Lifestyle
It's an A+ idea to watch a B-list '90s romantic comedy this weekend
Michelle Pfeiffer and George Clooney play single parents trying to get through a very busy day in New York in One Fine Day.
20th Century Fox/Alamy
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20th Century Fox/Alamy
This week on Pop Culture Happy Hour, we talked about our “pop culture pumpkin spice lattes” – things we might call “basic” but love anyway. To the surprise of no one, I shared my love of what I called “B+ to C+ romantic comedies of the ’90s.” Not the universally beloved classics like Sleepless in Seattle or You’ve Got Mail, or even the most fondly recalled B-listers, like The Cutting Edge. All delightful films to watch, but not exactly what I mean.
No, what I’m talking about is the remnants of an age in which it seemed like every movie actor took a swing at romantic comedy. Different combinations of people, different high concepts, different levels of success.
And I owned many (many, many) of them on VHS. Some of them are hard to even find on streaming anymore. But if you want a taste of what I’m talking about – so you, too, can revisit them or enjoy them for the first time – here goes.
One Fine Day
YouTube
George Clooney and Michelle Pfeiffer made an enchanting little piece in which they both played single parents trying to get through a very busy day in New York. It’s a very charming movie – Clooney is at the height of his leading-man mojo. (Available to stream.)
I.Q.
YouTube
In I.Q. Meg Ryan plays the bookish niece of Albert Einstein, played by Walter Matthau. She meets and falls in love with an auto mechanic played by Tim Robbins, even though she’s already got a dull boyfriend – played by Stephen Fry! Somehow, there’s also a subplot about the Russians and nuclear fusion, but obviously, love wins in the end. Seeing Meg Ryan, whose thing is rom-coms, try to light up Tim Robbins, who isn’t exactly known for rom-coms, is fascinating.
Picture Perfect
YouTube
The team was shocked when I told/reminded them that Jennifer Aniston made a romcom with Jay Mohr the year after he played the sleaziest person in Jerry Maguire, a distinction that’s really saying something. This one falls into the fake-relationship category familiar to so many romance fans. Aniston plays a woman whose boss prefers to promote married people, so she invents a fiancé using a fortuitously taken photo of her and Mohr, who she doesn’t actually know. When the boss wants to meet him, she has to actually produce him, and things progress from there. The best part of this one is Kevin Bacon as the womanizing colleague she’s hung up on who is no good for her. (Available to stream.)
Speechless
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Geena Davis and Michael Keaton play opposing speechwriters – and yes, because it came out in 1994, this did remind people of Mary Matalin and James Carville. (This is harder to find to stream.)
Only You
YouTube
Perhaps one of my favorites of this category, almost good enough to be disqualified, this film brings together Marisa Tomei and Robert Downey Jr. in the story of a woman who goes to Italy to chase what she thinks might be her destiny. The plot is really silly, but Tomei and Downey had great chemistry long before they played Tony Stark and Aunt May, and Bonnie Hunt is on hand as Tomei’s best friend. Worth watching just for a scene between Hunt and Downey, and for his impression of Gregory Peck in Roman Holiday. (Available to stream.)
So, as the weekends get chillier, grab a cup of cocoa, and look up some highlights of this magical time. You never know who you might bump into.
This piece also appeared in NPR’s Pop Culture Happy Hour newsletter. Sign up for the newsletter so you don’t miss the next one, plus get weekly recommendations about what’s making us happy.
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Lifestyle
‘How to Rule the World’ explores education and power at Stanford University
Students walk on the Stanford University campus on March 14, 2019, in Stanford, Calif.
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Ben Margot/AP
When Theo Baker arrived at Stanford University a few years ago, he joined the student newspaper, following the path of his journalist parents, Peter Baker, a White House correspondent for The New York Times, and Susan Glasser, a writer for The New Yorker.
Through his reporting as a student journalist, he eventually broke a story about manipulated data in Stanford President Marc Tessier-Lavigne’s neuroscience research that helped lead to the university president’s resignation.
Theo Baker’s book, How to Rule the World: An Education in Power at Stanford University was released May 19. In it, Baker describes Stanford as a place where proximity to Silicon Valley gives rise to a parallel system of influence, recruitment and money, with investors looking to identify promising students almost as soon as they arrive on campus.
He told Morning Edition host Steve Inskeep there was “a sort of Stanford inside Stanford,” where elite students are drawn into an “alternate reality” of excess and access to cut corners.
In the interview, he discusses how Stanford is not just a university but also a pipeline where status and power can matter as much as ideas.
We reached out to Stanford University for comment and have not heard back.
Listen to the interview by clicking play on the blue box above.
Lifestyle
OTB Takes Full Control of Viktor & Rolf
Lifestyle
How having zero points in tennis — or ‘love’ — came to sound so sweet
The scoreboard shows the results of the women’s singles final match between Iga Swiatek of Poland and Amanda Anisimova of the U.S. at the Wimbledon Tennis Championships in London, Saturday, July 12, 2025.
Kirsty Wigglesworth/AP
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Kirsty Wigglesworth/AP
Fifteen points in tennis? Nice. Thirty, 40 — even better. Advantage — that sounds good. “Love” — that also must be great, right? Well, not quite.
As the French Open rolls on and Serena Williams has announced her return to the sport, maybe you’ve been paying a little more attention to tennis. The sport’s scoring system is notably distinct, and can sometimes be hard to grasp for newcomers. But even tennis aficionados might not know why, or how, “love” became the unmistakable callout for zero points. For this installment of NPR’s Word of the Week, we’re exploring how a word that signifies trailing behind got such a sweet name.
“Love” comes from the heart — or an egg?
It’s hard to pinpoint when the first tennis ball went over the net. Tennis is a derivative of lots of other sports, such as “jeu de paume,” a handball game played in France, said JT Buzanga, the collections manager at the International Tennis Hall of Fame museum.

