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It's an A+ idea to watch a B-list '90s romantic comedy this weekend

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It's an A+ idea to watch a B-list '90s romantic comedy this weekend

Michelle Pfeiffer and George Clooney play single parents trying to get through a very busy day in New York in One Fine Day.

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This week on Pop Culture Happy Hour, we talked about our “pop culture pumpkin spice lattes” – things we might call “basic” but love anyway. To the surprise of no one, I shared my love of what I called “B+ to C+ romantic comedies of the ’90s.” Not the universally beloved classics like Sleepless in Seattle or You’ve Got Mail, or even the most fondly recalled B-listers, like The Cutting Edge. All delightful films to watch, but not exactly what I mean.

No, what I’m talking about is the remnants of an age in which it seemed like every movie actor took a swing at romantic comedy. Different combinations of people, different high concepts, different levels of success.

And I owned many (many, many) of them on VHS. Some of them are hard to even find on streaming anymore. But if you want a taste of what I’m talking about – so you, too, can revisit them or enjoy them for the first time – here goes.

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One Fine Day

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George Clooney and Michelle Pfeiffer made an enchanting little piece in which they both played single parents trying to get through a very busy day in New York. It’s a very charming movie – Clooney is at the height of his leading-man mojo. (Available to stream.)

I.Q.

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In I.Q. Meg Ryan plays the bookish niece of Albert Einstein, played by Walter Matthau. She meets and falls in love with an auto mechanic played by Tim Robbins, even though she’s already got a dull boyfriend – played by Stephen Fry! Somehow, there’s also a subplot about the Russians and nuclear fusion, but obviously, love wins in the end. Seeing Meg Ryan, whose thing is rom-coms, try to light up Tim Robbins, who isn’t exactly known for rom-coms, is fascinating.

Picture Perfect

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The team was shocked when I told/reminded them that Jennifer Aniston made a romcom with Jay Mohr the year after he played the sleaziest person in Jerry Maguire, a distinction that’s really saying something. This one falls into the fake-relationship category familiar to so many romance fans. Aniston plays a woman whose boss prefers to promote married people, so she invents a fiancé using a fortuitously taken photo of her and Mohr, who she doesn’t actually know. When the boss wants to meet him, she has to actually produce him, and things progress from there. The best part of this one is Kevin Bacon as the womanizing colleague she’s hung up on who is no good for her. (Available to stream.)

Speechless

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Geena Davis and Michael Keaton play opposing speechwriters – and yes, because it came out in 1994, this did remind people of Mary Matalin and James Carville. (This is harder to find to stream.)

Only You

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Perhaps one of my favorites of this category, almost good enough to be disqualified, this film brings together Marisa Tomei and Robert Downey Jr. in the story of a woman who goes to Italy to chase what she thinks might be her destiny. The plot is really silly, but Tomei and Downey had great chemistry long before they played Tony Stark and Aunt May, and Bonnie Hunt is on hand as Tomei’s best friend. Worth watching just for a scene between Hunt and Downey, and for his impression of Gregory Peck in Roman Holiday. (Available to stream.)

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So, as the weekends get chillier, grab a cup of cocoa, and look up some highlights of this magical time. You never know who you might bump into.

This piece also appeared in NPR’s Pop Culture Happy Hour newsletter. Sign up for the newsletter so you don’t miss the next one, plus get weekly recommendations about what’s making us happy.

Listen to Pop Culture Happy Hour on Apple Podcasts and Spotify.

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The BoF Podcast | Decoding Paris Haute Couture: Wonder, Restraint and the Call of the Void

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The BoF Podcast | Decoding Paris Haute Couture: Wonder, Restraint and the Call of the Void
Amidst a record-breaking heatwave, top brands and independent designers soldiered on, showcasing the creative obsessions and aesthetic shifts that defined the haute couture Autumn/Winter 2026 season. Imran Amed and Tim Blanks break it all down.
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‘The Invite’ is a marriage comedy with sex and heart

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‘The Invite’ is a marriage comedy with sex and heart
What happens when a simple dinner party goes off the rails? That’s the premise of The Invite, a very good new comedy directed by Olivia Wilde. Wilde also stars alongside Seth Rogen as a couple who invite their neighbors over for a meal, played by Penelope Cruz and Edward Norton. And it’s a heck of a dinner party, full of frank talk about sex and its complications.If you like slightly absurd relationship comedies, check out these episodes:’Mr. & Mrs. Smith’ is a stylish take on spy marriageIn Tina Fey’s ‘The Four Seasons,’ marriage is far from a vacationConnect with Pop Culture Happy Hour:Letterboxd / FacebookOur weekly newsletterSupport Pop Culture Happy Hour+
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L.A. Affairs: It’s hot when a man drives to me. But would this new guy make the trek from the Valley?

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L.A. Affairs: It’s hot when a man drives to me. But would this new guy make the trek from the Valley?

I met Dan on Hinge.

He lives in Woodland Hills, and I live in Venice. In Los Angeles, this is considered a long-distance relationship. In another city it might be nothing. Here, it’s a factor.

But I believe that with the right person, you can make anything work, so I stay open. I’m a native New Yorker, and if I were living in Brooklyn and a guy lived on the Upper West Side, that would be a 45-minute subway ride, which is truly nothing in New York. So with that same logic, I try to have flexibility with men in L.A.

When we started planning our first date, Dan suggested three options: a hike on mushrooms, a wine tasting or a walk on the beach.

