Lifestyle
Modest moments become revelatory in the wry and incisive 'Shred Sisters'
Shred Sisters
Grove Atlantic
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Grove Atlantic
I was in the mood for a novel about family relationships, something Cheever-esque. Maybe, I thought, a sharp, contained work of fiction would be a temporary antidote to a world that feels out of control.
Because I admired Betsy Lerner’s 2016 memoir The Bridge Ladies, I thought her new debut novel, Shred Sisters, might just be the right choice. Turns out, I landed on a good book for the wrong reasons.
Shred Sisters is, indeed, incisive and wry; but, given its central subject — an upper-middle-class, Jewish, suburban family all-but-capsized by the mental illness of one of its members — this novel is anything but contained and controlled.
Shred Sisters spans the 1970s through the 1990s and focuses intensely on the relationship between the two Shred sisters who live with their parents in New Haven, Conn. Amy, the younger sister, is our narrator: She’s small, shy, a scrupulous obeyer of rules. One of her favorite games as a kid is one she calls “Movies” where she “scatter[s] garbage on the floor and sweep[s] it up” — like a theater usher.
Older sister Olivia, known as “Ollie,” is the star of the family: She’s beautiful, charismatic and — as becomes increasingly clear during her teenage years — she struggles with mental illness. Here are snippets from the opening of the novel, which takes place when Amy is 10 and Ollie is 14. Amy recalls that:
By the time [Dad] reached Ollie, she was soaked in blood.
Ollie had dared me to jump on the couch with her. Using the thick cushions as a trampoline, she made a swishing sound as she jumped, touching the ceiling and dunking an imaginary basketball. Only when she took a jump shot from the side, not realizing the power in her legs, she crashed into the picture window behind the couch. For a second there was silence, then the window splintered into a web of shards that rained down on my sister …
Later [Ollie] joked that she looked like a giant tampon …
That opening gives fair warning of the erratic periods of chaos and exhaustion that will define the Shred family’s life for decades — especially as Ollie begins stealing things, raging and disappearing. She’s eventually sent to a psychiatric hospital that Amy and her parents tactfully refer to as “The Place.”
One of the aspects of coping with mental illness that Lerner vividly captures is the limits of 1970s and ’80s psychiatry to treat what Amy later speculates is bipolar disorder. The Shred parents never get a diagnosis for Ollie; Amy, left on her own, reads popular books of the era to try to grasp what’s going on: “They all had a girl on the cover [Amy tells us], brunette and brooding. Go Ask Alice … The Bell Jar. None of the girls reminded me of Ollie.”
After two years, Ollie is discharged, unchanged, and disappears for even longer stretches. Drained of energy for each other, the Shred parents, Amy says, “split slowly, like the subterranean forces that pulled apart the jagged coasts of South America and Africa.”
As she did in The Bridge Ladies, Lerner elevates what may sound like yet another pop saga of endurance, measured recovery and forgiveness into a closely observed story that’s ragged and wry. The final two-thirds of this novel focus on Amy herself — the usher in the shadows who’s spent decades powerlessly observing and cleaning up after this family movie.
Change, as we know, is hard; but, there’s a moment where the adult Amy, who’s been demoralized by loneliness and career failure, spontaneously walks into a hair salon. She’s pulled in by a sign that reads: “Never give up on your hair.”
These are the kind of revelatory ordinary human moments Lerner captures with precision. As an affirmation, “Never give up on your hair” turns out to be a more modest way to declare, “I will survive.”
Lifestyle
‘How to Rule the World’ explores education and power at Stanford University
Students walk on the Stanford University campus on March 14, 2019, in Stanford, Calif.
Ben Margot/AP
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Ben Margot/AP
When Theo Baker arrived at Stanford University a few years ago, he joined the student newspaper, following the path of his journalist parents, Peter Baker, a White House correspondent for The New York Times, and Susan Glasser, a writer for The New Yorker.
Through his reporting as a student journalist, he eventually broke a story about manipulated data in Stanford President Marc Tessier-Lavigne’s neuroscience research that helped lead to the university president’s resignation.
Theo Baker’s book, How to Rule the World: An Education in Power at Stanford University was released May 19. In it, Baker describes Stanford as a place where proximity to Silicon Valley gives rise to a parallel system of influence, recruitment and money, with investors looking to identify promising students almost as soon as they arrive on campus.
He told Morning Edition host Steve Inskeep there was “a sort of Stanford inside Stanford,” where elite students are drawn into an “alternate reality” of excess and access to cut corners.
In the interview, he discusses how Stanford is not just a university but also a pipeline where status and power can matter as much as ideas.
We reached out to Stanford University for comment and have not heard back.
Listen to the interview by clicking play on the blue box above.
Lifestyle
OTB Takes Full Control of Viktor & Rolf
Lifestyle
How having zero points in tennis — or ‘love’ — came to sound so sweet
The scoreboard shows the results of the women’s singles final match between Iga Swiatek of Poland and Amanda Anisimova of the U.S. at the Wimbledon Tennis Championships in London, Saturday, July 12, 2025.
Kirsty Wigglesworth/AP
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Kirsty Wigglesworth/AP
Fifteen points in tennis? Nice. Thirty, 40 — even better. Advantage — that sounds good. “Love” — that also must be great, right? Well, not quite.
As the French Open rolls on and Serena Williams has announced her return to the sport, maybe you’ve been paying a little more attention to tennis. The sport’s scoring system is notably distinct, and can sometimes be hard to grasp for newcomers. But even tennis aficionados might not know why, or how, “love” became the unmistakable callout for zero points. For this installment of NPR’s Word of the Week, we’re exploring how a word that signifies trailing behind got such a sweet name.
“Love” comes from the heart — or an egg?
It’s hard to pinpoint when the first tennis ball went over the net. Tennis is a derivative of lots of other sports, such as “jeu de paume,” a handball game played in France, said JT Buzanga, the collections manager at the International Tennis Hall of Fame museum.

