, pills, drops and supplements, Nikki Glaser took some of the usual potshots at Hollywood’s penchant for plastic surgery. “I love where you put your cheekbones!” she riffed to the audience in her opening monologue.

But unlike other hosts, she acknowledged that she had been getting her tweaks on, too. Claiming, with air quotes, that she had started healthy habits like “drinking more water,” she said: “I love how meditating removes your eyelids” — aka the common tuck known as an upper bleph. “I learned nothing from ‘The Substance,’” she added.

That that movie, a feminist body horror tale, won Demi Moore her first Globe for playing an aging star who finds a grotesque way to youthify herself, only added to the evening’s hall of mirrors. — Melena Ryzik

Hey, did you know that Mindy Kaling was named after the TV show “Mork & Mindy?” Or that Zoe Saldaña’s go-to karaoke song is “Piece of My Heart”? The Golden Globes went all “Pop-Up Video” during the telecast, sharing these “facts” about winners and presenters via onscreen text. At first, the addition seemed semi-clever, but it all became too much when the announcer shared more facts on top of the ones we had to read. Even if you’re celebrity-obsessed, this turned out to be T.M.I. — Mekado Murphy

I found the trivia at the Golden Globes to be refreshingly weird. Awards season fun-facts can feel so canned: who spent time with who to prepare for a role, when was the last big win for a nominee. T.M.I. or not, my night was greatly improved by learning that Demi Moore is an avid doll collector with a separate residence to house her more than 2,000 vintage dolls. — Annie Aguiar

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The Globes are a notoriously boozy affair, but after “Hacks” won for best television comedy, Paul W. Downs, a co-creator of the series, warned against giving his star a celebratory drink. The show is currently in production on its fourth season, and a 6 a.m. call time awaited the cast and crew the next morning.

“So if Jean Smart asks you for a shot, please do not give it to her, OK?” Downs said. “Kate Winslet, I’m looking at you, wherever you are. Give her water.” The camera cut to Winslet, who shook a finger at Downs. Downs relinquished, “Just a little shot. Maybe one.” — Esther Zuckerman

Elton John reacted like a proud parent when he announced that Trent Reznor and Atticus Ross had won best original score for “Challengers,” yelping with utter, seemingly genuine delight. He was a good stand-in for those of us in the audience who were thrilled to see a win for that thumping, propulsive music. When Reznor and Ross took the stage, John could be seen grinning eagerly behind them, as if he had just won himself. — Kellina Moore

For an ostensibly glamorous ceremony, the show itself looked terrible onscreen. Presenters were filmed awfully close up, giving everything a harsh and casual vibe. The swirling camera work during some of the acceptance speeches felt like the red carpet slo-mo booth had broken out of its enclosure. And presenters did not face the entire theater, but rather turned directly to a camera off to one side. Seth Rogen called it out, saying “It’s inelegant. It’s strange. This whole half of the room can see my bald spot. I would have filled that in. I said no, but I regret that now.” — Margaret Lyons

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These men tried to be bros…and failed. : It’s Been a Minute

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These men tried to be bros…and failed. : It’s Been a Minute

Are male friendships toxic? They often are on screen.

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What can we all learn from stories of men trying to find friends…and failing?

Men in real life – and in the movies – are trying to figure out how to be friends. There’s been a lot of talk alleging lonely men are the cause of cultural tensions, and Hollywood has caught on (despite a similar number of women saying they are lonely, too!). Several films this year depict how society leads men into fraught, messy friendships. So, what can we all learn from toxic (or good!) friendships between men?

Brittany is joined by NPR arts and culture reporter Neda Ulaby and IndieWire awards editor Marcus Jones to dig into it.

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Follow Brittany Luse on Instagram: @bmluse

For handpicked podcast recommendations every week, subscribe to NPR’s Pod Club newsletter at npr.org/podclub. 

This episode was produced by Corey Antonio Rose. It was edited by Neena Pathak. Our Supervising Producer is Barton Girdwood. Our Executive Producer is Veralyn Williams. Our VP of Programming is Yolanda Sangweni.

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Why Japan’s instant ramen titan is testing a new kind of noodle in L.A.

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Why Japan’s instant ramen titan is testing a new kind of noodle in L.A.

Nissin Foods, the Japanese giant that brought the world instant ramen, is testing a new kind of noodle in Los Angeles.