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A hike on mushrooms is something I’d only do with someone I already trust, not someone I just met online. I don’t do first-date hikes because I don’t like feeling trapped if the guy’s a dud. So I chose the wine tasting.

Then I learned the wine tasting was in West Hills.

On a Friday night, driving there from Venice would be insane. So I said I didn’t want to meet there because of the traffic. He suggested Malibu. That was also not ideal on a Friday.

I was getting annoyed — this was a pink flag because in my dating world, the guy is supposed to come to the woman’s neighborhood in the early days. I’ve gone out with plenty of men from the Valley who effortlessly suggested they come to me. It’s not rare or impossible.

I suggested he come to the Westside. I didn’t specifically say Venice, and in hindsight, I probably should have. He landed on Brentwood, which was manageable for both of us. On our first date, we met at an Irish pub on Wilshire Boulevard. He was cuter and more interesting than I had expected, and with the Guinness flowing, we had fun.

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When I got home, he texted me: “Well, I like you 🙂 Less the tik tok and the lack of rock music in your life, but it’s not a deal breaker — there are other qualities 🙂 What are your thoughts?”

I noticed the slight negativity but was mostly dazzled that a man texted immediately after the date to say he liked me. In the modern dating economy, this felt rare.

The next day, both of our evening plans fell through, so we made a last-minute date. The wine tasting he originally suggested still sounded like fun, and although it meant me driving to the Valley, I was up for it now that we’d met.

We sipped flights at Malibu Wines & Beer Garden in its airy, romantic courtyard and played a flirty version of Truth or Dare. Halfway through, he dared me to kiss him.

We ended with sushi on Ventura Boulevard and a short make-out session in his car. He invited me to Thanksgiving at his uncle’s, which felt too soon, but also sweet.

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After the second date, he texted and said he had his kids that week and was also hosting an event on Thursday, so his only day to meet was Wednesday. I said great.

On Tuesday night, he checked if we were still on, and I said yes.

Then he texted: “I’m flexible on time but not on location. I have a big event on Thursday, hopefully you can come to me again.”

My stomach tightened. This again?

So I texted back: “I drove to you last time, which was a bit of an exception for me especially in the early days, but the wine tasting location sounded special. Usually guys come to my area. How about we switch it up this time?”

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He replied: “I appreciate the effort! Because of my event, I’d rather be close to a computer just if needed … Here is what i offer:
— I’ll come to your area anytime next week/end
— Lunch/dinner on me
I want to continue where we stopped last time 😉 No pressure of course, but let’s snuggle”

I responded: “Ok let’s meet next week. Snuggles sound nice … let’s see what happens …”

Then he wrote: “So I won’t see you tomorrow?”

I replied: “Unless you wanna come to me and bring your laptop along, let’s rain check until you have more flexibility.”

He said: “Dang, you are hard. I’ll let you know tomorrow around midday if it’s ok.”

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And then — surprise — he decided to come.

He drove to Venice for a 5 p.m. date. He said his ETA was 5 p.m., and it ended up being 5:25 p.m., typical 405 Freeway.

When he showed up, he was in a cranky mood. On our way to KazuNori in Marina del Rey, I thanked him for picking me up and told him I think it’s hot when the guy comes to the girl.

“You’re just saying that because you want me to come to you more,” he said, not playfully, but aggressively.

That was basically the end for me. But there I was, in his car, heading to dinner. So I stayed pleasant and tried to make the best of it.

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I shared that in the early stages of dating, I find it’s good etiquette for the guy to come to the woman’s neighborhood. He immediately disagreed and started ranting about how dating rules are ridiculous and how they swing in women’s favor. He resented paying for dates and declared he wasn’t looking to “sponsor a woman’s life.”

“If women want equality and equal rights,” he said, “then it should apply all across the board, including dating, and the man shouldn’t have to pay.”

I said women don’t actually have equal rights because we get paid less than men and often receive lower salaries than men in the same position.

I tried to change the subject and reset the mood, but he insisted we keep hashing it out.

I tried to explain masculine/feminine dynamics: providing and protecting, giving and receiving.

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“What does the man get out of this arrangement?” he asked.

It was like watching someone’s personality warp into Mr. Hyde. Then he brought up another point: He’s a single dad of two kids, so he gets tired; and because I don’t have kids, that should factor into who drives where.

At this point, I was barely engaging and focused on eating my hand rolls, and I couldn’t wait to get home.

The check came, and I happily split it, wanting nothing further from him.

In the car back to my place, he remarked: “It’s obvious we’re never gonna see each other again.”

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Obvious, but did it need to be stated?

Then he showed me a Spotify playlist he’d made for me of his favorite electronic music, because he knows I like EDM.

“Oh, that’s sweet,” I said.

“Yeah, that’s how I show interest. Through things like this, not who drives to who,” he replied.

When I got out of the car, we wished each other luck, and I headed inside and shut the door.

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Two hours later, he sent me the playlist. I’ve yet to listen to it.

It wasn’t the distance that ruined it. It was the resentment. I’m not looking for a man who feels burdened by the effort. I’m looking for a man who sees the value of courting a woman in the first place.

The author is a writer, comedian and former psychologist who lives in Venice. She is the creator of the new vertical series “Manfari.” She’s on Instagram: @solange_neue and @manfari.show.

L.A. Affairs chronicles the search for romantic love in all its glorious expressions in the L.A. area, and we want to hear your true story. We pay $400 for a published essay. Email LAAffairs@latimes.com. You can find submission guidelines here. You can find past columns here.

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