But tennis became a patented, official sport in 1874, said Steve Flink, a journalist whose tennis coverage got him inducted into the International Tennis Hall of Fame. It has retained its unique, mysterious scoring system ever since.
“By and large, the original system has held up almost entirely,” Flink said.
The use of “love” goes back to the late 18th century, said Jesse Sheidlower, a lexicographer. But it was used earlier than that in card games such as whist and bridge. Before the term made its way to tennis, the sport favored plain old “nothing,” or “nil,” he said.
Why love in the first place, though? Historians don’t really know for sure, but there are a few theories.
The French could have something to do with it. Some historians believe “love” derives from “l’oeuf,” which means “the egg” in French. Because eggs are shaped like zeros, terms such as “goose egg” and “duck’s egg” have been used in other contexts to mean zero, Sheidlower said.
It’s also possible English speakers mispronounced l’oeuf as “love.” But Sheidlower isn’t convinced that’s the answer.
“It’s the French equivalent of an English expression. But since that expression doesn’t appear in French, the French word wouldn’t have been used,” he said.
To be sure, France has had a lot of influence on tennis culture, Buzanga said. For example, “deuce” or a game tied at 40 points, comes from the French word for “two”: “deux.” But he prefers another prominent theory: that “love” comes from the idiom “for the love of the game.” Even if a player hasn’t scored, it doesn’t matter, because their heart is in it. It’s the theory Sheidlower said is the most plausible, because the idiom was used by the English before tennis was popularized.

Another variation of the “love of the game” theory is that the word could have come from the Dutch “lof,” or “honor” — or the Latin “amare,” meaning “to love,” Flink said.
But if tennis’ “love” doesn’t come from a French word, the theory at least has a French sensibility.
“I think the ‘for the love of the game’ is kind of romantic,” Buzanga said.
“Love” probably isn’t going anywhere
Tennis used to be a sport of leisure. The style of play has changed a lot over the years; players are more athletic and competitive, for instance, Flink said. But the rules of the sport are more steadfast, he said.
“There’s this incredible, enduring respect for tradition in tennis,” he said. “Changes are not made easily.”
There has been one major change in modern history: the tie-break. Matches can go on and on because players have to score two consecutive points to break a deuce, or by two games to break a tied set. But the onset of television meant matches would have to get shorter if the sport wanted to capture a larger audience, Flink said.

Change even came for “love.” An alternative sprouted up in the 1970s, and is still used today: “bagel,” named for its zero shape, Sheidlower said. Novices may say “zero,” and insiders will understand what they mean, but they “will needle them about it,” Flink said.
But “love” still prevails.
“People kind of like it,” Flink said. “It’s different. Why say zero when you can say love?”
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