Its sprawling, old factory and corporate office in Gardena is now churning out protein-fortified pastas for Angelenos who want more bang for their bowls.

Nissin invented Cup Noodles, a go-to meal for people across the globe and a favorite among those on a budget. More than 100 billion portions of instant noodles from hundreds of companies are consumed every year.

In the U.S., much of Nissin’s expansion came from Gardena, where it started producing noodle packets in the 1970s. By 1973, the company launched Cup Noodles, an innovation aimed at Americans who liked to drink soup from cups.

The latest American preference Nissin has noticed is a surging demand for protein among mainstream consumers. It is popping up in snack foods, espresso drinks and breakfast cereals. Even Pop-Tarts and Doritos have released products with extra protein.

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Nissin launched a new Los Angeles-based noodle company to capitalize on the trend this year. The company, Kanzen Meal, which now has around 10 employees, recently began serving up nutrient-dense meals from the frozen foods aisle. Its products are available in dozens of grocery stores across Southern California.

“There’s an interest in nutrient density and people want more bang for their buck out of the foods that they eat,” Kanzen Meal chief executive Bob Little said. “We think that there’s an opportunity to bring those consumers back to the frozen aisle.”

Kanzen Meal’s shrimp teriyaki, spaghetti Bolognese and other products have up to 24 grams of protein .

Convenience food companies around the world have been struggling with a slowdown in many markets as consumers increasingly avoid highly processed foods. Meanwhile, the spreading use of Ozempic is making it easier for millions of people to control their appetites and be choosier about what they consume.

Amiud this trend, Nissin shares have fallen around 30% over the last 12 months.

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Workers pack noodles along the production line at Nissin’s manufacturing plant in Gardena, Calif. in 1972.

(Bruce H. Cox/Los Angeles Times)

Nissin, which opened its facility in Gardena in 1972, recently established a new regional headquarters in Torrance, where Kanzen Meal is based. Many of its attempts to remain relevant start in L.A.

This month Nissin announced its upcoming launch of a “hot water van” that will tour the U.S. and distribute samples of instant noodles. For the holiday season, it has unveiled both turkey and pumpkin pie-flavored Cup Noodles.

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With the establishment of Kanzen Meals, Nissin is looking to Los Angeles as the prime testing grounds for its products.

“We’ve got deep ties to the Los Angeles area and we thought that this would be a great market for us to start in,” Little said in an interview. “We recognized early on that Los Angeles is the epicenter of well-being.”

Kanzen Meal products hit shelves in stores such as Gelson’s and Bristol Farms in June. Since then the company has been growing rapidly, Little said. The company announced this month it would expand its distribution to stores on the East Coast in states including New York, Connecticut and North Carolina. It plans to have products in 1,000 stores by the end of the year.

Little attributes the swift growth to a surge in consumer demand for simple access to nutrients, especially in Southern California.

"Kanzen Meal's frozen noodles are available in dozens of stores in Southern California"

“Kanzen Meal’s frozen noodles are available in dozens of stores in Southern California”

(KANZEN MEAL)

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Kanzen will introduce two new frozen products this month, including spicy Dandan noodles and spaghetti carbonara. Each meal contains macronutrients, fats, carbs and fiber and retails for $6.99 to $7.99.

As added protein trends online and in stores, nutritionists are warning consumers to pay attention to all the components in a product. Some with a high dose of protein may also contain large amounts of sugar and sodium, experts said.

“The bigger picture here is that just because something has more protein does not mean it’s healthier for you,” said Yasi Ansari, a Los Angeles-based registered dietitian and nutritionist.

The protein boom actually could lead to American consumers overindulging, Ansari said. The average woman needs around 46 grams of protein to prevent a deficiency, and the average man needs 56 grams, she said.

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Protein bars typically contain 20 to 30 grams of protein, and new products such as the Starbucks protein latte can have up to 36 grams.

“Protein is vital to the body’s cells, but we may be missing out on other nutrients that we could be getting from a whole food profile,” Ansari said.

Little said Kanzen Meal’s products offer a healthy balance of ingredients. “Kanzen” means complete in Japanese, he pointed out.

Retail analyst Dominick Miserandino said the demand for protein is creating opportunities for new products, including within the $91.3-billion U.S. frozen food market. But the proliferation of food items advertised as high-protein, ranging from toaster pastries to tortilla chips, could lead consumers astray, Miserandino said.