But tennis became a patented, official sport in 1874, said Steve Flink, a journalist whose tennis coverage got him inducted into the International Tennis Hall of Fame. It has retained its unique, mysterious scoring system ever since.
“By and large, the original system has held up almost entirely,” Flink said.
The use of “love” goes back to the late 18th century, said Jesse Sheidlower, a lexicographer. But it was used earlier than that in card games such as whist and bridge. Before the term made its way to tennis, the sport favored plain old “nothing,” or “nil,” he said.
Why love in the first place, though? Historians don’t really know for sure, but there are a few theories.
The French could have something to do with it. Some historians believe “love” derives from “l’oeuf,” which means “the egg” in French. Because eggs are shaped like zeros, terms such as “goose egg” and “duck’s egg” have been used in other contexts to mean zero, Sheidlower said.
It’s also possible English speakers mispronounced l’oeuf as “love.” But Sheidlower isn’t convinced that’s the answer.
“It’s the French equivalent of an English expression. But since that expression doesn’t appear in French, the French word wouldn’t have been used,” he said.
To be sure, France has had a lot of influence on tennis culture, Buzanga said. For example, “deuce” or a game tied at 40 points, comes from the French word for “two”: “deux.” But he prefers another prominent theory: that “love” comes from the idiom “for the love of the game.” Even if a player hasn’t scored, it doesn’t matter, because their heart is in it. It’s the theory Sheidlower said is the most plausible, because the idiom was used by the English before tennis was popularized.

Another variation of the “love of the game” theory is that the word could have come from the Dutch “lof,” or “honor” — or the Latin “amare,” meaning “to love,” Flink said.
But if tennis’ “love” doesn’t come from a French word, the theory at least has a French sensibility.
“I think the ‘for the love of the game’ is kind of romantic,” Buzanga said.
“Love” probably isn’t going anywhere
Tennis used to be a sport of leisure. The style of play has changed a lot over the years; players are more athletic and competitive, for instance, Flink said. But the rules of the sport are more steadfast, he said.
“There’s this incredible, enduring respect for tradition in tennis,” he said. “Changes are not made easily.”
There has been one major change in modern history: the tie-break. Matches can go on and on because players have to score two consecutive points to break a deuce, or by two games to break a tied set. But the onset of television meant matches would have to get shorter if the sport wanted to capture a larger audience, Flink said.

Change even came for “love.” An alternative sprouted up in the 1970s, and is still used today: “bagel,” named for its zero shape, Sheidlower said. Novices may say “zero,” and insiders will understand what they mean, but they “will needle them about it,” Flink said.
But “love” still prevails.
“People kind of like it,” Flink said. “It’s different. Why say zero when you can say love?”
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