“It might give a false consumer impression that having these snacks is always a healthy choice,” he said. “Are you going to now have a generation of kids eating snack foods for their daily dose of protein?”

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New this week: Zadie Smith essays, a Cameron Crowe memoir and a ‘Sandwich’ sequel

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New this week: Zadie Smith essays, a Cameron Crowe memoir and a ‘Sandwich’ sequel

It’s a fun fact that Zadie Smith and Susan Straight, two boldface names in literary fiction over the past quarter-century, both live in the neighborhoods where they were raised. Smith returned to northwest London after some sojourns abroad, while Straight has remained in Riverside, Calif.; both are now but a stone’s throw from the scenes of their childhood.

Both authors also have new books out this week. Smith’s essay collection and Straight’s novel lead a batch of publishing highlights that also includes a biography, a memoir, a western of sorts, and another return home in Catherine Newman’s sequel to Sandwich.

Thomas Wolfe, eat your heart out: Turns out you can go home again. Just as long as you’re willing to face what waits for you there.

 Tom’s Crossing, by Mark Z. Danielewski

Tom’s Crossing, by Mark Z. Danielewski

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Typically known for his typographical gymnastics, Danielewski plays it comparatively straight with this tale of a horse theft gone wrong. But boy, this western-horror hybrid is still a lot. It feels apt to describe Tom’s Crossing, which is nearly as long as War and Peace, the way Henry James once described Tolstoy’s epic: It’s a “loose, baggy monster.” Or less delicately, it’s a fat bear in early autumn — you know, the one preparing for hibernation? Filled with detail and cowboy affect, a bit ungainly in unaccustomed girth, this book, like that bear, is still capable of unspeakable horrors. Underestimate its sanguinary streak at your own peril.

Wreck, by Catherine Newman

Wreck, by Catherine Newman

Newman’s third novel in as many years is her first to feature a returning cast: Rocky and her family, whom readers met last year in Sandwich. Maureen Corrigan of Fresh Air described that book, the story of a Cape Cod vacation gone tragicomically sideways, as “my idea of the perfect summer novel: shimmering and substantive.” Wreck finds that family two years after that trip, back at home and approaching something that resembles normality — but of course, don’t expect that kind of stability to last.

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Sacrament, by Susan Straight

Sacrament, by Susan Straight

The bard of Riverside revisits some characters from her previous book, 2022’s Mecca. This time, the city just east of Los Angeles is in the throes of an early COVID-19 surge, and her focus is on a group of nurses who are treating its victims, living separate from their families out of fear of contagion. This isn’t just a COVID novel; it’s also a chance to observe the impact of this singular moment on a community that has become synonymous with Straight, who has described Riverside as “my destiny. It’s what I’m here to write about.”

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Dead and Alive: Essays, by Zadie Smith

Dead and Alive: Essays, by Zadie Smith

Smith’s last essay collection was her own COVID-19 book — reflections on the strange new world the pandemic had ushered in, written and published during lockdown in 2020. Since then, she has hardly been dormant. The past five years have seen the prolific Brit produce a novel, a stage adaptation of Chaucer, several children’s books and a review of the film Tar that earned her a Pulitzer Prize nod. That piece, “The Instrumentalist,” is included in her new collection, along with more than two dozen other works of nonfiction from the past decade.

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The Uncool: A Memoir, by Cameron Crowe

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The Uncool: A Memoir, by Cameron Crowe

“I do not feel cool,” Crowe told NPR in 2022. Perhaps that’s a surprising sentiment from a man who has led an objectively glamorous life — first as a teenage music journalist, then as the filmmaker behind a handful of Hollywood dreamboats, in movies such as Say Anything… and Jerry Maguire. But don’t call it false modesty; he’s convinced of that frank self-assessment enough to have adapted it for the title of his new memoir. The book promises to elaborate on the real events that inspired Almost Famous, his semiautobiographical cult classic and its recent Broadway adaptation.

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A Dream Deferred, by Abby Philip

A Dream Deferred, by Abby Philip

In a conversation with NPR’s Weekend Edition, the CNN anchor explained the reason for her new biography: “Because a lot of people think of Rev. Jackson today as a civil rights leader, as an activist, they kind of skip completely over this extraordinary chapter” — his career as a politician. The book takes a wide view, including a glimpse of his troubled family life as a child and reflections on his legacy, but it’s especially concerned with Jackson’s pair of presidential campaigns in the 1980s.

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